The M3 can be operated either via phantom power or with a 9 V block that can be inserted into the battery compartment. This makes it independent of any external power supply, especially when used outdoors. Other features include a switchable high-pass filter for suppressing low-frequency noise and attenuating the proximity effect, a two-stage switchable pre-attenuation (-10 dB/-20 dB), the on/off switch and the battery control LED. The scope of delivery includes a windscreen and a stand clamp.
With the Halo, British microphone specialist Sontronics presents a stylish microphone specially designed for miking guitar amps. Based on the multi-award-winning STC-80 dynamic handheld microphone, the Halo gives distorted guitars a concise, powerful sound. For the perfect amp sound "Out Of The Box", Sontronics relies on a special tonal tuning that makes it unnecessary for the user to reach for the EQ. The elaborate capsule suspension with its four springs guarantees excellent impact sound insulation and also ensures a spectacular look.After Sontronics developed the Saturn large-diaphragm condenser model, a studio microphone with excellent sound and appearance especially for vocal recordings, the British microphone specialist is now introducing the Halo, a microphone for recording guitar amps. However, the elaborate capsule suspension is not just for a spectacular appearance: it ensures excellent recordings free from impact sound, even when rocking out in the immediate vicinity of the amp. The all-metal housing with its high-quality finish is also designed for rough everyday recording conditions, while the metal ring around the capsule protects the sensitive components from excessive strain.The Halo is a dynamic microphone with a fixed cardioid characteristic. With a frequency range of 50 Hz to 15 kHz, it can transmit the full range of the amp sound. In terms of sound, the Halo is based on the award-winning STC-80 dynamic handheld microphone, although the sound tuning has been clearly trimmed for use on guitar amps. Sontronics mastermind Trevor Coley paid particular attention to achieving a perfect "out of the box" sound. "I'm a guitarist myself and wanted to create a microphone that works immediately in front of an amp." This saves many guitarists from having to reach for the EQ. "Since we developed the STC-80 and launched it on the market, many guitarists have told us how much they like using this microphone to pick up guitar amps," continues Sontronics boss Coley. "So we've retuned the sound based on this capsule and chosen an extravagant housing design to give guitarists a spectacular amp microphone that won't break the bank."
Avantone Pro is back with another classic from the past! "Kick", a sub-frequency microphone with the very popular reissue of the "white cone" bass driver (AV10-MLF). The "Kick" sub-kick brings the sub-bass range of your instruments to the fore. To reproduce the popular sound, the driver consists of a cone moulded in one piece like its classic predecessor. This enables higher quality assurance and product consistency during the production process.A heavy, stage-ready, double-braced drum stand is included. The "Kick" uses a realistic wooden drum shell. Therefore, a standard microphone stand would not be sufficient for mounting.
The KSM137 is a permanently polarised cardioid condenser microphone. Designed for studio use, the microphone is also suitable for live use thanks to its robust construction and can handle extremely high sound levels. Its low self-noise and wide transmission range make it the ideal microphone for miking instruments.
Das 1973 ist ein hochwertiges LDC-Mikrofon mit einer handgefertigten Kapsel und erstklassiger Verarbeitungsqualität. Es verfügt über einen speziell angefertigten Resonator, der unerwünschte Resonanzen vermindert und einen Popschutz bietet. Dadurch eignet es sich hervorragend für die Aufnahme von Gesang, Voiceovers und Podcasts. Das 1973 verfügt über ein stromlinienförmiges Gehäuse und enthält die gleiche S23-Kapsel wie das 023 Bomblet. Diese raumsparende Gestaltung ermöglicht die Mikrofonierung auch an schwer zugänglichen Stellen.Das 1973 ist übertragerlos aufgebaut und weist ein extrem geringes Eigenrauschen auf, ohne dabei Abstriche in seiner Klangcharakteristik zu machen. Es verfügt sowohl über ein -10 als auch ein -20 dB-Pad, wodurch es sich gut für Quellen mit hoher Lautstärke wie Kick Drums und Verstärker eignet.
The very wide transmission range of the TG I53c opens up a multitude of possible applications. From hi-hat and overheads to percussion, side and wind instruments and choir miking - the condenser microphone stands out everywhere with its slight treble boost and excellent detail reproduction. Thanks to its high sensitivity, it is also suitable for larger microphone distances, for example for large sound bodies with complex dispersion behaviour. Another advantage: the carbon fibre-reinforced housing makes it lightweight and robust at the same time.
The Heil PR 28 represents a completely new dynamic microphone technology, developed for a wide range of professional applications from live sound to broadcasting and demanding recording. This microphone has been specially optimised for use on toms and snare drums. With its crisp transient response, a boost of 3 dB from 3500 Hz and a generally very powerful sound, it delivers excellent results every time. Recommended applications: Snare drums and toms
The d:vote series is already the recognised benchmark for this type of microphone. The CORE version delivers even better sound quality and distances itself even more clearly from competitor products. The d:vote CORE 4099 delivers even more clarity and detail across the entire dynamic range. CORE technology is the logical choice for musicians, live sound engineers and anyone else who doesn't want to compromise on sound quality.CORE by DPA is the powerful new technology that underpins DPA miniature microphones. We have minimised distortion. As a result, the microphones offer a clearer and more open sound from pianissimo to forte. Find out more about CORE by DPA.Whether piano, guitar, strings or wind instruments - d:vote microphones deliver outstanding sound for all instrument types. This one microphone model can amplify an entire orchestra beautifully. You can mount the microphone on another instrument using the matching bracket. The award-winning d:vote series offers a far more natural sound than other clip-on microphones or pickups. This condenser microphone suppresses unwanted noise and accurately captures the true tone of your acoustic instrument.
Whether on stand toms, snare drums or percussion instruments - the TG D57c condenser microphone is mounted and ready for use in a flash thanks to the patented clip-on mount and integrated power supply. The extended frequency range ensures true-to-life reproduction of all drum types and the 72 mm long flexible gooseneck allows optimum alignment to the sound source. There is an elasticated capsule suspension on the capsule housing, which protects against damage from stick hits. And the new electronics ensure increased level stability and guarantee an enormous maximum sound pressure level - even with phantom power supplies below 44 volts.
The MKH 50 offers a higher diffuse sound and side attenuation than the cardioid. It is preferably used as a soloist and support microphone when high demands are placed on lateral suppression and feedback resistance. The frequency-independent directional characteristic allows for greater support without affecting the tonal balance.
The PGA52 is a dynamic bass drum microphone that combines high-quality sound with a robust design. The integrated stand adapter with swivel joint is ideal for quick and flexible positioning. The PGA52 is the ideal microphone for reproducing or recording low frequencies.
The HD 25 is a dynamic headphone with a closed design, i.e. ambient noise is shielded better than with an open design. These robust headphones are therefore particularly suitable for listening to music and speech in noisy environments, e.g. for monitoring PA systems, for use in outside broadcasting or for studio monitoring.
Focal is expanding its Alpha series with the newly launched Alpha Evo. New features, new technologies, new design: the Alpha 50 Evo and Alpha 65 Evo studio monitors offer high performance at an unrivalled price in their market segment, making them the professional tools of choice for more people than ever before. With these new products, the French manufacturer is once again demonstrating its sound expertise and asserting its position as world market leader.PERFORMANCE & VERSATILITY:The Alpha 50 Evo and Alpha 65 Evo models are specially designed for music production and general music reproduction and ensure outstanding acoustic coherence regardless of the listening location. To further improve reproduction performance, Focal has opted for an aluminium tweeter with an inverted dome for wide sound dispersion and a carbon fibre cone. The recycled carbon fibre cone is manufactured exclusively by the French brand in Saint-Étienne and was chosen for its neutrality and dynamics. Focal is constantly revising its product range, drawing on over 40 years of expertise in the field of acoustics and its innovative strength. This is also underlined by the new large laminar port, which minimises distortion.NEW FEATURES:Evo stands for evolution. In addition to the analogue XLR and RCA sockets, the Alpha Evo monitors have a new TRS jack input (6.35 mm), an automatic standby mode that can be deactivated and inserts for wall and ceiling mounting: a truly versatile range (mixing, mastering, DJ, broadcasting). In terms of amplification, the speakers each have two Class D amplifiers. Their high current capacity gives you maximum control over the signal dynamics. In addition, high volumes can be achieved without distortion. Each speaker reproduces even the smallest details in the mix across all styles of music.DESIGN AND CABINET CONSTRUCTION:The monitors have a 15 mm thick MDF enclosure with internal bracing for maximum stability even at high sound pressure levels. The bass reflex design was chosen for easy acoustic integration even in the tightest of spaces. In terms of aesthetics, the classic cube shape of the monitor gives way to a design with rounded corners. The side panels ensure a sophisticated, robust and modern design that contributes to excellent acoustics and a unique and harmonious character across the entire range.
With the DM3 series, sound engineers can capture the sound on stage precisely and without distortion and then add creative accents as required. "Less is more" - with the 9" touchscreen and a single touch & turn control, most of the console's functions can be controlled. The DM3 consoles offer more power and flexibility than you would ever expect from such a compact digital console.
Description:Neural DSP describes its Quad Cortex as the most powerful floor modeller in the world. With a total of 6 cores (4x SHARC+ and 2x ARM Cortex-A5 with 500MHz each), it offers almost limitless sound design possibilities thanks to its incredible processing capacity.The simultaneous operation of four amplifier models, stereo reverbs and a wealth of other effects doesn't even come close to making the Quad Cortex break a sweat.Quad Cortex offers an ever-growing collection of guitar and bass algorithms:50+ amps50+ effects50+ IRsBy using the most advanced design and manufacturing techniques, the powerful floor modeler has been packed into an extremely compact format of just 29 x 19 x 4.9 cm.
The evolution of a classic:Building on the venerable heritage of the Xone:92 and incorporating the hardware enhancements of the highly acclaimed Xone:92 Lim-ited Edition, we've added Silent VCF Switching, a new custom innoFADER® crossfader and a range of premium upgrades that preserve the legendary 92 DNA while improving performance.The iconic 92 sound. Refined:For two decades, the Xone:92 has set the sonic standard for dance music with its all-analogue signal path.The new Xone:92 delivers the iconic sound that DJs and clubbers love, but with the latest high-performance analogue components in the audio path.Experience bass that moves the masses, treble that cuts through and a warmth that can't be matched digitally. Connect with your audience on a physical level - from intimate clubs to large festivals.Built for the booth:The new Xone:92 is built for hard use in clubs, at festivals and on relentless tours - thanks to its robust, proven chassis designed for all-night, high-energy sets.The crossfader has been updated to the industry-favourite mini innoFADER Pro®, which is tuned to the curve of the original 92 fader while providing a smoother, more precise and durable mixing experience.The new Xone:92 is presented in the classic Storm Grey colour with improved UV printing for better legibility in low light conditions and redesigned labelling for better visibility of key controls, while the recessed filter and XFade assignment switches further improve ergonomics.The legendary filter. Perfected:The Xone:92 filter changed the game when it debuted in 2004. Twenty years later, it's still the measure of all things, and the new Xone:92 goes one better. The updated filter offers enhanced frequency precision thanks to an optimised control curve, while retaining the famous 92 filter sound. Noiseless filter switching allows for seamless transitions, and the improved resonance lets you explore new dimensions in your performances.The ultimate analogue EQ:With the Xone:92's unrivalled analogue EQ, you can shape your sound with surgical precision and get creative with your transitions.All 6 stereo channels feature our renowned 4-band EQ with total kill on the HF and LF bands and two centre frequency controls for extreme sound shaping.Precisely tuned preamplifier:The Xone:92 phono preamplifier has been fine-tuned with an RIAA curve specifically tailored for techno and house and improved line/phono source matching for easy integration of analogue and digital sources to get the best out of your vinyl.About the club icon:The Xone:92 is a versatile six-channel analogue mixer renowned for its warm, punchy sound that fills any room, with unrivalled EQ and filter sections for creative sound shaping and transitions.Thanks to its unrivalled sound quality, solid construction and ease of use, the 92 is on the riders of many of the world's top DJs and is a staple in DJ booths around the world, from the superclubs of Ibiza to the beach bars of Miami, from the underground clubs of Berlin to the warehouse venues of London.
HI, MEET MUSE.This is Muse, the fourth Moog polysynth ever developed. It's an eight-voice analogue, bi-timbral, polyphonic synthesizer - the culmination of overthe culmination of over 5 years of dreaming, design and passion. Muse is an intuitive and powerful instrument that builds on Moog's rich history while looking boldly to the future.It is designed to be robust and portable for the stage, but also as the centrepiece of a modern studio.From your first playful encounter with the knob-for-function control panel, Muse matures with you through years of limitless exploration. Explore and express yourself endlessly with the digital controls for flexible modulation options, patch memory recall and advanced sequencing.Each sequence exists independently of a patch, allowing on-the-fly modification within the same musical concept.Equipped with parameter recording, probabilistic functions and microscopic editing of every note in the sequence, the sequencer is an endless playground for musical arrangements.The rich and nuanced history of analogue synthesizers is infused into every aspect of the architecture.Muse is designed to evolve, surprise and delight for years to come.
The new DM-8 e-drumset from Nux is designed for semi-professionals and professionals. Noiseless practising and performing with an authentic playing experience - this is the formula that the engineers at Nux have implemented at their well-known price-performance ratio.The DM-8 consists of a solid rack system and its drum shells as well as the bass drum are covered with mesh heads whose tension can be adjusted to suit your taste and whose rebound behaviour feels like that of a real drum set. The authentic feel is further enhanced by the free-standing hi-hat, which can be played in an open, closed or half-open setting. The free-standing snare, which also features the latest 3-point trigger technology, can be used to realise multi-faceted and highly dynamic rim-shot or cross-stick playing styles.The crowning glory of the DM-8 is the clearly laid out control interface, which allows precise intervention in the sound mix using individual group faders. In addition to 30 pre-installed hi-fi drum sets, you can also feed in your own drum samples. The module also serves as an interface for other DAW and MIDI applications.