RME MADIface XT II
€2,399.00
Prices incl. VAT plus shipping costs
(Free shipping from 49,-€ order value within Germany)
Delivery on request
High-end audio interface with USB 3.0 technology
Support for up to 394 channels with a resolution of 192 kHz
Equipped with two transparent microphone/line preamps (combination of XLR/TRS)
Features two balanced XLR line outputs
Provides a stereo headphone output with +19 dBu and an output impedance of 1 Ohm
Presented in a compact desktop size
Includes a connection for an ARC USB remote control
Room EQ with nine parametric bands, ideal for surround setups
Features SteadyClock FS
Outstanding performance with high signal-to-noise ratio and low THD values
RME presents the MADIface XT II, a 394-channel 192 kHz USB 3.0 audio interface with comprehensive connection and control options for live and studio use. Compared to its predecessor MADIface XT, the MADIface XT II features updated digital and analogue circuitry and surpasses the first generation with significantly improved analogue and digital performance.
At the time of its release, the MADIface XT was the world's first USB 3.0 audio interface - and impressed with its combination of an extremely high channel count, comprehensive connections and a compact desktop housing. With two practical mic/line preamps (XLR/TRS combo inputs), two balanced XLR line outputs, a stereo line headphone output, a variety of digital signal options (MADI coaxial and optical, MIDI/AES, word clock) and an additional PCI Express connection, the MADIface XT left nothing to be desired in terms of connectivity.
New analogue best values:
The successor MADIface XT II maintains this successful formula and surpasses the signal values of its predecessor in numerous areas. Among other things, the MADIface XT II impresses with a higher signal-to-noise ratio and a lower THD value during AD conversion. Furthermore, the maximum balanced line output level of the XLR line outputs has been increased from +15 dBu to +24 dBu. At +19 dBu, the stereo headphone output of the MADIface XT II also delivers significantly
output level and, with an output impedance of 1 ohm, significantly more power than its predecessor. All outputs also have several switchable level options.
New digital board:
On the new digital board, the previous analogue mini-DIN socket for remote control of individual functions has been replaced by an ARC USB remote port, which enables comprehensive control of the MADIface XT II with the optional ARC USB. The MADIface XT II also offers the Room EQ known from the Fireface UFX III with nine parametric bands for use in surround setups for up to 20 mono output channels.
Clocking in the femto range:
With the latest SteadyClock FS, the MADIface XT II features RME's latest clock and jitter suppression technology. Based on a femto clock, SteadyClock FS reduces the inherent jitter of the MADIface XT II to an absolute minimum and efficiently filters clock jitter as low as 1 Hz.
New hardware:
The new MADIface XT II focusses on USB 3.0, as PCIExpress can no longer be used externally. Among other things, the Class Compliant mode has been significantly upgraded in the new device, as all 394 channels can now be transmitted simultaneously without a driver. In addition, there are various formats and settings for the channel sequence to optimise the use of Class Compliant.
Properties
| Connection format: | USB socket type B |
|---|---|
| Maximum resolution in bit: | 24 bit |
| Number of instrument inputs: | 0 |
| Number of line inputs: | 2 |
| Number of line outputs: | 2 |
| Number of microphone inputs: | 2 |
| USB bus-powered: | No |
| USB version: | 3.0 |
Contact:
Audio AG
Am Pfanderling 60
85778 Haimhausen
E-Mail: info@audioag.com
Web: www.audioag.de
RME (Rme Audio) is a German manufacturer of professional audio technology, founded in 1996 and specialising in the development of high-quality audio interfaces, mixing consoles and digital audio solutions. Known for its outstanding sound quality and reliability, RME offers products that are used in both professional recording studios and live applications. The brand has earned an outstanding reputation for its innovative technologies, including its proprietary SteadyClock technology, which ensures precise synchronisation and minimal jitter. RME places great emphasis on ease of use and flexibility, making their products a favourite choice for sound engineers, musicians and producers. With a strong focus on quality and performance, RME remains at the forefront of audio technology, helping creatives realise their musical visions with the highest precision.
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