Microphones

Warm Audio presented the predecessor model WA-87 back in 2016 and made the coveted vintage sound of the original affordable for everyone. Now the Texan manufacturer has consistently updated the model based on the experience gained to exceed expectations once again.The WA-87 R2 (Revision 2) therefore features a discrete circuit design with premium components such as new-old-stock Fairchild transistors, WIMA and Nichicon capacitors and is complemented by an improved CineMag USA output transformer. The capsule used is an in-house development precisely modelled on the classic double-diaphragm capsule with a gold-vaporised 6 µm NOS Mylar diaphragm.Thanks to authentic vintage warmth and a soft, detailed top end, the WA-87 R2 comes even closer to the ever-popular sound and vibe of the original classic from the swinging sixties.

The d:vote series is already the recognised benchmark for this type of microphone. The CORE version delivers even better sound quality and distances itself even more clearly from competitor products. The d:vote CORE 4099 delivers even more clarity and detail across the entire dynamic range. CORE technology is the logical choice for musicians, live sound engineers and anyone else who doesn't want to compromise on sound quality.CORE by DPA is the powerful new technology that underpins DPA miniature microphones. We have minimised distortion. As a result, the microphones offer a clearer and more open sound from pianissimo to forte. Find out more about CORE by DPA.Whether piano, guitar, strings or wind instruments - d:vote microphones deliver outstanding sound for all instrument types. This one microphone model can amplify an entire orchestra beautifully. You can mount the microphone on another instrument using the matching bracket. The award-winning d:vote series offers a far more natural sound than other clip-on microphones or pickups. This condenser microphone suppresses unwanted noise and accurately captures the true tone of your acoustic instrument.

Dynamic microphone with a strikingly defined mid/high-mid range and pleasant, soft sound characteristics - never annoying! A phase plug, familiar from loudspeaker technology, ensures a pronounced but controlled directional characteristic. This characteristic makes the microphone an ideal problem solver for recordings with high ambient noise levels (e.g. live recording). Very good all-round microphone. Excellent for picking up guitar amps and vocals as well as for use as drum overheads. Recommended applications: Guitar speaker cabinets, overheads, piano and speech.

The KMS9HS is a premium stage microphone with a dual condenser diaphragm for speech and vocals. The high-quality technology ensures the most sophisticated sound in studio quality. The directional characteristic can be switched between wide cardioid and hypercardioid.

The TF47 is a new design based on the German sound and inspired by the historic U47 and M49. With an extended low end and a punchy midrange, the TF47 is ideal for adding depth and presence to any source. These characteristics make it particularly suitable for recording vocals, guitar amps and drums.At the heart of the TF47 is a K47-style metal capsule, a new 5840W vacuum tube from old stock (new old stock) and a customised, historically accurate BV8 transformer (as in the U47). These components deliver a warm and punchy sound reminiscent of the U47, with a pleasing articulation in the highs that blends perfectly into a mix.

Inside the 2006 omnidirectional microphone with double diaphragm, two miniature capsules are fitted as standard, one facing the other. Arranged as a double diaphragm, they form a capsule unit. This combines the advantages of small capsules with the lower inherent noise of a larger diaphragm surface. These capsules offer a fast impulse response and a wide frequency bandwidth.The capsules are combined with the preamplifiers of the outstanding d:dicate™ microphone series instead of the tiny FET preamplifiers of the miniature series. This gives the sound more airiness and precision.Comparisons with its bigger brother, the iconic 4006 omnidirectional microphone, are inevitable. The connection between the two is clear to hear. The 2000 series performs as well as more exclusive microphones. It is a premium class microphone that redefines the term price-performance ratio.In combination with the MMP-A preamplifier, this condenser microphone closes the gap between the exceptional sound quality of our d:dicate™ recording microphones and our well-known miniature microphones of the d:screet™ series.

The KSM141 is a permanently polarised condenser microphone with two mechanically switchable polar patterns (cardioid and omnidirectional). Designed for studio use, the microphone is also suitable for live use thanks to its robust construction and can handle extremely high sound pressure levels. Its low self-noise and wide transmission range make it the ideal microphone for miking instruments.

The MSTC 74 is particularly impressive because it usually delivers very good results even without support microphones. In addition, its positioning is relatively uncritical and therefore also suitable for less experienced users or those in a hurry. Set-up is particularly quick and easy because only a single stand and cable are required and the distance between the capsules and the angle of the capsules to each other do not need to be adjusted.The output of the MSTC 74 has an XLR-5M connector to which, for example, the KS 5 U stereo cable or the AK SU/2U resolution can be plugged.

The d:dicate 2011 dual-diaphragm cardioid microphone is a directional microphone. The unmistakable sound of this microphone is well balanced. This condenser microphone bridges the gap between the exceptional sound quality of our d:dicate recording microphone series and our well-known d:screet miniature microphones.Two miniature capsules facing each other are used in this microphone. Arranged as a double diaphragm, they form a capsule unit. This combines the advantages of small capsules with the lower inherent noise of a larger diaphragm surface. These capsules offer a fast impulse response and a wide frequency bandwidth. The capsules are combined with the preamplifiers of the outstanding d:dicate microphone series, which gives the sound more airiness and precision.

AKG Lyra is the perfect solution for creating your own podcasts. Create excellent voice and instrument recordings in the highest studio quality in a matter of seconds. The sophisticated 4-microphone capsule array offers four switchable characteristics on the device. This allows you to influence the sound or record vocals and guitar at the same time from the front and rear of the microphone. Lyra can be set up on a computer or smartphone in a flash without installing drivers and delivers first-class results for recording and live streaming.A headphone output on the underside of Lyra enables latency-free monitoring of the microphone signal (zero-latency monitoring). The mix control allows you to blend continuously between microphone monitoring and playback from the computer. Lyra can therefore also be used as a high-quality USB sound card with stereo headphone connection for playback of audio files!The solid metal stand not only looks damn good, it also ensures a secure stand and allows the microphone to be ideally aligned. It also serves to suppress background noise such as footfall, which could be transmitted via the table top, for example. If required, Lyra can also be detached from the supplied stand and attached to any conventional microphone stand.The recording software Ableton Live 10 Lite is included in the scope of delivery. What's missing now are your creative ideas - with Lyra you can transform them quickly and easily into outstanding audio files!

The dynamic handheld microphone has a hypercardioid characteristic and an extended frequency response of 50 Hz to 16 kHz (+/-3 dB). It has very good handling and a sturdy housing as well as a non-reflective black alloy. Transformerless electronics, capsules in VLM design as well as low-impedance and balanced outputs guarantee interference-free performance - even when using longer cable lengths.VLM stands for the patented "Very Low Mass" technology and offers fast and precise conversion of the acoustic signal into an electrical signal. The mechanically very stable microphone basket and problem-free sound processing of up to 140 dB attest to the microphone's extreme suitability for use.A model with a recessed on/off switch is available as an option.

This solution utilises the MMC4018 cardioid microphone capsule, which offers a supercardioid pattern with high directivity and a smooth and consistent off-axis frequency response. The supercardioid shape is frequency independent and guarantees a consistent sound colour around the microphone. Die bei den meisten Supernieren-Mikrofonen übliche rückwärtige Niere wurde bei dieser Kapsel minimiert. As a result, it is much better isolated, without sudden frequency-dependent peaks and dips.Due to its modularity, the d:sign 4011 supercardioid microphone can be combined with podium booms of different lengths - 15, 30 or 45 cm. If longer booms are required for floor stands with an elegant look, our long booms with 75 or 120 cm and our special accessories for a high-quality stage vocal microphone are available.

The Sennheiser e904 is a dynamic microphone with cardioid pickup pattern, which was specially developed for miking drums and percussion.

The TLM 103 is the ideal large diaphragm microphone for all those who do not want to do without uncompromisingly professional technology despite tight budget limits. It works with the transformerless circuit technology already proven in numerous Neumann microphones, offers an unrivalled low self-noise level and maximum dynamic range. The cardioid capsule used is particularly well-balanced acoustically and has excellent cancellation for rear sound incidence.

Austrian Audio's OC818 is the result of decades of experience and unique innovation and the world's first dual output microphone with switchable polar pattern.Based on the legendary CK12 microphone capsule, the Viennese audio engineers designed their own, further developed CKR12 capsule by tracking down various originals of the famous vintage capsule worldwide and meticulously testing, measuring and evaluating them according to their best characteristics in order to develop much more than just a copy from the data and experience gained.As a special feature, the lovingly handcrafted microphone has a second output that allows the producer, engineer, musician and forward-thinking artist to record the rear-facing capsule independently of the front-facing capsule. When both capsules are recorded on a stereo or dual mono track in the DAW, the free and open source PolarDesigner plugin (MAC/PC: VST, AU & AAX) allows unprecedented control and adjustment of the polar pattern between 1 and 5 bands with selectable crossover points.To configure the OC818 flexibly in real time in complex live situations or during sound checks, the optional OCR8 Bluetooth dongle can be attached to the rear of the housing. The PolarPilot app for Android and iOS can then be used to access the behaviour of both capsules, as well as the high-pass filter and pad switch. This unique tool enables an unprecedented 255 discrete polar patterns between figure of eight, all cardioid versions and omnidirectional.The OC 818 Dual Set Plus includes:2x OC818 microphones, 2x OCS8 elastic mounts, 2x OCC8 mini XLR adapters, 2x OCH8 microphone clamps, 2x OCW8 windscreens, OCDC1 case and the new SB1 adjustable stereo bar.

The KSM141 is a permanently polarised condenser microphone with two mechanically switchable polar patterns (cardioid and omnidirectional). Designed for studio use, the microphone is also suitable for live use thanks to its robust construction and can handle extremely high sound pressure levels. Its low self-noise and wide transmission range make it the ideal microphone for miking instruments.

At just 10 cm long, the M5 is one of the shortest small membrane pencils on the market - ideal for placement in critical areas and extremely inconspicuous thanks to the black ceramic coating. The aluminium housing is nickel-plated to prevent corrosion, after which enamel powder is applied extremely evenly using an electrostatic process and then fired. The result: a very high-quality and scratch-resistant finish that still looks good even after years of use.

With the CC8, Austrian Audio has developed a microphone that is suitable for modern recording applications and yet has a timeless sound character that is appreciated by everyone. The CC8 is a small diaphragm condenser microphone with cardioid polar pattern and true condenser, handmade in Vienna and aimed at professional users.Inside every CC8 small diaphragm microphone beats the heart of an OCC7 condenser capsule from Austrian Audio. Inspired by the legendary CK1, the newly developed capsule takes over the heritage with the advantages of the classic and the requirements of today. Shaped by the past, built for the future.The CC8 with true condenser technology was created for the professional sector. The gold-vapourised membrane inside the capsule is made of 3 micrometre thick polyethylene naphthalate (PEN) and is much more robust than conventional Mylar alternatives. The filter fabric used guarantees constant and very broadband cancellation. This results in an outstandingly precise cardioid characteristic with excellent attenuation of sound coming from the sides and rear.The OCC7 capsule and the transformerless design of the feed section give the CC8 a remarkably linear frequency response. The microphone can withstand extremely high sound pressure levels of up to 156 dB SPL. In combination with a very low self-noise of just 16 dB(A), this results in an impressive dynamic range. The CC8 always sounds naturally open and is neither harsh nor sharp, even at extreme volumes. The mids and highs are always silky smooth and are not overemphasised.The CC8 is ideal for recordings where fast transients need to be reproduced and spatial information needs to be captured as accurately as possible. Small diaphragm microphones are particularly popular for the detailed recording of various acoustic instruments found in classical ensembles and jazz formations. These include, for example, string instruments, woodwinds and brass, orchestral percussion, classical singers, but also instruments that can be found in all genres, such as acoustic guitar, piano, snares, hi-hat and overheads.Thanks to the built-in switchable attenuation of 0 dB, -10 dB and -20 dB, the microphone can be positioned very close to loud sound sources such as trumpets without having to worry about distortion. Rumbling noises and impact sound are effectively eliminated with the switchable high-pass filter (60 Hz 2nd order, 120 Hz 2nd order).Even extremely quiet signals such as fine violin sounds, delicate voices or the quietest atmospheric sounds can be recorded without any problems thanks to the low inherent noise.The small dimensions allow targeted positioning even in tight and difficult places, both in the studio and on stage.Every CC8 is built by hand in Vienna. A special feature is Austrian Audio's in-house anechoic chamber. Before leaving the production line, each microphone is measured and tuned to a maximum tolerance of +/- 0.5 dB sensitivity at 1 kHz. This means that all CC8s can be used as a matched pair, regardless of the production date.Features:

The P420 is an excellent studio microphone for recording vocals and instruments. It delivers a natural, warm and detailed sound. Stringed instruments and singers with thin voices in particular benefit from the warm sound of the P420 - the recordings sound fuller.A special feature of the P420 is the ability to set different directional characteristics. This means the microphone can be used flexibly: Cardioid for vocal and instrument miking, omnidirectional for room miking and figure of eight when recording two singers at the same time.Even very loud instruments such as wind instruments, drums and percussion can be recorded with the P420. The microphone has a switchable level reduction and can also handle very loud sound sources up to 155 dB. A switchable bass-cut filter effectively suppresses mechanical vibrations such as impact sound.Thanks to the metal housing, the P-420 is particularly robust and can also be used live as a stage microphone.

The M3 can be operated either via phantom power or with a 9 V block that can be inserted into the battery compartment. This makes it independent of any external power supply, especially when used outdoors. Other features include a switchable high-pass filter for suppressing low-frequency noise and attenuating the proximity effect, a two-stage switchable pre-attenuation (-10 dB/-20 dB), the on/off switch and the battery control LED. The scope of delivery includes a windscreen and a stand clamp.