Gravity MA VARIARM M 38
€39.00
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In the past, anyone who wanted to produce music, videos or other content professionally had to go to specialised studios. Today, podcasts and YouTube videos for millions of followers and even international hit albums can be recorded at home or spontaneously on the go. It doesn't take much anymore. However, it is crucial that the remaining equipment is as flexible and well thought-out as possible.With the VARI®-ARM M 38, Gravity® has created such a universal tool that allows you to use a wide variety of devices - from a microphone clip to a tablet or an action cam - almost anywhere and in any orientation in a matter of seconds.The VARI®-ARM M 38 is an innovative mounting arm with three joints that allow you to move your equipment freely and precisely into any desired position. The highlight: you only need one adjusting screw to lock and unlock the three joints. As soon as you have found your desired position, tighten the adjusting screw and all elements of the VARI®-ARM M 38 remain firmly and securely in position - thanks to a load capacity of 3 kilograms, even with DSLM cameras including a standard lens or a heavyweight microphone such as the broadcast classic RE-20.At the top end of the VARI®-ARM is a 3/8" thread onto which you can screw a microphone clamp, a pop filter and more. You are completely flexible with the included adapter (3/8" to 1/4" reduction thread) with which you can use almost any photo camera on the market, a handheld recorder or a smartphone holder with the VARI®- ARM M 38. Thanks to the solid clamp with a wide 15 to 35 mm clamping range at the lower end, the VARI®- ARM can also be easily attached to most tables and tubes (e.g. tripods). The clamp can also be unscrewed to reveal a 3/8" thread for screwing on the VARI®-ARM itself.As a universal tool for your creative applications, there are virtually no limits to the uses of the VARI®-ARM M 38.
DPA AIR1-BEIGE-L
€47.00
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A professional windscreen for lavalier and headworn microphones with a patent-pending design that guarantees quick installation, highly efficient and reliable protection against wind and unrivalled acoustic transparency. Fits round, omnidirectional miniature microphones with a diameter of 2.5 to 5.8 mm
DPA AIR1-BLACK-L
€49.00
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A professional windscreen for lavalier and headworn microphones with a patent-pending design that guarantees quick installation, highly efficient and reliable protection against wind and unrivalled acoustic transparency. Fits round, omnidirectional miniature microphones with a diameter of 2.5 to 5.8 mm
DPA AIR1-BLACK-S
€49.00
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A professional windscreen for lavalier and headworn microphones with a patent-pending design that guarantees quick installation, highly efficient and reliable protection against wind and unrivalled acoustic transparency. Fits round, omnidirectional miniature microphones with a diameter of 2.5 to 5.8 mm
DPA AIR1-BEIGE-S
€49.00
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A professional windscreen for lavalier and headworn microphones with a patent-pending design that guarantees quick installation, highly efficient and reliable protection against wind and unrivalled acoustic transparency. Fits round, omnidirectional miniature microphones with a diameter of 2.5 to 5.8 mm
Analogue Cases PUSLE Case Shure SM7B
€64.00
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Transport case for Shure SM7BUnlike conventional nylon cases, the cases in the PULSE line are made of sturdy EVA (a moulded polymer previously only used for high-quality cases in consumer electronics). It retains its shape and offers excellent protection. The robust carrying handle and low weight make the PULSE Case the ideal companion for a wide range of common mini controller keyboards or smaller electronic musical instruments.Analogue Cases stands for practical yet stylish design. The robust and lightweight cases are designed for modern musicians whose equipment, like their lifestyle, is mobile. The manufacturer says about its name:"The name Analog Cases reflects our design philosophy: that cases should be simple, cool and stylish. For us, analogue is more than just a type of sound - it's a way of life. Analogue means timeless, creative and beautiful. That's what motivates us to make music, and it's what motivates us to create cases."
LD Systems MIC BAG XL
€8.50
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With its size of 30x30 cm, the spacious universal bag from LD offers plenty of room for a variety of storage options. It also provides ideal protection against dirt, moisture and damage to your objects. The bag offers storage space for up to 10 microphones, various accessories such as mic clamps, cables and other equipment.The bag is made of durable and flexible neoprene and impresses with its simple and functional elegance. The bag is closed with a sturdy full-length zip. A divider separates the interior to protect the equipment from being touched.A hand strap (detachable) keeps your hands free when carrying or serves as a practical hanging option.
DPA AIR1-BLACK-L
€49.00
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A professional windscreen for lavalier and headworn microphones with a patent-pending design that guarantees quick installation, highly efficient and reliable protection against wind and unrivalled acoustic transparency. Fits round, omnidirectional miniature microphones with a diameter of 2.5 to 5.8 mm
Shure WA305
€45.00
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The 0.7 m long premium guitar/bass cable connects the digital bodypack transmitter (GLXD1E) to your guitar or bass. The premium guitar cable is part of the GLXD16 system for guitarists and bassists with receiver (GLXD6E) in pedalboard format.
Shure RK143G
€17.85
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Replacement basket for SM58. Also for wireless SM58 microphone head (RPW112).
Palmer ABO
€69.00
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The Palmer PEABO is a balanced switcher with one input and two outputs. This makes it the perfect choice for routing a signal to two different inputs.If you switch your vocal microphone between FOH and monitor mixer on stage, you can communicate something to the monitor mixer or even the band.Two different sound settings: You sometimes want to have a different effect or sound on your microphone, for example a "phone effect" or more reverb. Connect both outputs of the PEABO to two channels of the mixer and set them differently. Now you can switch back and forth between the two channels on stage as you wish.You can use the PEABO to address two different rooms or zones.Switching is done via a solid foot switch, a red LED indicates which output is selected. Output A can be attenuated by 15 dB and output B by 6, 15 or 21 dB via a slide switch. A ground lift switch helps to avoid ground loops. The PEABO is housed in a solid all-metal enclosure with protruding cheeks for optimum protection of the inputs and outputs. Pre-drilled holes allow easy and secure mounting in a rack or on a pedalboard.The PEABO is completely passive, only a 9 volt block battery is required to power the LED.
SE electronics RF-X
€92.00
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The sE Electronics RF-X is an acoustic screen for reducing room influences during recording. Patented multi-layer technology for the best results Like its sibling products RF Pro, Project Studio Reflexion Filter and IRF2, the RF-X also features the effective multi-layer technology patented by sE (Patent No. US 8,191,678). In the case of the RF-X, a total of four layers are used. The RF-X - lightweight with great effect Compared to the previously available sE Reflexion filters, the RF-X weighs considerably less and can therefore be mounted on almost any microphone stand. With the RF-X, sE Electronics once again impressively proves that it is possible to significantly reduce the room influence on the recording without noticeably affecting the sound. Together with the sE X1 large diaphragm microphone and the matching spider with pop shield and microphone cable, it is part of the sE Studio Bundle.
Schoeps W 20
€159.00
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The W 20 is placed on the CMC microphone amplifier so that the front sound inlet opening is approximately in the centre of the basket. Not compatible with CCM.
Sennheiser MME 865-1 BK microphone module for EW G3 / 2000 series
€244.00
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Microphone module in condenser technology with high presence and feedback resistance is equally suitable for vocals and speech transmission. Compatible with all ew G3, ew D1, 9000 and 2000 series handheld transmitters.
Neumann MC 4 Double Bass RIB Clip
€99.00
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Clamp for attaching the capsule and gooseneck of the Neumann Miniature Clip Mic MCM system to the frame of a double bass and similar instruments. The self-adjusting spring mechanism and the rubber coating ensure reliable attachment without the risk of damaging the instrument. The holder for the gooseneck can be rotated for variable alignment and locks securely into place in 45° increments. The reducer supplied can be used to adapt the clamp to particularly narrow instruments. The reducer supplied can be used to adapt the clamp to particularly narrow instruments.
SE Electronics guitaRF
€210.00
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guitaRF - Reflection filter and stand:The guitaRF not only functions as a reflection filter, but also comes with an integrated, stable stand and can hold two microphones simultaneously - for example, a condenser or ribbon microphone and a dynamic or small diaphragm microphone at the same time.The hardware - stable and versatile:The holder for the large diaphragm or ribbon microphone can be moved around three axes (vertically, in depth and horizontally), making it easy to find the perfect position for the microphone. Regardless of whether it is mounted in a spider or a clamp.The filter can also be moved up and down as a whole, removed from its base plate and attached to any standard microphone stand.The filter - effective and absorbent:With its four acoustic layers, the small guitaRF achieves the same acoustic effectiveness as its big brother, the RF-X. It is equipped with an opening in which it can accommodate a typical dynamic or small diaphragm microphone - for twice the microphone pleasure.guitaRF - More than just guitar and bass:The guitaRF not only works wonderfully with guitar or bass amp cabinets, but is also ideal for use in front of a kick drum, a keyboard amp, in front of acoustic guitars or as an isolator between snare and hi-hat - both in the studio and on stage.
Schoeps MK 4g capsule kidney
€799.00
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The MK 4 and CCM 4 have been optimised with regard to their insensitivity to sound coming from the rear. As is characteristic of the classic cardioid, the attenuation is 6dB at lateral incidence below 90° and up to 30dB at incidence from the rear - depending on the frequency and distance. Diffuse sound is reproduced 4.8dB weaker than frontal sound, a value that corresponds to the directivity*. The greater this is, the less "space" a microphone transmits and the less susceptible it is to acoustic feedback.Thanks to its directivity, the MK 4 or the CCM 4 can be positioned around 1.7 times further away from the sound source than a pressure transducer of the same sensitivity with the same reverberation balance. Even in a diffuse sound field, i.e. at a great distance from the sound source in the room, this type of microphone has a constant frequency response - apart from a slight rise at 10kHz.