Microphones

Subsequent adjustment of the directional characteristic:In contrast to conventional microphones, the LCT 640 TS can be used in dual output mode to record both directions of pickup individually. This makes it possible to change or continuously fine-tune the directional characteristic from omnidirectional to figure-of-eight, as well as to rotate the direction of pickup by 180°. This means that the spatial component of the recording can be changed retrospectively or a range of special stereo recording techniques can be realised. Recordings of opposing artists can also be captured with the dual capsule.MS stereo technology with just one microphone:Another feature is the possibility of MS stereo recording technology (centre-side) with just one LCT 640 TS. Musicians and sound engineers only need to point the microphone at the sound source with the narrow side (90° to the normal pickup direction), so the left side channel is obtained from the signal of the front capsule, the right side signal from the rear capsule and the sum of both channels forms the centre channel.Lewitt Polariser plug-in:The LCT 640 TS comes in a package with the newly developed, ground-breaking DAW plug-in Polariser. This intuitive plug-in allows the polar pattern to be changed or continuously adjusted during the post-production process in the recording software. Polarizer works on both Windows and OS-X platforms and supports the following plug-in standards: VST, AU and AAX.Lewitt's LCT 640 TS is an all-round studio condenser microphone of outstanding quality and will add a new dimension to the modern recording process. The 1 capsule guarantees extremely precise transient reproduction thanks to the gold-plated Mylar diaphragm, which is only 3 micrometres thick. The dual capsule offers a choice of 5 different polar patterns: omnidirectional, cardioid, figure-of-eight, wide cardioid and supercardioid. The internal suspension of the capsule efficiently reduces structure-borne noise.The LCT 640 TS has a 4-stage subsonic filter and a 4-stage attenuation. This microphone, developed in Austria, has been designed for recording almost any conceivable sound source and is particularly suitable for vocals, piano and acoustic instruments. The microphone comes in a set with a spider and windscreen and an extremely robust hard-shell case. Also included for the first time is the innovative LCT 50 PSx pop shield, which is attached directly to the microphone clamp without a gooseneck.

The TLM 103 is the ideal large diaphragm microphone for all those who do not want to do without uncompromisingly professional technology despite tight budget constraints. It works with the transformerless circuit technology already proven in numerous Neumann microphones, offers an unrivalled low self-noise level and maximum dynamic range. The cardioid capsule used is particularly well-balanced acoustically and has excellent cancellation for rear sound incidence.

The SuperCMIT defines a new type of straightening tube. Its directivity goes far beyond that of a conventional, even long, levelling tube. It therefore offers completely new possibilities for the sound engineer.The SuperCMIT is a digital microphone according to the AES-42 standard, which is supported by most mobile recorders, among others.

The original - still unrivalled today:Introduced in 1960, the U 67 was the proverbial workhorse during the formative years of the musical revolution. Its inimitably smooth sound is still extremely popular today. That's why, after many years of waiting, Neumann is reissuing the tube classic - to the original specifications!A legend returns:As a successor to the extremely popular Neumann U 47, a weaker microphone would certainly have failed. The U 67, however, was quickly chosen as the new studio standard, as it offered many advantages over its predecessor. With three directional characteristics and an advanced tube circuit, including switchable pre-attenuation and bass roll-off, the Neumann U 67 was ideally equipped for any task. This is still true today: for many famous sound engineers, it would be the microphone they would take to a desert island because of its tremendous versatility and unrivalled sound quality.Neumann engineering at its best:The U 67 was the first microphone with the famous K 67 capsule, which has characterised the Neumann sound ever since and is still used today in its successor, the U 87 Ai. Hardly less important is the masterful tube circuitry, which minimises tube noise by means of a sophisticated pre-emphasis/de-emphasis technique. The U 67 was also the first microphone to specifically address modern recording techniques such as close miking, including a switchable bass roll-off to compensate for the proximity effect. With its switchable pre-attenuation, the U 67 can handle sound pressure levels of up to 124 dB without distortion (and much higher with a little tube dirt).Its appearance is as timeless as its sound and technology. The conical housing tube and the bevelled microphone headgrille of the U 67 are now considered iconic for the Neumann brand, as the same elegant design also adorns its transistorised successor, the U 87 - for over 50 years!History repeats itself:In terms of sound, the reissue is identical to the U 67, which was produced from 1960 to 1971. It uses the same capsule and circuitry; key elements such as the BV12 output transformer have been faithfully reconstructed using the original documentation. EF 86 tubes are carefully selected for optimum characteristics and minimum noise at a dedicated measuring station. The power supply unit has been redesigned to comply with today's strict safety regulations and to provide a slightly higher heating current for current premium tubes. The new NU 67 V power supply is fully compatible with older U 67 microphones.

Microphone collection with 7 microphones for miking the entire drum kit including mounts and aluminium case - ready-to-gig.Versatile all-purpose solution for stage, rehearsal room and studio.

The C214 large diaphragm condenser microphone was designed as a cost-effective alternative to the high-end C414 series. Like the C414, the C214 also has a 1" large diaphragm capsule of the highest quality. This is mounted in an integrated capsule suspension to reduce mechanical noise. A switchable 20 dB pre-attenuation filter allows the recording of loud sound sources of up to 156 dB SPL. A switchable bass attenuation filter enables close-up recordings without any noticeable proximity effect.By combining one of the two C414 capsules with the patented AKG back plate technology, an excellent dynamic range is achieved that comes very close to the performance of the C414 XLII.

Whether drums, brass or guitar miking, but also speech and vocals, the Shure SM 57 is a worldwide standard on stage and in the studio. Known for its robustness and ease of use (low feedback), as well as its unique sound. The frequency response is optimised in such a way that usually only a few adjustments to the EQ are required to achieve the desired result.high-quality, dynamic, top-class bass drum microphone. It combines a powerful low-end punch with a present kick - without having to adjust the EQ on the mixing console. This makes it easier to work live and in the studio.

The OC707 is a robust vocal microphone with a die-cast housing and true condenser technology.It gives your voice great volume and allows it to emerge clearly in the mix with all its facets without overemphasising them. The microphone is optimised for the human voice. The proximity effect, for example, has been optimised so that you can use it to your advantage in any performance. The tonally open basic character of your voice is always retained.The OCC7 small diaphragm capsule, developed and built in Vienna, is the centrepiece. Austrian Audio's special open acoustic technology allows sound to enter the capsule almost freely from all sides. The minimisation of sound-reflecting

Sontronics CORONA - dynamic vocal microphone in an unusual retro design, developed and manufactured in England, finely tuned sound image ensures a powerful presence and makes an EQ almost superfluous, supercardioid characteristic ensures effective damping of the rear of the microphone, versatile - for both vocals and instruments.

The active NUVO N8 is a modern ribbon microphone that captures the natural live sound of instruments in a room as they would sound in person - with all the subtleties and nuances. It effortlessly captures complex sources such as drums, strings, piano and other instruments that can produce intricate transients, harsh highs and powerful lows.

The MV88+ stereo USB microphone makes it easy to record any instrument or vocal and customise the microphone for any recording situation. Connect the microphone to a Mac or Windows computer and download the free ShurePlus MOTIV™ desktop app to configure the microphone for any recording situation. Adjust the microphone settings such as EQ, monitor mix, limiter, compression and polar pattern (mono, stereo, figure-of-eight and raw mid-side) or select one of the five DSP preset modes to get started right away. Monitor recordings via the integrated headphone output to ensure perfect sound every time. A uniquely powerful microphone.

The Harp Blaster HB52 dynamic harmonica microphone is the result of a co-operation between HOHNER and sE Electronics. It was developed with the inspiring support of professional harmonica players and sets new standards for the sound of legendary vintage harmonica microphones.Perfect for the artist's creative output, it can be held very comfortably for long periods of time and is suitable for cupping to create the typical Bues harp sound. It blends seamlessly with the artist's emotional output to maximise sound quality and musical expression.The uncompromising design is tailored to the needs of touring professionals. The HB52 combines fantastic sound quality with optimum ease of use and maximum durability.Compact dimensions. Big sound. Easy handling:The HB52 is the perfect size for cupping and easy handling. It blends seamlessly with the artist's emotional output to maximise sound quality and musical expression.Vintage sound paired with modern precision:Inspired by the sound of legendary vintage harmonica microphones and developed in close collaboration with professional players to fulfil the essential requirements. Manufactured to state-of-the-art standards with high-quality components and robust metal parts for maximum durability.Boutique features meet state-of-the-art manufacturing:Handcrafted with great attention to detail in our in-house factory. The hammer finish not only looks incredibly good, it also promises maximum durability and the lustre of the polished, chrome-plated grille will last for years. The Bourns® potentiometer allows the volume to be precisely adjusted (can be deactivated if required) and the gold-plated XLR contacts ensure reliable, loss-free signal transmission.At the heart of the Harp Blaster: the capsule:The capsule combines sE's many years of experience in dynamic capsule design and acoustics with HOHNER's accumulated harmonica expertise of over 160 years. The sensitive capsule responds immediately to hand position and musical expression. Thanks to the high output level and high output impedance, amps can be driven directly without additional impedance converters or intermediate catch-up amplifiers. Proven neodymium magnets, tight manufacturing tolerances and the finest workmanship ensure outstanding sensitivity and first-class sound quality. In contrast to ceramic or piezo transducers, the dynamic capsule is insensitive to impacts on hard surfaces. It withstands harsh environmental conditions and retains its sound quality for years.Full metal housing - no sensitive plastic parts:The highly resistant die-cast zinc alloy is designed for years of stage use. The corrosion-free and deformation-proof material, together with the finishing, promises absolute reliability. The all-metal housing is manufactured to the highest standards and has no plastic parts. The microphone is extremely robust. You can drop it, kick it and/or hammer nails into it.

SCHOEPS now also offers the best-selling modular microphone series Colette in a handy and robust Peli Case as a pair at a set price.

The brand new STC-3X's greatest asset is its versatility: the multi-pattern large-diaphragm microphone offers an adjustable directional characteristic and can be operated with cardioid, omnidirectional or figure-of-eight polar patterns. In addition, a dual pad circuit (-10 dB / -20 dB) and a dual switchable high-pass filter (75 Hz / 125 Hz) have been integrated. The STC-3X is particularly impressive when recording various instruments: from acoustic guitar and piano to loudly played drums, it delivers perfect results. It is also ideal for overhead applications. The STC-3X complete set includes a solid spider for a secure hold and excellent decoupling as well as a pop protection with nylon covering for clean vocal recordings. A 5 metre long, high-quality XLR cable provides the ideal connection to a console, preamp or audio interface. A microphone bag made of hard-wearing plastic for safe transport rounds off each set. You also receive the Toontrack EZdrummer Lite software in the form of a download code. Sontronics offers a lifetime guarantee on all its microphones. This emphasises the British company's high quality standards for components and production

The OM-7 is the flagship of the OM series. It is ideal for use on particularly loud stages as it has an extremely high resistance to feedback. It therefore has no rivals when it comes to realising almost perfect feedback immunity. An unconventional low-output amplifier stage works like a natural PAD and thus enables extreme sound pressure levels without any loss of sound quality.The scope of delivery includes a soft bag and an AUDIX microphone clamp.

USB condenser microphone for podcasters, gamers and musicians:The AKG ARA USB microphone guarantees the best possible sound for voices in online videos, podcasts or when recording music. The ARA is a condenser microphone that is easily connected via USB and offers high-resolution recordings in professional quality of up to 24 bit and 96 kHz.The ingenious arrangement of the two microphone capsules enables various applications. The front (cardioid) polar pattern is suitable if only one speaker or singer is being recorded. With the front + back (omnidirectional) polar pattern, the AKG ARA picks up several voices simultaneously or musicians distributed around the room.