The Rohema 5A Fusion offers the usual diameter of our classic 5A stick, but is a touch longer. It also has a narrower, longer shoulder. This ensures a high rebound and fast response.The barrel tip sounds incomparably good on the cymbals. The playing surface of the head is larger, making the sound of the 5A Fusion fuller and more open.We use a new type of surface treatment for the finish. The wax-oil finish of the 5A Fusion is applied in a two-stage process and gives the sticks a particularly shiny retro look and very good grip.
The Rohema 5B Fusion offers the usual 15.2 mm diameter of our classic 5B stick, but is a touch longer. It also has a narrower, longer shoulder. This ensures a high rebound and fast response.The barrel tip sounds incomparably good on the cymbals. The playing surface of the head is larger, making the sound of the 5B Fusion fuller and more open.We use a new type of surface treatment for the finish. The wax-oil finish of the 5B Fusion is applied in a two-stage process and gives the sticks a particularly shiny retro look and very good grip.
These very special brushes open up completely new sound possibilities for drumsets, cajons and various percussion instruments. We use European sorghum millet to make the Flat Straw Brushes. Its slightly darker, bundled rods have a higher moisture content and are therefore somewhat heavier. This ensures a slight top-heaviness and pleasant rebound behaviour. The wide, fanned-out striking surface of the flat brushes produces unique, smacking sounds. The comparatively narrow handle sits comfortably in the hand. You can use the flat brushes as normal on the set, but you can also use them like brooms. The sorghum millet provides slightly less attack than wooden rods from rods, but much more volume than classic metal brushes.You can use the flat brushes for quieter passages on the set or in jazz, for example, or you can also use them on the cajon. In combination with other brushes or sticks, you have everything you need for unusual sound experiments.
Truly unique brushes made to the standards of "studio master" Steve Gadd. The metal bristles are slightly angled at the playing end so that the brushes can glide gently over the skin and produce a fine "wiping sound".
The Vic Firth Signature Series is the result of many years of collaboration with some of the world's best drummers. The respective models reflect the playing characteristics of the individual top drummers.
This mallet is adjustable in length! Its balance point can therefore be individually adjusted to body height, hand size and arm length. The adjustment range is 10 cm.The SHORT mallet is ideal for small drum diameters or young drummers.However, the short lever also provides excellent control in general, allowing you to play very quickly and with accentuation. For larger drum diameters, it is advisable to make the mallet slightly longer in order to hit the head's striking point optimally. Increasing the length also increases the impact weight. The strokes become more powerful and the drum's sound volume and assertiveness increase. The LONG beater setting means fatigue-free playing with little effort.Properties/useThis mallet has an extremely hard-wearing hard felt head with a long service life. It is well balanced and sits comfortably in the hand thanks to the rubber grip. It produces a loud, assertive, dry and concise sound, but is also excellent for rhythmic playing; accentuated strong attack The excellent weight balance of the mallet ensures optimum power transmission to the head, which is easy on the joints and avoids incorrect forces. For the player, this means a lot of sound, pressure and volume with little effort.
These models reflect Vic Firth's 50 years of experience as timpanist of the Boston Symphony Orchestra. Each mallet is made from a single piece of maple. TheManufacturing method avoids the need for a screw to secure the head. They produce a full and clear sound.Extend the life of your American Custom T1, T3 and T6 timpani mallets many times over with original Vic Firth replacement felts.How it works:Remove the top layer of felt -> place the replacement felt around the mallet head -> tighten and knot the ribbon -> you have a new mallet!
The Schlagwerk Cajon Shaker Brushes were developed in co-operation with the American percussionist T.J.Troy. With its 15.8 mm handle, the brush is extremely comfortable and well-balanced in the hand - with the nylon bristles producing a warm, rich sound on the Cajon. The highlight of the Shaker Brushes, however, lies in the shaker capsules attached to the end of the brush. When playing with the brushes, they produce a beautiful shaker sound that accompanies the groove. Alternatively, if a brush is played in the air, there are endless possibilities for eliciting finely nuanced rhythms from the shaker using various stick techniques.
The American Classic series combines traditional design with the quality of Vic Firth. Made from selected hickory, the sticksSticks offer a variety of sound possibilities thanks to their different shapes and head variants.