Guitar/Bass

Die ikonische Les Paul in Höchstform:Die neue Les Paul Custom ist Teil von Epiphones Inspired-by-Gibson-Collection und honoriert den Klassiker aus den 50er Jahren, den Mr. Les Paul 1954 als Smoking -Version seines bahnbrechenden Solidbody-Meisterwerks entworfen hat. Ausgestattet mit dem traditionellen Custom-Binding am Korpus aus Mahagoni, SlimTaper Halsprofil aus den 60er-Jahren, einem Griffbrett aus Ebenholz mit Block-Inlays, goldener Epiphone LockTone Tune-O-Matic-Bridge und Stopbar-Tailpiece, den von der Fachwelt hochgelobten Epiphone ProBucker Humbuckern und Custom Split-Diamond-Inlay auf der Kopfplatte. Dieses vom Gibson-Original inspirierte Epiphone-Modell verfügt außerdem über die Kalamazoo-Kopfplatte im 60er-Jahre-Stil, abgerundete Griffbrett-Kanten für ein angenehmes Spielgefühl, einen GraphTech® NuBone®-Sattel, das klassische 50s-Wiring und CTS®-Potis. Optional ist ein Hartschalen-Koffer oder ein EpiLite Softcase erhältlich.

Here is an instrument with which you can express your high-calibre musical ideas à la 24K Magic: the Limited Edition Bruno Mars Stratocaster®.The Limited Edition Bruno Mars Stratocaster® has a resonant ash body with flowing American Ultra contours and excellent playability right up to the highest registers. The Mars Mocha Heirloom nitro finish gives it a noble aged look. It is so thin that the lively resonance and purity of the sound can develop freely. Stainless steel frets sit on the maple fingerboard with a 9.5"-12" compound radius, they are absolutely smooth and play almost friction-free. The custom Bruno Mars Stratocaster® pickups are tuned to reproduce Bruno's typical tone - sparkling Strat® sounds and classic singing leads. A synchronised 2-point tremolo and deluxe locking tuners support high tuning stability and a modern, comfortable playing style. In keeping with the lovely used look, the golden hardware is also treated with our Heirloom Aged process; it underlines the look and feel of a well-played favourite instrument. A custom strap with leo print and an additional three-ply pickguard in mint green are included.A guitar as self-confident and full of personality as its namesake: The Bruno Mars Stratocaster® is for creative people who want to play classic Strat® magic with a very special individual touch.

Every square centimetre has been well used, the AmpMan is just as big or small as it needs to be, packed with technology, features and sound. And it is a real powerhouse! With enough power reserves to really heat up even a 4×12" speaker. This is thanks to the specially developed Ultra Response power amplifier, which, with up to 50 watts and explosive dynamics, is in no way inferior to the punch and feel of a similarly powerful tube power amplifier. Every single watt is delivered to the speaker with gripping dynamics and converted into impressive sound pressure. The ultra-response power amplifier always retains its musical character, even at full power.Channel 1 of the AmpMan Classic delivers the direct, lively and sensual sound of single-channel amps without a master. These are the legendary sounds of the 60s and early 70s, pioneered by the rebels of rock history. This channel is characterised by its high dynamic range and sensitive response. With low gain and reduced sagging, it delivers crystal-clear, sparkling clean sounds. With medium sagging, it unfolds the popular "break-up" of the tube amps of the time, with warm distortion rich in overtones. When the boost is activated, it delivers the beguiling sound of a fully opened tube amp with an upstream boost

The BC212 Combo with 500 watts is equipped with our newly developed EICH 12" ceramic bass drivers, which, in conjunction with the effective calibration of the cabinet, provide impressive low bass.Also new is the 4" CT1 cone mid-range tweeter with a ceramic magnet system. In a coupled volume, it impresses on the one hand with its low operating frequency and on the other hand with its very smooth frequency response and offers enormous sound pressure for silky highs even beyond 10 KHz.All combos have an additional Speakon® combo connection for operating an additional speaker. The internal speaker can be optionally switched off. Headphones can be connected to the "Rehearsal Section" via the "Phone-Out" and a music signal can be fed in via the "AUX-In".The BC212 is easy to transport thanks to the additional handle in the lid and the castors.

Lakewood A-14 Bass Edition 2024Manufacturer: LakewoodModel: A-14 Bass Edition 2024Number of strings: 6Orientation: Right-handed Body:Construction: Acoustic bassTop: AAA European spruceBack & sides: MahoganyColour: NaturalFinish: open pore Neck:Neck material: Cedar Fingerboard:Material: EbonyFrets: 19Scale length: 24.8" (630 mm) Nut:Material: BoneNut width: 1.63" (44 mm) Headstock:Logo: LakewoodMachine heads: Gotoh GB350Coating: chrome-plated Bridge:Material: EbonyInlay: Bone Hardware:Rosette: Wood core narrow with decorative shavingsStringing: Pyramid Roundwound Nickel on nylon core .061 - .118 Electronics:Pickup system: L.R. Baggs Anthem accessories included:Lakewood gig bag

Do you have an idea for a new song? Record it now! Fender Link I/O™ is a studio-ready audio interface in jacket pocket format. The bi-directional USB audio connection allows you to record your music directly from your smartphone, tablet, Mac or PC. Simply connect your instrument and headphones to the Fender Link I/O and you're done.The input module contains a sophisticated system that simulates the dynamic response behaviour of classic Fender amps in flawless 24-bit / 96 kHz hi-fi audio quality. Fender Link I/O works with any passive or active instrument. The integrated input level display and a blend control for the mix enable a relaxed playing experience with latency-free monitoring. We have equipped the housing with weights and non-slip feet to ensure that nothing falls off even when you're rocking passionately.Whether for practising or composing, whether "pure" or in conjunction with apps that emulate your favourite amplifiers: With the Fender Link I/O interface, you can record your music in flawless Fender® studio quality.

Electro Harmonix Micro Pog Octaver The classic and legendary original POG has won various awards from every major magazine on almost every continent and is even capable of polyphonic sounds.

GHS Bass Boomers DYB 095 single stringSingle string for electric bassGauge .095"Nickel plated steel34" Long Scale RoundwoundHexagonal string coreMade in U.S.A.

KingTone OctalandSame circuit and tone as the full-size Octaland, but in a more compact design.Produces a beautifully clear and authentic octave toneTop-mounted connection sockets for space-saving mounting on the pedalboardCarefully selected and matched components and partsBlend control for mixing between clean and octave soundsTure bypassSwitchable mode: Vintage / Full Fat / GlassInternal switches for selective adjustment of the octave soundsInternal voltage control allows shape adjustment of the high octaveOperation with battery or standard 9 volt DC power supplyHigh quality metal housingWhite LEDs for particularly easy recognition of the operating modeVery robust constructionMade in USA

Description:With the LEHLE MONO VOLUME S, you get an active and wear-free volume pedal that is lighter and smaller, but no less efficient: Equipped with the proven and constantly evolving magnetic sensor VCA technology of the other LEHLE VOLUME pedals, you can precisely control the volume of your instrument.As it has no mechanical potentiometer, it also eliminates the noise typical of potentiometers, endless and expensive repairs and complicated adjustments.Your foot only moves the magnet, while the Hall sensor measures the distance very quickly and precisely. An ARM Cortex CPU processes the data from the sensor into a suitable, musical curve and controls the VCA. The signal path always remains completely analogue and in your hands.Stability - electronic and mechanical:The LEHLE MONO VOLUME S transmits the full sound spectrum of the connected instrument or signal generator over the entire control path. The input and output impedance always remains the same, so there is no treble attenuation as with a passive potentiometer.The input voltage of your connected power supply (9-15 V) is rectified, filtered and stabilised internally behind the power supply socket and then transformed to 30 volts headroom. This makes it very level-resistant, low noise and achieves an overall dynamic range of 120 dB. The smallest sound nuances are presented audibly by the high-end preamp with discrete Class A input stage - your sound becomes tangible.The LEHLE MONO VOLUME S has no teething problems: low-friction plain bearings made of a high-performance polymer gently embed the shaft in the aluminium housing and reduce any mechanical stress to zero - so it runs extremely quietly and smoothly. Using an adjusting screw, you can set the smoothness of the pedal very precisely from feather-light to vintage car.In addition to the output, a second, also buffered direct out is also available: Without negatively influencing the sound, everything from tuner to DAW to a second amp can be supplied.Zero to one hundred or boost à la carte? The LEHLE MONO VOLUME S has a boost that can provide you with up to +12 dB more gain with a little pressure in the toe position. When and how? You can call up the presets via a button: 0 dB, +5 dB or +10 dB. The last preset is the chef's recommendation and remains an audiophile surprise.The LEHLE MONO VOLUME S can be calibrated, programmed and updated via the USB-C socket - it also sends MIDI data to the DAW or amp sim of your choice.Compared to the LEHLE MONO VOLUME, we were able to reduce the weight by 50 % and the size by 35 % - with the same stability and more dynamics. It is even 2 cm flatter, while the control travel remains just as comfortable and long as with the larger models.This is the LEHLE MONO VOLUME S: louder - but smaller.