Pedals, Effects & Switches

The Lehle Mono Volume is a wear-free volume pedal that is equipped with a very precise magnetic sensor. This sensor utilises the Hall effect, named after Edwin Hall, to measure the strength of magnetic fields. In the Lehle Mono Volume, the German-made Hall sensor is precisely calibrated to the built-in magnet and the pedal's control travel. The pedal only moves the magnet; its distance is measured by the reverb sensor, which then controls a VCA.The high-quality Blackmer® VCA (=Voltage Controlled Amplifier) from the USA replaces the mechanical potentiometer here. The principle of the voltage-controlled amplifier is based on the fact that the amplification is varied by the control voltage coming from the Hall sensor. This method enables much more precise operation than the usual mechanical potentiometers or optical sensors of conventional volume pedals, and also eliminates the noise typical of potentiometers and the cumbersome adjustment process. The Lehle Mono Volume transmits the full sound spectrum of the connected instrument over the entire control range. The input and output impedance always remains the same, so there is no treble attenuation as with a potentiometer. Internally, the input voltage of the pedal is rectified, filtered, stabilised and then doubled to 18 volts behind the power supply socket. This makes it very level-resistant and achieves an overall dynamic range of 110 dB.The volume control of the Lehle Mono Volume ranges from -92 dB to 0 dB - i.e. from practically silent to equally loud. A potentiometer can be used to set a gain of approx. +10 dB.The Lehle Mono Volume runs mechanically extremely smoothly and evenly, as it is equipped with low-friction plain bearings made of a high-performance polymer and there is no mechanical transmission of the pedal to other components. The pedal's movement can be adjusted very precisely using an adjusting screw.The Lehle Mono Volume also has a buffered direct out. Everything from a tuner, DAW to a second amp can be supplied here without affecting the sound.

The Jan Ray was developed to recreate the powerful, clear tone of the Blackface Fender amplifiers from the 60s. So-called "Fender Magic 6" sound. An easy-to-use overdrive that retains the characteristics of the guitar, with great sustain without unnatural compression.

Marshall footswitch PEDL90003 FS-01 without LED Single footswitch on/off without LED5m cableScrewed sheet steel housingBend protectionMono jackLabelling: "Channel"

Rich sounds for mobile guitaristsWith the lightweight and intuitive GT-1, mobile guitarists don't have to compromise on sound quality. Its powerful BOSS GT engine offers a huge selection of high-quality amplifiers and effects for almost all styles of music. Thanks to a convenient user interface, sounds can be programmed intuitively. An assignable CTL footswitch and the expression pedal also make it possible to influence the sound in real time. To help you get started, countless patches, editor software and much more are available for free download on the BOSS Tone Central website. With its high-calibre sounds and ultra-rugged housing, the GT-1 is suitable for beginners, occasional giggers and busy guitarists alike.

The Meinl Percussion Digital Stomp Box is an electronic stomp box that produces rhythmic accompaniment sounds for music by tapping your foot. Each pedal has pre-programmed sound effects that blend seamlessly into different styles of music. The large Meinl button is extremely responsive and ensures trouble-free playing. This pedal is particularly suitable for guitarists, cajon players or multi-instrumentalists. Equipped with high-quality 6.35 mm inputs and outputs (TRS), the signal can be routed to any amplifier or PA system.

Tone Master Pro is the first no-compromise multi-effects guitar workstation with the amazing sound quality for which the Tone Master series is renowned. With its intuitive user interface and the most comprehensive I/O array on the market, the Tone Master Pro is the best sounding, most powerful and easiest to use guitar processor ever.Tone Master Pro features over 100 of the world's most popular amps and effects, including all the classic Tone Master Fender models, the first officially licensed EVH 5150 III Stealth model and other must-have classics, all perfectly recreated using our proprietary Tone Master modelling process. Lightweight, rugged and stage-friendly, the Tone Master Pro form factor is as beautiful as it is functional. With its colour touchscreen, stunning graphics and intuitive user interface, finding the perfect sound has never been easier or more inspiring.Create presets, customise your footswitch assignments and combine them to create songs and organise them into setlists. Tone Master Pro's 10 customisable footswitch encoders make editing a breeze. This gives you instant access to all presets and parameters and allows you to make adjustments just like you would on a real instrument. Connect via USB to our Tone Master Pro Control App to create, edit and share your own presets or listen to and download thousands of sounds created by Fender's community of players and artists.

Boss OS 2 Overdrive Distortion effect pedalDistortion and overdrive in one pedalcovers the entire spectrum between smooth overdrive and mercilessly hard distortionsuitable for all types of blues and rockControls: LEVEL, TONE, DRIVE, COLOR Knob (OD, DS)Power consumption: 12 mA (DC9V)

HIGH VOLTAGE ROCK N ROLLThe PLASMA PEDAL is a revolutionary and little-explored method of distortion.Unlike other pedals, the signal here is discharged as high voltage into a xenon tube before being converted back into an analogue audio signal.This spectacle, which appears in the form of plasma flashes, creates a unique distortion, which eliminates the hum of the pickups as well as unwanted feedback.The fluctuations in the electromagnetic field associated with the discharges create a very broad band of frequencies, which are often beyond the instrument's capabilities.

Polyphonic drop tuning, down to a whole octave, without aids such as string crank or capo. Switchable footswitch/footswitch modes.

A classic among rock effect units. The new edition of the TS808, which is also known as the "holy grail of tubescreamers", is in no way inferior to its famous predecessor in terms of appearance and sound. The JRC4558D chip gives it the same warm sound character as its famous predecessor.

Strymon MIDI-EXP cable angled/angledFor connecting the Riverside and Sunset to MIDI devicesLength 6,35cmMidi plug angled to stereo jack plug angled

Ibanez is proud to announce a new addition to the MINI pedal range. The BTMINI Booster has three controls: BASS, TREBLE and LEVEL. Unlike a booster with only one control, the BASS and TREBLE EQ allows for significant tonal flexibility.

The LEHLE SUNDAY DRIVER SW II is a compact high-end preamp for electric and acoustic instruments of all kinds. Electric guitars, basses, acoustic guitars, but also string instruments (e.g. violins, cellos or double basses) unfold their full sound through this preamp. The switchable version extends the features of the classic LEHLE SUNDAY DRIVER II with a soft-touch footswitch that you can use to switch the pedal on and off.This LEHLE switch works with a microcontroller and an intelligent true-bypass relay circuit with active switch-over click suppression. It therefore switches the LEHLE SUNDAY DRIVER SW II faster than mechanical switches and is also wear and noise-free. The mushroom-shaped button, which is characteristic of LEHLE products, is mounted in the housing so that it moves smoothly, which means that the force of your foot pressure is only transmitted indirectly by a spring. The circuit board is therefore not exposed to any mechanical stress, which makes the LEHLE SUNDAY DRIVER SW II virtually indestructible and gives it a long service life.Equipped with a discrete Class A input stage with JFET technology, the LEHLE SUNDAY DRIVER SW II provides you with two operating modes: In operating mode D (=Driver), the incoming signal is amplified completely neutrally. This serves to prevent signal losses that can be caused by long cable runs or effect chains. The signal remains strong and clear and retains its dynamics.Operating mode S (=Sunday) results in a five times higher input impedance. As a result, details that were previously unnoticed suddenly become audible. As the gain setting on the LEHLE SUNDAY DRIVER SW II increases, the sound takes on an unmistakable, characterful warmth. Signal distortion does not occur at any time; even at the maximum gain setting of +18 dB, the signal still remains clean.Thanks to its studio-compatible overall dynamic range of 130 dB, the LEHLE SUNDAY DRIVER SW II is absolutely free of background noise. To make full use of the dynamics of your tube amplifiers, the input voltage is rectified, filtered, stabilised and then transformed to 30 V after the power supply socket.When switched off, the LEHLE SUNDAY DRIVER SW II offers you two different operating modes: In TB mode (= true bypass), the input and output are connected to each other without loss via a relay. True bypass mode is particularly useful if you have a small setup with short cable runs or if there is a treble booster or a classic fuzz pedal behind the LEHLE SUNDAY DRIVER SW II.However, if you are dealing with long cable runs or elaborately equipped effects boards, a cable driver is the better solution. By operating the LEHLE SUNDAY DRIVER SW II in TS mode (= true sound), it acts as a buffer without amplifying or distorting your signal. The LEHLE SUNDAY DRIVER SW II acts as a sound-neutral cable driver, which practically corresponds to operating mode D with the gain control turned all the way to the left. Thanks to the option of selecting bypass mode, you can optimally integrate the LEHLE SUNDAY DRIVER SW II into any setup and use it universally. And on any other day of the week too...

The new Nobels DEL-mini delay pedal combines an outstanding sound selection of legendary echoes, practical and simple switching and application options in a space-saving housing. Plus the little Nobels extras in the form of fold-out Mounty-P mounting plates or "Glow in the Dark" pointer knobs. And all this at an extremely attractive price!

Marshall Shredmaster - The legendary distortion pedal is back with all the power of the original:Expectations were high when the original Shredmaster pedal was launched in 1991. It promised high-gain distortion, perfect for rich rhythm sounds and searing solos.The original Shredmaster was the very first high-gain pedal from Marshall and became synonymous with ground-breaking heavy sounds in the 90s, appearing on numerous tracks. After that, demand for the Shredmaster's unmistakable thrashy sound skyrocketed, but the pedal remained hard to come by. Thanks to this authentic and faithful reissue, this is no longer a problem. Now everyone can get their hands on an exact replica of the original Shredmaster.Meticulous care has been taken to ensure that this new edition accurately reproduces the iconic Shredmaster sound. The housing of the pedal is modelled exactly on the design of the original. The golden Shredmaster lettering, the raised Marshall logo and the robust housing are exactly the same as the original model.The Shredmaster is hand-built at the famous Marshall headquarters in Bletchley, where the legendary Marshall amplifiers have been produced for sixty years.