Microphones

TELEFUNKEN Elektroakustik has created the M80 as a superior alternative to the mid-range overloaded character of the "industry standard microphone". With a wider frequency transmission range and a higher SPL limit, the M80 has the characteristics of a condenser microphone in a stable dynamic microphone design that can be used for both stage and recording applications for voice, instruments or drums.Thanks to the low mass of the capsule and the super-thin yet amazingly robust capsule diaphragm, the M80 enables excellent sound transmission, e.g. of vocals, which is normally only possible with studio condenser microphones.The microphone head and capsule design were developed to reduce the proximity effect, which unnaturally exaggerates the bass range of a voice. Nevertheless, the microphone sounds very well-founded and solid in the bass, while at the same time being very "open" and "airy" without creating unwanted feedback in the upper mid-range.The M80 contains an American-made transformer - specially designed for the microphone - which is primarily responsible for the almost "magical" sound of the microphone. In combination with the special capsule design, the M80 became a unique success faster than we could ever have imagined.

The NUVO N22 is a modern, active nearfield ribbon microphone with a robust, lightweight design, extended treble clarity and reduced proximity effect, making it perfect for close miking of instruments.

The directivity quality and attention to detail make the MMC4011 cardioid microphone capsule a solution that makes everything sound like the original. The first-order cardioid polar pattern ensures excellent separation of sound sources. It is just as suitable for close-up recordings of acoustic guitar, piano, overheads, percussion, wind instruments and vocals as it is for symphonic support miking. It is designed for incredibly high sound pressure levels.A linear on-axis frequency response and excellent phase response ensure faithful reproduction of the original sound. The off-axis frequency response is similarly homogeneous and interferences are reproduced accurately and attenuated in accordance with the first-order cardioid characteristic.

The very wide transmission range of the TG I53c opens up a multitude of possible applications. From hi-hat and overheads to percussion, side and wind instruments and choir miking - the condenser microphone stands out everywhere with its slight treble boost and excellent detail reproduction. Thanks to its high sensitivity, it is also suitable for larger microphone distances, for example for large sound bodies with complex dispersion behaviour. Another advantage: the carbon fibre-reinforced housing makes it lightweight and robust at the same time.

Dynamic large diaphragm vocal microphone

The 4088 directional headworn microphone is the industry standard for professional headworn microphones. Its open and natural sound makes it the ideal choice for speech and vocals. The microphone offers excellent off-axis signal rejection at high SPL.

The PGA57 is an affordable instrument microphone that combines excellent sound with a robust design. It was specially developed for amplified and acoustic instruments as well as for drums and can be used both live and in the studio. The PGA57 includes a microphone clamp, a carrying bag and an XLR cable.

The Heil PR 28 represents a completely new dynamic microphone technology, developed for a wide range of professional applications from live sound to broadcasting and demanding recording. This microphone has been specially optimised for use on toms and snare drums. With its crisp transient response, a boost of 3 dB from 3500 Hz and a generally very powerful sound, it delivers excellent results every time. Recommended applications: Snare drums and toms

The TF29 Copperhead is a further development of the CU-29 Copperhead.It has a new 5654W vacuum tube, a brass K67 capsule and a high-quality Lundahl output transformer. These components produce a balanced frequency response and natural tonality. The TF29 is a reliable choice for vocals and all instruments, from electric guitar to drums, wind instruments and piano.

The d:vote series is already the recognised benchmark for this type of microphone. The CORE version delivers even better sound quality and distances itself even more clearly from competitor products. The d:vote CORE 4099 delivers even more clarity and detail across the entire dynamic range. CORE technology is the logical choice for musicians, live sound engineers and anyone else who doesn't want to compromise on sound quality.CORE by DPA is the powerful new technology that underpins DPA miniature microphones. We have minimised distortion. As a result, the microphones offer a clearer and more open sound from pianissimo to forte. Find out more about CORE by DPA.Whether piano, guitar, strings or wind instruments - d:vote microphones deliver outstanding sound for all instrument types. This one microphone model can amplify an entire orchestra beautifully. You can mount the microphone on another instrument using the matching bracket. The award-winning d:vote series offers a far more natural sound than other clip-on microphones or pickups. This condenser microphone suppresses unwanted noise and accurately captures the true tone of your acoustic instrument.

Neumann engineering:The newly developed transducer, which has been specially tuned for this microphone, impresses with its fantastic impulse fidelity. Unusual for a large diaphragm capsule is also the high consistency of the five patterns, omnidirectional, cardioid, figure of eight, with the intermediate stages wide cardioid and hypercardioid. The TLM 107 not only delivers optimum sound results in the cardioid position, but also maximum precision across the entire frequency range for all other polar patterns. The sound image always remains balanced with an almost linear reproduction up to 8 kHz and a soft boost of the highest frequencies, which gives voices presence and freshness. Particular emphasis was placed on the natural reproduction of speech sounds, especially the critical S-sounds. The speaker basket has been acoustically optimised to reduce susceptibility to pops. In addition, the transducer is edge-contacted, with both diaphragms at ground level. In concrete terms, this means significantly less susceptibility to dust and moisture.Uncompromising sound design:The transformerless circuit offers high linearity and great dynamics. The self-noise of just 10 dB-A is practically inaudible, while the TLM 107 is also very level-resistant. The maximum sound pressure level is 141 dB SPL and can be increased up to 153 dB SPL by means of pre-attenuation (pad). This means that the TLM 107 transmits even the loudest instruments without distortion. The bass roll-off with linear, 40 Hz and 100 Hz settings is precisely tuned to recording practice. The 40 Hz setting cuts the noise below the fundamental range (the open E string of the double bass is at 41 Hz) without any side effects, while the 100 Hz setting has been optimised for speech/vocals (100 Hz corresponds to the lowest notes of a baritone).Innovative operating concept:For the first time in a microphone, all switching functions are intuitively controlled by a navigation switch. The illuminated pattern display in the chrome ring is a visual highlight, while the switching states of the pad and low cut are indicated by LEDs to the left and right of the switch. The switch and display have been positioned at the rear so as not to irritate singers. The displays switch off automatically after 15 seconds.

The TLM 103 is the ideal large diaphragm microphone for anyone who does not want to do without uncompromisingly professional technology despite tight budget constraints. It works with the transformerless circuit technology already proven in numerous Neumann microphones, offers an unrivalled low self-noise level and maximum dynamic range. The cardioid capsule used is particularly well-balanced acoustically and has excellent cancellation for rear sound incidence.

The M 149 Tube is a modern version of the famous Neumann M 49. Like its predecessor, the classic K 47/49 large diaphragm capsule sits in an acoustically open microphone basket. The M 149 is a universal studio microphone with 9 polar patterns. Its innovative transformerless tube circuit guarantees optimum sound with the lowest inherent noise.The M 149 is a universal studio microphone with tube electronics in the tradition of the legendary M 49, the large-diaphragm condenser microphone that set a new standard in the 1950s and has provided good sound on countless jazz and pop recordings ever since. The M 149 continues this tradition by upgrading the timeless fidelity of its predecessor with even better performance data thanks to advanced technology.The M 149 uses the same transducer as its legendary predecessor, the classic K 47/49 large diaphragm capsule, which is famous for its unrivalled presence and balance. An acoustically open microphone basket minimises internal reflections. The capsule signal is amplified by a subminiature triode tube, which is selected for lowest noise and optimum transmission characteristics. The output stage is a high-precision transformerless circuit that preserves the entire dynamic range of the tube input stage and makes it fully usable for today's recording technology. The M 149 offers higher sensitivity and significantly lower self-noise than older tube microphones. In addition, the operating points of the tube are optimised internally; voltage drops in the microphone cable are automatically compensated. Thanks to its low output impedance, the M 149 can handle long cable runs of up to 300 metres without transmission losses. For this innovative combination of classic tube technology and advanced Neumann engineering, the M 149 Tube was honoured with the TEC Award in 1997.The M 149 offers nine polar patterns - omnidirectional, wide cardioid, cardioid, hypercardioid, figure-of-eight and four intermediate positions - as well as a seven-stage bass roll-off (20 to 160 Hz in half-octave steps). This flexibility and an exceptionally low self-noise of only 13 dB-A (in cardioid position) make it a truly universal studio microphone for all applications. The M 149 is not only an outstanding vocal microphone for all musical genres. Unlike many other recent tube microphones, it is equally suitable for instruments of all kinds such as piano, acoustic and electric guitar, double bass, percussion and drums (overheads) as well as solo strings and wind instruments. The M 149 is a premium microphone that fulfils even the highest demands.

beyerdynamic is one of the few manufacturers in the world that still produces ribbon microphones. The classic among them is the dynamic double ribbon microphone M 160. The outstanding transmission quality of the M 160 and its hypercardioid characteristic with a noise cancellation of 25 dB at 110°, which effectively suppresses lateral sound reflections and interfering extraneous sound, make the M 160 an ideal microphone wherever the highest demands are placed on the recording or transmission technology.The M 160 is ideal for miking stringed instruments such as violin, viola, cello and guitar as well as for guitar amplifiers. The M 160 impresses with its warm, natural sound. This microphone is not an ordinary ribbon microphone, but a double ribbon microphone. Two superimposed, wafer-thin ribbons ensure a higher output level.

Whether on stand toms, snare drums or percussion instruments - the TG D57c condenser microphone is mounted and ready for use in a flash thanks to the patented clip-on mount and integrated power supply. The extended frequency range ensures true-to-life reproduction of all drum types and the 72 mm long flexible gooseneck allows optimum alignment to the sound source. There is an elasticated capsule suspension on the capsule housing, which protects against damage from stick hits. And the new electronics ensure increased level stability and guarantee an enormous maximum sound pressure level - even with phantom power supplies below 44 volts.