Condenser instrument microphone of the new Fusion series, suitable for overheads, hi-hat, cymbals, acoustic instruments, designed, assembled and tested by Audix in the USA,
The Warm Audio Fen-tone™ is inspired by a classic ribbon microphone from the 1950s, built with improved, modern components to deliver iconic sounds. Like B&O's original design, the Warm Audio Fen-tone has a compact, pencil-like design with vented sides that can be easily placed in tight recording situations. Unlike the original, the Fen-tone features modern upgrades such as a custom Japanese ribbon, a neodymium magnet and a CineMag USA transformer to deliver the iconic ribbon sounds popular in contemporary music on electric guitars, overheads, wind instruments and many other instruments. Fen-tone also features a pure analogue 26 dB JFET in-line preamp that enables active use - a key advantage for direct use of the mic with low-power audio interface preamps.
The SM137 is a flexible condenser instrument microphone with a linear frequency response for true-to-life reproduction with pleasant highs and a compact, controlled low end. It faithfully reproduces the sound of the instrument and combines a cardioid polar pattern, ultra-thin diaphragm and low self-noise with a switchable attenuation for very high sound pressures.
The KSM313 is a ribbon microphone with exceptional sound characteristics, equipped with a figure-of-eight characteristic. The dual-voice design combines two different sound characteristics in one microphone. One side of the microphone has been optimised with a rising frequency response for transparent vocal recordings. The other, with a darker sound characteristic, is ideal for miking electric instruments (e.g. electric guitar). Shure ribbon microphones are handmade in the USA with selected components. Compared to traditional foil ribbon technology, Roswellite technology is characterised by the particularly high elasticity and resilience of the material, which allows the microphones to be used even at extremely high sound pressure levels. The unique technology and features as well as the carefully selected materials and meticulous handcrafting make Shure ribbon microphones an excellent choice for the most demanding studio and stage recordings.
The C391 B Combo is a combination of the SE300 B preamplifier and the CK91 capsule. It offers excellent audio quality and unique flexibility and is therefore ideal for demanding broadcasting applications. The microphone has a cardioid polar pattern, low self-noise and very good impulse behaviour for a bright and brilliant sound. The bayonet coupling system allows the capsule to be quickly exchanged with the other microphone modules in the Blue Line series. The SE300 B offers a switchable bass attenuation filter with three settings: flat, 75 Hz and 10 dB attenuation.
The Varimotion deep-drawing process allows the diaphragm to be fine-tuned even without additional tuning resonators, resulting in the typical AKG audio quality. The transducer capsule is protected by a sturdy grille cap and can handle even extremely high sound pressures without any problems. The cardioid polar pattern guarantees powerful sound and reliability even on the smallest stages. Thanks to the integrated stand connection and the H 440 mounting bracket supplied for snare, tom-toms etc., the D 4 is ideal for drums, percussion, wind instruments and guitar amplifiers
The STC-1S is a lab-tuned stereo pair of the STC-1 cardioid microphone. With these microphones you will be able to record a perfect stereo image, whether it's a string quartet or an entire symphony - the STC-1S is the ideal microphone for A/B, Y/Y and other stereophonic recordings. The variable filter and pad switches further extend the versatility of this set for use in recording many instruments, whether acoustic or amplified. Compatible with this set are the optional "Omnidirectional" and "Hypercardioid" capsules. Please note, however, that when using these capsules, the microphones can no longer be classified as "stereo tuned". They are supplied in a luxurious wooden case, together with a stereo microphone holder and clamps. The optional capsules can also be stored in the wooden box.
The bracket can be attached easily and almost anywhere using the screws supplied or the double-sided adhesive tape included.With the optional B 29 L battery power supply unit, the C 516 ML (2 units) is ideal for picking up accordions (1 x treble, 1 x bass).Only available as ML version for operation via the B 29 L battery power supply, pocket transmitter from the AKG WMS series or MPA V L with external phantom power supply.
The SuperCMIT defines a new type of straightening tube. Its directivity goes far beyond that of a conventional, even long, levelling tube. It therefore offers completely new possibilities for the sound engineer.The SuperCMIT is a digital microphone according to the AES-42 standard, which is supported by most mobile recorders, among others.
Sontronics CORONA - dynamic vocal microphone in an unusual retro design, developed and manufactured in England, finely tuned sound image ensures a powerful presence and makes an EQ almost superfluous, supercardioid characteristic ensures effective damping of the rear of the microphone, versatile - for both vocals and instruments.
The Harp Blaster HB52 dynamic harmonica microphone is the result of a co-operation between HOHNER and sE Electronics. It was developed with the inspiring support of professional harmonica players and sets new standards for the sound of legendary vintage harmonica microphones.Perfect for the artist's creative output, it can be held very comfortably for long periods of time and is suitable for cupping to create the typical Bues harp sound. It blends seamlessly with the artist's emotional output to maximise sound quality and musical expression.The uncompromising design is tailored to the needs of touring professionals. The HB52 combines fantastic sound quality with optimum ease of use and maximum durability.Compact dimensions. Big sound. Easy handling:The HB52 is the perfect size for cupping and easy handling. It blends seamlessly with the artist's emotional output to maximise sound quality and musical expression.Vintage sound paired with modern precision:Inspired by the sound of legendary vintage harmonica microphones and developed in close collaboration with professional players to fulfil the essential requirements. Manufactured to state-of-the-art standards with high-quality components and robust metal parts for maximum durability.Boutique features meet state-of-the-art manufacturing:Handcrafted with great attention to detail in our in-house factory. The hammer finish not only looks incredibly good, it also promises maximum durability and the lustre of the polished, chrome-plated grille will last for years. The Bourns® potentiometer allows the volume to be precisely adjusted (can be deactivated if required) and the gold-plated XLR contacts ensure reliable, loss-free signal transmission.At the heart of the Harp Blaster: the capsule:The capsule combines sE's many years of experience in dynamic capsule design and acoustics with HOHNER's accumulated harmonica expertise of over 160 years. The sensitive capsule responds immediately to hand position and musical expression. Thanks to the high output level and high output impedance, amps can be driven directly without additional impedance converters or intermediate catch-up amplifiers. Proven neodymium magnets, tight manufacturing tolerances and the finest workmanship ensure outstanding sensitivity and first-class sound quality. In contrast to ceramic or piezo transducers, the dynamic capsule is insensitive to impacts on hard surfaces. It withstands harsh environmental conditions and retains its sound quality for years.Full metal housing - no sensitive plastic parts:The highly resistant die-cast zinc alloy is designed for years of stage use. The corrosion-free and deformation-proof material, together with the finishing, promises absolute reliability. The all-metal housing is manufactured to the highest standards and has no plastic parts. The microphone is extremely robust. You can drop it, kick it and/or hammer nails into it.
Dynamic large diaphragm microphone for miking low-frequency instruments such as kick drum, bass amp or floor tom. Thanks to a pronounced boost of the bass frequencies between 50 Hz and 80 Hz and a moderate emphasis of the attack noise at 4.5 KHz, the bass drum is positioned clearly audible in the mix without being intrusive or artificial. The very high backward and sideward attenuation effectively suppresses crosstalk from other instruments and helps to achieve a clean mix. Ideal for use on live stages where good sound has to be achieved in the shortest possible time.Recommended application: Kick, bass and floor tom
The HD 25 is a dynamic headphone with a closed design, i.e. ambient noise is shielded better than with an open design. These robust headphones are therefore particularly suitable for listening to music and speech in noisy environments, e.g. for monitoring PA systems, for use in outside broadcasting or for studio monitoring.
Focal is expanding its Alpha series with the newly launched Alpha Evo. New features, new technologies, new design: the Alpha 50 Evo and Alpha 65 Evo studio monitors offer high performance at an unrivalled price in their market segment, making them the professional tools of choice for more people than ever before. With these new products, the French manufacturer is once again demonstrating its sound expertise and asserting its position as world market leader.PERFORMANCE & VERSATILITY:The Alpha 50 Evo and Alpha 65 Evo models are specially designed for music production and general music reproduction and ensure outstanding acoustic coherence regardless of the listening location. To further improve reproduction performance, Focal has opted for an aluminium tweeter with an inverted dome for wide sound dispersion and a carbon fibre cone. The recycled carbon fibre cone is manufactured exclusively by the French brand in Saint-Étienne and was chosen for its neutrality and dynamics. Focal is constantly revising its product range, drawing on over 40 years of expertise in the field of acoustics and its innovative strength. This is also underlined by the new large laminar port, which minimises distortion.NEW FEATURES:Evo stands for evolution. In addition to the analogue XLR and RCA sockets, the Alpha Evo monitors have a new TRS jack input (6.35 mm), an automatic standby mode that can be deactivated and inserts for wall and ceiling mounting: a truly versatile range (mixing, mastering, DJ, broadcasting). In terms of amplification, the speakers each have two Class D amplifiers. Their high current capacity gives you maximum control over the signal dynamics. In addition, high volumes can be achieved without distortion. Each speaker reproduces even the smallest details in the mix across all styles of music.DESIGN AND CABINET CONSTRUCTION:The monitors have a 15 mm thick MDF enclosure with internal bracing for maximum stability even at high sound pressure levels. The bass reflex design was chosen for easy acoustic integration even in the tightest of spaces. In terms of aesthetics, the classic cube shape of the monitor gives way to a design with rounded corners. The side panels ensure a sophisticated, robust and modern design that contributes to excellent acoustics and a unique and harmonious character across the entire range.
With the DM3 series, sound engineers can capture the sound on stage precisely and without distortion and then add creative accents as required. "Less is more" - with the 9" touchscreen and a single touch & turn control, most of the console's functions can be controlled. The DM3 consoles offer more power and flexibility than you would ever expect from such a compact digital console.
Description:Neural DSP describes its Quad Cortex as the most powerful floor modeller in the world. With a total of 6 cores (4x SHARC+ and 2x ARM Cortex-A5 with 500MHz each), it offers almost limitless sound design possibilities thanks to its incredible processing capacity.The simultaneous operation of four amplifier models, stereo reverbs and a wealth of other effects doesn't even come close to making the Quad Cortex break a sweat.Quad Cortex offers an ever-growing collection of guitar and bass algorithms:50+ amps50+ effects50+ IRsBy using the most advanced design and manufacturing techniques, the powerful floor modeler has been packed into an extremely compact format of just 29 x 19 x 4.9 cm.
The evolution of a classic:Building on the venerable heritage of the Xone:92 and incorporating the hardware enhancements of the highly acclaimed Xone:92 Lim-ited Edition, we've added Silent VCF Switching, a new custom innoFADER® crossfader and a range of premium upgrades that preserve the legendary 92 DNA while improving performance.The iconic 92 sound. Refined:For two decades, the Xone:92 has set the sonic standard for dance music with its all-analogue signal path.The new Xone:92 delivers the iconic sound that DJs and clubbers love, but with the latest high-performance analogue components in the audio path.Experience bass that moves the masses, treble that cuts through and a warmth that can't be matched digitally. Connect with your audience on a physical level - from intimate clubs to large festivals.Built for the booth:The new Xone:92 is built for hard use in clubs, at festivals and on relentless tours - thanks to its robust, proven chassis designed for all-night, high-energy sets.The crossfader has been updated to the industry-favourite mini innoFADER Pro®, which is tuned to the curve of the original 92 fader while providing a smoother, more precise and durable mixing experience.The new Xone:92 is presented in the classic Storm Grey colour with improved UV printing for better legibility in low light conditions and redesigned labelling for better visibility of key controls, while the recessed filter and XFade assignment switches further improve ergonomics.The legendary filter. Perfected:The Xone:92 filter changed the game when it debuted in 2004. Twenty years later, it's still the measure of all things, and the new Xone:92 goes one better. The updated filter offers enhanced frequency precision thanks to an optimised control curve, while retaining the famous 92 filter sound. Noiseless filter switching allows for seamless transitions, and the improved resonance lets you explore new dimensions in your performances.The ultimate analogue EQ:With the Xone:92's unrivalled analogue EQ, you can shape your sound with surgical precision and get creative with your transitions.All 6 stereo channels feature our renowned 4-band EQ with total kill on the HF and LF bands and two centre frequency controls for extreme sound shaping.Precisely tuned preamplifier:The Xone:92 phono preamplifier has been fine-tuned with an RIAA curve specifically tailored for techno and house and improved line/phono source matching for easy integration of analogue and digital sources to get the best out of your vinyl.About the club icon:The Xone:92 is a versatile six-channel analogue mixer renowned for its warm, punchy sound that fills any room, with unrivalled EQ and filter sections for creative sound shaping and transitions.Thanks to its unrivalled sound quality, solid construction and ease of use, the 92 is on the riders of many of the world's top DJs and is a staple in DJ booths around the world, from the superclubs of Ibiza to the beach bars of Miami, from the underground clubs of Berlin to the warehouse venues of London.
HI, MEET MUSE.This is Muse, the fourth Moog polysynth ever developed. It's an eight-voice analogue, bi-timbral, polyphonic synthesizer - the culmination of overthe culmination of over 5 years of dreaming, design and passion. Muse is an intuitive and powerful instrument that builds on Moog's rich history while looking boldly to the future.It is designed to be robust and portable for the stage, but also as the centrepiece of a modern studio.From your first playful encounter with the knob-for-function control panel, Muse matures with you through years of limitless exploration. Explore and express yourself endlessly with the digital controls for flexible modulation options, patch memory recall and advanced sequencing.Each sequence exists independently of a patch, allowing on-the-fly modification within the same musical concept.Equipped with parameter recording, probabilistic functions and microscopic editing of every note in the sequence, the sequencer is an endless playground for musical arrangements.The rich and nuanced history of analogue synthesizers is infused into every aspect of the architecture.Muse is designed to evolve, surprise and delight for years to come.
The new DM-8 e-drumset from Nux is designed for semi-professionals and professionals. Noiseless practising and performing with an authentic playing experience - this is the formula that the engineers at Nux have implemented at their well-known price-performance ratio.The DM-8 consists of a solid rack system and its drum shells as well as the bass drum are covered with mesh heads whose tension can be adjusted to suit your taste and whose rebound behaviour feels like that of a real drum set. The authentic feel is further enhanced by the free-standing hi-hat, which can be played in an open, closed or half-open setting. The free-standing snare, which also features the latest 3-point trigger technology, can be used to realise multi-faceted and highly dynamic rim-shot or cross-stick playing styles.The crowning glory of the DM-8 is the clearly laid out control interface, which allows precise intervention in the sound mix using individual group faders. In addition to 30 pre-installed hi-fi drum sets, you can also feed in your own drum samples. The module also serves as an interface for other DAW and MIDI applications.