Keys

For a permanent and decorative installation of the B1 digital piano, we recommend the matching STB1 stand, which is included with the B1SP along with a 3-pedal unit.This stand positions the B1 at the optimum height for piano keyboards. If you want to use all three pedals of a grand piano, the 3-pedal unit is the ideal solution.

The multi/poly module from KORG draws inspiration from the legendary mono/poly analogue synthesizer from the 1980s, which was known for its big sound and experimental features thanks to its 4 oscillators, and transfers this concept into the modern age with the help of sophisticated modelling technology. It uses the latest generation of KORG analogue modelling, which, in addition to the detailed reproduction of classic oscillators and filters, for the first time also includes complete voice boards with the interaction of qualitatively different components, envelope generators and even portamento behaviour. In this way, the multi/poly module creates sounds that seem almost alive and have the typical "analogue" timbre. The available "Classic", "Digital" and "Waveshaper" oscillators, which can of course be freely combined with each other, offer a real playground for sound designers and synthesiser fans. Within a sound programme, 4 oscillators, a noise generator with its own filter and saturation as well as a ring modulator are available. In combination with the dual filter, the flexible cross-modulation known from the Mono/Poly, four loopable DAHDSR envelopes, five LFOs and six modulation processors, there are no limits to the imagination when creating sounds. Within a "Performance", up to four such sound programmes can be created as "Layer". "Split" or "Layer Rotate" sounds to create particularly complex timbres. ("Layer Rotate" is a function inspired by the classic mono/poly and switches between different sound programmes each time a button is pressed in "Round Robin" style) To animate these sounds, the "Motion Sequencing 2.0" function offers several independent sequencer tracks for timing, pitch, shape and four other parameters, each of which can be recorded as individual steps or in real time. As if that wasn't enough, the "Kaoss Physics" function provides additional, unique modulation options based on the physical model of a virtual ball that moves on a plane based on previously defined parameters and can be controlled or triggered using the integrated X/Y touchpad. This ball generates eight different modulation signals at any given time, which can affect almost any sound-shaping parameter. This creates complex modulations that are never exactly repeated and can be used particularly effectively in a live context. Three blocks with studio-quality effects as well as a master reverb and a master EQ round off the sounds accordingly. When switching between different sound programmes, the "Smooth Sound Transition" familiar from the KORG flagship workstations ensures natural-sounding transitions without tearing off the sounds or effects. An inspiring random function is available for creating new sounds, which randomises all or only certain sound-shaping parameters within a previously defined framework at the touch of a button, which can lead to completely new timbres or useful starting points for further sound experiments. With the exception of the pitch bend and modulation wheels, the multi/poly module offers the same controls as the keyboard version, allowing all parameters to be set directly on the device. The compact housing can be placed either in a 19" rack or on a desk, whereby two different installation angles can be selected for the latter variant. The connection sockets are positioned so that the cables are still accessible even if other devices are installed in the rack directly above the module. By supporting the MIDI 2.0 Property Exchange Standard, the multi/poly module also communicates independently with other MIDI 2.0-compatible devices such as the Keystage MIDI Controller, making time-consuming MIDI mappings a thing of the past. Free editor/librarian software for Mac and PC is also available for particularly convenient programming of the multi/poly module.

This case from myVolts offers optimum protection for the Pocket Operator and is suitable for professional use of the mini synthesiser in combination with the reVolt system. Rubber grooves have been embedded in the case to prevent the instrument from slipping while playing. These ensure a firm and secure hold even during the wildest stage action. The keyboard is made from three layers of laser-cut acrylic for a perfect playing feel. The case is 3D printed from recyclable plastic and is available in various colours.With the optionally available reVolt system, up to eight Teenage Engineering Pocket Operators (or similar devices such as Korg Monotron, Gameboy colour or Sony Walkman) can be supplied with operating voltage via a USB connection.

Two companies - Sonic Potions and Erica Synths - joined forces to develop a drum machine that would stand out from the crowd, and the LXR-02 was born. The LXR is a fully-fledged digital drum machine with an integrated sequencer. Its sound engine offers 6 different instruments, each with over 30 adjustable parameters, creating sounds ranging from classic analogue emulations to crunchy digital chaos, offering some of the most extensive sound design possibilities a drum synthesiser has to offer. Its compact, robust design and clear user interface make it ideal for live gigs.

The new THEREMINI is the theremin of the 21st century! This classic instrument is known to be played touch-free by gestures in the air. Moog Music has now taken the traditional true analogue instrument to a new level with the help of modern digital technology: The sound generation comes from Moog's award-winning synthesiser app Animoog. The player is also provided with numerous valuable aids that finally enable a successful performance even without years of playing experience.

Hardly any other synthesiser enjoys such legendary status as the ARP 2600. Its unique sound, which has been immortalised in countless music productions, film scores and soundtracks for TV productions and video games since its introduction in the 1970s, is still an indispensable part of the music world today. Now this synthesiser legend is back - as a compact desktop module manufactured with the utmost care in Japan. Inside, the same analogue circuits and components are at work as in the new ARP 2600 FS edition, bringing the authentic ARP sound into the modern era. Even the analogue spring reverb and the internal monitor loudspeakers have not fallen victim to the reduction to approx. 60% of the original size and still do their job in the ARP 2600 M desktop module. The semi-modular analogue synth has also been equipped with some additional features that make it easier to integrate into modern recording and live setups. For example, the module has both filter types from the different versions of the original ARP 2600, USB-A and USB-B ports for direct connection of USB keyboards or USB-MIDI compatible devices, a DIN MIDI input, improved faders and balanced jack outputs (L/R). The control voltage for triggering the ADSR envelope has been adapted to modern standards so that the synth can be easily integrated into existing setups with devices from the volca series or Eurorack modules, for example. The case included in the scope of delivery ensures optimum protection and easy transport.To celebrate the rebirth of this legendary synthesiser, the first 1,000 units will be delivered with a transport case in a special colour and a KORG microKEY2-37 MIDI keyboard.

The KORG minilogue xd makes analogue synthesis instantly understandable and surprises with a wide range of spectacular, modern sounds. It combines the convenient format of the minilogue with the technical advantages of the prologue, such as the digital multi-engine, upgraded sequencer, effects and micro-tuning functionality.

Are you looking for the perfect oriental sound for your performance? - Then the PSR-A5000 is the ideal partner for your big show! Find out more about the new features now and be inspired by the unique magic of new functions and new sounds.

The Moonwind MKII is a true analogue stereo filter and effects processor with a built-in step sequencer, a fantastic sounding digital effects chip, 2 LFOs and envelope modulation.

The little brother of the ES920 impresses with the same basic configuration and an even lower weight. Weighing just 14.5 kg, it is extremely easy to transport, but does not skimp on high-quality equipment and features. RH-C keyboard, PHI sound generation, rhythm section, MP3 recording/playback and Bluetooth audio/MIDI are all on board, as is the option of a GFP-3 pedal connection. The ES520 uses the same excellent speaker system as the ES920 and invites you to enjoy your music playlists in top quality via functional Bluetooth audio.

ARTURIA unveils the revolutionary AstroLab stage keyboard - a product of 25 years of innovation that redefines musical freedom. With its unique combination of software and hardware and advanced Phi/TAE technology, it offers access to over 1000 different sounds. Designed for producers and musicians, the AstroLab is characterised by its suitability for live performances. As a stand-alone instrument with 10 sound engines, it revolutionises the stage keyboard market with unsurpassed sound diversity and intuitive operation - a true innovation that unleashes musicality and sets new standards in the industry.NOW NEW WITH FIRMWARE 1.3:6 new instrumentsAcid V, MiniFreak V, Augmented BRASS and Augmented WOODWINDS as well as the revised Mini V and Wurli V engines from the V Collection X are now supported.290 new presets availableThe new features include 200 presets of the newly supported instruments and 90 tribute presets reminiscent of artists such as Tame Impala, Queen, Massive Attack, Radiohead, Talking Heads and Weather Report.Optimisations and bug fixesThe update improves the general performance of AstroLab and optimises the integration with Analog Lab to ensure smoother operation.

Touché SE is a high quality USB hardware controller with a gaming interfaceäsurface that rests on a patented mechanism that Mechanism that can be moved in several axes. Üthe fineümovement of this surfaceäthe user can interact with software interact with software instruments in a previously unknown way. A software package is supplied that already üover 200 optimisedüroptimised for the controller based on the UVI Workstation Engineäengine. These can beöimmediately after installation without third-party software.Touchés accompanying software Lié acts as a host forüfor any third-party VST plug-ins and allows you toöallows their parameters to be üvia multidimensional movements to touché to control them. Lié can be used as a standalone version or as a plugin in any DAW that supports VST or AU instrumentsüinstruments. Touché SE hasülike the classic Touché ühas four dimensions of movement: Pressure on the top, pressure on the bottom The underside and moving the playing surfaceäto the left and right. Up to eight plug-in parameters can be assigned to these four Dimensions in any combination. The value ranges and dynamic curves can be customised down to the last detail the respective requirements down to the last detail. A movement on Touché can cause massive sound changesächanges. As with any MIDI controller, the inputs to Touché can be recorded and played back 1 to 1. From Lié köso many Instances can beöinstances can be opened as the computer performance allows.