Mixer

2 stereo sendsThe two AUX controls send the channel signal to the aux mix outputs for use with external effects processors or, in some applications, local monitors. AUX 1 offers either PRE or POST FADE, while AUX 2 is internally set to post fader.2 stereo returnsTwo basic stereo channels for use as return inputs from external effects processors or other sources. Each return has TRIM to adjust the return signal, input DRIVE routing and CUE routing to Cue A and Cue B. Each return also features metering for visual feedback of the signal level, a LEVEL rotary fader to adjust the mix amount and combined return 1 - 2 low-cut EQ and master filter routing.2 high-performance phono preamps2 high-performance turntable inputs optimised for the club environment to minimise tonal imbalance between vinyl and digital audio and eliminate sub-frequency feedback. Each phono input has its own individual turntable ground binding for greater flexibility.Studio quality fadersCustomised TKD 60 mm faders. These dual-rail faders have been carefully selected to ensure long life and smooth operation and feature a heavy feel for greater precision.Precision Sculpting EQSCULPT is a semi-parametric sweep bell filter and consists of two controls: FREQ, which adjusts the centre frequency, and CUT/BOOST, which adjusts the gain or attenuation at that frequency. The degree of cut/boost is asymmetrical; the maximum boost is limited to +8 dB, while the cut is extended to -20 dB. Sculpt has a large Q value and a frequency range that covers almost seven octaves.Contouring low and high pass filtersAs the name suggests, these two controls allow you to "contour" the frequency range of the audio signal. They consist of low-Q, high-pass and low-pass filters that are designed not to add colour to the sound as they are swept across their frequency range.Analogue overdriveA unique feature on each input is the DRIVE control. This control allows the user to set the level at which the channel preamp limits the input signal, producing harmonic distortion as a creative effect.DualCueTwo independent cue systems, A and B. Cue A is routed to the right headphone monitor and Cue B to the left headphone monitor. The DualCue system makes it much easier for two DJs to perform together on the mixer in "Back2Back" setups, as each can select a separate channel to monitor without disturbing the other. This function also helps DJs to hand over to each other smoothly and naturally.Mixer LinkA system that allows multiple mixers to be linked, either for use with two or more artists or to expand the number of channels. When linked together, the consoles share a common balanced mix that feeds the PA and booth monitors. In addition, the two cue systems are linked together and allow interactive cueing between multiple artists.Balanced mix busFully balanced main mix bus (normally only found in very high end analogue studio consoles) - resulting in a dynamic range of >110 dB, improved hum rejection, lower noise and crosstalk.Master high and low pass resonance filterThe master filter consists of a high-pass filter (HPF), a low-pass filter (LPF) and a resonance control (RES) to adjust the sharpness of the high-pass filter. The master filter can be used as a sweep frequency performance effect or as a preset frequency mix tool to instantly cut the low or high frequencies of any channel passed to the filter. Signals can be routed to the MF via the filter selection switch on each channel.Three-band master EQThree-band master EQ with asymmetrical cut and boost, -20/+6 dB, which can be used as a power control as well as a frequency correction tool.Two-band Booth EQA 2-band equaliser that allows the user to adjust the frequency response of the booth monitors to their own preferences.100 % analogueSmooth, intuitive control paired with warm, pure analogue circuitry.Zero-crossing circuitryAll internal routing uses our zero-crossing detection system, which helps to minimise audio switching artefacts when selecting channel filters, switching the master filter on/off and switching the master EQ on/off. This system allows each of these functions to be used quickly and intuitively as a performance effect.Quality componentsBeautifully smooth components, each controlling a specific function, for intuitive, spontaneous creative performances.External power supplyPowered by an external 90W 24V universal power supply. Internally, the 24 volts of the external supply is converted to just under +/- 20 V for the analogue power rails using high-frequency switching technology, giving MODEL 1 the highest signal headroom of any professional mixing console, regardless of application.Locking the power supply inputThe MODEL 1.4's external power supply is terminated with a locking plug for added reliability and to prevent accidental disconnections.Built in the UKBuilt in the UK with our partners DigiCo and Allen & Heath using an alloy/steel chassis for maximum strength and minimum weight, optimised for touring, club and performance situations.D-Subs inputTwo fully balanced TASCAM DB25 inputs receive all 8 stereo channels for fast connections to external sound cards and added flexibility in club installations.D-Sub outputFully balanced TASCAM DB25 output to send Master, Aux 1 & 2 sends and Cue B channels via a single connector for fast connections to external sound cards and added flexibility in club installations.Front mounted REC-OutThe RECORD OUT - 3.5 mm TRS jack socket is mounted on the front panel at the top of the master section and feeds the post-master EQ signal as a pre-fader recording output. The nominal level is -2 dB

2 stereo sendsThe two AUX controls send the channel signal to the aux mix outputs for use with external effects processors or, in some applications, local monitors. AUX 1 offers either PRE or POST FADE, while AUX 2 is internally set to post fader.2 stereo returnsTwo basic stereo channels for use as return inputs from external effects processors or other sources. Each return has TRIM to adjust the return signal, input DRIVE switching and CUE routing to Cue A and Cue B. Each return also features metering for visual feedback of the signal level, a LEVEL rotary fader to adjust the mix amount and combined return 1 - 2 low-cut EQ and master filter routing.3 high-performance phono preamps3 high performance turntable inputs, optimised for the club environment to minimise tonal imbalance between vinyl and digital audio and eliminate sub frequency feedback. Each phono input has its own individual turntable ground binding for greater flexibility.Studio quality fadersCustomised TKD 60 mm faders. These dual-rail faders have been carefully selected to ensure long life and smooth operation and feature a heavy feel for greater precision.Precision Sculpting EQSCULPT is a semi-parametric sweep bell filter and consists of two controls: FREQ, which adjusts the centre frequency, and CUT/BOOST, which adjusts the gain or attenuation at that frequency. The degree of cut/boost is asymmetrical; the maximum boost is limited to +8 dB, while the cut is extended to -20 dB. Sculpt has a large Q value and a frequency range that covers almost seven octaves.Contouring low and high pass filtersAs the name suggests, these two controls allow you to "contour" the frequency range of the audio signal. They consist of low-Q, high-pass and low-pass filters that are designed not to add colour to the sound as they are swept across their frequency range.Analogue overdriveA unique feature on each input is the DRIVE control. This control allows the user to set the level at which the channel preamp limits the input signal, producing harmonic distortion as a creative effect.DualCueTwo independent cue systems, A and B. Cue A is routed to the right headphone monitor and Cue B to the left headphone monitor. The DualCue system makes it much easier for two DJs to perform together on the mixer in "Back2Back" setups, as each can select a separate channel to monitor without disturbing the other. This function also helps DJs to hand over to each other smoothly and naturally.Mixer LinkA system that allows multiple mixers to be linked, either for use with two or more artists or to expand the number of channels. When linked together, the consoles share a common balanced mix that feeds the PA and booth monitors. In addition, the two cue systems are linked together and allow interactive cueing between multiple artists.Balanced mix busFully balanced main mix bus (normally only found in very high end analogue studio consoles) - resulting in a dynamic range of >110 dB, improved hum rejection, lower noise and crosstalk.Master high and low pass resonance filterThe master filter consists of a high-pass filter (HPF), a low-pass filter (LPF) and a resonance control (RES) to adjust the sharpness of the high-pass filter. The master filter can be used as a sweep frequency performance effect or as a preset frequency mix tool to instantly cut the low or high frequencies of any channel passed to the filter. Signals can be routed to the MF via the filter selection switch on each channel.Three-band master EQThree-band master EQ with asymmetrical cut and boost, -20/+6 dB, which can be used as a power control as well as a frequency correction tool.Two-band Booth EQA 2-band equaliser that allows the user to adjust the frequency response of the booth monitors to their own preferences.100 % analogueSmooth, intuitive control paired with warm, pure analogue circuitry.Zero-crossing circuitryAll internal routing uses our zero-crossing detection system, which helps to minimise audio switching artefacts when selecting channel filters, switching the master filter on/off and switching the master EQ on/off. This system allows each of these functions to be used quickly and intuitively as a performance effect.Quality componentsBeautifully smooth components, each controlling a specific function, for intuitive, spontaneous creative performances.External power supplyPowered by an external 90W 24V universal power supply. Internally, the 24 volts from the external supply is converted to just under +/- 20 V for the analogue power rails using high frequency switching technology, giving MODEL 1 the highest signal headroom of any professional mixing console, regardless of application.Dual power supplyMODEL 1 offers the benefit of dual power supply. This feature, found on premium live sound and recording consoles, can provide more security by simultaneously powering the console from a second power supply. In scenarios such as music festivals, each supply can be fed from separate mains phases. Should one phase fail, the other supply automatically takes over to power the mixer.Built in the UKBuilt in the UK with our partners DigiCo and Allen & Heath using an alloy/steel chassis for maximum strength and minimum weight, optimised for touring, club and performance situations.D-Subs inputTwo fully balanced TASCAM DB25 inputs receive all 8 stereo channels for fast connections to external sound cards and added flexibility in club installations.D-Sub outputFully balanced TASCAM DB25 output to send Master, Aux 1 & 2 sends and Cue B channels via a single connector for fast connections to external sound cards and added flexibility in club installations.Front mounted REC-OutThe RECORD OUT - 3.5 mm TRS jack socket is mounted on the front panel at the top of the master section and feeds the post-master EQ signal as a pre-fader recording output. The nominal level is -2 dB

The M6 is a flexible 4-channel DJ mixer to which you can connect not only traditional DJ equipment, such as turntables and CD players, but also a computer via USB. With the plug-and-play connection to a Mac or PC, tracks from the computer can be integrated into the performance and sets can be recorded in almost any audio software.The M6 features essential performance tools such as a 3-band EQ and LED level meter per channel. The interchangeable crossfader has slope control. Each channel can be assigned to one side of the crossfader.The separate microphone channel of the M6 has an XLR connection. An additional microphone with a 6.3 mm jack can also be connected to channel 4. The M6 provides balanced outputs for connection to a sound system.The M6 combines the flexibility of a 4-channel mixer with the versatile possibilities of a USB computer connection.

The DJM-S5 is the first mixer from Pioneer DJ that can be powered via a computer's USB port. Enjoy the added flexibility - and, if you use portable turntables - the freedom to practice and play anywhere you can carry your decks: the garden, a park or even the beach. It also works as a standalone mixer, so you can play your music from a variety of sources - for example, analogue vinyl records. And although the mixer is USB-powered, it produces a clear sound with a wide frequency bandwidth, allowing you to get the best out of all genres of music.

DIGITAL AND ANALOGUE:DJs need a reliable mixer. With its comprehensive features, the M101 USB is perfect for almost any DJ looking for 2 mix channels with extensive features. The M101USB 01USB can be easily connected to a computer, turntable or CD player in just a few moments. This means that the M101USB can be used at parties, in clubs or in cafés.MIX ACCORDING TO YOUR IDEAS:The M101USB is the ideal solution for beginners and experienced DJs looking for a robust 2-channel USB mixer. Built into a rack or as a desktop device, it provides the basis for a thrilling performance.SOUND AT YOUR HANDLE:A built-in 2-band EQ provides effective sound manipulation to quickly adjust the mix to any room or move tracks in the desired sound direction. Two switchable stereo phono/line inputs, crossfader, 6.3 mm microphone input and stereo RCA connections offer versatile application possibilities. The built-in USB port provides a connection to a Mac or PC for recording or editing the LiveAct. The whole thing also works in the opposite direction. The M101USB is able to output the computer's audio signal via its sum via USB.With its compact dimensions, robust design and flexible features, the M101USB is not just a real workhorse when travelling.