A professional windscreen for lavalier and headworn microphones with a patent-pending design that guarantees quick installation, highly efficient and reliable protection against wind and unrivalled acoustic transparency. Fits round, omnidirectional miniature microphones with a diameter of 2.5 to 5.8 mm
A professional windscreen for lavalier and headworn microphones with a patent-pending design that guarantees quick installation, highly efficient and reliable protection against wind and unrivalled acoustic transparency. Fits round, omnidirectional miniature microphones with a diameter of 2.5 to 5.8 mm
A professional windscreen for lavalier and headworn microphones with a patent-pending design that guarantees quick installation, highly efficient and reliable protection against wind and unrivalled acoustic transparency. Fits round, omnidirectional miniature microphones with a diameter of 2.5 to 5.8 mm
In the past, anyone who wanted to produce music, videos or other content professionally had to go to specialised studios. Today, podcasts and YouTube videos for millions of followers and even international hit albums can be recorded at home or spontaneously on the go. It doesn't take much anymore. However, it is crucial that the remaining equipment is as flexible and well thought-out as possible.With the VARI®-ARM M 38, Gravity® has created such a universal tool that allows you to use a wide variety of devices - from a microphone clip to a tablet or an action cam - almost anywhere and in any orientation in a matter of seconds.The VARI®-ARM M 38 is an innovative mounting arm with three joints that allow you to move your equipment freely and precisely into any desired position. The highlight: you only need one adjusting screw to lock and unlock the three joints. As soon as you have found your desired position, tighten the adjusting screw and all elements of the VARI®-ARM M 38 remain firmly and securely in position - thanks to a load capacity of 3 kilograms, even with DSLM cameras including a standard lens or a heavyweight microphone such as the broadcast classic RE-20.At the top end of the VARI®-ARM is a 3/8" thread onto which you can screw a microphone clamp, a pop filter and more. You are completely flexible with the included adapter (3/8" to 1/4" reduction thread) with which you can use almost any photo camera on the market, a handheld recorder or a smartphone holder with the VARI®- ARM M 38. Thanks to the solid clamp with a wide 15 to 35 mm clamping range at the lower end, the VARI®- ARM can also be easily attached to most tables and tubes (e.g. tripods). The clamp can also be unscrewed to reveal a 3/8" thread for screwing on the VARI®-ARM itself.As a universal tool for your creative applications, there are virtually no limits to the uses of the VARI®-ARM M 38.
A professional windscreen for lavalier and headworn microphones with a patent-pending design that guarantees quick installation, highly efficient and reliable protection against wind and unrivalled acoustic transparency. Fits round, omnidirectional miniature microphones with a diameter of 2.5 to 5.8 mm
The d:facto series provides a true studio sound on the live stage and in the broadcast studio. These microphones are available in an extremely linear version as well as a version with presence boost. The modularity of the d:facto series allows capsule and adapter replacement, making it the most flexible vocal microphone on the market.The d:facto was specially designed for vocals on stage. It has a supercardioid capsule that reproduces every nuance of the human voice in a transparent, unadulterated and captivating way. Two versions are available. The d:facto Linear Vocal Microphone (4018VL) is extremely linear. The d:facto Vocal Microphone (4018V)is linear, but with a presence boost. The 4018V is often chosen because it cuts through in the recording studio, where the content is usually sent to in-built TV speakers with limited audio quality.Apart from linearity/boost, these microphones are identical. Both versions offer an isolation-optimised supercardioid polar pattern. This polar pattern offers the best of both worlds - cardioid and supercardioid. These microphones are equipped with a three-stage pop protection grille for loud vocals and offer the lowest handling noise in their classlowest handling noise in their class. They also offer excellent sound reproduction with all the detail, balanced linear phase and frequency response that users have always relied on from DPA microphones.
This elegant table stand is the ideal holder for one or two large headphones and is suitable for both professional and home use. Two practical slots in the holder ensure that cables or earphones are stored neatly and tidily. The base and column are made of die-cast aluminium, the holder is made of plastic with a rubberised surface.
Universal microphone holder for a wide range of applications. The microphone can be mounted either vertically upwards or at an angle of 90°. The hexagonal rod can also be mounted horizontally or vertically on the table clamp. With a clamping range of 0 to 53 mm, the clamp offers a wide range of mounting options. The sturdy metal frame with high-quality plastic inserts and anti-slip support ensures secure and powerful clamping. Thanks to the specially moulded clamping surfaces, the clamp can be used on smooth surfaces as well as round pipes.
The d:facto series provides a true studio sound on the live stage and in the broadcast studio. These microphones are available in an extremely linear version as well as a version with presence boost. The modularity of the d:facto series allows capsule and adapter replacement, making it the most flexible vocal microphone on the market.d:facto vocal microphones are the ultimate stage microphones - from the cosy club to the largest concert hall.Just like the traditional supercardioid microphones, the d:facto series impresses with high lateral and rear sound suppression with at least 9 dB attenuation to the side. However, it is not bound by the less desirable aspects of the supercardioid, such as the difficult to control and non-linear rear lobe, which can create feedback from stage monitors when a sudden high frequency peak to the rear of the microphone occurs.The d:facto series has a wider pickup angle at the front of the microphone than most supercardioids. The pick-up angle is identical to a first-order cardioid in the off-centre range of ±60 degrees, producing the same sound field as a cardioid - but with extremely high and even attenuation at the sides and rear.Wired or wireless? - The choice is yours.You can use the d:facto vocal microphone as a wired version with a slim, state-of-the-art d:facto handle or you can use the d:facto capsule together with your favourite wireless system. And if you prefer wireless, simply switch to a wireless adapter at a quarter of the cost of a new microphone. If conditions change, simply swap out your adapter instead of buying a whole new microphone. And after the switch, you won't notice any loss or change in sound quality.The d:facto handheld microphones are compatible with all leading wireless microphone solutions, such as Sennheiser, Shure, Sony, Wisycom, Lectrosonics and Line6. The sophisticated adapter system from DPA Microphones is unique in the industry. It protects your investment in fantastic sound for years to come.
A professional windscreen for lavalier and headworn microphones with a patent-pending design that guarantees quick installation, highly efficient and reliable protection against wind and unrivalled acoustic transparency. Fits round, omnidirectional miniature microphones with a diameter of 2.5 to 5.8 mm
Especially for you as a musician, the topic of "customised hearing protection" is very important, because your perfect hearing is the basis and condition for the quality of your work. Protect your ears during band rehearsals, live concerts and wherever it gets loud.With the "ER" hearing protection, which is perfectly customised to your ear and offers almost linear attenuation of frequencies, you are perfectly equipped.