Wireless Systems

The capsule of the 6066 CORE subminiature headworn microphone has a diameter of only 3 mm (0.12 inches), but is as powerful as the larger, award-winning DPA microphones. Despite its small size, it delivers clarity, consistent performance and robustness - three qualities that count. With the more compact design of CORE by DPA technology, we ensure that you don't have to compromise between sound and aesthetics. In addition to minimising size and maximising sound potential, these mics feature a completely redesigned, lightweight, one-size-fits-all headband that sits comfortably on the ears. The handles with three contact points and spring mechanism ensure a firm fit under the ears and on the side of the head for added security. The two-way adjustable boom system (length and height) with anti-slip mechanism for the headband and sliding closure makes this new headband easy to adjust. The new 90° cable management system protects the cable and guides it along the wearer's back, where it is invisible.

These new variants combine the renowned 5 mm capsules with CORE by DPA technology with the Red Dot award-winning Refine neckband.These are the most advanced headsets - safe, durable and flexible - for theatre, broadcast, church or conference applications.

The SLX-D digital wireless systems are available in many different versions. They offer transparent 24-bit audio transmission, easy setup and absolutely reliable RF performance with modern battery technology. The SLXD4's industry-leading digital wireless technology makes transmitter synchronisation particularly easy. A wide selection of interchangeable speech and vocal microphones guarantees the optimum solution for every application, from all-day conferences to evening performances.

The new DPA Subminiature microphones are only 3 mm (0.12 inches) in size, but are as powerful as the larger, award-winning DPA microphones. They more than make up for their small size with their clarity, consistency and durability - three important qualities.Precision engineering and minute optimisations of capsule technology have resulted in a subminiature microphone that outperforms all other microphones in its class (and beyond). The tiny capsule has a cap that can be removed for cleaning. Then push it firmly back onto the microphone housing until you hear and feel a click.The design of the cable, capsule and boom makes the microphone immune to noise-sensitive wireless devices. The microphone is usually supplied with a pocket transmitter. There is a wide range of adapters available to connect the various wireless transmitters. When used with an adapter, the connection is made via the DPA MicroDot connector. However, DPA also offers hard-wired connectors that are compatible with the most common systems from manufacturers such as Shure and Sennheiser. All plugs are equipped with a robust strain relief.The swivelling connector allows it to be used as a lavalier microphone. The 360° plug can be attached in eight positions, optionally in 45° steps. This means it can be easily slipped between blouses and shirts (buttoned from the left and right), or even worn on T-shirts and necklines. It is the only 3 mm (0.12 inch) microphone that offers the DPA sound quality you appreciate and love.

Full control over your performance - everywhere and every day. The G4 in-ear monitoring sets turn your performance into an extraordinary experience - not only for your audience, but also for you!Set with 2 bodypack transmitters.

This microphone delivers clear and transparent sound quality with plenty of headroom. For years, this was the preferred headworn microphone for broadcasters and theatres on Broadway as well as in many auditoriums and lecture theatres. This is due to its pristine sound and durability.The headband design is unique. The microphone boom can be detached from the headband and reattached on either the left or right side. The often problematic humidity in the theatre is not an issue here. This microphone was designed with a double-vent protection system and drop-stop in the microphone boom. The materials in the microphone itself are also waterproof. Thanks to these design elements, it is virtually impossible for the microphone to fail due to moisture.The sensitivity of the microphone is 6 mV/Pa. This matches the level of the human voice to the general input sensitivity of most wireless transmitters. With the appropriate power supply, the microphone can handle very high sound pressure levels of up to 144 dB SPL before clipping.

The SLX-D digital wireless systems are available in many different versions. They offer transparent 24-bit audio transmission, easy setup and absolutely reliable RF performance with modern battery technology. The SLXD4's industry-leading digital wireless technology makes transmitter synchronisation particularly easy. A wide selection of interchangeable speech and vocal microphones guarantees the optimum solution for every application, from all-day conferences to evening performances.

High-quality permanently polarised condenser microphone with cardioid characteristic for professional use. The adjustable neckband is particularly unobtrusive and comfortable to wear. The six available HSP 4 variants differ in terms of colour and plug variant.

True diversity floor-standing receiver with robust metal housing and intuitive OLED display for full control of Evolution Wireless G4 100 series systems.

The SLX-D digital wireless systems are available in many different versions. They offer transparent 24-bit audio transmission, easy setup and absolutely reliable RF performance with modern battery technology. The SLXD4's industry-leading digital wireless technology makes transmitter synchronisation particularly easy. A wide selection of interchangeable speech and vocal microphones guarantees the optimum solution for every application, from all-day conferences to evening performances.

The classic d:fine™ 4088 directional headworn microphone is the industry standard for professional headworn microphones. Its open and natural sound makes it the ideal choice for speech and vocals.This microphone offers excellent off-axis signal rejection at high SPL. It effectively suppresses distant sound sources, making it perfect for demanding live performances with potentially problematic background noise and feedback. At high SPL or feedback, this microphone handles such challenges with ease. The bass response has been designed for optimum linearity 2-3 cm away from the sound source. This means that the bass roll-off will be relatively clear at a greater distance - a very important factor when attenuating background noise and combating feedback.The sleek and elegant design of the d:fine™ 4088 directional headworn microphone makes it the world's most invisible true cardioid headworn microphone. This microphone in a secure dual-ear design is suitable for countless performance applications. Thanks to a diameter of just 0.64 cm, it is extremely discreet. And with a weight of just 14 g, it can also be worn comfortably for long periods of time. The microphone can be mounted on the right or left.The boom is 3 cm longer than the omnidirectional version, making it suitable for placement at the corner of the mouth. However, to counteract the "pop effect", it should not be placed directly in front of the mouth.

These new variants combine the renowned 5 mm capsules with CORE by DPA technology with the Red Dot award-winning Refine neckband.These are the most advanced headsets - safe, durable and flexible - for theatre, broadcast, church or conference applications.

The DPA 4060-OC-C-B10 microphone was originally developed for use with wireless systems in theatre, television and instrument applications with close mics and is extremely unobtrusive. Due to its small size, it has an extremely accurate omnidirectional pattern and therefore does not need to be pointed directly at the sound source to achieve a high quality recording. The d: screet ™ CORE 4060 for normal sound pressure increases the THD and dynamic range by 6 dB.

The new DPA Subminiature microphones are only 3 mm (0.12 inches) in size, but are as powerful as the larger, award-winning DPA microphones. They more than make up for their small size with their clarity, consistency and durability - three important qualities.Precision engineering and minute optimisations of capsule technology have resulted in a subminiature microphone that outperforms all other microphones in its class (and beyond). The tiny capsule has a cap that can be removed for cleaning. Then push it firmly back onto the microphone housing until you hear and feel a click.The design of the cable, capsule and boom makes the microphone immune to noise-sensitive wireless devices. The microphone is usually supplied with a pocket transmitter. There is a wide range of adapters available to connect the various wireless transmitters. When used with an adapter, the connection is made via the DPA MicroDot connector. However, DPA also offers hard-wired connectors that are compatible with the most common systems from manufacturers such as Shure and Sennheiser. All plugs are equipped with a robust strain relief.The swivelling connector allows it to be used as a lavalier microphone. The 360° plug can be attached in eight positions, optionally in 45° steps. This means it can be easily slipped between blouses and shirts (buttoned from the left and right), or even worn on T-shirts and necklines. It is the only 3 mm (0.12 inch) microphone that offers the DPA sound quality you appreciate and love.

The U500® series has been developed around your needs. Professional sound, amazing performance and reliability at an affordable price have always been the focus of our development team. Because we want to inspire you with our U500® series with the same passion that you want to inspire your audience on stage. We hope you love it as much as we do - the new U500® wireless vocal set from LD Systems.With a selectable transmission power of up to 30 mW, the vocal sets in the U500® series achieve a range of over 100 metres in free field. They are available for three radio frequency bands: 584 - 608 MHz and 655 - 679 MHz, in each of which you can operate 12 systems simultaneously; in the 823 - 832 MHz + 863 - 865 MHz range, six systems can be used simultaneously. The True Diversity UHF wireless systems are equipped with an automatic search function that finds the best free frequency and simplifies setup with the convenient one-touch infrared synchronisation of transmitter and receiver.High-contrast OLED displays provide an optimum overview of functions with displays of group, channel, radio frequency, signal strength and battery status, and individual user names can also be entered. In addition to the squelch, an inaudible pilot tone on the transmitter ensures interference-free operation. It protects against interference and mutes the receiver if there is a radio signal without this tone. The effective U500® technology with high-quality components achieves precise, distortion-free transmission without latency or artefacts. The low power consumption ensures a transmitter runtime of up to 10 hours with two AA batteries.The vocal sets in the U500® series are available with handheld transmitters, headsets, lavalier microphones and single or dual receivers. The handheld transmitters can also be flexibly tuned for vocals and speech using interchangeable microphone capsules.Overview of frequency ranges for vocal sets:U505 // 584 - 608 MHz // 12 systems can be used simultaneouslyU506 // 655 - 679 MHz // 12 systems can be used simultaneouslyU508 // 823 - 832 MHz + 863 - 865 MHz // six systems can be used simultaneouslyU506 UK (channel 38) // 606 - 614 MHz // six systems can be used simultaneouslyU518 // 1785 - 1800 MHz // four systems can be used simultaneously

he scope of delivery includes the bodypack transmitter, a stationaryreceiver and everything required for installation and use. The MKE 1 condenser lavalier microphone is also included. This is the best and most unobtrusive presentation microphone. It is characterised by great sound quality.All sets are offered with a rechargeable battery with up to 15 hours operating time. The battery can be charged via USB and the corresponding cable is included in the scope of delivery

With features such as One-Touch ClearScan and EZsync, the R300 is quicker and easier to set up than other wireless microphone systems in this price range. The build quality and performance features are normally only found on higher priced ranges: Rack-mountable metal housing receiver, rugged bodypack transmitter in metal housing and detachable antennas on the receiver and use of all EV antenna accessories.The combination of quality, professional features and robustness make the R300 the first choice for a wide range of wireless applications, from the transmission of vocals and instruments to moderation.R300 receiver:With its elegant design and robust construction, the R300 receiver can be used as a desktop unit or installed in a 19-inch rack. The simple operation and easy-to-read display offer maximum ease of use. Rack mounting kits and cables for front mounting of the antenna are available for professional installation. The optional APD4 + antenna splitter enables up to four receivers to be operated together in the rack.BP-300 bodypack transmitter:The new BP-300 metal bodypack transmitter is robust, compact and easy to use. With an operating time of up to 14 hours on two AA batteries, the BP-300 is also suitable for very long events. The mute function automatically mutes the audio signal, the transmitter remains active, which reserves the channel in use and prevents interference in the audio system. Two pre-configured bodypack transmitter systems are available: either with a lavalier microphone or a headset microphone. The TA4 connection of the bodypack transmitter can also be used in combination with other Electro-Voice lavalier or headworn microphones.Clear Scan:Proven on tour with top acts and tested in thousands of installations around the world, Electro-Voice's ClearScan system scans the R300's 32 preset channels and always selects the best available channel - at the touch of a button. In the face of rapidly increasing radio frequency utilisation, ClearScan always ensures interference-free operation on the best frequencies while maintaining the best possible ranges.FZsync:Frequency synchronisation of the transmitter and receiver on the R300 is also done at the touch of a button. EZsync uses infrared technology to set the transmitter to the correct frequency and automatically confirms in one step. Setting up a wireless system without errors has never been easier.

These new variants combine the renowned 5 mm capsules with CORE by DPA technology with the Red Dot award-winning Refine neckband.These are the most advanced headsets - safe, durable and flexible - for theatre, broadcast, church or conference applications.

The classic d:fine™ 4088 directional headworn microphone is the industry standard for professional headworn microphones. Its open and natural sound makes it the ideal choice for speech and vocals.This microphone offers excellent off-axis rejection at high SPL. It effectively suppresses distant sound sources, making it perfect for demanding live performances with potentially problematic background noise and feedback. At high SPL or feedback, this microphone handles such challenges with ease. The bass response has been designed for optimum linearity 2-3 cm away from the sound source. This means that the bass roll-off will be relatively clear at a greater distance - a very important factor when attenuating background noise and combating feedback.The sleek and elegant design of the d:fine™ 4088 directional headworn microphone makes it the world's most invisible true cardioid headworn microphone. This microphone in a secure dual-ear design is suitable for countless performance applications. Thanks to a diameter of just 0.64 cm, it is extremely discreet. And with a weight of just 14 g, it can also be worn comfortably for long periods of time. The microphone can be mounted on the right or left.The boom is 3 cm longer than the omnidirectional version, making it suitable for placement at the corner of the mouth. However, to counteract the "pop effect", it should not be placed directly in front of the mouth.