With the RockBoard® HA 2 in-ear monitor volume controller, the volume of the monitor signal sent from the mixing console can be quickly adjusted to the actual needs of the musician without having to signal a sound engineer to reduce the volume. The lightweight, wired device with belt clip is designed for musicians who do not have to move far on stage. It works as a passive volume control and does not require batteries.
The RockBoard HA 1 in-ear monitoring headphone amplifier is the ideal companion for singers, keyboardists, drummers, guitarists, bassists and other musicians. It establishes the connection between the monitor signal from the mixing console, instrument or amp and your own headphones. Operation is child's play: simply activate the device with the volume control and set the desired volume for the headphone signal. With the stereo/mono source switch, which is easily accessible on the device, the RockBoard HA 1 can be adjusted to the available input signal. The extremely compact and lightweight aluminium housing is fitted with a clip for attaching to a belt or waistband. The HA 1 has a status LED which changes colour depending on the available battery voltage. Two AAA batteries (not included) provide up to 12 hours of power supply and the batteries can be changed in no time at all thanks to the practical battery compartment with clip fastener, which is accessible from the outside. The HA 1 is equipped with a combination socket for use with stereo jack (6.35 mm) and XLR cables for the input signal and a 3.5 mm stereo jack headphone output. On stage, in the rehearsal room or at home, the RockBoard HA 1 in-ear monitoring headphone amplifier always offers full control over the monitoring signal. In small clubs, in-ear monitoring improves the acoustics in the room, and when the band turns up the volume again, the signal is quickly adjusted and you can enjoy the same sound in every part of the room.
The Body Pack XL has the same functionality as the Fischer Amps Hard Wired In Ear Belt Pack, but an additional microphone input has been integrated so that a microphone signal can be added to the incoming stereo or mono mix. The built-in low-noise microphone preamp has the standard features such as switchable 48V phantom power, a PAD switch to attenuate the input signal by 16 dB and a gain control from 0 dB to + 60 dB.There is also a parallel-out socket for the microphone input to allow the microphone signal to be looped through. Power is supplied by a 9V battery.The device is ideal as a compact in-ear solution, e.g. in an orchestra, if the musician wants to add his own microphone signal to the incoming in-ear signal. The device is also ideal as a technician's tool for monitoring microphone signals.
The LD Systems HPA 1 is a versatile headphone amplifier with high output power for stage, studio and home recording and the perfect connection solution for wired in-ear monitoring. The compact device in a robust, ergonomically shaped plastic housing with a soft-touch surface and practical belt clip is extremely well equipped.In addition to locking XLR connectors for balanced input of the stereo signal L/R, the HPA 1 has a 3.5 mm stereo socket as an aux input, which can be used in parallel for click or playback tracks. It is protected against excessive input levels for safe operation, and a hollow pin socket with negative internal contact enables the connection of a mains adapter in fixed mode.A 3.5 mm stereo socket serves as a headphone and earphone output. Level and balance can be adjusted using handy rotary controls, while a button switches from stereo signal to mono sum. A fully-fledged limiter is integrated for distortion-free playback and protection against feedback.The LD Systems HPA 1 has two-colour LEDs to provide an overview of its functions, which indicate the response of the limiter at peak levels and the battery level, among other things. At 165 grams, the headphone amplifier is extremely lightweight and can be operated for up to 12 hours with a high-quality 9V block.
The hearmix® PRO is an active ambient sound system. A special cable with in-built microphones enables the musician to control the ambient sound continuously from their body (no extra technicians, mixing console or additional microphones required). The audience and ambient noise can be heard without having to physically remove the headphones from the ear. Thanks to its standard 2-pin plug, it can be used with almost all common makes of headphones. With its full metal housing, the hearmix® PRO is very robust and therefore a perfect tour companion.
Fischer Amps Mini Body Packs with XLR input and volume control are used to control the volume directly at the musician. This system allows short cable runs on stage and cabling with standard microphone cables. The Class A MOSFET power amplifier has power switching, so that it is possible to work with headphones with high impedances as well as with low-impedance in-ear receiver systems. The XLR inputs have parallel XLR outputs, which makes it possible to loop through to the next device. This makes it very easy to provide a stereo mix for a large number of listeners.The ideal system for orchestras, studios, conferences and cool computers.
If you want to use the PX system with up to five people at the same time and work with the same three signals from the soundboard or other audio sources, you can expand your system with a PX-H 5-channel hub and up to four additional PX-A mixers/preamps and EC25 Cat 5 cables. All connected PX units are powered by a 9V/2A power supply connected to a PX-B, which supplies the hub with audio and power!
The In Ear Amp 2 is a revised version of the popular Fischer In Ear Amp. The new In Ear Amp 2 features a Class A MOSFET power amplifier with enormous power reserves and high-precision sound for high-end headphone sound. The output power of the power amplifier can be switched in two stages. This makes the In Ear Amp 2 ideal for both low-impedance in-ear headphone systems and high-impedance headphones. This makes the new In Ear Amp 2 the perfect and versatile headphone amp system for stage, studio and high-end applications. All other familiar and practical features that already characterised the device in version 1 have of course been retained.
The PreSonus HP2 is a new headphone amplifier designed for musicians and performers who demand the highest audio quality and still want to be mobile. The HP2 is ideal for wired in-ear monitoring on stage as well as in the studio. The PreSonus HP headphone amplifier series has long been known for its loud, clean and clear sound and road-ready performance. These advantages are continued with the HP2 stereo headphone amplifier with a first-class price/performance ratio. So you can hear every note and rhythm clearly wherever you play or perform.
The HD 25 is a dynamic headphone with a closed design, i.e. ambient noise is shielded better than with an open design. These robust headphones are therefore particularly suitable for listening to music and speech in noisy environments, e.g. for monitoring PA systems, for use in outside broadcasting or for studio monitoring.
Focal is expanding its Alpha series with the newly launched Alpha Evo. New features, new technologies, new design: the Alpha 50 Evo and Alpha 65 Evo studio monitors offer high performance at an unrivalled price in their market segment, making them the professional tools of choice for more people than ever before. With these new products, the French manufacturer is once again demonstrating its sound expertise and asserting its position as world market leader.PERFORMANCE & VERSATILITY:The Alpha 50 Evo and Alpha 65 Evo models are specially designed for music production and general music reproduction and ensure outstanding acoustic coherence regardless of the listening location. To further improve reproduction performance, Focal has opted for an aluminium tweeter with an inverted dome for wide sound dispersion and a carbon fibre cone. The recycled carbon fibre cone is manufactured exclusively by the French brand in Saint-Étienne and was chosen for its neutrality and dynamics. Focal is constantly revising its product range, drawing on over 40 years of expertise in the field of acoustics and its innovative strength. This is also underlined by the new large laminar port, which minimises distortion.NEW FEATURES:Evo stands for evolution. In addition to the analogue XLR and RCA sockets, the Alpha Evo monitors have a new TRS jack input (6.35 mm), an automatic standby mode that can be deactivated and inserts for wall and ceiling mounting: a truly versatile range (mixing, mastering, DJ, broadcasting). In terms of amplification, the speakers each have two Class D amplifiers. Their high current capacity gives you maximum control over the signal dynamics. In addition, high volumes can be achieved without distortion. Each speaker reproduces even the smallest details in the mix across all styles of music.DESIGN AND CABINET CONSTRUCTION:The monitors have a 15 mm thick MDF enclosure with internal bracing for maximum stability even at high sound pressure levels. The bass reflex design was chosen for easy acoustic integration even in the tightest of spaces. In terms of aesthetics, the classic cube shape of the monitor gives way to a design with rounded corners. The side panels ensure a sophisticated, robust and modern design that contributes to excellent acoustics and a unique and harmonious character across the entire range.
With the DM3 series, sound engineers can capture the sound on stage precisely and without distortion and then add creative accents as required. "Less is more" - with the 9" touchscreen and a single touch & turn control, most of the console's functions can be controlled. The DM3 consoles offer more power and flexibility than you would ever expect from such a compact digital console.
Description:Neural DSP describes its Quad Cortex as the most powerful floor modeller in the world. With a total of 6 cores (4x SHARC+ and 2x ARM Cortex-A5 with 500MHz each), it offers almost limitless sound design possibilities thanks to its incredible processing capacity.The simultaneous operation of four amplifier models, stereo reverbs and a wealth of other effects doesn't even come close to making the Quad Cortex break a sweat.Quad Cortex offers an ever-growing collection of guitar and bass algorithms:50+ amps50+ effects50+ IRsBy using the most advanced design and manufacturing techniques, the powerful floor modeler has been packed into an extremely compact format of just 29 x 19 x 4.9 cm.
The evolution of a classic:Building on the venerable heritage of the Xone:92 and incorporating the hardware enhancements of the highly acclaimed Xone:92 Lim-ited Edition, we've added Silent VCF Switching, a new custom innoFADER® crossfader and a range of premium upgrades that preserve the legendary 92 DNA while improving performance.The iconic 92 sound. Refined:For two decades, the Xone:92 has set the sonic standard for dance music with its all-analogue signal path.The new Xone:92 delivers the iconic sound that DJs and clubbers love, but with the latest high-performance analogue components in the audio path.Experience bass that moves the masses, treble that cuts through and a warmth that can't be matched digitally. Connect with your audience on a physical level - from intimate clubs to large festivals.Built for the booth:The new Xone:92 is built for hard use in clubs, at festivals and on relentless tours - thanks to its robust, proven chassis designed for all-night, high-energy sets.The crossfader has been updated to the industry-favourite mini innoFADER Pro®, which is tuned to the curve of the original 92 fader while providing a smoother, more precise and durable mixing experience.The new Xone:92 is presented in the classic Storm Grey colour with improved UV printing for better legibility in low light conditions and redesigned labelling for better visibility of key controls, while the recessed filter and XFade assignment switches further improve ergonomics.The legendary filter. Perfected:The Xone:92 filter changed the game when it debuted in 2004. Twenty years later, it's still the measure of all things, and the new Xone:92 goes one better. The updated filter offers enhanced frequency precision thanks to an optimised control curve, while retaining the famous 92 filter sound. Noiseless filter switching allows for seamless transitions, and the improved resonance lets you explore new dimensions in your performances.The ultimate analogue EQ:With the Xone:92's unrivalled analogue EQ, you can shape your sound with surgical precision and get creative with your transitions.All 6 stereo channels feature our renowned 4-band EQ with total kill on the HF and LF bands and two centre frequency controls for extreme sound shaping.Precisely tuned preamplifier:The Xone:92 phono preamplifier has been fine-tuned with an RIAA curve specifically tailored for techno and house and improved line/phono source matching for easy integration of analogue and digital sources to get the best out of your vinyl.About the club icon:The Xone:92 is a versatile six-channel analogue mixer renowned for its warm, punchy sound that fills any room, with unrivalled EQ and filter sections for creative sound shaping and transitions.Thanks to its unrivalled sound quality, solid construction and ease of use, the 92 is on the riders of many of the world's top DJs and is a staple in DJ booths around the world, from the superclubs of Ibiza to the beach bars of Miami, from the underground clubs of Berlin to the warehouse venues of London.
HI, MEET MUSE.This is Muse, the fourth Moog polysynth ever developed. It's an eight-voice analogue, bi-timbral, polyphonic synthesizer - the culmination of overthe culmination of over 5 years of dreaming, design and passion. Muse is an intuitive and powerful instrument that builds on Moog's rich history while looking boldly to the future.It is designed to be robust and portable for the stage, but also as the centrepiece of a modern studio.From your first playful encounter with the knob-for-function control panel, Muse matures with you through years of limitless exploration. Explore and express yourself endlessly with the digital controls for flexible modulation options, patch memory recall and advanced sequencing.Each sequence exists independently of a patch, allowing on-the-fly modification within the same musical concept.Equipped with parameter recording, probabilistic functions and microscopic editing of every note in the sequence, the sequencer is an endless playground for musical arrangements.The rich and nuanced history of analogue synthesizers is infused into every aspect of the architecture.Muse is designed to evolve, surprise and delight for years to come.
The new DM-8 e-drumset from Nux is designed for semi-professionals and professionals. Noiseless practising and performing with an authentic playing experience - this is the formula that the engineers at Nux have implemented at their well-known price-performance ratio.The DM-8 consists of a solid rack system and its drum shells as well as the bass drum are covered with mesh heads whose tension can be adjusted to suit your taste and whose rebound behaviour feels like that of a real drum set. The authentic feel is further enhanced by the free-standing hi-hat, which can be played in an open, closed or half-open setting. The free-standing snare, which also features the latest 3-point trigger technology, can be used to realise multi-faceted and highly dynamic rim-shot or cross-stick playing styles.The crowning glory of the DM-8 is the clearly laid out control interface, which allows precise intervention in the sound mix using individual group faders. In addition to 30 pre-installed hi-fi drum sets, you can also feed in your own drum samples. The module also serves as an interface for other DAW and MIDI applications.