With the DM3 series, sound engineers can capture the sound on stage precisely and without distortion and then add creative accents as required. "Less is more" - with the 9" touchscreen and a single touch & turn control, most of the console's functions can be controlled. The DM3 consoles offer more power and flexibility than you would ever expect from such a compact digital console.
With the DM3 series, sound engineers can capture the sound on stage precisely and without distortion and then add creative accents as required. "Less is more" - with the 9" touchscreen and a single touch & turn control, most of the console's functions can be controlled. The DM3 consoles offer more power and flexibility than you would ever expect from such a compact digital console.
The LiveTrak L6 is ZOOM's most compact, portable digital mixer/recorder. With 10 studio-quality tracks, effects, MIDI and sound pads, it's perfect for bands, synthesisers, live streaming and more.
CQ is Allen & Heath's most compact digital mixer series ever.It is based on a 96 kHz engine and offers numerous connectivity options such as Bluetooth, wireless options, SD and USB audio recording and playback.The focus is on speed and ease of use - brand new Quick Channels, gain/feedback wizards and effects enhance the world-renowned audio and build quality that users have come to expect from Allen & Heath.The units are offered in three form factors - two desktop models with hands-on operation and a stagebox model. All models utilise the same technology, applications and user interface, but differ in features and price points.With the CQ range, Allen & Heath has created a super portable and easy to use, yet fully featured digital mixer suitable for technical and non-technical users alike.The CQ has been designed for use wherever high quality sound processing and summing is required, from bands and producers to AV and hire companies, from the main mixer in a small venue to the sub-mixer on the biggest stage.
Cre8audio Assembler - Vintage Analogue Audio MixerIntroductionThe Assembler is a purpose-built audio mixer for synthesizers that combines the unmistakable sound of vintage analogue mixers with modern ease of use. Developed in collaboration with Pittsburgh Modular Synthesizers, the Assembler brings the warmth and dynamics of classic mixers to a modern workflow, ideal for electronic musicians.Vintage Vibe IntegratedThe Assembler captures the characteristic sound of analogue mixing consoles, with tone shaping and tape saturation. Pittsburgh Modular's custom circuitry provides a harmonic blend that makes modern electronic music sound better.Versatile optionsWith ten audio inputs, three different channels and a powerful preamp, the Assembler offers a wide range of applications. All channels have powerful EQs, panning and volume controls and assignable aux sends. Two stereo channels and four mono channels allow the integration of Eurorack and line level signals.Auxiliary flexibilityThe Assembler offers three assignable aux sends and two stereo returns that can be used for creative effects processing or as sub-mix channels. With an independent gain control of up to 2.7x gain, signal processing is perfected.Modern vintage technology for every setupWith a user-friendly "one-knob-per-function" design, the Assembler is easy to use for beginners and experienced artists alike. It is ideal for live performances and studio use and offers reliable and detailed monitoring. The mixer is suitable for both line-level instruments and Eurorack signals and can be easily integrated into any setup.
DLZ Creator is an adaptive digital mixer for creatives of any experience level that lets you quickly create professional-quality podcasts, YouTube videos and live streams.DLZ Creator is designed to help you produce high-quality content. Mix Agent is a personal audio assistant that guides you through the set-up process and helps you adjust gain levels. AutoMix takes over the control of up to 4 microphones so that every voice can be heard at all times. With the help of the mix-minus function and a smartphone connected via Bluetooth®, callers can be integrated into your mix without audible echo. The flexible design supports recording/streaming of up to 14 tracks with a computer, SD card or USB stick.
LDMS828 - 19" Line Mixer 8 in 2 and Splitter 2 in 8The LD Systems LDMS828 is a mixer, signal distributor and catch-up amplifier in 19" rack format for flexible live and studio applications.The LDMS828 has one stereo and 6 mono channels with individual LED chains for level indication, all inputs and outputs are electronically balanced. Two mono channels are equipped with stereo jack sockets, the other connections are designed as XLR sockets. The stereo channel has individual volume controls for input and output and a link button for looping the signal through, each mono channel has volume and pan controls as well as a button that selects between distribution and mix function.
The PowerMate3 is a powerful power mixer that offers a large number of functions in a very compact form.Simply forget about the adjustment and cabling problems of mixing consoles, amplifiers, effects units and equalisers. Thanks to the ergonomic console shape and the clear, structured arrangement of the controls, you always have everything in view and can access every control element quickly and easily. You will also soon appreciate the advantages of the PowerMate when transporting it. The ergonomic handle integrated in the lid (PowerMate 1000-3 and PowerMate 1600-3 only) and the low weight allow you to transport the device without any problems, while all sensitive parts such as buttons and controls are securely covered. However, if you prefer to place your PowerMate in a rack or built-in table, no problem: the plastic side panels can simply be replaced with metal rack brackets.With its large number of functions, high dynamics, low-noise design, 24-bit dual stereo effects section, 4-channel USB 2.0 audio interface and, last but not least, the highly efficient power amplifier with Class D technology, the PowerMate can be used universally.
Each Dante-MY16-AUD provides 16 bidirectional audio channels (eight at 96 kHz) and full audio network redundancy. Depending on the number of channels required, it is possible to add additional cards. This allows Yamaha users to add up to 48 channels (24-bit audio) Dante-enabled devices together form a self-constructing, true plug-play network based on standard Internet protocols (1 Gbps and/or 100 Mbps Ethernet). They configure themselves and automatically recognise the Dante running on standard computer network hardware and require no special network infrastructure. In addition, the same Ethernet network can be used simultaneously for the transmission of uncompressed audio and control signals as well as for normal data traffic.
The new Allen & Heath SQ Series - DLIVE in a compact formatThe new, highly affordable family of Allen & Heath digital mixers, comprising the SQ-5, SQ-6 and SQ7 models, is based on the XCVI 96 kHz FPGA engine, which offers high-resolution audio processing with excellent audio quality and a low latency of less than 0.7 ms. The SQ-5 offers 16 built-in mic preamps, 17 faders and can be installed in a standard 19-inch rack. The slightly larger SQ-6 offers 24 preamps and 25 faders, while the SQ7 has 32 mic preamps and 33 faders. All 3 mixers can be expanded to up to 48 input channels via optionally available expanders, and all 3 models have the option of connecting expansions via network systems such as Dante or Waves. The Allen & Heath SQ-5/SQ-6 mixers can record directly to USB storage media at up to 96 kHz via the built-in SQ drive.More is simply not possible in this price range.
The SLED 1 ULTRA XLR 3 is a matt black gooseneck light with 4 particularly bright COB LEDs and a 3-pin male XLR connection. It can be operated with 12 volts or on microphone inputs with 48 volts phantom power. The 30 cm long gooseneck can be flexibly but stably aligned and the on/off switch is easily accessible on the lamp head.
The 12-channel 1202VLZ4 delivers superior sound quality in a compact console with Mackie's renowned Onyx mic preamps and the highest possible headroom and signal-to-noise ratio. From every input to every output, you can rely on the proven performance you expect from a VLZ mixer. In addition, the 1202VLZ4 impresses with its solid construction and is equipped with a high-contrast colour scheme on the ergonomic surface, making it easy and clear to operate. With additional features such as a dedicated Control Room section, the 1202VLZ4 is the first choice for anyone who needs a powerful and flexible mixing console for professional use.
The EM-180 and EM-260 are aimed at all users with space problems. Both devices only require 1 height unit. The EM-260 is available in silver and black and enables the connection of up to 3 microphone or mono line signals and 3 stereo signals on just one height unit. The signal can also be output for an external effect and remixed with an effect. The EM-180 connects the analogue with the digital world. Not only can sources such as record players, CD players or a microphone be connected here in analogue form, two USB interfaces and an S/PDIF input and output also enable direct connection from a computer. All these sources are fed to two channels, the source channel of which can be freely selected and between which can be crossfaded using a crossfader. The EM 180 also has a balanced XLR output.
Quality at the highest level - made in Germany! With the PowerMate3, DYNACORD presents the third generation of the world's most successful power mixer: the new, even more compact system has more power, an extended bus structure and new features - with significantly lower weight and power consumption.
The great advantage of LEDs over conventional "light bulbs" is their complete impact resistance and enormously long service life: up to 100,000 hours of operation! Littlite grants a 2-year guarantee on the 10 LEDs and the standard lifetime guarantee on the socket!
The MY8-ADDA96, with its 8 analogue input channels plus 8 analogue output channels on a single card in a single slot, is specifically designed for use with Yamaha's DME24N and DME64N digital mixing engines, but is also an excellent I/O extension for Yamaha's digital mixing consoles. In addition to full 96 kHz support, the MY8-ADDA96 features Euroblock connectors for optimum reliability and ease of connection for a variety of installation types. A further benefit is the low power consumption, which allows up to four of these cards to be installed in a DME64N unit - giving you a total of 32 analogue inputs and outputs, plus of course the MY8-ADDA96 uses high performance A/D and D/A converters to deliver superior sound for any application.
Yamaha MGP 24 X mixer with digital effects: The MGP series mixers feature two separate studio-quality effects processors for refining your sound, with simple and intuitive operation. Yamaha's high-end REV-X Reverb delivers three musical and realistic-sounding reverb effects: Reverb, Room and Plate - a first for Yamaha's analogue mixers.
With the Littlite LED, you get a lamp of the 21st century that has an enormous light intensity with minimal energy consumption thanks to its 10 LEDs. The great advantage of LEDs over conventional "incandescent lamps" is their complete impact resistance and enormously long service life: up to 100,000 hours of operation! Littlite offers a 2-year guarantee on the 10 LEDs and the standard lifetime guarantee on the socket!
The founding members of Studiomaster consisted of the former sound engineers of Pink Floyd, Genesis, Phil Collins, Thin Lizzy, Spandau Ballet and some other great British icons. Modern live sound equipment began with the development of reliable PA systems capable of reproducing a natural reproduction of the original sound. Founded in England in 1976, the company was initially called RSD (Recording Studio Design) before being renamed Studiomaster. This was the beginning of a company that is still successful worldwide today.
BiG SiX is the realisation of feedback from artists, producers and sound engineers. After its little brother SiX, BiG SiX represents the next level of what is technically feasible in terms of quality, function and format. This highly professional desktop mixer is suitable for ambitious studio recordings, post-production, stage mixing or podcasting and can realise 18-channel stereo SuperAnalogue summing, while the four mono and four stereo channels are packed with SSL history and impress with clever details that you would otherwise only find on large studio mixing consoles: A slimmed-down version of the G-Series Bus Compressor, dynamics and EQ circuits from the legendary 4000E console series and official faders with high resolution in the preferred control range. The professional display instruments and extensive monitoring options, which include two independent headphone sections and the LMC+ Listen Mic Compressor, ensure relaxed working. Last but not least, SSL has already integrated the highlight and one of the most important components of your hybrid studio into the BiG SiX: the 16-channel USB-C interface with high-quality 96kHz/24bit AD/DA conversion. The converters are tuned to 0 dBFS=24 dBu for optimum utilisation of the dynamic range and can be switched pre- or post-fader for recording in each channel. For mixing, you can route the USB returns to the individual channels at the touch of a button. And the variable B-Bus/mute circuit makes overdubs a breeze.You can't get more SiX than BiG SiX!