In the past, anyone who wanted to produce music, videos or other content professionally had to go to specialised studios. Today, podcasts and YouTube videos for millions of followers and even international hit albums can be recorded at home or spontaneously on the go. It doesn't take much anymore. However, it is crucial that the remaining equipment is as flexible and well thought-out as possible.With the VARI®-ARM M 38, Gravity® has created such a universal tool that allows you to use a wide variety of devices - from a microphone clip to a tablet or an action cam - almost anywhere and in any orientation in a matter of seconds.The VARI®-ARM M 38 is an innovative mounting arm with three joints that allow you to move your equipment freely and precisely into any desired position. The highlight: you only need one adjusting screw to lock and unlock the three joints. As soon as you have found your desired position, tighten the adjusting screw and all elements of the VARI®-ARM M 38 remain firmly and securely in position - thanks to a load capacity of 3 kilograms, even with DSLM cameras including a standard lens or a heavyweight microphone such as the broadcast classic RE-20.At the top end of the VARI®-ARM is a 3/8" thread onto which you can screw a microphone clamp, a pop filter and more. You are completely flexible with the included adapter (3/8" to 1/4" reduction thread) with which you can use almost any photo camera on the market, a handheld recorder or a smartphone holder with the VARI®- ARM M 38. Thanks to the solid clamp with a wide 15 to 35 mm clamping range at the lower end, the VARI®- ARM can also be easily attached to most tables and tubes (e.g. tripods). The clamp can also be unscrewed to reveal a 3/8" thread for screwing on the VARI®-ARM itself.As a universal tool for your creative applications, there are virtually no limits to the uses of the VARI®-ARM M 38.
A professional windscreen for lavalier and headworn microphones with a patent-pending design that guarantees quick installation, highly efficient and reliable protection against wind and unrivalled acoustic transparency. Fits round, omnidirectional miniature microphones with a diameter of 2.5 to 5.8 mm
A professional windscreen for lavalier and headworn microphones with a patent-pending design that guarantees quick installation, highly efficient and reliable protection against wind and unrivalled acoustic transparency. Fits round, omnidirectional miniature microphones with a diameter of 2.5 to 5.8 mm
A professional windscreen for lavalier and headworn microphones with a patent-pending design that guarantees quick installation, highly efficient and reliable protection against wind and unrivalled acoustic transparency. Fits round, omnidirectional miniature microphones with a diameter of 2.5 to 5.8 mm
A professional windscreen for lavalier and headworn microphones with a patent-pending design that guarantees quick installation, highly efficient and reliable protection against wind and unrivalled acoustic transparency. Fits round, omnidirectional miniature microphones with a diameter of 2.5 to 5.8 mm
Especially for you as a musician, the topic of "customised hearing protection" is very important, because your perfect hearing is the basis and condition for the quality of your work. Protect your ears during band rehearsals, live concerts and wherever it gets loud.With the "ER" hearing protection, which is perfectly customised to your ear and offers almost linear attenuation of frequencies, you are perfectly equipped.
With its figure-of-eight characteristic, this microphone type is a true dipole with only one diaphragm. The direction of coverage is lateral, i.e. perpendicular to the microphone body, and is marked at 0° and 180° by a red and a black dot on the capsule housing respectively.When recording using the MS technique, the 0° axis points to the left when viewed from a position behind the microphone, and the "8" engraved on the front of the microphone is aligned exactly horizontally. The microphone should be positioned exactly above or below the microphone for the M channel at the smallest possible distance.The nature of the pressure gradient receiver becomes very clear with this type of microphone:the sensitivity decreases towards low frequencies,the directivity pattern and thus the directivity* are extremely little dependent on frequency,the proximity effect is pronounced.The sound of the MK 8 and CCM 8 is relatively bright and neutral. For physical reasons, the frequency curve drops off at 16 kHz.When using this type of microphone as a support microphone, care must be taken to ensure that first reflections do not hit the back of the microphone from a short distance, as sound from this direction is picked up by the capsule with the same strength as sound from the front, but with the opposite sign, which can lead to comb filter effects at higher frequencies.The MK 8 or the CCM 8 is particularly suitable for the S channel in MS stereo recordings, or as a pair - arranged at an angle of 90° above each other - for Blumlein stereophony.
The new PA805DB-RSMA passive dual-band directional antenna improves the reception of the GLXD4R+ receivers in 9.5-inch rack format and the GLXD+FMDB dual-band frequency manager by up to 8 dB. 24 dB front-to-back suppression ratio of off-axis signals through improved filtering of interference from 2.4 GHz and 5.8 GHz sources
A professional windscreen for lavalier and headworn microphones with a patent-pending design that guarantees quick installation, highly efficient and reliable protection against wind and unrivalled acoustic transparency. Fits round, omnidirectional miniature microphones with a diameter of 2.5 to 5.8 mm
The complete package for drummers when it comes to in-ear monitoring. Especially when it comes to bass, the Drum InEar Amp has a real advantage over a conventional in-ear system thanks to its Bass Pump 3 bass shaker.
Pop screens offer very effective protection against so-called pop noises (e.g. explosive sounds such as "p" or "t"). They consist of a round, thin frame covered with black gauze on both sides.Pop screens are mounted on a gooseneck about 30 cm long. A clamp with a knurled screw at the end is used to attach it to the microphone stand.
The CMC 1 KV is particularly suitable as a "plant mic" in film sound or for all recordings where the microphone needs to be hidden inconspicuously. With the magnetic accessories supplied, it can be easily mounted on many surfaces, e.g. door frames, steel beams, windows, table surfaces etc..
This headphone table stand with a black textured surface is stylish and trendy. Thanks to its impressive stability and high functionality, the stand can be used both at home and in professional studios. The rubber-coated support protects the headphones from damage. Flat rubber buffers ensure a non-slip stand on any table.