Lindell

Tobias Lindell has already proven with his 500-format modules that he can cleverly transfer classic circuits into the modern age. With the LiN76, he applies this talent to a famous FET compressor. With the LiN76, Lindell Audio presents an FET compressor with a classic sound. The LiN76 allows the control of input, output, attack, release and switchable ratio dynamic control with vintage sound. The large VU meter can be calibrated using a control on the rear panel. Like the original, the LiN76 also offers the "All-Buttons-In" mode, which transforms the compressor into a brickwall limiter with a particularly aggressive sound.

Legendary EQ in modern solid-state technology:The Lindell Audio LiNTEC Vintage Program Equaliser is constructed as a solid-state design in order to utilise the essential advantages over tube circuits: The transients are reproduced accurately and concisely with a slightly soft, creamy and punchy character. The noise floor is also significantly reduced. The very low manufacturing tolerances allow the use of any two LiNTEC equalisers as a stereo setup - each pair is a matched pair. In addition, maintenance effort and costs are reduced in the long term as no tubes need to be replaced.Noble sound profile and low-end trickThe classic sound character of the LiNTEC Vintage Program Equaliser from Lindell Audio lends tracks genuine vintage charm. The typical warm and harmonious sound of a famous equaliser has been integrated into the circuit design to give modern productions a vintage flair if required. The highlight: this effect is retained even when the EQ is set flat. The LiNTEC Vintage Program Equaliser is also suitable for using a tried and tested low-end trick: By simultaneously boosting and attenuating low frequencies, a unique filter curve is produced that creates a very special sound and has already helped a number of songs to success.Vintage workflow with gridded potsThe Lindell Audio LiNTEC Vintage Program Equaliser is equipped with a classic control panel: Boost and Cut are available for low and high frequencies respectively to boost or cut the respective frequency. Separate boost and cut frequencies can be set for the high frequencies. Both treble bands share a bandwidth control. The rasterised potentiometers enable simple and precise stereo adjustment as well as quick restoration of previous settings. A prominent bypass switch is used for A/B comparison. A large VU meter allows the signal to be levelled and can be adjusted on the rear panel. The output level can also be adjusted there.

Tobias Lindell has already successfully modernised the legendary FET compressor in the form of his LiN76. Now he has taken on what is probably the most famous optical tube compressor - the result is the LiN2A. The simple operating concept of the LiN2A belies its versatility: the 2A compression dispenses with the conventional ratio, attack and release controls of other compressors and instead offers a simple two-button interface with programme-dependent response for fast results.