Microphones
Rode Wireless ME Dual
€197.60
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Ultra-compact, uncomplicated and versatile microphone wireless link that is ready for immediate use. Wireless ME Dual is ideal for filmmakers, YouTubers and other content creators. The two transmitter modules and the receiver module are each only 4x4 cm in size, the range of the wireless link is 100 metres and the built-in rechargeable batteries allow up to 7 hours of continuous operation. The highlight: a microphone is not only built into the transmitters, but also in the receiver. If required, the film maker can record his own interview questions, stage directions or comments from off-camera. The built-in miniature condenser microphones deliver a crystal-clear audio signal. If you prefer, you can also connect an external clip-on microphone such as the Lavalier GO or Lavalier II to the transmitter.The transmitter utilises RØDE's ingenious GainAssist technology, which automatically adjusts the internal pre-amplification to the sound source. This leaves your head free for other things: distorted, too quiet or noisy sound recordings are a thing of the past with the Wireless ME.In addition to the analogue 3.5 mm TRS output, the receiver also offers a USB-C connection to output the sound digitally to a computer, smart phone or iPhone. All necessary cables are included: 3.5 mm TRS to TRS (for DSLR cameras), 3.5 mm TRS to TRSS cable (for smartphones, analogue), two USB-C to USB-C cables (for PC and smartphones, digital), as well as a USB-C to Lightning cable (for iPhone®, digital).Level and configuration settings can be made using the free "RØDE Central" software, which is available for download from RØDE for Mac and PC as well as in the Play Store or App Store as a free app. The Wireless ME is also compatible with the recording/streaming software "RØDE Connect" and the apps "RØDE Reporter" (Android and iOS) and "RØDE Capture" (iOS), which are also available for free download. In addition to the four connection cables, the Wireless ME Dual also comes with three fur windshields for outdoor recording and a high-quality neoprene carrying case. The modules are manufactured at RØDE's precision facility in Sydney, Australia.
Schoeps Desert Island Set with MK 4
€3,098.00
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SCHOEPS now also offers the best-selling modular microphone series Colette in a handy and robust Peli Case as a pair at a set price.
IK Multimedia ARC Studio
€274.00
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ARC Studio is a standalone room correction solution for stereo monitoring systems, It combines a hardware processor, the ARC 4 software and a precise MEMS Measurement microphone. The completely new algorithm corrects unfavourable acoustic conditions that could otherwise lead to an incorrect mix.The system thus enables a natural and transparent sound that guarantees reproducible results.The quality of the monitoring path is crucial. ARC Studio offers a dynamic range of 120 dB(A) between analogue input and output, a frequency response of 0.5Hz to 40kHz and ultra-stable clocking for infinitesimally low jitter. This ensures sonic transparency and accuracy that can only be found in professional audio interfaces and mastering-grade audio converters Mastering-grade audio converters.The connection to studio monitors is made via balanced XLR connectors, which are equipped with relay-based hard bypass to prevent unwanted background noise.
SE electronics sE 7 sideFire
€149.00
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The sE7 sideFire from sE Electronics is a premium small diaphragm condenser microphone that combines outstanding sound performance with a versatile side-address design. With a 90° capsule angle, it offers a variety of precise placement options that make capturing sound in tight spaces easier than ever before. Whether you want unobtrusive close miking, creative overhead or underhead miking or are simply looking for aesthetically pleasing microphone placement, the sE7 sideFire fulfils all these requirements and more. Based on sE Electronics' proven sE7 technology platform, it offers clear and natural sound across the entire frequency range. The ultra-thin diaphragm ensures excellent transient response. It excels in both studio and live sound applications with its ability to pick up everything from acoustic guitars and pianos to brass and percussion instruments without harshness and with rich low-end punch.The sE7 sideFire's discrete Class A electronics combined with its transformerless output provide impressively low-noise performance, making it the quietest rod microphone in its class. The switchable -20 dB pre-attenuation extends the dynamic range so that even loud sound sources such as brass instruments or snare drums can be recorded without distortion. The integrated 80 Hz low-cut filter effectively reduces low-frequency noise, impact sound and unwanted low-frequency components, making the microphone the ideal choice for close miking and general recordings.The sE7 sideFire impresses with its robust all-metal housing and high-quality workmanship, which effectively suppresses electrical interference and noise. This makes it a reliable and tour-ready companion that can confidently meet the challenges of everyday touring. The microphone is available both individually and as a matched pair combination. The hand-tuned microphone pair ensures identical performance and perfect phase correlation, resulting in exceptional stereo imaging. Each microphone is supplied with a windscreen and a sturdy microphone clip including a threaded adapter. Whether in the studio or on the road, the sE7 sideFire impresses with its versatility and delivers outstanding sound quality even in the most demanding situations. With its flexible side-address design and extensive features, the sE7 sideFire offers unrivalled flexibility, reliability and performance. This makes it the ideal choice for a wide range of applications.
Neumann TLM 107
€1,274.94
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Neumann engineering:The newly developed transducer, which has been specially tuned for this microphone, impresses with its fantastic impulse fidelity. Unusual for a large diaphragm capsule is also the high consistency of the five patterns, omnidirectional, cardioid, figure of eight, with the intermediate stages wide cardioid and hypercardioid. The TLM 107 not only delivers optimum sound results in the cardioid position, but also maximum precision across the entire frequency range for all other polar patterns. The sound image always remains balanced with an almost linear reproduction up to 8 kHz and a soft boost of the highest frequencies, which gives voices presence and freshness. Particular emphasis was placed on the natural reproduction of speech sounds, especially the critical S-sounds. The speaker basket has been acoustically optimised for low susceptibility to pops. In addition, the transducer is edge-contacted, with both diaphragms at ground level. In concrete terms, this means significantly less susceptibility to dust and moisture.Uncompromising sound design:The transformerless circuit offers high linearity and great dynamics. The self-noise of just 10 dB-A is practically inaudible, while the TLM 107 is also very level-resistant. The maximum sound pressure level is 141 dB SPL and can be increased to up to 153 dB SPL by means of pre-attenuation (pad). This means that the TLM 107 transmits even the loudest instruments without distortion. The bass roll-off with linear, 40 Hz and 100 Hz settings is precisely tuned to recording practice. The 40 Hz setting cuts the noise below the fundamental range (the open E string of the double bass is at 41 Hz) without any side effects, while the 100 Hz setting has been optimised for speech/vocals (100 Hz corresponds to the lowest notes of a baritone).Innovative operating concept:For the first time in a microphone, all switching functions are intuitively controlled by a navigation switch. A visual highlight is the illuminated pattern display in the chrome ring, while the switching states of the pad and low cut are indicated by LEDs to the left and right of the switch. The switch and display have been positioned at the rear so as not to irritate singers. The displays switch off automatically after 15 seconds.
DPA 4099-DC-1-201-C
€549.00
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The d:vote™ series is already the recognised benchmark for this type of microphone. The CORE version delivers even better sound quality and distances itself even more clearly from competitor products. The d:vote™ CORE 4099 delivers even more clarity and detail across the entire dynamic range. CORE technology is the logical choice for musicians, live sound engineers and anyone else who doesn't want to compromise on sound quality.CORE by DPA is the powerful new technology that underpins DPA miniature microphones. We have minimised distortion. As a result, the microphones offer a clearer and more open sound from pianissimo to forte. Find out more about CORE by DPA.Whether piano, guitar, strings or wind instruments - d:vote™ microphones deliver outstanding sound for all instrument types. This one microphone model can amplify an entire orchestra beautifully. With the matching bracket, you can mount the microphone on another instrument. The award-winning d:vote™ series offers a far more natural sound than other clip-on microphones or pickups. This condenser microphone suppresses unwanted noise and accurately captures the true tone of your acoustic instrument.
DPA 4097-DC-G-B00-010
€479.00
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With its supercardioid polar pattern, the 4097 offers high directivity, low self-noise and very high sensitivity. The microphone can handle high sound pressure levels, delivering a low-distortion, natural sound, even when actors speak or shout loudly. With a linear frequency response, low distortion and an extremely wide dynamic range, it sounds great no matter how challenging the environment. In addition, dialogue and signals coming from the side of the microphone (off-axis) do not degrade the audio signal; the volume of the interfering voice is simply reduced.
Audix F9
€159.00
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Condenser instrument microphone of the new Fusion series, suitable for overheads, hi-hat, cymbals, acoustic instruments, designed, assembled and tested by Audix in the USA,
Warm Audio WA-FT Fen-tone
€698.00
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The Warm Audio Fen-tone™ is inspired by a classic ribbon microphone from the 1950s, built with improved, modern components to deliver iconic sounds. Like B&O's original design, the Warm Audio Fen-tone has a compact, pencil-like design with vented sides that can be easily placed in tight recording situations. Unlike the original, the Fen-tone features modern upgrades such as a custom Japanese ribbon, a neodymium magnet and a CineMag USA transformer to deliver the iconic ribbon sounds popular in contemporary music on electric guitars, overheads, wind instruments and many other instruments. Fen-tone also features a pure analogue 26 dB JFET in-line preamp that enables active use - a key advantage for direct use of the mic with low-power audio interface preamps.
AKG GN 30 E
€255.88
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All E-series modules are designed with an integrated plug. This is a major advantage for quick assembly and disassembly. Of course, bass roll-off from 200 Hz and LED ON/OFF function are already integrated.300 mm long gooseneck module with robust connection thread and self-cleaning, large-surface gold contacts suitable for all Discreet Acoustics Modular capsules. Integrated illuminated ring can be operated with conventional phantom power or external power supply. Multi-layer, non-reflective paint finish in dark grey. GN 15 E with XLR-IN LINE phantom power adapter (DPA) mounted directly on the gooseneck. Impact sound filter and illuminated ring ON/OFF switchable via jumper in the DPA. XLR panel jack with anti-theft device included (PS 3 FLock).
SE electronics X1 A
€94.38
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The X1 A studio condenser microphone sets standards within its price class. It not only offers first-class sound quality and a high dynamic range, but also impresses with its high-quality workmanship and very attractive design. The balanced sound and the switchable filters enable a wide range of applications both in the studio and on stage.The X1 A is a high-quality condenser microphone that is suitable for a wide range of studio applications - from vocals to acoustic instruments and drums. Thanks to the carefully selected capsule and high-quality electronics, it offers unadulterated sound quality and a straightforward, very balanced frequency response.The electronic circuit, built with high-quality, discrete components, and the switchable pre-attenuation filter result in a high dynamic range, guarantee the clean processing of very high sound pressure levels and offer low self-noise. The switchable high-pass filter suppresses low-frequency noise (e.g. footfall, rumble or wind noise) and compensates for the bass boost that occurs at close microphone distances due to the proximity effect. This enables the near-field miking of many instruments such as electric guitars, brass instruments and drums. High reliability, even in demanding stage applications, is guaranteed by the robust metal construction and high production standards.The completely new acoustic design, the hand-selected condenser capsule and the low-noise electronics guarantee the best possible sound quality in its class. Gold-plated contacts, a high-quality, robust metal housing, switchable attenuation and bass filters, a completely redesigned stand adapter and an integrated windscreen round off the new X1 A.
Shure SM137
€226.20
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The SM137 is a flexible condenser instrument microphone with a linear frequency response for true-to-life reproduction with pleasant highs and a compact, controlled low end. It faithfully reproduces the sound of the instrument and combines a cardioid polar pattern, ultra-thin diaphragm and low self-noise with a switchable attenuation for very high sound pressures.
Neumann TLM 102
€638.53
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The reduced overall sizeresults in an extremely compact appearance that combines all the typical design components of a Neumann microphone. The harmonious proportions and the high-gloss basket ring ensure that the TLM 102 is instantly appealing. When it comes to sound, the TLM 102 is really big: inside it is a newly developed large diaphragm capsule (cardioid) which, with a maximum sound pressure level of 144 dB, also allows drums, percussion, amps and other very loud sound sources to be recorded, for example. Even instruments that are not extremely loud benefit from the very fast transient response of the TLM 102, but the most important area of application is in vocals and speech, where a slight boost above 6 kHz ensures an excellent presence of the voice in the overall mix. Up to this point, the frequency response is extremely linear, which guarantees maximum freedom from colouration and a very clearly defined bass range. The capsule is elastically mounted for structure-borne noise suppression and a pop protection integrated in the basket ensures the suppression of explosive sounds during vocal or speech recordings. The TLM 102 is predestined for the home recording and project studio sector, but also for the broadcast sector, especially if particular value is placed on a clear line of sight to the speaker positions. The TLM 102 is available in black and nickel. A tripod joint is included in the scope of delivery.
Sontronics APOLLO 2
€2,350.00
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With the Apollo 2, the stereo ribbon microphone also receives an upgrade. The two capsules in a Blum-lein arrangement reproduce the sound in detail and vividly. The result is a stereo image that is as pleasant as it is lively, providing a first-class presentation of room signals, choirs, chamber music, piano and drums. The Apollo 2 also features the RFI filters that ensure interference-free transmission in the other Sontronics ribbon microphones of the second generation. Conveniently, the two capsules can also be used individually, allowing the Apollo 2 to function as a mono microphone if required. The frequency range of 20 Hz to 18 kHz covers the entire range of music and creates a balanced sound image.
Shure KSM-313
€1,376.70
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The KSM313 is a ribbon microphone with exceptional sound characteristics, equipped with a figure-of-eight characteristic. The dual-voice design combines two different sound characteristics in one microphone. One side of the microphone has been optimised with a rising frequency response for transparent vocal recordings. The other, with a darker sound characteristic, is ideal for miking electric instruments (e.g. electric guitar). Shure ribbon microphones are handmade in the USA with selected components. Compared to traditional foil ribbon technology, Roswellite technology is characterised by the particularly high elasticity and resilience of the material, which allows the microphones to be used even at extremely high sound pressure levels. The unique technology and features as well as the carefully selected materials and meticulous handcrafting make Shure ribbon microphones an excellent choice for the most demanding studio and stage recordings.
AKG C 391 B
€401.31
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The C391 B Combo is a combination of the SE300 B preamplifier and the CK91 capsule. It offers excellent audio quality and unique flexibility and is therefore ideal for demanding broadcasting applications. The microphone has a cardioid polar pattern, low self-noise and very good impulse behaviour for a bright and brilliant sound. The bayonet coupling system allows the capsule to be quickly exchanged with the other microphone modules in the Blue Line series. The SE300 B offers a switchable bass attenuation filter with three settings: flat, 75 Hz and 10 dB attenuation.
AKG D 40
€117.39
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The Varimotion deep-drawing process allows the diaphragm to be fine-tuned even without additional tuning resonators, resulting in the typical AKG audio quality. The transducer capsule is protected by a sturdy grille cap and can handle even extremely high sound pressures without any problems. The cardioid polar pattern guarantees powerful sound and reliability even on the smallest stages. Thanks to the integrated stand connection and the H 440 mounting bracket supplied for snare, tom-toms etc., the D 4 is ideal for drums, percussion, wind instruments and guitar amplifiers
Sontronics STC-1S
€459.00
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The STC-1S is a lab-tuned stereo pair of the STC-1 cardioid microphone. With these microphones you will be able to record a perfect stereo image, whether it's a string quartet or an entire symphony - the STC-1S is the ideal microphone for A/B, Y/Y and other stereophonic recordings. The variable filter and pad switches further extend the versatility of this set for use in recording many instruments, whether acoustic or amplified. Compatible with this set are the optional "Omnidirectional" and "Hypercardioid" capsules. Please note, however, that when using these capsules, the microphones can no longer be classified as "stereo tuned". They are supplied in a luxurious wooden case, together with a stereo microphone holder and clamps. The optional capsules can also be stored in the wooden box.
Stagg SUM 40
€59.00
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The USB electret condenser microphone is perfect for musicians who record vocals and instruments. The clear and impressively good-sounding microphone has an even frequency response.
Beyerdynamic TG V70ds
€195.00
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Whether in the hand or in the ear, the dynamic TG V70d live vocal microphone with hypercardioid polar pattern impresses both on and in front of the stage as well as behind the mixing desk - singers, audience and hire companies alike.The reasons: the very well-resolved, powerful sound, excellent feedback resistance and a pronounced proximity effect. All directional microphones reproduce low frequencies louder than medium and high frequencies at close microphone distances.With a rich bass foundation to support less powerful voices. Even without the aid of the mixing console sound control, it delivers an impressively round and exceptionally powerful sound. In other words, all you need to do is plug it in and activate the high-pass filter - and you're done. In addition, the design is pleasing to the hand and eye, with a well thought-out housing structure and a progressively damped capsule suspension for low handling noise.
AKG C 516 ML
€149.00
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The bracket can be attached easily and almost anywhere using the screws supplied or the double-sided adhesive tape included.With the optional B 29 L battery power supply unit, the C 516 ML (2 units) is ideal for picking up accordions (1 x treble, 1 x bass).Only available as ML version for operation via the B 29 L battery power supply, pocket transmitter from the AKG WMS series or MPA V L with external phantom power supply.
Audix OM 6
€239.00
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The OM6 has been designed for the professional live user. The VLM expansion stage "D" offers outstanding performance for every live application and, of course, in the recording sector. In addition to being used as a lead or background vocal microphone, the OM6 can also be used for miking various instruments (saxophone, electric guitar/bass cabinets, toms, stand toms, congas, etc.).A deliberate mid-range emphasis (2-10 k Hz) enables precise and clean reproduction of the source signal and therefore stands up to any comparison with condenser microphones.
Yamaha DM 105
€45.00
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The DM105 is a solid choice whenever a dynamic microphone is needed. A great price/performance ratio, high sound and manufacturing quality make it perfect for almost any application.
AKG GN 50 E
€259.64
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All E-series modules are designed with an integrated plug. This is a major advantage for quick assembly and disassembly. Of course, bass roll-off from 200 Hz and LED ON/OFF function are already integrated.500 mm long gooseneck module with robust connection thread and self-cleaning, large-surface gold contacts suitable for all Discreet Acoustics Modular capsules. Integrated illuminated ring can be operated with conventional phantom power or external power supply. Multi-layer, non-reflective paint finish in dark grey. GN 15 E with XLR-IN LINE phantom power adapter (DPA) mounted directly on the gooseneck. Impact sound filter and illuminated ring ON/OFF switchable via jumper in the DPA. XLR panel jack with anti-theft device included (PS 3 FLock).