Whether drums, brass or guitar miking, but also speech and vocals, the Shure SM 57 is a worldwide standard on stage and in the studio. Known for its robustness and ease of use (low feedback), as well as its unique sound. Its frequency response is optimised in such a way that usually only a few adjustments to the EQ are required to achieve the desired result, and it has also been used on the podium of the American president for over 30 years.
The Sennheiser e 906 is an instrument microphone with a supercardioid polar pattern. Although it has been specially designed to pick up guitar amplifiers, it is also ideal for drums, percussion and wind instruments.
Cajon & bass drum microphoneThe CBM-1 was developed in co-operation with the microphone specialists "Rumberger Sound Products" in Germany. It was specially built to enable easy miking of cajons with outstanding sound results. Thanks to the integrated active EQ, the CBM-1 is already pre-mixed to reproduce a natural, uncompromising Cajon sound. Plug and Play! The microphone cable can be extended with any standard cable. With the -6db switch you get an alternative Cajon sound, but this is especially intended for use in the bass drum.
The e 614 is a permanently polarised condenser microphone with a supercardioid polar pattern. It was developed for demanding applications where an extended frequency range, high level stability, fast transient response and compact design are required. With its transmission range of 40 Hz to 20 kHz, the e-614 captures the full room sound and the entire body of the instrument. The supercardioid polar pattern ensures greatly reduced crosstalk with other instruments on stage. Although the microphone is primarily designed for percussion miking, it is also ideal for woodwind and string instruments. Thanks to its excellent acoustic properties, the e 614 can also be used for demanding home recordings.
The dynamic PGA56 drum microphone for snare and toms offers an excellent sound and a robust design. Thanks to the integrated stand adapter with swivel joint and quick-release fastener, the PGA56 is ideal for flexible positioning on snare, toms and percussion.
The d:vote™ series is already the recognised benchmark for this type of microphone. The CORE version delivers even better sound quality and distances itself even more clearly from competitor products. The d:vote™ CORE 4099 delivers even more clarity and detail across the entire dynamic range. CORE technology is the logical choice for musicians, live sound engineers and anyone else who doesn't want to compromise on sound quality. CORE by DPA is the powerful new technology that underpins DPA miniature microphones. We have minimised distortion. As a result, the microphones offer a clearer and more open sound from pianissimo to forte. Find out more about CORE by DPA. Whether piano, guitar, strings or wind instruments - d:vote™ microphones deliver outstanding sound for all instrument types. This one microphone model can amplify an entire orchestra beautifully. With the matching holder, you can mount the microphone on another instrument. The award-winning d:vote™ series offers a far more natural sound than other clip-on microphones or pickups. This condenser microphone suppresses unwanted noise and accurately captures the true tone of your acoustic instrument.
The C1000 S is the revised version of the established predecessor model C 1000 S MK-III, which was already highly valued for its versatility and reliability. Whether in the studio, for reports or for live recordings - the C1000 S always delivers the best results.
The Sennheiser e 914 is a high-quality condenser microphone for very demanding applications. Its outstanding sound characteristics qualify the e 914 for high-calibre tasks. The e914 is the ideal microphone for ambitious sound recordings and concert sound reinforcement. The main areas of application are acoustic guitars, cymbals, percussion, orchestra, piano/grand piano etc.
The miniature condenser microphone for drums and percussion instruments. The cardioid characteristic prevents crosstalk between several microphones positioned close together. The microphone can be securely attached directly to the clamping ring of a variety of drum and percussion instruments using the infinitely adjustable screw clamp.The elastic external mount reliably isolates the transmission of interfering structure-borne noise. An additive gooseneck stabiliser fixes the boom arm at a predetermined angle for drums and percussion instruments with a very small diameter. The integrated bass cut switch (C 518 M only) enables acoustic adjustment to various instruments.
Ideal for recording/recording instruments whose spectrum is particularly located in the low-frequency range: bass drum, electric bass speaker, etc. Handles high sound pressures with low distortion and high dynamic range.
The Beta 52A is a top-class standard microphone for the bass drum. It combines low-end punch with a present attack. Even extremely high volumes are transmitted without distortion.
At the front end of the cable is a miniature Lemo plug with a union nut. Once screwed in place, this prevents rattling.The CCM 4 has been optimised with regard to insensitivity to sound coming from the rear. As is characteristic of the classic cardioid, the attenuation is 6dB at lateral incidence below 90° and up to 30dB at incidence from the rear - depending on the frequency and distance. Diffuse sound is reproduced 4.8dB weaker than frontal sound, a value that corresponds to the directivity*. The greater this is, the less "space" a microphone transmits and the less susceptible it is to acoustic feedback.Thanks to its directivity, the CCM 4 can be positioned around 1.7 times further away from the sound source than a pressure transducer of the same sensitivity with the same reverberation balance. Even in a diffuse sound field, i.e. at a great distance from the sound source in the room, this type of microphone has a constant frequency response - apart from a slight rise at 10kHz.The sound image is present and free of colouration. This microphone type is equally suitable for speech and music recordings, which is why it is used in the ORTF stereo microphone (MSTC 64 Ug, or STCg). It also delivers excellent results as an XY pair and as a centre microphone in an MS arrangement.
The LCT 040 offers professionally refined sound, instantly, all you need to do is press record. After thorough testing and adjustment, we have customised the small condenser capsule to give you a balanced sound with a pleasant high-end; professional results without the hassle.
Do you want to get into stereo recording or do you just need a nice pair of overheads? With the perfectly matched LCT 040 MATCH stereo pair, recording is child's play, precise localisation and an incredible spatial impression are guaranteed.The proven and tuned small-diaphragm condenser capsule ensures a balanced sound and a pleasant high-end. Fast results, no effort.
The e 608 is an instrument microphone with a supercardioid polar pattern specially designed for miking drums as well as woodwind (except flute instruments) and brass instruments. Thanks to its gooseneck mount, the small dynamic instrument microphone can be positioned very close to the sound source and thus ensures realistic pickup with high signal strength. Speaker basket: Stainless steel.
Dynamic instrument microphone from the new Fusion series, suitable for snare, tom, percussion, guitar amp, woodwind/brass instruments, flute, vocals, designed, assembled and tested by Audix in the USA, hypercardioid, 55 Hz- 15 kHz, max. SPL 137 dB, clear and clean sound reproduction, incl. mic clip (MC-1) and soft bag (P-1).
Dynamic microphone with emphasis on the high mids/treble and reduction of the lower mids. The PR22 therefore cuts through very well in the mix and at the same time delivers a clean, "finished" sound. The patented "IsoBand" technology minimises hand noise. Ideal for miking vocals, snare drums, hi-hats, cymbals and acoustic guitars. The Heil PR 22UT is technically the same as the PR22, but is supplied with only one microphone basket and a smaller bag.
The HD 25 is a dynamic headphone with a closed design, i.e. ambient noise is shielded better than with an open design. These robust headphones are therefore particularly suitable for listening to music and speech in noisy environments, e.g. for monitoring PA systems, for use in outside broadcasting or for studio monitoring.
Focal is expanding its Alpha series with the newly launched Alpha Evo. New features, new technologies, new design: the Alpha 50 Evo and Alpha 65 Evo studio monitors offer high performance at an unrivalled price in their market segment, making them the professional tools of choice for more people than ever before. With these new products, the French manufacturer is once again demonstrating its sound expertise and asserting its position as world market leader.PERFORMANCE & VERSATILITY:The Alpha 50 Evo and Alpha 65 Evo models are specially designed for music production and general music reproduction and ensure outstanding acoustic coherence regardless of the listening location. To further improve reproduction performance, Focal has opted for an aluminium tweeter with an inverted dome for wide sound dispersion and a carbon fibre cone. The recycled carbon fibre cone is manufactured exclusively by the French brand in Saint-Étienne and was chosen for its neutrality and dynamics. Focal is constantly revising its product range, drawing on over 40 years of expertise in the field of acoustics and its innovative strength. This is also underlined by the new large laminar port, which minimises distortion.NEW FEATURES:Evo stands for evolution. In addition to the analogue XLR and RCA sockets, the Alpha Evo monitors have a new TRS jack input (6.35 mm), an automatic standby mode that can be deactivated and inserts for wall and ceiling mounting: a truly versatile range (mixing, mastering, DJ, broadcasting). In terms of amplification, the speakers each have two Class D amplifiers. Their high current capacity gives you maximum control over the signal dynamics. In addition, high volumes can be achieved without distortion. Each speaker reproduces even the smallest details in the mix across all styles of music.DESIGN AND CABINET CONSTRUCTION:The monitors have a 15 mm thick MDF enclosure with internal bracing for maximum stability even at high sound pressure levels. The bass reflex design was chosen for easy acoustic integration even in the tightest of spaces. In terms of aesthetics, the classic cube shape of the monitor gives way to a design with rounded corners. The side panels ensure a sophisticated, robust and modern design that contributes to excellent acoustics and a unique and harmonious character across the entire range.
With the DM3 series, sound engineers can capture the sound on stage precisely and without distortion and then add creative accents as required. "Less is more" - with the 9" touchscreen and a single touch & turn control, most of the console's functions can be controlled. The DM3 consoles offer more power and flexibility than you would ever expect from such a compact digital console.
Description:Neural DSP describes its Quad Cortex as the most powerful floor modeller in the world. With a total of 6 cores (4x SHARC+ and 2x ARM Cortex-A5 with 500MHz each), it offers almost limitless sound design possibilities thanks to its incredible processing capacity.The simultaneous operation of four amplifier models, stereo reverbs and a wealth of other effects doesn't even come close to making the Quad Cortex break a sweat.Quad Cortex offers an ever-growing collection of guitar and bass algorithms:50+ amps50+ effects50+ IRsBy using the most advanced design and manufacturing techniques, the powerful floor modeler has been packed into an extremely compact format of just 29 x 19 x 4.9 cm.
The evolution of a classic:Building on the venerable heritage of the Xone:92 and incorporating the hardware enhancements of the highly acclaimed Xone:92 Lim-ited Edition, we've added Silent VCF Switching, a new custom innoFADER® crossfader and a range of premium upgrades that preserve the legendary 92 DNA while improving performance.The iconic 92 sound. Refined:For two decades, the Xone:92 has set the sonic standard for dance music with its all-analogue signal path.The new Xone:92 delivers the iconic sound that DJs and clubbers love, but with the latest high-performance analogue components in the audio path.Experience bass that moves the masses, treble that cuts through and a warmth that can't be matched digitally. Connect with your audience on a physical level - from intimate clubs to large festivals.Built for the booth:The new Xone:92 is built for hard use in clubs, at festivals and on relentless tours - thanks to its robust, proven chassis designed for all-night, high-energy sets.The crossfader has been updated to the industry-favourite mini innoFADER Pro®, which is tuned to the curve of the original 92 fader while providing a smoother, more precise and durable mixing experience.The new Xone:92 is presented in the classic Storm Grey colour with improved UV printing for better legibility in low light conditions and redesigned labelling for better visibility of key controls, while the recessed filter and XFade assignment switches further improve ergonomics.The legendary filter. Perfected:The Xone:92 filter changed the game when it debuted in 2004. Twenty years later, it's still the measure of all things, and the new Xone:92 goes one better. The updated filter offers enhanced frequency precision thanks to an optimised control curve, while retaining the famous 92 filter sound. Noiseless filter switching allows for seamless transitions, and the improved resonance lets you explore new dimensions in your performances.The ultimate analogue EQ:With the Xone:92's unrivalled analogue EQ, you can shape your sound with surgical precision and get creative with your transitions.All 6 stereo channels feature our renowned 4-band EQ with total kill on the HF and LF bands and two centre frequency controls for extreme sound shaping.Precisely tuned preamplifier:The Xone:92 phono preamplifier has been fine-tuned with an RIAA curve specifically tailored for techno and house and improved line/phono source matching for easy integration of analogue and digital sources to get the best out of your vinyl.About the club icon:The Xone:92 is a versatile six-channel analogue mixer renowned for its warm, punchy sound that fills any room, with unrivalled EQ and filter sections for creative sound shaping and transitions.Thanks to its unrivalled sound quality, solid construction and ease of use, the 92 is on the riders of many of the world's top DJs and is a staple in DJ booths around the world, from the superclubs of Ibiza to the beach bars of Miami, from the underground clubs of Berlin to the warehouse venues of London.
HI, MEET MUSE.This is Muse, the fourth Moog polysynth ever developed. It's an eight-voice analogue, bi-timbral, polyphonic synthesizer - the culmination of overthe culmination of over 5 years of dreaming, design and passion. Muse is an intuitive and powerful instrument that builds on Moog's rich history while looking boldly to the future.It is designed to be robust and portable for the stage, but also as the centrepiece of a modern studio.From your first playful encounter with the knob-for-function control panel, Muse matures with you through years of limitless exploration. Explore and express yourself endlessly with the digital controls for flexible modulation options, patch memory recall and advanced sequencing.Each sequence exists independently of a patch, allowing on-the-fly modification within the same musical concept.Equipped with parameter recording, probabilistic functions and microscopic editing of every note in the sequence, the sequencer is an endless playground for musical arrangements.The rich and nuanced history of analogue synthesizers is infused into every aspect of the architecture.Muse is designed to evolve, surprise and delight for years to come.
The new DM-8 e-drumset from Nux is designed for semi-professionals and professionals. Noiseless practising and performing with an authentic playing experience - this is the formula that the engineers at Nux have implemented at their well-known price-performance ratio.The DM-8 consists of a solid rack system and its drum shells as well as the bass drum are covered with mesh heads whose tension can be adjusted to suit your taste and whose rebound behaviour feels like that of a real drum set. The authentic feel is further enhanced by the free-standing hi-hat, which can be played in an open, closed or half-open setting. The free-standing snare, which also features the latest 3-point trigger technology, can be used to realise multi-faceted and highly dynamic rim-shot or cross-stick playing styles.The crowning glory of the DM-8 is the clearly laid out control interface, which allows precise intervention in the sound mix using individual group faders. In addition to 30 pre-installed hi-fi drum sets, you can also feed in your own drum samples. The module also serves as an interface for other DAW and MIDI applications.