InEar Monitoring

Earphones are a dime a dozen and are included with almost every MP3 player. However, most of them only fulfil their purpose, nothing more. There is no question of enjoying music. Not so with the new SE models from Shure. Not only do they shine with their successful and well thought-out design and very good feel, the sound is also completely convincing. The Dynamic MicroDriver provides a warm sound with dynamic bass. However, the SE 215-SE are more than just leisure earphones; thanks to the sound isolating design, they are also suitable for in-ear monitoring on stage. Most headphones and in-ear headphones come to a premature end due to cable breakage. The Kevlar-reinforced cable of the SE 215 is extremely resistant and also easy to replace. The scope of delivery includes a stylish (soft) transport case and Sound Isolating ear moulds in 3 sizes.

The high-resolution, sound-insulating in-ear stage monitoring set protects you from unwanted sound on stage and makes you mobile. Clear treble and warm bass characterise the earphones with dual drivers designed for precision, durability and comfort.

The SE425 earphones are equipped with two-way high-definition MicroDrivers. One tweeter and one woofer each ensure a very detailed and balanced sound image. The sound is extremely neutral and unadulterated. The Kevlar-reinforced cable is detachable for easy replacement. It is wire-reinforced at the ear for a comfortable fit and secure hold.Two-way system:The SE425 has a two-way system. One tweeter and one woofer on each side provide a very detailed and balanced sound image. Together with the integrated crossover, this ensures an extremely neutral and unadulterated sound, for a uniquely audiophile enjoyment of your music - on stage or on the move.Sound Isolating Design:Sound Isolating earphones were originally developed for musicians so that they can hear themselves better on loud stages. With the ear moulds included in the scope of delivery, they block out over 90 % of ambient noise. You can concentrate fully on your music, as they protect you from the loud stage sound during in-ear monitoring as well as from disturbing external noise in the underground, on the street or during sport. At the same time, you can significantly reduce the volume to protect your hearing.Detachable cable and wire-reinforced at the ear:The cable is detachable for easy replacement and can be rotated at the plug contact. The cable is guided over the ear and adjusted. Kevlar-reinforced, it is particularly durable. The connection between the earphones and cable is made via a gold-plated snap-lock mechanism that allows 360° rotation.Ear moulds for individual wearing comfort:As every ear is different, the Fit Kit includes different foam and silicone ear moulds in various sizes. Experiment with the sizes and shapes until you are satisfied. A good fit is the basic prerequisite for good sound insulation and bass reproduction as well as maximum comfort even when worn for long periods.

With the RockBoard® HA 2 in-ear monitor volume controller, the volume of the monitor signal sent from the mixing console can be quickly adjusted to the actual needs of the musician without having to signal a sound engineer to reduce the volume. The lightweight, wired device with belt clip is designed for musicians who do not have to move far on stage. It works as a passive volume control and does not require batteries.

The simplest, smallest and lightest professional headphone amplifier for use on stage with balanced mono signal or unbalanced stereo signal.

As a musician and/or singer, whether you are performing live, rehearsing with a band or recording in the studio, you need to hear yourself and the other musicians. But it's just as important that you can control what you hear. Everyone hears differently from their own perspective, so everyone should have control over their own mix. Ideally you will have a sound engineer, but in most cases you or another band member will control the monitor mix from the stage. Alternatively, a sound engineer at the other end of the room has control, but it's difficult to communicate with them during a show. Instead of a fixed monitor mix from the mixing desk, you can use the PX to set up a simple three-channel monitor mix that allows you to adjust the levels that are most important to you - during the show. For example, one control could control the level of your voice, another the level of your instruments and another a submix of other voices and instruments. With the PX system, you always have control of this balance within reach and can always set it perfectly to your liking!

For the high expectations on live stages: With a newly developed dynamic driver, the IE 100 PRO guarantees a precise acoustic overview for live sessions and sets. The innovative diaphragm delivers a powerful, warm and detailed sound. Even at the highest levels, every detail remains clear and distortion-free. Musicians and DJs choose the IE 100 PRO not only for live sessions, but also for producing or everyday use because of its exceptional sound and high wearing comfort.The in-ears fit every ear. Their flat, compact design combines a secure fit with excellent wearing comfort. The robust construction is designed to be stage-safe from the connection to the cable routing.

Three-way system:The SE535 has three-way high-definition MicroDrivers. These are three miniature loudspeakers to provide a unique listening experience. One tweeter ensures an incredibly clear separation of highs and mids, while the two woofers deliver balanced, full-bodied bass.Sound Isolating Design:Sound Isolating earphones were originally developed for musicians to help them hear themselves better on loud stages. With the ear moulds included in the scope of delivery, they block out over 90 % of ambient noise. You can concentrate fully on your music, as they protect you from the loud stage sound during in-ear monitoring as well as from disturbing external noise in the underground, on the street or during sport. At the same time, you can significantly reduce the volume to protect your hearing.Detachable cable and wire-reinforced at the ear:The cable is detachable for easy replacement and can be rotated at the plug contact. It is wire-reinforced at the ear for a comfortable fit and secure hold. The cable is guided and adjusted over the ear. Kevlar®-reinforced, it is particularly durable. The connection between the earphones and cable is made via a gold-plated snap-lock mechanism that allows 360° rotation.Ear moulds for individual wearing comfort:As every ear is different, the Fit Kit includes different foam and silicone ear moulds in various sizes. Experiment with the sizes and shapes until you are satisfied. A good fit is the basic prerequisite for good sound insulation and bass reproduction as well as maximum comfort even when worn for long periods.

The RockBoard HA 1 in-ear monitoring headphone amplifier is the ideal companion for singers, keyboardists, drummers, guitarists, bassists and other musicians. It establishes the connection between the monitor signal from the mixing console, instrument or amp and your own headphones. Operation is child's play: simply activate the device with the volume control and set the desired volume for the headphone signal. With the stereo/mono source switch, which is easily accessible on the device, the RockBoard HA 1 can be adjusted to the available input signal. The extremely compact and lightweight aluminium housing is fitted with a clip for attaching to a belt or waistband. The HA 1 has a status LED which changes colour depending on the available battery voltage. Two AAA batteries (not included) provide up to 12 hours of power supply and the batteries can be changed in no time at all thanks to the practical battery compartment with clip fastener, which is accessible from the outside. The HA 1 is equipped with a combination socket for use with stereo jack (6.35 mm) and XLR cables for the input signal and a 3.5 mm stereo jack headphone output. On stage, in the rehearsal room or at home, the RockBoard HA 1 in-ear monitoring headphone amplifier always offers full control over the monitoring signal. In small clubs, in-ear monitoring improves the acoustics in the room, and when the band turns up the volume again, the signal is quickly adjusted and you can enjoy the same sound in every part of the room.

The SPM-435 has 4 drivers that work in separate frequency responses to minimise distortion. The result is a pure, balanced sound that covers the entire human hearing spectrum. 2 dynamic drivers are used for bass and low-mid frequencies for a rich bass response. The symmetrical armature drivers deliver precise, high and even hi-mid frequencies.

The MTS-100 stationary transmitter can be used as a transmitter station for the MTG-100R and MTG-100Ra receivers. External audio sources such as a wired microphone, CD/MP3 player or audio mixer can be easily connected via an XLR/6.35 mm combination socket. The patented digital technology enables tap-proof communication and is specially designed for use in heavily frequented museum halls and guided tours in outdoor facilities. The MTS-100 delivers crystal-clear sound in the licence-free ISM band 863-865 MHz. Up to 16 pre-programmed interference-free channels can be assigned to different visitor groups without interfering with each other. Robust, tap-proof and easy to operate, the MTS-100 is ideal for guide, interpreter or moderator applications indoors or outdoors.

Unlimited freedom of movement on stage and always the perfect monitor sound directly in your ear - that's why we developed the wireless U300® in-ear monitoring systems in Germany. With their clear, modern design and uncomplicated operation, they are an ideal choice not only for beginners. The reliable range of up to 100 metres and the low frequency response of 50 Hz - 16 kHz ensure a professional performance. U300® in-ear sets are available for operation in 5 frequency bands: 584 MHz - 608 MHz, 655 MHz - 679 MHz, 823 MHz - 832 MHz + 863 MHz - 865 MHz, 470 MHz - 490 MHz or 514 MHz - 542 MHz. Six systems can be used at the same time.The U300® in-ear transmitters offer a choice of 12 transmission channels, an RF transmission power of 10 mW and can be operated in mono or stereo mode. Combo sockets serve as balanced XLR and unbalanced 6.35 mm jack inputs. The left and right input levels can be controlled separately and two LED chains indicate the audio signal strength.The U300® bodypack receiver has a mini-jack socket for connecting earphones as well as indicators for channel, stereo mode and low battery. It can run for 10 hours on two AA batteries. A practical control allows the monitoring volume to be individually adjusted during the performance. 19" rack mounting kit included.

In focus mode (double mono on), the input signals are reproduced in equal parts on both receivers. There is a control option before summing. This allows the volume ratio between the two signals to be adjusted. One application for this is that musicians can adjust the mix ratio between their own and the other signals directly on the receiver.

The MI-58 is a digital, wireless in-ear monitor system that operates in the licence-free 5.8 GHz frequency band. The wide bandwidth ensures an extended frequency response from 20 Hz to 23 kHz, a large signal-to-noise ratio, low latency and far better, noise-free sound quality than is possible with analogue systems in the UHF range.Thanks to its very attractive price and high level of quality, the MI-58 digital wireless in-ear monitor system offers unbeatable value for money. The additional option with integrated DANTE interface enables the direct input of digital audio signals.The digital wireless InEar monitor system MI-58 consists of the robust, stationary stereo transmitter MI-58T and the very handy MI-58R pocket receiver. This system is able to precisely control even very high-quality earphones and thus achieve the best possible sound experience. User-friendly controls and a long transmission range make daily work with this system easier, both in the rehearsal room and on small and large stages

The PSM 300 Twin Pack Pro offers professional monitoring for two musicians: two bodypack receivers (can also be used with the SB900A battery) and SE215 Sound Isolating earphones ensure a clear and precise stereo mix on stage.

The PSM®300 Stereo In-Ear Monitoring System offers wireless stereo monitoring with new, detailed 24-bit audio processing and secure radio transmission.The product offered transmits/receives in the free-of-charge and registration-free frequency range S8=823-832 MHz.The following frequency ranges are also available on request: H8E: 518-542 MHz, K3E: 606-630 MHz, K12: 614-638 MHz, L19: 630-654 MHz, M16: 686-710 MHz, Q25: 742-766 MHz, R12: 794-806 MHz, T11: 863-865 MHz