Microphones

Ultra-compact, uncomplicated and versatile microphone wireless link that is ready for immediate use. Wireless ME Dual is ideal for filmmakers, YouTubers and other content creators. The two transmitter modules and the receiver module are each only 4x4 cm in size, the range of the wireless link is 100 metres and the built-in rechargeable batteries allow up to 7 hours of continuous operation. The highlight: a microphone is not only built into the transmitters, but also in the receiver. If required, the film maker can record his own interview questions, stage directions or comments from off-camera. The built-in miniature condenser microphones deliver a crystal-clear audio signal. If you prefer, you can also connect an external clip-on microphone such as the Lavalier GO or Lavalier II to the transmitter.The transmitter utilises RØDE's ingenious GainAssist technology, which automatically adjusts the internal pre-amplification to the sound source. This leaves your head free for other things: distorted, too quiet or noisy sound recordings are a thing of the past with the Wireless ME.In addition to the analogue 3.5 mm TRS output, the receiver also offers a USB-C connection to output the sound digitally to a computer, smart phone or iPhone. All necessary cables are included: 3.5 mm TRS to TRS (for DSLR cameras), 3.5 mm TRS to TRSS cable (for smartphones, analogue), two USB-C to USB-C cables (for PC and smartphones, digital), as well as a USB-C to Lightning cable (for iPhone®, digital).Level and configuration settings can be made using the free "RØDE Central" software, which is available for download from RØDE for Mac and PC as well as in the Play Store or App Store as a free app. The Wireless ME is also compatible with the recording/streaming software "RØDE Connect" and the apps "RØDE Reporter" (Android and iOS) and "RØDE Capture" (iOS), which are also available for free download. In addition to the four connection cables, the Wireless ME Dual also comes with three fur windshields for outdoor recording and a high-quality neoprene carrying case. The modules are manufactured at RØDE's precision facility in Sydney, Australia.

Do you want to get into stereo recording or do you just need a nice pair of overheads? With the perfectly matched LCT 040 MATCH stereo pair, recording is child's play, precise localisation and an incredible spatial impression are guaranteed.The proven and tuned small-diaphragm condenser capsule ensures a balanced sound and a pleasant high-end. Fast results, no effort.

The main features of the 4011 cardioid microphone are its directionality and attention to detail. With this microphone, everything simply sounds like the original. The first-order cardioid characteristic ensures excellent separation of the sound sources.It is just as suitable for close-up recordings of acoustic guitar, piano, overheads, percussion, wind instruments and vocals as it is for support miking of symphony orchestras. It is designed for incredibly high sound levels and the 20 dB pad switch in the centre of the XLR connector attenuates the microphone output.A linear on-axis frequency response and excellent phase response ensure completely faithful sound reproduction. The off-axis frequency response is similarly even, so that any interference is faithfully reproduced, albeit attenuated in accordance with the first-order cardioid characteristic.This condenser microphone is highly regarded worldwide in recording studios and live performances as an exceptional microphone. A careful selection of state-of-the-art components ensures optimum neutrality, accuracy and extremely low distortion.

The MKH 416 is a short shotgun microphone. Good directional characteristics with small dimensions, high consonant intelligibility and feedback resistance are ideal prerequisites for universal use in film, radio and television, especially for outdoor reporting.

The e 608 is an instrument microphone with a supercardioid polar pattern specially designed for miking drums as well as woodwind (except flute instruments) and brass instruments. Thanks to its gooseneck mount, the small dynamic instrument microphone can be positioned very close to the sound source and thus ensures realistic pickup with high signal strength. Speaker basket: Stainless steel.

The MK 8 is the solution for ambitious home recording and project studios. It is the microphone for those who want to put all their passion into their audio projects. The MK 8 offers sophisticated options for adding a personal touch to the sound. The dual-diaphragm true condenser microphone stands for warm and precise sound reproduction. The five different directional characteristics allow a wide range of recording applications and sound design possibilities.Regardless of which mixing console or recording device is used, the MK 8 can be adjusted to the input sensitivity using a 3-stage attenuator. Two customisable filters can compensate for proximity effect, low-frequency noise and structure-borne sound. The MK 8 has two 1'' large diaphragms with 24-carat gold plating. The capsule is elastically mounted in a robust metal housing.

Dynamic instrument microphone from the new Fusion series, suitable for snare, tom, percussion, guitar amp, woodwind/brass instruments, flute, vocals, designed, assembled and tested by Audix in the USA, hypercardioid, 55 Hz- 15 kHz, max. SPL 137 dB, clear and clean sound reproduction, incl. mic clip (MC-1) and soft bag (P-1).

The V3 is a handheld dynamic vocal microphone with a cardioid polar pattern. It was developed for miking vocals and speech on stage. However, thanks to its well-balanced tuning, it also allows you to mic a wide range of other sources, such as speaker cabinets, electric guitars, brass instruments, drums and choirs.The cardioid polar pattern helps your voice to assert itself against other instruments on stage and enables high feedback resistance. Handling noise, impact sound and rumble are effectively suppressed by the integrated capsule bearing.Robust metal housing and roll-away protection:The housing consists only of solid metal parts - no sensitive plastic parts. The handle is made of tried-and-tested die-cast zinc-aluminium parts that can withstand even the highest loads. The durable microphone grille is made of high-quality spring steel and is resistant to deformation and corrosion. The bevelled edges along the microphone grille prevent the microphone from rolling away on flat surfaces such as the stage floor or your guitar amp.Capsule with cardioid polar pattern:The dynamic capsule ensures a high resistance to feedback and helps your voice to assert itself against other instruments on stage.Internal windscreen:The red internal windscreen efficiently reduces unwanted wind and pop noise (e.g. from consonants, explosive sounds). If you prefer a black windscreen, we have included one for you.Gold-plated XLR contacts:The gold-plated XLR contacts ensure maximum reliability and permanently prevent any kind of corrosion.Integrated bearing:The integrated bearing decouples the capsule from the housing, effectively reducing handling noise, impact sound and rumble.

With the OC16, Austrian Audio presents a brand new microphone from the Open Condenser large diaphragm series, which is equipped with Open Acoustics technology.The transparent and natural sound of the OC microphones, which is highly praised by the press and users, is the result of the combination of the patented CKR capsule and the Open Acoustics design approach developed by Austrian Audio.The OC16 has an extremely robust construction and is equipped with the CKR6 ceramic capsule - handmade in Vienna. Inspired by the sonic qualities of a favourite microphone legend, our engineers focused on technological progress and innovation when developing the CKR capsule. New materials such as industrial ceramics are used: A highly insulating material that has the same mass and acoustic properties as the brass originally used, but at the same time is far less prone to defects in production, allowing for greater consistency in manufacturing and product longevity and stability.Every single one of these handmade CKR capsules is tested and measured in-house before it leaves the factory.Austrian Audio's proprietary Open Acoustics technology eliminates acoustic interference, such as unwanted reflections and standing waves, within the microphone. The result is the well-known, open and natural Austrian Audio OC sound.The flat design of the microphone, combined with its low weight, enables miking and precise alignment even in hard-to-reach places.The CKR capsule is suspended from three elastic points in the microphone. This minimises interference from structure-borne noise so that the microphone can also be used without a suspension stand. Ideal for suspending the OC16 on a cable in front of a guitar amplifier, for example. The OC16 can handle a sound pressure level of up to 148 dB SPL and can therefore also be used in front of very loud sound sources without the risk of distortion. Whether brass instruments, loud percussion instruments or directly on the guitar amplifier - the OC16 will always pick up the signal cleanly.All these aspects make the OC16 an extremely flexible all-rounder and allow it to be used on a wide range of instruments: From drums to electric and acoustic guitars, pianos, wind and string instruments to vocals.But the OC16 also cuts a fine figure at the desk: podcast recordings, live streaming, dubbing of video content or even online conferences - all this is now created with the best speech intelligibility and quality. The very precise cardioid polar pattern helps to effectively suppress background noise, such as computer fan noise.The all-rounder microphone is supplied in a practical soft case including elasticated spider suspension.

The Shure SM4 is a home studio microphone that enables professional recording of vocals and instruments with mix-ready audio and effective noise cancellation. The 1-inch brass dual-diaphragm capsule is designed to capture your performance with high accuracy and excellent low-frequency control. Patent-pending interference shielding technology reduces unwanted high-frequency noise from wireless devices. The low-profile design and all-metal construction make it an ideal addition to the home studio. A high-quality magnetic pop filter ensures plosive-free audio and is available separately.

The TLM 103 is the ideal large diaphragm microphone for all those who do not want to do without uncompromisingly professional technology despite tight budget limits. It works with the transformerless circuit technology already proven in numerous Neumann microphones, offers an unrivalled low self-noise level and maximum dynamic range. The cardioid capsule used is particularly well-balanced acoustically and has excellent cancellation for rear sound incidence. An SG 1 metal stand joint and a wooden case are included in the scope of delivery.

Dynamic microphone with emphasis on the high mids/treble and reduction of the lower mids. The PR22 therefore cuts through very well in the mix and at the same time delivers a clean, "finished" sound. The patented "IsoBand" technology minimises hand noise. Ideal for miking vocals, snare drums, hi-hats, cymbals and acoustic guitars. The Heil PR 22UT is technically the same as the PR22, but is supplied with only one microphone basket and a smaller bag.

With the LCT 540S large diaphragm cardioid studio microphone, Lewitt once again demonstrates its innovative spirit and engineering skills across the board: with an incredible signal-to-noise ratio (electrical) of -1 dbA (acoustic 3dbA), the LCT 540S is one of the lowest noise microphones on the market.The high-precision 1" capsule has an incredibly high resolution and reproduces sound with incredible precision and detail. The modern circuit layout of the electronics amplifies this signal with virtually no background noise.A 3-stage high-pass filter and attenuation can be set on the front of the illuminated display. The LCT 540S is the perfect microphone for a wide range of sound sources, from vocals to string instruments and piano to drum overheads.The scope of delivery includes a high-quality studio spider and a magnetic pop filter, as well as a high-quality hard-shell case.

Dynamic podcast microphone with USB-C and XLR outputs, cardioid, 3.5mm headphone jack, compatible with the Shure Motiv MIX app for PC and MAC, colour white

The capsule of the d:fine™ CORE 6066 subminiature headworn microphone has a diameter of only 3 mm (0.12 inches), but is as powerful as the larger, award-winning DPA microphones. Despite its small size, it delivers clarity, consistent performance and robustness - three qualities that count. With the more compact design of the newly introduced CORE by DPA technology, DPA ensures that you don't have to compromise between sound and aesthetics. In addition to minimising size and maximising sound potential, these mics also feature a completely redesigned lightweight, one-size-fits-all headband that sits comfortably on the ears. The handles with three contact points and spring mechanism ensure a firm fit under the ears and on the side of the head for added security. The two-way adjustable boom system (length and height) with anti-slip mechanism for the headband and sliding closure makes this new headband easy to adjust. The new 90° cable management system protects the cable and guides it along the wearer's back, where it is invisible.The sound quality and comfort mean that once you've tried this solution, you'll never want another headband microphone again.

The Sennheiser e 901 is a boundary microphone with a semi-cardioid characteristic, which is particularly suitable for miking bass drums. Its housing is very robust and "kick-proof". The internal microphone preamplifier is an advantage over commercially available external in-line preamps, as these have to be connected with special adapter cables.