The Rohema 5A Fusion offers the usual diameter of our classic 5A stick, but is a touch longer. It also has a narrower, longer shoulder. This ensures a high rebound and fast response.The barrel tip sounds incomparably good on the cymbals. The playing surface of the head is larger, making the sound of the 5A Fusion fuller and more open.We use a new type of surface treatment for the finish. The wax-oil finish of the 5A Fusion is applied in a two-stage process and gives the sticks a particularly shiny retro look and very good grip.
The Rohema 5B Fusion offers the usual 15.2 mm diameter of our classic 5B stick, but is a touch longer. It also has a narrower, longer shoulder. This ensures a high rebound and fast response.The barrel tip sounds incomparably good on the cymbals. The playing surface of the head is larger, making the sound of the 5B Fusion fuller and more open.We use a new type of surface treatment for the finish. The wax-oil finish of the 5B Fusion is applied in a two-stage process and gives the sticks a particularly shiny retro look and very good grip.
These very special brushes open up completely new sound possibilities for drumsets, cajons and various percussion instruments. We use European sorghum millet to make the Flat Straw Brushes. Its slightly darker, bundled rods have a higher moisture content and are therefore somewhat heavier. This ensures a slight top-heaviness and pleasant rebound behaviour. The wide, fanned-out striking surface of the flat brushes produces unique, smacking sounds. The comparatively narrow handle sits comfortably in the hand. You can use the flat brushes as normal on the set, but you can also use them like brooms. The sorghum millet provides slightly less attack than wooden rods from rods, but much more volume than classic metal brushes.You can use the flat brushes for quieter passages on the set or in jazz, for example, or you can also use them on the cajon. In combination with other brushes or sticks, you have everything you need for unusual sound experiments.
Rohema Percussion - Robert Hellinger Markneukirchen is a family business in its 5th generation. Company founder Robert Eduard Hellinger started production in Markneukirchen in 1888. Even then, the product range included drumsticks and drumsticks. Since then, numerous mallets and rhythm instruments have been added to the range.The current management of the company by Matthias and Andreas Hellinger was preceded by a sound training as a master craftsman and many years of working in their father's company. The 5th generation is already firmly integrated into the company through business economist Maik Hellinger and trained wood turner Tobias Hellinger.
The American Classic series combines traditional design with the quality of Vic Firth. Made from selected hickory, the sticks offer a variety of sound options thanks to their different shapes and head variants.
The American Classic series combines traditional design with Vic Firth quality. Made from selected hickory, the sticksSticks offer a variety of sound possibilities thanks to their different shapes and head variants.
The MUFFSTICK is the new damping cover for your drumstick.Quiet tom grooves, muted snare sounds, swelling cymbals without stick tone... no more problems with the MUFFSTICK!The stick sleeve on the back of the large damping surface fits standard sticks between 7A and 5B, while the reinforced felt surfaces and the typical MUFFKOPF skunk design on the outside ensure quick muffle effects.And should you ever be travelling with a little more momentum, the practical finger loop or the newly supplied Velcro strap prevent the MUFFSTICK from escaping into the audience.
These very special brushes open up completely new sound possibilities for drumsets, cajons and various percussion instruments. We use European sorghum millet to make the Flat Straw Brushes. Its slightly darker, bundled rods have a higher moisture content and are therefore somewhat heavier. This ensures a slight top-heaviness and pleasant rebound behaviour. The wide, fanned-out striking surface of the flat brushes produces unique, smacking sounds. The comparatively narrow handle sits comfortably in the hand. You can use the flat brushes as normal on the set, but you can also use them like brooms. The sorghum millet provides slightly less attack than wooden rods from rods, but much more volume than classic metal brushes.You can use the flat brushes for quieter passages on the set or in jazz, for example, or you can also use them on the cajon. In combination with other brushes or sticks, you have everything you need for unusual sound experiments.