Drum Microphone Sets

Microphone collection with 7 microphones for miking the entire drum kit including mounts and aluminium case - ready-to-gig.Versatile all-purpose solution for stage, rehearsal room and studio.

Whether drums, brass or guitar miking, but also speech and vocals, the Shure SM 57 is a worldwide standard on stage and in the studio. Known for its robustness and ease of use (low feedback), as well as its unique sound. The frequency response is optimised in such a way that usually only a few adjustments to the EQ are required to achieve the desired result.high-quality, dynamic, top-class bass drum microphone. It combines a powerful low-end punch with a present kick - without having to adjust the EQ on the mixing console. This makes it easier to work live and in the studio.

With Bonzo, Avantone Pro presents a bundle of two microphones that perfectly cover all conceivable bass drum miking scenarios, both live and in the studio. The first microphone is Kick, the reincarnation of the classic white cone bass speaker built into a ten-inch drum chassis. Kick stands for an impressive low-frequency performance that cannot be achieved with other designs. The second microphone is Mondo, a traditional large-diaphragm dynamic microphone with a specially designed frequency response that delivers an assertive kick drum sound even without the use of additional equalisers. Its compact design and the included vibration-damped SSM mount make it easy to position the microphone together with the kick, so that different sound ideas can be easily realised. Avantone Pro Bonzo Bundle is the convincing all-round carefree package for demanding sound engineers and produces powerful sounds in all situations.

The affordable PGADRUMKIT6 complete package contains special microphones for drum miking. It includes a PGA52 bass drum microphone, two PGA56 drum microphones, a PGA57 and a PGA81 instrument microphone as well as two clamps, six XLR cables and a transport case.

sE V KICK:The V KICK is the most compact and versatile drum microphone in its class. It is designed for use with kick drums and other bass sources such as bass guitar speaker cabinets, floor toms or other large drums where the low-frequency signal components are of great importance. Thanks to the integrated swivel joint, the microphone can be positioned anywhere. The capsule delivers a sound character specially tailored to kick drums, which can be further customised using two switches on the back of the microphone. From classically warm to modern-aggressive, the V KICK produces any kick drum sound required.sE V BEAT:The V BEAT is the most compact drum microphone in its class and is designed for use with snare or tom drums. While the V7 is optimised for vocals, the V BEAT offers the same high-quality sound performance as the dynamic V7 X instrument microphone, but in a dedicated low-profile and drum-friendly form factor. Tuned for instrumental use, it can also be used on sources such as guitar speakers or brass instruments. Its special capsule provides a very detailed, extremely natural sound character on snares or toms of any size, with amazing off-axis rejection to avoid crosstalk from nearby drums and cymbals. Its ultra-compact design with parallel arrangement of XLR connector and stand mount ensures the smallest footprint in its class. Thanks to the robust swivelling mount, the angle can be adjusted very precisely so that it can be aimed at almost any part of the drum to achieve the desired sound character.sE V CLAMP:The V CLAMP is the fastest, most compact and user-friendly microphone mounting system on the market. It is compatible with any standard snare and tom microphone. It was developed as the ideal companion to the sE V BEAT for snare and tom miking, but it is also compatible with many other popular microphones. The sturdy and elasticated clamp allows it to be set up and taken down in seconds, and its durable design is made for road use. The height and angle of the microphone can be adjusted quickly and easily by releasing the V CLAMP lock. This allows perfect positioning for the desired drum sound or to minimise crosstalk from neighbouring drums.sE V7 X:The V7 X is a dynamic instrument microphone with a supercardioid polar pattern. It captures your performance and connects it with the listener in an unrivalled way - both on stage and in the studio.The innovative voice coil of the specially tuned capsule and the brand new acoustic design are ideal for miking any instrument - with a perfect balance of detailed highs and ultra-powerful lows. Whether on electric guitar amps, wind instruments, bass amps, snare, toms, choirs and much more, the V7 X is the perfect tool for amplifying or recording your instruments.sE8 stereo set:The new sE8 is a high-quality small diaphragm microphone with outstanding sound characteristics. The elaborately manufactured electrode enables a very balanced and particularly natural transmission of instruments of all kinds. This also allows the intensive use of EQs or filters without making the recording unpleasant. With the highest dynamic range and the highest overload resistance in its class as well as the practical, switchable attenuation and high-pass filters, the sE8 offers unbeatable flexibility for every application in the studio and on stage.

D6 microphone:The D6 is a dynamic microphone that is particularly good at reproducing comparatively low frequencies. The cardioid D6 offers a transmission range of 30 Hz to 15 kHz (+/-3 dB) and is therefore ideal for miking kick drums, bass boxes/combos and similar instruments. Transformerless electronics as well as low-impedance and balanced outputs guarantee interference-free performance - even when using longer cable lengths. The very stable housing is made of a single piece of aluminium and is about twice the size of the other models in the D series.D4 microphone:The D4 is suitable for miking kick drum, floor tom, djembe, bass guitar combo, piano or saxophone. The D4 has an innovative capsule design that is also capable of reproducing frequencies below 100 Hz cleanly. In fact, the D4 is able to pick up frequencies up to 63 Hz. However, it should not be forgotten that this microphone is a full-range microphone that is suitable for a variety of different applications. If the D4 is used to pick up the kick drum, it should be placed in the centre of the sound opening of the front head. Here the D4 offers a warm, fat sound with a good portion of punch.D2 microphone:The D2 is very well suited for rack toms, floor toms and congas. It was primarily designed to perfectly reproduce instruments with an amplified lower midrange. With little or no gating, this microphone really comes into its own. Due to its wide frequency transmission range, the D2 can also be used for guitar combos as well as for miking a saxophone.Audix I-5 microphone:The Audix I-5 is a dynamic microphone for miking instruments on stage and in the studio. It is particularly suitable for loud instruments such as snare or electric guitar etc. and is ideal for the event sector due to its absolutely tour-ready processing.The I-5 was developed in response to requests from users and dealers for a universal, high-quality and cost-effective instrument microphone. Over the last few years Audix has successfully produced a wide range of application specialised microphones for e.g. drums and percussion. The I-5 is a synthesis of the experience gained from these developments. Audix is the leading U.S. manufacturer of high quality microphones for the event and studio market. Although the I-5 is produced in large quantities for a broad target group, the high quality specifications and quality control standards remain Audix trademarks as with all other products.The I-5 is designed with a cardioid polar pattern that allows the miked instrument to be transmitted without crosstalk from other instruments or sounds on stage. With a smooth, even frequency response of 50 Hz - 16 kHz and sound pressure processing of more than 140 dB, the I-5 is ideal for a wide range of applications in all musical genres.Featuring the latest Audix instrument microphone technology, each model is made from durable cast zinc alloy in a sleek shape with a unique basket design and features laser-etched model and serial numbers.

The PGADRUMKIT4 is an inexpensive, 4-piece drum microphone set. It contains special microphones for miking bass drum, snare, toms and percussion. The set consists of a PGA52 bass drum microphone, two PGA56 drum microphones and a PGA57 instrument microphone as well as two clamps, four XLR cables and a carrying case.

The universal Audix DP4 set contains four professional microphones for live or studio use to pick up sound from drum sets, guitar amps, percussion or other instruments, for example. The D6 is the reference microphone for modern kick drums and is also suitable for bass amps, large floor toms and other low-frequency sound sources. The i5 achieves outstanding results with universal applicability for guitar amps, snares, toms, percussion and other powerful instruments. The selection of dynamic microphones with Audix VLM capsule technology ensures accurate sound reproduction. Microphone clips, three universal D-Flex holders and an aluminium case are included.