A professional windscreen for lavalier and headworn microphones with a patent-pending design that guarantees quick installation, highly efficient and reliable protection against wind and unrivalled acoustic transparency. Fits round, omnidirectional miniature microphones with a diameter of 2.5 to 5.8 mm
In the past, anyone who wanted to produce music, videos or other content professionally had to go to specialised studios. Today, podcasts and YouTube videos for millions of followers and even international hit albums can be recorded at home or spontaneously on the go. It doesn't take much anymore. However, it is crucial that the remaining equipment is as flexible and well thought-out as possible.With the VARI®-ARM M 38, Gravity® has created such a universal tool that allows you to use a wide variety of devices - from a microphone clip to a tablet or an action cam - almost anywhere and in any orientation in a matter of seconds.The VARI®-ARM M 38 is an innovative mounting arm with three joints that allow you to move your equipment freely and precisely into any desired position. The highlight: you only need one adjusting screw to lock and unlock the three joints. As soon as you have found your desired position, tighten the adjusting screw and all elements of the VARI®-ARM M 38 remain firmly and securely in position - thanks to a load capacity of 3 kilograms, even with DSLM cameras including a standard lens or a heavyweight microphone such as the broadcast classic RE-20.At the top end of the VARI®-ARM is a 3/8" thread onto which you can screw a microphone clamp, a pop filter and more. You are completely flexible with the included adapter (3/8" to 1/4" reduction thread) with which you can use almost any photo camera on the market, a handheld recorder or a smartphone holder with the VARI®- ARM M 38. Thanks to the solid clamp with a wide 15 to 35 mm clamping range at the lower end, the VARI®- ARM can also be easily attached to most tables and tubes (e.g. tripods). The clamp can also be unscrewed to reveal a 3/8" thread for screwing on the VARI®-ARM itself.As a universal tool for your creative applications, there are virtually no limits to the uses of the VARI®-ARM M 38.
A professional windscreen for lavalier and headworn microphones with a patent-pending design that guarantees quick installation, highly efficient and reliable protection against wind and unrivalled acoustic transparency. Fits round, omnidirectional miniature microphones with a diameter of 2.5 to 5.8 mm
A professional windscreen for lavalier and headworn microphones with a patent-pending design that guarantees quick installation, highly efficient and reliable protection against wind and unrivalled acoustic transparency. Fits round, omnidirectional miniature microphones with a diameter of 2.5 to 5.8 mm
A professional windscreen for lavalier and headworn microphones with a patent-pending design that guarantees quick installation, highly efficient and reliable protection against wind and unrivalled acoustic transparency. Fits round, omnidirectional miniature microphones with a diameter of 2.5 to 5.8 mm
The DeadCat VMP+ is a luxurious fur windscreen for the VideoMic Pro+ for sound recordings in windy environments.The DeadCat VMP+ microphone windscreen is designed to reduce wind noise during outdoor recordings. It contains an inner cover made of open-cell foam and an outer layer of acoustically transparent, artificial fur. A rubber base prevents wind noise from reaching the open area of the microphone from the rear. It also ensures a secure fit, especially for the VMP+ microphone model.The DeadCat VMP+ is the only compatible solution for the VideoMic Pro+ (released in September 2017). For other VideoMic Pro models, please consider the DeadCat VMP and the DeadCat VMPR.
A professional windscreen for lavalier and headworn microphones with a patent-pending design that guarantees quick installation, highly efficient and reliable protection against wind and unrivalled acoustic transparency. Fits round, omnidirectional miniature microphones with a diameter of 2.5 to 5.8 mm
The CMC microphone amplifiers are not (power) amplifiers in the usual sense. Their task is to adapt the signals from the high-impedance condenser capsule for the very low-impedance, balanced transmission through the microphone cable.The various versions differ in their power supply type, amplification and surface, but they all work with a transformer- and capacitor-free output stage in A mode. This results in a low output impedance (high noise immunity), low distortion and low weight.
Schoeps B5D windscreen For use especially on pressure gradient receivers in low winds and as a pop shield. The foam encloses a volume of air around the microphone capsule, similar to a windscreen. The B 5 D is attached as far as it will go and provides good effectiveness with minimal sound interference. Although not intended for this purpose, it can be used on the MK 4V, MK 4VXS and MK 41V microphone capsules or the corresponding CCM compact microphones. The slight treble boost disappears as a result. (Not suitable for the MK 6, MK 8 capsules and the CCM 8 U/ L compact microphones) Dimensions: 70mm × Ø 50mm (max.) Colour: grey, additional grey flocking
A professional windscreen for lavalier and headworn microphones with a patent-pending design that guarantees quick installation, highly efficient and reliable protection against wind and unrivalled acoustic transparency. Fits round, omnidirectional miniature microphones with a diameter of 2.5 to 5.8 mm
The sE Electronics Relfexion Filter PRO is a portable solution for reducing the amount of room ambience during recording. The multi-layered screen can be mounted behind any microphone thanks to its variable mount, enabling 'dry' vocal or instrument recordings with a significantly reduced amount of ambient sound.This is particularly useful in studios without special acoustic treatment. It also enables recording in the control room (e.g. when the artist has to operate the recording equipment at the same time) or reduces ambient noise in practice rooms.
A slim black shaft with which the Wireless GO transmitter module can be transformed into a wireless reportage microphone in a flash. The Interview GO is 24 cm long and weighs just 84 g. A vertical flash shoe is integrated into the head, to which the Wireless GO transmitter module is attached, forming a solid and robust unit with the shaft. If the module is fitted with the supplied foam windscreen, the result is a stylish handheld microphone that is specially designed for speech and offers outstanding transmission quality. The range of the Wireless GO system is more than sufficient at 70 metres.
Different rooms - different sounds: As good recordings are not always made in the studio but also "on location", this robust transport case is the ideal accessory for the Warm Audio WA-251.
Robustly built and equipped with powerful sound, this microphone module is ideally suited for life on stage and the experience in the auditorium. Compatible with all ew G3 and 2000 series handheld transmitters.