AKG CGN321 STS: The CGN321 STS gooseneck microphone is mounted on a heavy table stand. Due to its weight, the microphone is well protected against vibrations and is stable on the table.
This solution utilises the MMC4018 microphone capsule, which offers a supercardioid pattern with high directivity and a smooth and consistent off-axis frequency response. The supercardioid shape is frequency independent and guarantees a consistent sound colour around the microphone. Die bei den meisten Supernieren-Mikrofonen übliche rückwärtige Niere wurde bei dieser Kapsel minimiert. As a result, it is much better isolated, without sudden frequency-dependent peaks and dips.
This solution utilises the MMC4018 cardioid microphone capsule, which offers a supercardioid pattern with high directivity and a smooth and consistent off-axis frequency response. The supercardioid shape is frequency independent and guarantees a consistent sound colour around the microphone. Die bei den meisten Supernieren-Mikrofonen übliche rückwärtige Niere wurde bei dieser Kapsel minimiert. As a result, it is much better isolated, without sudden frequency-dependent peaks and dips.Due to its modularity, the d:sign 4011 supercardioid microphone can be combined with podium booms of different lengths - 15, 30 or 45 cm. If longer booms are required for floor stands with an elegant look, our long booms with 75 or 120 cm and our special accessories for a high-quality stage vocal microphone are available.
Two AKG CHM 99 suspension microphones can be used to create both classic stereo recordings using the XY technique and the ORTF technique. The latter corresponds most closely to the natural hearing perception of humans. The microphones are positioned in such a way that they correspond exactly to the distance and listening angle of the human ear.
This solution utilises the MMC4018 cardioid microphone capsule, which offers a supercardioid pattern with high directivity and a smooth and consistent off-axis frequency response. The supercardioid shape is frequency independent and guarantees a consistent sound colour around the microphone. Die bei den meisten Supernieren-Mikrofonen übliche rückwärtige Niere wurde bei dieser Kapsel minimiert. As a result, it is much better isolated, without sudden frequency-dependent peaks and dips.Due to its modularity, the d:sign 4011 supercardioid microphone can be combined with podium booms of different lengths - 15, 30 or 45 cm. If longer booms are required for floor stands with an elegant look, our long booms with 75 or 120 cm and our special accessories for a high-quality stage vocal microphone are available.
All E-series modules are designed with an integrated plug. This is a major advantage for quick assembly and disassembly. Of course, bass roll-off from 200 Hz and LED ON/OFF function are already integrated.300 mm long gooseneck module with robust connection thread and self-cleaning, large-surface gold contacts suitable for all Discreet Acoustics Modular capsules. Integrated illuminated ring can be operated with conventional phantom power or external power supply. Multi-layer, non-reflective paint finish in dark grey. GN 15 E with XLR-IN LINE phantom power adapter (DPA) mounted directly on the gooseneck. Impact sound filter and illuminated ring ON/OFF switchable via jumper in the DPA. XLR panel jack with anti-theft device included (PS 3 FLock).
All E-series modules are designed with an integrated plug. This is a major advantage for quick assembly and disassembly. Of course, bass roll-off from 200 Hz and LED ON/OFF function are already integrated.500 mm long gooseneck module with robust connection thread and self-cleaning, large-surface gold contacts suitable for all Discreet Acoustics Modular capsules. Integrated illuminated ring can be operated with conventional phantom power or external power supply. Multi-layer, non-reflective paint finish in dark grey. GN 15 E with XLR-IN LINE phantom power adapter (DPA) mounted directly on the gooseneck. Impact sound filter and illuminated ring ON/OFF switchable via jumper in the DPA. XLR panel jack with anti-theft device included (PS 3 FLock).
The MKE mini is a high-quality, omnidirectional mini lavalier clip microphone. The KE 4 capsule in the MKE mini is derived from the industry standard MKE 2 and offers improvements that deliver a warm and distortion-free signal even at high sound pressure levels. The MKE mini fulfils the highest demands for sound quality and robustness while offering excellent moisture protection thanks to our ultra-lightweight umbrella diaphragm.
Sennheiser can look back on 60 years of company history in the audio industry. The resulting experience and expertise are reflected in every product series.This is also the case with the new MEG 14-40-L and MEG 14-40-L-B gooseneck microphones. Thanks to their shielding against HF interference, they are particularly suitable for use in the conference sector, where interference from mobile phones, for example, can be particularly unpleasant. The slim, unobtrusive design also predestines both models for the conference and discussion area.The manufacturing quality "made in Germany" is particularly noticeable in fixed installations due to the low service costs.
The directivity quality and attention to detail make the MMC4011 cardioid microphone capsule a solution that makes everything sound like the original. The first-order cardioid polar pattern ensures excellent separation of sound sources. It is just as suitable for close-up recordings of acoustic guitar, piano, overheads, percussion, wind instruments and vocals as it is for symphonic support miking. It is designed for incredibly high sound pressure levels.A linear on-axis frequency response and excellent phase response ensure faithful reproduction of the original sound. The off-axis frequency response is similarly homogeneous and interferences are reproduced accurately and attenuated in accordance with the first-order cardioid characteristic.
The directivity quality and attention to detail make the MMC4011 cardioid microphone capsule a solution that makes everything sound like the original. The first-order cardioid polar pattern ensures excellent separation of sound sources. It is just as suitable for close-up recordings of acoustic guitar, piano, overheads, percussion, wind instruments and vocals as it is for symphonic support miking. It is designed for incredibly high sound pressure levels.A linear on-axis frequency response and excellent phase response ensure faithful reproduction of the original sound. The off-axis frequency response is similarly homogeneous and interferences are reproduced accurately and attenuated in accordance with the first-order cardioid characteristic.
The directivity quality and attention to detail make the MMC4011 cardioid microphone capsule a solution that makes everything sound like the original. The first-order cardioid polar pattern ensures excellent separation of the sound sources.A linear on-axis frequency response and an excellent phase response ensure faithful reproduction of the original. The off-axis frequency response is similarly homogeneous and interferences are reproduced accurately and attenuated in accordance with the first-order cardioid characteristic.Due to its modularity, the d:sign 4011 cardioid microphone can be combined with podium booms of different lengths - 15, 30 or 45 cm. If longer booms are required for floor stands with an elegant look, our long booms with 75 or 120 cm and our special accessories for a high-quality stage vocal microphone are available.
This solution utilises the MMC4018 microphone capsule, which offers a supercardioid pattern with high directivity and a smooth and consistent off-axis frequency response. The supercardioid shape is frequency independent and guarantees a consistent sound colour around the microphone. Die bei den meisten Supernieren-Mikrofonen übliche rückwärtige Niere wurde bei dieser Kapsel minimiert. As a result, it is much better isolated, without sudden frequency-dependent peaks and dips.
The directivity quality and attention to detail make the MMC4011 cardioid microphone capsule a solution that makes everything sound like the original. The first-order cardioid polar pattern ensures excellent separation of the sound sources.A linear on-axis frequency response and an excellent phase response ensure faithful reproduction of the original. The off-axis frequency response is similarly homogeneous and interferences are reproduced accurately and attenuated in accordance with the first-order cardioid characteristic.Due to its modularity, the d:sign 4011 cardioid microphone can be combined with podium booms of different lengths - 15, 30 or 45 cm. If longer booms are required for floor stands with an elegant look, our long booms with 75 or 120 cm and our special accessories for a high-quality stage vocal microphone are available.
Sennheiser can look back on 60 years of company history in the audio industry. The resulting experience and expertise are reflected in every product series.This is also the case with the new MEG 14-40-L and MEG 14-40-L-B gooseneck microphones. Thanks to their shielding against HF interference, they are particularly suitable for use in the conference sector, where interference from mobile phones, for example, can be particularly unpleasant. The slim, unobtrusive design also predestines both models for conference and discussion areas.Manufacturing quality "made in Germany" is particularly noticeable in fixed installations due to the low service requirements.
The directivity quality and attention to detail make the MMC4011 cardioid microphone capsule a solution that makes everything sound like the original. The first-order cardioid polar pattern ensures excellent separation of the sound sources.A linear on-axis frequency response and an excellent phase response ensure faithful reproduction of the original. The off-axis frequency response is similarly homogeneous and interferences are reproduced accurately and attenuated in accordance with the first-order cardioid characteristic.Due to its modularity, the d:sign 4011 cardioid microphone can be combined with podium booms of different lengths - 15, 30 or 45 cm. If longer booms are required for floor stands with an elegant look, our long booms with 75 or 120 cm and our special accessories for a high-quality stage vocal microphone are available.
This solution utilises the MMC4018 microphone capsule, which offers a supercardioid polar pattern with high directivity and a smooth and consistent off-axis frequency response. The supercardioid shape is frequency independent and guarantees a consistent sound colour around the microphone. Die bei den meisten Supernieren-Mikrofonen übliche rückwärtige Niere wurde bei dieser Kapsel minimiert. As a result, it is much better isolated, without sudden frequency-dependent peaks and dips.
There are numerous mounting options: The AKG CGN 99 C/S and C/L gooseneck microphones can be permanently installed. If installation is not possible, the gooseneck can be positioned using the sturdy, heavy base plate to prevent it from tipping over. A tripod is used for uneven surfaces.Thanks to two different lengths and the flexible joint, the AKG gooseneck can be adapted to any speaker position. A special rubber compound in the built-in modules ensures optimum damping of structure-borne sound.
This solution utilises the MMC4018 cardioid microphone capsule, which offers a supercardioid pattern with high directivity and a smooth and consistent off-axis frequency response. The supercardioid shape is frequency independent and guarantees a consistent sound colour around the microphone. Die bei den meisten Supernieren-Mikrofonen übliche rückwärtige Niere wurde bei dieser Kapsel minimiert. As a result, it is much better isolated, without sudden frequency-dependent peaks and dips.Due to its modularity, the d:sign 4011 supercardioid microphone can be combined with podium booms of different lengths - 15, 30 or 45 cm. If longer booms are required for floor stands with an elegant look, our long booms with 75 or 120 cm and our special accessories for a high-quality stage vocal microphone are available.
The HD 25 is a dynamic headphone with a closed design, i.e. ambient noise is shielded better than with an open design. These robust headphones are therefore particularly suitable for listening to music and speech in noisy environments, e.g. for monitoring PA systems, for use in outside broadcasting or for studio monitoring.
Focal is expanding its Alpha series with the newly launched Alpha Evo. New features, new technologies, new design: the Alpha 50 Evo and Alpha 65 Evo studio monitors offer high performance at an unrivalled price in their market segment, making them the professional tools of choice for more people than ever before. With these new products, the French manufacturer is once again demonstrating its sound expertise and asserting its position as world market leader.PERFORMANCE & VERSATILITY:The Alpha 50 Evo and Alpha 65 Evo models are specially designed for music production and general music reproduction and ensure outstanding acoustic coherence regardless of the listening location. To further improve reproduction performance, Focal has opted for an aluminium tweeter with an inverted dome for wide sound dispersion and a carbon fibre cone. The recycled carbon fibre cone is manufactured exclusively by the French brand in Saint-Étienne and was chosen for its neutrality and dynamics. Focal is constantly revising its product range, drawing on over 40 years of expertise in the field of acoustics and its innovative strength. This is also underlined by the new large laminar port, which minimises distortion.NEW FEATURES:Evo stands for evolution. In addition to the analogue XLR and RCA sockets, the Alpha Evo monitors have a new TRS jack input (6.35 mm), an automatic standby mode that can be deactivated and inserts for wall and ceiling mounting: a truly versatile range (mixing, mastering, DJ, broadcasting). In terms of amplification, the speakers each have two Class D amplifiers. Their high current capacity gives you maximum control over the signal dynamics. In addition, high volumes can be achieved without distortion. Each speaker reproduces even the smallest details in the mix across all styles of music.DESIGN AND CABINET CONSTRUCTION:The monitors have a 15 mm thick MDF enclosure with internal bracing for maximum stability even at high sound pressure levels. The bass reflex design was chosen for easy acoustic integration even in the tightest of spaces. In terms of aesthetics, the classic cube shape of the monitor gives way to a design with rounded corners. The side panels ensure a sophisticated, robust and modern design that contributes to excellent acoustics and a unique and harmonious character across the entire range.
With the DM3 series, sound engineers can capture the sound on stage precisely and without distortion and then add creative accents as required. "Less is more" - with the 9" touchscreen and a single touch & turn control, most of the console's functions can be controlled. The DM3 consoles offer more power and flexibility than you would ever expect from such a compact digital console.
Description:Neural DSP describes its Quad Cortex as the most powerful floor modeller in the world. With a total of 6 cores (4x SHARC+ and 2x ARM Cortex-A5 with 500MHz each), it offers almost limitless sound design possibilities thanks to its incredible processing capacity.The simultaneous operation of four amplifier models, stereo reverbs and a wealth of other effects doesn't even come close to making the Quad Cortex break a sweat.Quad Cortex offers an ever-growing collection of guitar and bass algorithms:50+ amps50+ effects50+ IRsBy using the most advanced design and manufacturing techniques, the powerful floor modeler has been packed into an extremely compact format of just 29 x 19 x 4.9 cm.
The evolution of a classic:Building on the venerable heritage of the Xone:92 and incorporating the hardware enhancements of the highly acclaimed Xone:92 Lim-ited Edition, we've added Silent VCF Switching, a new custom innoFADER® crossfader and a range of premium upgrades that preserve the legendary 92 DNA while improving performance.The iconic 92 sound. Refined:For two decades, the Xone:92 has set the sonic standard for dance music with its all-analogue signal path.The new Xone:92 delivers the iconic sound that DJs and clubbers love, but with the latest high-performance analogue components in the audio path.Experience bass that moves the masses, treble that cuts through and a warmth that can't be matched digitally. Connect with your audience on a physical level - from intimate clubs to large festivals.Built for the booth:The new Xone:92 is built for hard use in clubs, at festivals and on relentless tours - thanks to its robust, proven chassis designed for all-night, high-energy sets.The crossfader has been updated to the industry-favourite mini innoFADER Pro®, which is tuned to the curve of the original 92 fader while providing a smoother, more precise and durable mixing experience.The new Xone:92 is presented in the classic Storm Grey colour with improved UV printing for better legibility in low light conditions and redesigned labelling for better visibility of key controls, while the recessed filter and XFade assignment switches further improve ergonomics.The legendary filter. Perfected:The Xone:92 filter changed the game when it debuted in 2004. Twenty years later, it's still the measure of all things, and the new Xone:92 goes one better. The updated filter offers enhanced frequency precision thanks to an optimised control curve, while retaining the famous 92 filter sound. Noiseless filter switching allows for seamless transitions, and the improved resonance lets you explore new dimensions in your performances.The ultimate analogue EQ:With the Xone:92's unrivalled analogue EQ, you can shape your sound with surgical precision and get creative with your transitions.All 6 stereo channels feature our renowned 4-band EQ with total kill on the HF and LF bands and two centre frequency controls for extreme sound shaping.Precisely tuned preamplifier:The Xone:92 phono preamplifier has been fine-tuned with an RIAA curve specifically tailored for techno and house and improved line/phono source matching for easy integration of analogue and digital sources to get the best out of your vinyl.About the club icon:The Xone:92 is a versatile six-channel analogue mixer renowned for its warm, punchy sound that fills any room, with unrivalled EQ and filter sections for creative sound shaping and transitions.Thanks to its unrivalled sound quality, solid construction and ease of use, the 92 is on the riders of many of the world's top DJs and is a staple in DJ booths around the world, from the superclubs of Ibiza to the beach bars of Miami, from the underground clubs of Berlin to the warehouse venues of London.
HI, MEET MUSE.This is Muse, the fourth Moog polysynth ever developed. It's an eight-voice analogue, bi-timbral, polyphonic synthesizer - the culmination of overthe culmination of over 5 years of dreaming, design and passion. Muse is an intuitive and powerful instrument that builds on Moog's rich history while looking boldly to the future.It is designed to be robust and portable for the stage, but also as the centrepiece of a modern studio.From your first playful encounter with the knob-for-function control panel, Muse matures with you through years of limitless exploration. Explore and express yourself endlessly with the digital controls for flexible modulation options, patch memory recall and advanced sequencing.Each sequence exists independently of a patch, allowing on-the-fly modification within the same musical concept.Equipped with parameter recording, probabilistic functions and microscopic editing of every note in the sequence, the sequencer is an endless playground for musical arrangements.The rich and nuanced history of analogue synthesizers is infused into every aspect of the architecture.Muse is designed to evolve, surprise and delight for years to come.
The new DM-8 e-drumset from Nux is designed for semi-professionals and professionals. Noiseless practising and performing with an authentic playing experience - this is the formula that the engineers at Nux have implemented at their well-known price-performance ratio.The DM-8 consists of a solid rack system and its drum shells as well as the bass drum are covered with mesh heads whose tension can be adjusted to suit your taste and whose rebound behaviour feels like that of a real drum set. The authentic feel is further enhanced by the free-standing hi-hat, which can be played in an open, closed or half-open setting. The free-standing snare, which also features the latest 3-point trigger technology, can be used to realise multi-faceted and highly dynamic rim-shot or cross-stick playing styles.The crowning glory of the DM-8 is the clearly laid out control interface, which allows precise intervention in the sound mix using individual group faders. In addition to 30 pre-installed hi-fi drum sets, you can also feed in your own drum samples. The module also serves as an interface for other DAW and MIDI applications.