Presonus

Whether you need a microphone for streaming, vlogs or podcasts or a simple recording solution for dubbing or your home studio, you want your microphone to bring out the best in your voice. Revelator was developed as a simple solution for high-quality recordings with professional sound quality. Quality you can rely on right from the start.

If you are mixing a live event or producing an artist in the studio, you need to be able to work as quickly as possible. With the classic, intuitive user interface of the StudioLive® 16.0.2 USB, you have all the important controls at your fingertips at all times, without having to wade through cumbersome menus. Our design approach is simple: one fader for each mono/stereo channel, one output for each bus. Added to this are the easily accessible, coloured function buttons, rotary controls and clearly labelled, dedicated controls for EQ and dynamics functions. Each aux send has its own physical control. Each channel has a large, brightly coloured level meter. But don't be fooled by the analogue feel: The StudioLive 16.0.2 USB offers all the advantages of a modern digital mixing console with powerful functions for mixing, multi-track recording, wireless remote control and much more.

The 32-channel StudioLive 32SC digital mixer is a powerhouse in a portable, rack-mountable housing that has nothing to hide from its bigger brothers - especially at its favourable price. Thanks to AVB, it can be easily expanded and connected to EarMix 16M personal monitor mixers or PreSonus NSB series stage boxes via the network for customised stage mixes and additional inputs. The 16 FlexMixes in the 32SC can be used individually as aux busses, subgroups or matrix mixes - giving you almost unlimited routing options. The Fat Channel section provides expandable plug-in processors with classic vintage EQs and compressors in each input channel and output bus. The 32SC comes with PreSonus Capture recording software®, which can be run directly on your mixer, Windows PC or Mac. Record all 32 channels and the master mix via USB, to SD card or - for absolute redundancy during live recording - using both methods simultaneously.

With this Rack Ear Mounting Kit, Presonus offers the optimal solution for StudioLive 16, 24 and 32 consoles of the third series. One console fits into the solid 6U 19" rack. The screws are included in the scope of delivery.

The HP60 headphone amplifier, designed as a 19" rack unit, can supply up to 6 musicians with individual headphone mixes thanks to its clever circuit design. The output power is 2x 150 mW per channel (at 60 Ω ), the HP60 delivers an extremely loud headphone signal with very low noise and distortion values if required .On the input side, the HP60 can be fed via 4 balanced jack sockets from two different stereo sums - e.g. bass/drums and guitar/keyboards or between headphone playback and click track. The balance between these two stereo sources (A/B) can now be set separately for each of the 6 channels using the "Mix" control. In addition, each channel has a further adjustable stereo input ("External") to which, for example, the signal of the respective musician himself can be fed ("I can't hear myself loud enough..."). If required, this external source can be switched to mono using a button (ideal for vocals and soloists). If the balance is right, the overall volume of the relevant channel can be adjusted using the "Level" potentiometer. Finally, the "Mute" buttons can be used to mute the two stereo sources per channel, which is practical if you want to control the "external" signal in isolation. Each of the 6 channels also has a stereo output via which the respective mix - before the level control - can be looped through to other devices, e.g. other headphone amplifiers.There is an XLR socket at the rear to which a dynamic talkback microphone can be connected, which can be activated at the front using a button and the volume can be adjusted using a potentiometer. The talkback function can also be activated by foot: The HP60 has an additional jack socket for connecting a standard foot switch.

Modern musicians, live artists and producers need to be able to switch quickly between programming drums and samples and playing synth lines. ATOM SQ was developed as a versatile and expressive MIDI pad controller for today's music production. Its unique design makes it the ideal solution for classic 16-step beat programming and drum pattern editing in Studio One, as well as for playing instruments and triggering clips in Ableton Live. In addition, thanks to the offset 32 RGB LED pads, anyone who has ever used a controller keyboard will immediately feel at home. With advanced features such as keyboard key limitation, an integrated arpeggiator and a customisable touch strip, the ATOM SQ is the most expressive controller you've ever had. In fact, there is no better MIDI controller for PreSonus Studio One.Seamless integration with the Pattern Editor in Studio One allows for variable step sequences that bring your productions to life. Enter a pattern, adjust the length, add variations and edit the key - all directly on the ATOM SQ. Need to make a change on the fly? The ATOM SQ lets you launch the Studio One pattern editor, select and edit individual steps and even copy, paste, duplicate and delete events - all via physical controls. Compose faster than ever before with Studio One's integrated step sequencer and the ATOM SQ. Anyone who has ever programmed a drum computer will find their way around quickly and easily. Experimentation is rewarded with particularly satisfying results, because with the ATOM SQ you can limit your playing to a freely selectable key. No more wrong notes!With the Studio One Artist music production software included with the ATOM SQ, you can compose, record and produce without being distracted by tools or hindered by track limitations. Thanks to Studio One's easy-to-learn and intuitive drag-and-drop workflow and powerful tools, you'll be producing faster than ever before. Also included are two carefully curated loop libraries with dedicated kits for Impact XT. New in version 5: Studio One Artist now lets you use your favourite VST or AU plug-ins for third-party effects and virtual instruments. With full support for Studio One Remote, you can use your tablet as an additional screen or to control Studio One from your iPad® or Android tablet. ATOM SQ is the most flexible MIDI controller for PreSonus Studio One.ATOM SQ is also a unique controller for Ableton Live for production and live performances. You can trigger clips and scenes during performance, select devices and edit parameters, select tracks and scenes, control track volume, panning and send levels - and do all your drum programming in Ableton on ATOM SQ. Ableton Live Lite is included so you can get started right away. It includes all the basic Live features, instruments and effects you need to record songs, use your controller as a creative tool, edit your existing productions and much more.ATOM SQ is fully configurable. With the MCU and HUI modes as well as the powerful MIDI mode, you can easily control your favourite DAW or MIDI instrument. Instrument parameters can be freely assigned to the various physical controls, so you can use your endless controls to adjust every parameter from filter cutoff to drum tuning to achieve the ultimate drum sound. You can set the colour of the RGB LEDs to your liking to colour-code your loops and samples. ATOM SQ's LCD screen displays contextual information, while dynamic buttons provide access to the functions you need. Want to add more swing to your arpeggiator or assign a different CC command to a knob? The LCD always displays the appropriate information for the respective action.

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The PreSonus Monitor Station V2 is the ideal switching and communication unit for computer-based studios that still lack the central master section of a professional sound control room. Comparisons with reference mixes, precise judgement via various monitoring systems and relaxed communication with the musicians via a professional talkback unit are essential for a successful day in the studio - and can be easily accomplished with the compact Monitor Station V2. Thanks to the high-quality components, not only the monitoring sound but also the headphone sound for participating musicians is first-class. Incidentally, all the large buttons have integrated status lighting so that the sound engineer is always in the picture.In addition to the main volume control, the Monitor Station V2 offers a wealth of switching, control and routing options. It can be supplied with different stereo signals - e.g. the main mix and a playback mix - via two pairs of balanced jack sockets. The third aux input has a dual design: as an RCA pair for typical line sources and as a 3.5 mm stereo jack, the latter being ideal for conveniently using tablets or smartphones as playback devices, for example. The RCA and mini jack inputs can even both be used and their signals are summed internally. The S/PDIF input is located above the mini jack input. This can be connected to the digital output of a CD player, for example.To control the main bus signal, the Monitor Station V2 has a 2x 8-segment LED level indicator, which can also be calibrated to -10 dB, +4 dB or +10 dB. Three pairs of studio monitors or two pairs plus subwoofers can be connected at the rear, and their levels can be precisely adjusted using three small trim pots. The highlight: The three speaker selection buttons can be assigned different switching modes. In preset mode, they work independently of each other, so the sum signal can be output via all three connections simultaneously: e.g. to the control room monitor, the subwoofer and another pair of monitors in the recording room or studio foyer.In the second mode (toggle), only one pair of monitors can be selected at a time - this corresponds to the classic control room set-up with, for example, miniature speakers, nearfield monitors and main monitors.In the third mode (Toggle A/B), selector buttons A and B are mutually cancelling - so they can be assigned to two alternative monitor pairs. Button C, on the other hand, works independently, e.g. to switch a subwoofer on or off individually or, as in the first mode, to activate an external pair. Finally, the mono, mute and dim buttons (the latter with adjustable attenuation) are indispensable aids for recording and mixing.The three source selection buttons ST1, ST2 and Aux are duplicated. This means that different signals can be assigned to both the main bus and the cue bus. These buttons also have two programmable switching modes. By default, they function additively, i.e. the three stereo sources can be summed as required, while the aux source can be continuously adjusted using a potentiometer (the latter could be a click track for the headphone path, for example). If you select the second mode, only one source can be activated for the main and cue bus, so the buttons function as toggle switches. The four powerful headphone outputs each have separate volume controls and a button that can be used to route either the main or cue signal to the relevant headphone path.The talkback section of the Monitor Station enables easy communication with musicians in the recording room. When the Talkback button is pressed, the built-in electret condenser microphone is activated, its adjustable signal is routed to the cue bus and the loudspeaker output is automatically reduced by 20 dB. If required, an external (dynamic) talkback microphone can also be used by connecting it to the XLR socket at the rear.In addition to the speaker outputs, the Monitor Station has two further pairs of balanced jack outputs: The headphone signal can be transmitted to an external headphone amplifier via this Cue Out and the sum tapped before the main volume control is available at the Main Out, e.g. to supply a master recorder.

The 32-channel StudioLive 32SX is a small-format digital mixer with a compact housing and 25 faders. The 32 input channels are managed in a split fader workflow with two layers. Eight faders are also available for the mix outputs. Thanks to AVB, it can be easily expanded and connected to EarMix 16M Personal Monitor Mixers or PreSonus NSB-Series stage boxes via the network for customised stage mixes and additional remote inputs. The 16 FlexMixes in the 32SX can be used individually as aux busses, subgroups or matrix mixes - giving you almost unlimited routing options. The Fat Channel section provides expandable plug-in processors with classic vintage EQs and compressors in each input channel and output bus. The 32SX comes with PreSonus Capture recording software®, which can be run directly on your mixer as well as your Windows PC or Mac. Record all 32 channels and the master mix via USB, on SD card or - for absolute redundancy during live recording - with both Methods simultaneously.

The StudioLive 32S is a compact 32-channel digital mixer with a 1:1 operating concept that offers the performance of a large-format mixing console. Thanks to AVB, it can be easily expanded and connected to EarMix 16M Personal Monitor Mixers or PreSonus NSB-Series stage boxes via the network for customised stage mixes and additional remote inputs. The 16 FlexMixes in the 32S can be used as aux busses, subgroups or matrix mixes, allowing you to customise your mixer to suit your needs. The Fat Channel section provides expandable plug-in processors with classic vintage EQs and compressors in each input channel and output bus. The 32S comes with PreSonus Capture recording software®, which can be run directly on your mixer as well as your Windows or macOS PC. Record all 32 channels and the master mix via USB, on SD card or - for absolute redundancy during live recording - with both Methods simultaneously.

The Studio 1824c audio interface offers a USB-C port for connection to a computer and supports the simultaneous recording of up to 18 input signals. Two switchable combo sockets (mic/line/instrument) and six line/instrument inputs are available for this purpose. All inputs are equipped with XMAX preamps and +48 V phantom power. Eight channels in ADAT Optical format (four channels at 96 kHz) and a stereo S/PDIF connection are available for digital sources. In addition to the L/R main outputs, the interface offers eight galvanically coupled line level outputs with CV support. There are also two headphone outputs. The integrated MIDI interface is used to connect keyboards, sound modules or controller surfaces.The Studio 1824c audio interface enables extremely high-resolution mixes and recordings at up to 192 kHz. High-quality converters in every input and output as well as the professional PreSonus XMAX microphone preamps ensure incredible headroom, powerful bass, smooth highs and a full overall sound.With its numerous I/Os, an integrated monitor mixer, transparent microphone preamps and a sampling rate of up to 192 kHz, the Studio 1824c audio interface offers the extremely high-resolution sound and flexible connection options you need for modern music production. The Studio 1824c works excellently with any recording software. In combination with the included Studio One and the remote control options via UC Surface, you get a fully-fledged, professional recording studio.

The mono or stereo signal fed in is output to four outputs, the volume of which can be adjusted separately. A mono switch on the front panel routes both input signals to both sides. The highlight is an additional volume control for two connected control boxes, which can also be muted using the monitor mute switch.