Pedals, Effects & Switches

The JHS Pedals 3 Series Compressor is a simple, intuitive and powerful compressor that offers a wide range of possibilities from subtle compression to smooth smoothing to a super 'squashed' sound. The attack and sustain controls can be used to adjust the response and amount of compression, while the volume control allows you to select unity level or even a volume boost. The Bright switch activates a brighter EQ voicing and thus prevents the tone from being lost in certain situations. Each 3 Series pedal is manufactured by JHS Pedals in Kansas City, MO. As you would expect from JHS Pedals, the quality parts, reliable quality control and attention to detail are second to none. Each pedal comes with three simple control options and a switch that offer a wide range of possible sounds and are suitable for beginners and professionals alike. The JHS Pedals 3 Series is designed to inspire musicians and help them find new sounds at an absolutely affordable price.

JHS Buffered SplitterSignal Splitterpermanently splits the input signal into 2 output signals - no signal or volume lossbuffered signal pathStatus LEDMetal housing6.3 mm mono IN jack2 x 6.3 mm OUT jacksPower supply via optional 9V DC power supply unit, 2.1 mm x 5.5 mm barrel connector, polarity (-) insideBattery operation not supportedPower consumption less than 100 mADimensions (L x W x H) 95 x 47 x 35 mmWeight 120 gMade in USA

We at Erica Synths have developed a unique new hardware reverb effect device in collaboration with 112dB. We focused on the musical aspect of the effect - extremely long decay times are possible without losing harmonic integrity, and because multiple parameters can be adjusted simultaneously, notes can be played individually and held in chords, pitch-shifted at will, or used to create massive, ambient textures. The Nightverb is a stereo reverb with a unique and musical algorithm, memory/recall functions for all parameters and a sleek aluminium housing that aesthetically matches our desktop devices.

Electro Harmonix Pico Triboro BridgeWide range of saturation with overdrive, distortion and fuzz modesCompact pico housingBuffered bypassTreble control boosts or cuts the highs in overdrive and distortion modeBass control boosts or cuts the bass in overdrive and distortion modeFuzz mode features gate and low-pass filterInput Contouring EQ adds selectable input tone shaping for more modern soundsPower supply included in the scope of deliveryDimensions (W x D x H): 51 x 93 x 51 mm

Strymon Tap-Favourite Footswitch MiniFootswitch:works with "Brigadier" and "El Capistan" etc.for recalling stored parameterscan be switched between memorised parameters and active settingsincl. 60 cm cableswitches between favourite mode and tap tempo modeno power supply required

The KAAMOS from Darkglass was developed with bassist Amos Heller (Taylor Swift and others) and is a combination of fat distortion and octaver. The name comes from the Finnish word KAAMOS, which stands for the special kind of darkness that only occurs in the polar regions during the winter: mystical and dark.With the KAAMOS, you can easily control your signal path in real time. You can switch the distortion and the octaver in series or in parallel. The additional built-in effect loop can be configured at three different positions. A separate sub-octave output also enables creative multi-amp setups. KAAMOS gives you absolutely precise control over your sound!

Developed in collaboration with the well-known pedal manufacturer Analog Man, the MXR Duke of Tone is the perfect solution for guitarists who want to add warmth and bite to their sound and give their high-end equipment that little bit more naturalness and feel.

The Mick Ronson Cry Baby Wah captures the lively, melodic character of one of rock 'n' roll's most talented songwriters. Few guitarists could combine such a fine musical sense with a deep understanding of arrangement and sound design as Mick Ronson. His arrangements were characterised by carefully chosen tones and textures that formed expressive melodies and powerful riffs. The Cry Baby Wah, used in a fixed position as a filter, was a central element of his sonic vision, with which he left a lasting mark on pop music through his work with David Bowie and many other artists as a musician and producer. To make this unique Cry Baby Wah sound accessible to all guitarists, Dunlop enlisted the help of Bob Rock, legendary producer and long-time friend and collaborator of Ronson. He provided Ronson's personal Cry Baby Wah - an early model made in Italy with vintage components that give it a unique sound. Ronson used it as a fixed filter on numerous recordings, and Rock later used it on many productions as well. Dunlop engineers have faithfully reproduced this extraordinary sound with the help of precisely tuned specifications, precision manufacturing and a specially developed inductor coil. "You set the wah, leave it there, and that's the sound," says Rock. "It's on every album he's ever made, and I've used it on every recording since. The engineers at Dunlop spent a lot of time, sent me prototypes - and we nailed the sound perfectly." To capture all the subtle nuances and details of Ronson's unique wah sound, our engineers created a specially designed inductor coil that replicates the higher frequency ranges and smoother sound peak of the original pedal. The result is a balanced sound - brilliant and clear, with smooth highs. So that every musician can experience this sound, the tolerances of the inductor have been kept particularly tight in order to reproduce Ronson's Cry Baby Wah as accurately as possible. In addition, the fast response range of the potentiometer has been reproduced exactly, which enables an immediate reactivity not found in modern pedals. In addition, the pedal contains period-correct low-gain transistors and value-matched resistors that contribute to a distinctive EQ curve. This pedal is literally tailor-made for Ronson's signature fixed wah sounds. The whole thing is rounded off with a special finish inspired by Ronson's work. Immerse yourself in the characteristic sounds of one of the greatest guitarists of all time. Get the Mick Ronson Cry Baby Wah.

The MXR Joshua Ambient Echo is an all-in-one pedal that dives deep into iconic soundscapes, from sonic journeys from the '60s and '70s to the ethereal ambience of the '80s. You used to need a whole rack processor to get these sounds, but this pedal contains everything you need for this characteristic sound palette in a modern and user-friendly format - all set up and ready to go.

The Dunlop "Jimi Hendrix Signature" wah delivers a throatier, more expressive, fatter and more open sound than the GCB-95, as it operates in a lower frequency range. It is of course made in the USA and was modelled on Jimi Hendrix's original tuned wah, which was designed by the Thomas Organ Company and manufactured by JEN in Italy.

Boss GEB 7 Equaliser Bass Effect PedalBoss GEB 7 Equaliser BassAn absolute must for every bass player7-band equaliser, frequency range from 50 Hz to 10 kHz+/-15 boost/cut per bandEspecially the sound-shaping mids can be adjusted in a nuanced wayControls: Equaliser control knobs (50, 120, 400, 500, 45 k, 10 kHz), LEVELPower consumption: 16 mA (DC9V)

At Ibanez, we wanted to evolve the iconic Tube Screamer with a redesign of the hand-wired flagship model. We re-evaluated every component, trying to stay true to the pedal's transparent, midrange-focused sound. After numerous prototypes, we came to the conclusion that the JRC NJM4558 Op-Amp is essential to achieve the legendary sound of the Tube Screamer. At the same time, this new design is capable of producing a wider range of sounds thanks to the use of high-end components such as MOGAMI OFC cables, which further enhance the benefits of a hand-wired pedal. A boost has also been added to the circuit's output stage, increasing the maximum output level by +6 dB. The appearance has also been revised, giving the pedal a high-quality look while retaining its traditional shape.

The Bassman® pedals cover all basses. Inspired by the original tube amp line that paved the way for Fender's subsonic signal processing, the Bassman pedal line features a collection of carefully crafted analogue and digital circuitry, all designed from the ground up for bass-centric sonic enhancements.Dive into the world of subsonic soundscapes with a delay designed specifically for bass. The Bassman Delay brings delay to the bass range, utilising two professional DSP algorithms designed specifically for repeating bass signals. Choose between smooth analogue repeats or crunchy digital delay tones at the touch of a button, while the Time and Feedback controls determine the delay time and number of repeats. The Low switch allows you to influence the presence of low frequencies in your delay repeats. You can decide whether you want your delays to slightly fade out the signal and keep the low frequencies clear, or duplicate the entire signal for beat-repeat-like bass waves. With Bassman Delay, you can delve into the depths of ambience and find exciting new percussive grooves.

Electro Harmonix Bass Preacher Compressor/SustainerCompressor / Sustainer especially for bassControls: Volume, Sustain3-way switch for the attack timeDimensions (W x D x H): 70 x 115 x 54 mmSturdy die-cast housingPower supply via 9 V battery or 9 V mains adapter

The EarthQuaker Devices Sunn O))) Life Pedal V3 offers distortion, boost and an adjustable octave-up effect in a compact effects pedal. The 'Amplitude' section of the pedal is based on the classic 'White Face' distortion pedal, but the circuit has been expanded to include three selectable clipping modes. The first position (No Diode OpAmp Drive) offers a rich drive at maximum volume. The second position uses two silicon diodes and an LED in an asymmetrical clipping configuration and produces a slightly compressed, smooth crunch reminiscent of an overdriven amplifier. The third position uses two silicon diodes and produces the classic 'white face' sound. The octave-up section works completely analogue and can be mixed continuously with the distortion via a control or an optional expression pedal. The monophonic effect works most 'cleanly' with individual notes above the 12th fret, which are played via the neck pickup. Chords produce a chaotic, 'clattering' sound. If you turn the Octave control all the way up, the Sunn O))) Life Pedal V2 produces a dirty, angry fuzz sound reminiscent of the Super Fuzz. The 'Magnitude' section is a MOSFET booster that drives tube amps into saturation. The booster works completely clean and adds no distortion to the signal itself, but offers an extremely high output level to push the front end of the amp. The signal path is Octave > Distortion > Boost, and both sections can be used independently of each other.

This Fuzz Face Mini Distortion delivers warm vintage fuzz tones thanks to uneven germanium transistors and offers modern convenience with a status LED, power supply jack, battery compartment and compact housing.This pedal can be powered by either a 9-volt battery, a Dunlop ECB003 9-volt adapter or the DC Brick™, Iso-Brick™ and Mini Iso-Brick™ power supplies (not included).

The premium wah pedal. Here the guitarist can tailor the wah effect exactly as he wants it. With control over the centre frequency (6 selectable), infinitely variable control of the wah bandwidth (Q control) and switchable volume boost, infinitely adjustable from 0 to a whopping +20dB.