Lighting

With the XRC-200, the Swiss DMX specialist Swisson presents the third generation of dynamic DMX recorders after the XRC-100 and XRC-150.With the ability to record up to 1,024 DMX channels (2 DMX universes) simultaneously, the XRC-200 offers twice the capacity of its predecessor models with the usual simple operating philosophy. DMX signals can be recorded or played back at the touch of a button.The XRC-200 also offers a range of new, useful additional features that allow the DMX recorder to be used even more universally with a total of 64 recordable sequences and ten programmable playlists.The new model has an integrated timer with which the user can control the playback of sequences and playlists to the second depending on the day of the week.Playback can also be started via DMX triggers, quick selection buttons on the front of the housing, external buttons (with optional contact box) or automatically if a DMX line fails (DMX backup function).Its simple, intuitive operation using just a few buttons and an informative full graphic display makes the new dynamic DMX recorder from Swisson the perfect tool for all tasks where less technically experienced users need to manage complex lighting systems. In addition to classic show applications, the XRC-200 is also particularly suitable for trade fairs and shop fitting, giving planners more scope to integrate moving heads and LED elements into the design.Via an integrated USB interface and free software, all data stored on the XRC-200 can be conveniently backed up via a PC and, if required, transferred to several DMX recorders. Thanks to an integrated export function, show files can also be sent by e-mail. This makes it possible to achieve a uniform appearance, for example when using the DMX recorder in branch operation.

The Hurricane Haze 4D is a haze machine with a low profile, an adjustable outlet opening for distributing the haze and a discreet fan. The machine can be operated using the included cable remote control with timer and the integrated DMX control.

The Smoke Factory Captain D. Case feels at home in the rock'n'roll business on many stages around the world.With 1300 watts of fog power, it can be used on all common stage sizes.Installed in a tried and tested Amptown touring case, the device can be set up in just a few seconds after removing the case lid. The 5 litre canister of fog fluid is located under the machine in the case and can be transported in the case together with the device.Amptown has been manufacturing cases since the first Captain D. Version in the year 2000. They are characterised by an extremely high load capacity and are ideal for the tough everyday touring environment with 200+ jobs a year.Thanks to the extremely efficient use of the available energy, the fog output is significantly higher than that of many comparable devices from the Far East.Equipped as standard with 5-pin DMX512 inputs/outputs and an analogue 3-pin connection, it can be controlled via DMX, radio remote control or cable remote control.Of course, the Captain D. Case, like almost all Smoke Factory fog machines, can also be operated in stand-alone mode or with the integrated timer. In stand-alone mode, the fogging process is started by pressing the Enter button once. If this button is not pressed repeatedly, the machine fogs until the limit temperature is reached.The permanent temperature control on the microprocessors ensures that the vaporisation temperature is always correct. This ensures that no harmful substances are produced by vaporising too hot or that the device "spits" unvaporised fluid.Like all Smoke Factory devices, the Captain D. also has the quick-lock system, which allows the canister to be changed within seconds.When using original fluid, Smoke Factory grants a 3-year guarantee on its devices.Of course: Made in Germany

Experience limitless colour mixing possibilities with the Freedom Flex H9 IP X6, a complete lighting package with six 100% wireless, battery-powered Hexagon fixtures (RGBAW+UV) in a charging case that simultaneously charges up to six replaceable batteries so the fixtures are always ready to go. An integrated RF receiver for wireless control with the supplied RFC remote control or the optional RFC-XL remote control and new secondary optics ensure perfect colour mixing with virtually no artefacts. The Freedom Flex H9 IP floodlights are suitable for both indoor and outdoor use and have a robust, weatherproof housing for temporary outdoor use. The floodlights feature OLED full text displays for easy navigation, and the adjustable run times ensure the floodlights will last as long as your events.

No party without a disco ball! With its simple design and affordable price, the disco ball is a popular decorative classic that is often used to create fascinating plays of light on the dance floor. Eurolite offers a whole range of spheres in different colours and sizes.This professional-quality model has a diameter of 50 cm and is covered with countless small black mirrors (10 x 10 mm). Its dimensionally stable plastic core is fitted with a continuous axle that ensures high mechanical tensile strength. Two eyelets make it possible to fit the fastening chain and the required fall protection.Optionally, you can also use a motor so that the ball rotates automatically.Suitable motors, the necessary mounting material and a transport case are available as accessories.

They can be found at almost every event - whether large or small, on live stages or corporate events, in theatres or TV studios. LED PAR spotlights are the permanent fixtures in the portfolio of every lighting designer and rental provider - and must fulfil the highest requirements in terms of lighting quality, operation and flexible use.With the second generation of the STUDIO PAR series, Cameo has reworked the classic LED PAR spotlight for static lighting at all levels and given the design an unmistakable facelift.The extremely compact STUDIO PAR 6 G2 is based on 12 x 12 W 6-in-1 RGBW LEDs with an impressive luminous flux of 4,500 lm at a 22° beam angle and uniform light distribution. The possibilities range from subtle pastel shades for atmospheric scenic support in the background to rich and brilliant colours for powerful illumination of objects and surroundings.Thanks to the adjustable PWM frequency in the range from 650 Hz to 25 kHz, the STUDIO PAR 6 G2 is also suitable for flicker-free operation in theatres, TV studios, on film sets or at indoor light art festivals. Even more versatile is the use in conjunction with the optionally available Cameo iDMX Stick to control the STUDIO PAR 6 G2 wirelessly via W-DMX™.For particularly flexible installation, the STUDIO PAR 6 G2 can optionally be retrofitted with a fold-out 16 mm TV spigot based on the patented SPIN16® technology.

With the BeamX.7 IP, LITECRAFT now also offers the successful BeamX.7 in a weatherproof outdoor version. Despite its low power consumption, the device has a high light output. The beam characteristic is narrowly defined at ten degrees, which extends the classic application possibilities as a truss toner to include beamwork effects. For a wider beam angle, the frost filter supplied can be quickly and easily mounted on the device, extending the beam to around 25 degrees.Like all LITECRAFT products, the BeamX.7 IP has a Y-bracket that can be optimally locked in any position. The high-quality die-cast aluminium housing is elegant, robust and thermally optimised so that the device does not require active ventilation. This means that it can also be used in particularly noise-sensitive locations. With its compact dimensions, the device naturally also fits into standard 290 mm trusses.The BeamX.7 IP has an XLR 5-pin IP version and powerCON True1 connectors - both as input and output. This allows the device to be easily looped through and discreetly wired. Alternatively, it can be controlled via an IR remote control. Internal programs and fixed colours are also available, which, like all configurations, can be selected quickly and easily on the LC display.