Microphones

Condenser small diaphragm microphone

The AT2020USB-XP is a convenient and professional microphone solution for streamers, podcasters and other content creators - with the award-winning sound of the original AT2020, studio-quality features and integrated digital control.High audio quality is crucial for producing compelling content. The AT2020USB-XP with cardioid polar pattern and integrated noise cancellation ensures that the selected sound source always takes centre stage. Depending on the recording environment, the noise cancellation can be adjusted in 3 stages at the bottom of the microphone or deactivated completely.In addition, the AT-2020USB-XP is equipped with digital control including automatic gain control (AGC). This function ensures a consistent microphone output level - regardless of the volume at which the microphone is addressed or sung.The selected intensity of the noise cancellation and the activation of the automatic gain control are simply displayed via an LED integrated into the microphone housing.The AT-2020USB-XP features a high-resolution A/D converter with a sampling rate of up to 24 bit / 192 kHz, ensuring crystal-clear, natural reproduction for truly convincing audio productions.The built-in headphone jack with volume control enables direct, delay-free monitoring, and the mix control allows the microphone signal to be mixed with pre-recorded audio material from the computer without audible transitions. A touch-sensitive mute button is also integrated into the housing so that the AT2020USB-XP can be muted at the touch of a button during pauses or unexpected interruptions. In this case, the LED indicator on the microphone changes from blue to red.The AT2020USB-XP is connected via USB-C, a suitable USB cable (USB-C to USB-A) and an adapter from USB-A to USB-C are included. This ensures compatibility at all times. The scope of delivery also includes a pop filter, a thread adapter (3/8"-16 to 5/8"-27) and a special microphone table stand for a stable and secure stand. In addition, the AT2020USB-XP is also compatible with the separately available AT8455 microphone spider - for particularly effective absorption of unwanted vibrations.

The WA-251 was designed to provide a new generation of recording enthusiasts with a classic microphone design at an affordable price. We spent a lot of time listening through a variety of 251 microphones to determine what people loved about them (and why), how different components affected the sound, and how we could give the WA-251 a personality that pays homage to the vintage classic while standing on its own.The WA-251 is a large diaphragm tube microphone with output transformer, selectable polar pattern and a large condenser, based on the classic 251 used in numerous hit productions over the last 50+ years. The WA-251 is aimed equally at professional and home studios as well as live and broadcast applications and sounds great on vocals, acoustic and electric guitar and bass, drums, piano, strings, brass and woodwinds and a wide range of other sources.The 251 achieved its greatest popularity in the 1960s and is now recognised as one of the best condenser microphones of all time. The classic is still often used in professional recording studios today, but is now extremely rare and correspondingly expensive to buy.The capsule:The WA-251 uses a customised reproduction of the original CK12 capsule used in the original 251s - designed with a comparable hole pattern and frequency response. Our version of this capsule (model no. WA-12-B-60v) is carefully crafted by an Australian capsule manufacturer to vintage specifications. We are delighted to be able to offer such a great re-incarnation of the CK12 capsule, as it is the sonic centrepiece and most important part of the formula.The tube:We use a Slovakian JJ 12AY7 vacuum tube in the WA-251. We carefully compared a selection of tubes from three manufacturers and fell in love with the JJ 12AY7. The frequency response of the JJ tube and the way it blends into the circuit with a smooth, vintage sound convinced us.The transformer:The WA-251 is equipped with an American-made CineMag USA transformer. This transformer helps to preserve the existing top end and the HUGE bottom end that you would expect from a 251-style condenser microphone.The cable:One component of a tube microphone that is often overlooked is the 7-pin cable that connects the microphone to the preamplifier. The manufacturer has learnt a lot about 7-pin cables and the drastic influence of shielding and cable cross-section on the sound of a tube microphone during the intensive listening tests of the WA-251 and other microphones. Warm Audio has chosen Gotham Audio from Switzerland as its partner. The meticulously crafted 7-pin high-end GAC-7 cable is used for the WA-251. The use of this cable enhances the top-end presence and the overall impression of the sound image, especially in the stereo mix, by reducing phase shifts and parasitic effects that often occur in cheap cables. Gotham cabling is quite expensive, as it certainly belongs to the higher quality class, and should therefore not simply be seen as a small addition to the overall WA-251 package.The capacitors:The WA-251 uses polystyrene coupling capacitors, wima film capacitors and a French solenoid capacitor in the output.

Dynamic large diaphragm vocal microphone

The KMS 105 was developed to optimise the transmission of the human voice and is therefore the first choice for demanding live applications. With its low inherent noise, discolouration-free crosstalk behaviour and supercardioid characteristic, the KMS 105 is predestined for use in in-ear monitoring systems. An innovative four-stage acoustic filter prevents pop and wind noise, while special mechanical and electrical filters virtually eliminate handling noise. Thanks to its high acoustic resolution and linear frequency response, the KMS 105 offers musicians optimum control over their stage performance at all times.

Thanks to the new 4560 binaural headset microphone, high-quality 3D audio is now within reach. Ideal for YouTubers, sound designers, podcasters, vloggers and other content creators such as filmmakers who want to record authentic 3D sound. The 4560 allows real-timeRecording of exactly what the ears hear, so that anyone consuming the content through headphones can experience totally immersive sound. At the heart of the 4560 is a pair of 4060 CORE miniature microphones mounted on two earpieces and positioned just outside the user's ear canal. They capture 1:1 the sound that the person recording hears. The earpieces are attached to a flexible headset that is easy to fit, comfortable to wear and adapts to any head shape. The foam windscreens included in the scope of delivery secure the positioning in the ear and dampen wind noise.

SCHOEPS now also offers the best-selling modular microphone series Colette in a handy and robust Peli Case as a pair at a set price.

Dynamic large diaphragm instrumental microphone

The NT-USB Mini brings the pristine sound quality of RØDE's world-class studio microphones into a compact, easy-to-use USB microphone. Designed to deliver crystal-clear, professional-quality audio directly to a computer or tablet, it's the perfect microphone for gamers, podcasters, musicians, streamers and content creators who want to be heard in full resolution. In addition, no driver installations are required and the device is powered via USB.

The Warm Audio Fen-tone™ is inspired by a classic ribbon microphone from the 1950s, built with improved, modern components to deliver iconic sounds. Like B&O's original design, the Warm Audio Fen-tone has a compact, pencil-like design with vented sides that can be easily placed in tight recording situations. Unlike the original, the Fen-tone features modern upgrades such as a custom Japanese ribbon, a neodymium magnet and a CineMag USA transformer to deliver the iconic ribbon sounds popular in contemporary music on electric guitars, overheads, wind instruments and many other instruments. Fen-tone also features a pure analogue 26 dB JFET in-line preamp that enables active use - a key advantage for direct use of the mic with low-power audio interface preamps.

Austrian Audio's OC818 is the result of decades of experience and unique innovation and the world's first "dual output" microphone with switchable polar pattern.Based on the legendary CK12 microphone capsule, the Viennese audio engineers designed their own, further developed CKR12 capsule by tracking down various originals of the famous vintage capsule worldwide and meticulously testing, measuring and evaluating them according to their best characteristics in order to develop much more than just a "copy" from the data and experience gained.As a special feature, the lovingly handcrafted microphone has a second output that allows the producer, engineer, musician and forward-thinking artist to record the rear-facing capsule independently of the front-facing capsule. When both capsules are recorded on a stereo or dual mono track in the DAW, the free and open source PolarDesigner plugin (MAC/PC: VST, AU & AAX) allows unprecedented control and adjustment of the polar pattern between 1 and 5 bands with selectable crossover points.To configure the OC818 flexibly in real time in complex live situations or during sound checks, the optional OCR8 Bluetooth dongle can be attached to the rear of the housing. The PolarPilot app for Android and iOS can then be used to access the behaviour of both capsules, as well as the high-pass filter and pad switch. This unique tool enables an unprecedented 255 discrete polar patterns between figure of eight, all cardioid versions and omnidirectional.The OC818 Studio Set includes the OC818, the OCS8 microphone spider, an OCH8 microphone clamp, an OCC8 mini XLR adapter, an OCW8 windscreen and a case for the microphone and accessories.

The SC4 is a high quality shielded adapter for connecting a microphone with a 3.5mm output to the TRRS socket of a smartphone or tablet. It is suitable for users who want to connect their RØDE VideoMic to their iPhone and record using the RØDE Rec app (iOS). The gold plated contacts are colour coded: Grey indicates the TRRS output. Although the SC4 was originally designed for an iPhone or iPad, it is also suitable for many Android-based devices. Although you can connect stereo microphones to the SC4, the channels are combined into a mono signal for compatibility with the TRRS input.

The directivity quality and attention to detail make the MMC4011 cardioid microphone capsule a solution that makes everything sound like the original. The first-order cardioid polar pattern ensures excellent separation of the sound sources.A linear on-axis frequency response and an excellent phase response ensure faithful reproduction of the original. The off-axis frequency response is similarly homogeneous and interferences are reproduced accurately and attenuated in accordance with the first-order cardioid characteristic.Due to its modularity, the d:sign 4011 cardioid microphone can be combined with podium booms of different lengths - 15, 30 or 45 cm. If longer booms are required for floor stands with an elegant look, our long booms with 75 or 120 cm and our special accessories for a high-quality stage vocal microphone are available.

sE V KICK:The V KICK is the most compact and versatile drum microphone in its class. It is designed for use with kick drums and other bass sources such as bass guitar speaker cabinets, floor toms or other large drums where the low-frequency signal components are of great importance. Thanks to the integrated swivel joint, the microphone can be positioned anywhere. The capsule delivers a sound character specially tailored to kick drums, which can be further customised using two switches on the back of the microphone. From classically warm to modern-aggressive, the V KICK produces any kick drum sound required.sE V BEAT:The V BEAT is the most compact drum microphone in its class and is designed for use with snare or tom drums. While the V7 is optimised for vocals, the V BEAT offers the same high-quality sound performance as the dynamic V7 X instrument microphone, but in a dedicated low-profile and drum-friendly form factor. Tuned for instrumental use, it can also be used on sources such as guitar speakers or brass instruments. Its special capsule provides a very detailed, extremely natural sound character on snares or toms of any size, with amazing off-axis rejection to avoid crosstalk from nearby drums and cymbals. Its ultra-compact design with parallel arrangement of XLR connector and stand mount ensures the smallest footprint in its class. Thanks to the robust swivelling mount, the angle can be adjusted very precisely so that it can be aimed at almost any part of the drum to achieve the desired sound character.sE V CLAMP:The V CLAMP is the fastest, most compact and user-friendly microphone mounting system on the market. It is compatible with any standard snare and tom microphone. It was developed as the ideal companion to the sE V BEAT for snare and tom miking, but it is also compatible with many other popular microphones. The sturdy and elasticated clamp allows it to be set up and taken down in seconds, and its durable design is made for road use. The height and angle of the microphone can be adjusted quickly and easily by releasing the V CLAMP lock. This allows perfect positioning for the desired drum sound or to minimise crosstalk from neighbouring drums.sE V7 X:The V7 X is a dynamic instrument microphone with a supercardioid polar pattern. It captures your performance and connects it with the listener in an unrivalled way - both on stage and in the studio.The innovative voice coil of the specially tuned capsule and the brand new acoustic design are ideal for miking any instrument - with a perfect balance of detailed highs and ultra-powerful lows. Whether on electric guitar amps, wind instruments, bass amps, snare, toms, choirs and much more, the V7 X is the perfect tool for amplifying or recording your instruments.sE8 stereo set:The new sE8 is a high-quality small diaphragm microphone with outstanding sound characteristics. The elaborately manufactured electrode enables a very balanced and particularly natural transmission of instruments of all kinds. This also allows the intensive use of EQs or filters without making the recording unpleasant. With the highest dynamic range and the highest overload resistance in its class as well as the practical, switchable attenuation and high-pass filters, the sE8 offers unbeatable flexibility for every application in the studio and on stage.

A classic - reissued:The WA-14 is based on the classic 414 condenser microphone, which has been used on countless hits and continues to enjoy unrestricted popularity. Warm Audio has based the WA-14 on the classic circuit design of the original, including the coveted CK12 capsule and a premium CineMag USA transformer. Whether for vocals, aggressive guitars or on hard percussive instruments, the WA-14 always knows how to impress and delivers the sound of the classic 414 microphone that sound engineers around the world appreciate and love.High-quality components make a better microphone:With the custom transformer from CineMag USA, the 100% discrete circuit design with high-quality components and the high-quality LK-12-B-60V double-diaphragm capsule, Warm Audio has succeeded in creating another replica of a classic microphone that is second to none.