The WA-C1 Chorus Vibrato is a faithful recreation of the most famous pure analogue chorus in the history of guitar pedals with additional uncompromising features for exploring legendary modulated sounds. The WA-C1 features a premium all-analogue preamp that is popular with guitarists who demand responsiveness. The lush chorus setting features separate Depth and Rate controls to push the boundaries of vintage gear while delivering a true-to-the-original sound. The vibrato section has been faithfully retained, and an additional Hi-Z switch on the back of the pedal allows you to compensate for the higher impedance of guitars compared to keyboards to make the highs of guitars clearer if desired.
This limited edition version of the Kirk Hammett Cry Baby Wah delivers the heavy metal legend's signature wah sounds in a special yellow sparkle finish. It's based on Kirk's own Cry Baby Rack Wah settings, which recreate the sound he used to fire off the licks that revolutionised metal solos. It offers an even response from heel to toe with a captivating mid-range wail and a thick top end - perfect for fast, melodic runs over hard riffs. Follow in the footsteps of a giant. Own a piece of the legend: the Kirk Hammett Cry Baby Wah from Dunlop.
The Marshall JCM900 High Gain Pedal brings you the legendary JCM900 amplifier sound in its most compact format. Get the versatile tones that define Marshall's rock and metal heritage.Whether you're looking for clean or distorted tones, this pedal delivers an authentic JCM900 experience with precision. Perfect in the studio, rehearsing or performing live, discover new creative possibilities with Marshall's JCM900-inspired pedal.
The Mick Ronson Cry Baby Wah captures the lively, melodic character of one of rock 'n' roll's most talented songwriters. Few guitarists could combine such a fine musical sense with a deep understanding of arrangement and sound design as Mick Ronson. His arrangements were characterised by carefully chosen tones and textures that formed expressive melodies and powerful riffs. The Cry Baby Wah, used in a fixed position as a filter, was a central element of his sonic vision, with which he left a lasting mark on pop music through his work with David Bowie and many other artists as a musician and producer. To make this unique Cry Baby Wah sound accessible to all guitarists, Dunlop enlisted the help of Bob Rock, legendary producer and long-time friend and collaborator of Ronson. He provided Ronson's personal Cry Baby Wah - an early model made in Italy with vintage components that give it a unique sound. Ronson used it as a fixed filter on numerous recordings, and Rock later used it on many productions as well. Dunlop engineers have faithfully reproduced this extraordinary sound with the help of precisely tuned specifications, precision manufacturing and a specially developed inductor coil. "You set the wah, leave it there, and that's the sound," says Rock. "It's on every album he's ever made, and I've used it on every recording since. The engineers at Dunlop spent a lot of time, sent me prototypes - and we nailed the sound perfectly." To capture all the subtle nuances and details of Ronson's unique wah sound, our engineers created a specially designed inductor coil that replicates the higher frequency ranges and smoother sound peak of the original pedal. The result is a balanced sound - brilliant and clear, with smooth highs. So that every musician can experience this sound, the tolerances of the inductor have been kept particularly tight in order to reproduce Ronson's Cry Baby Wah as accurately as possible. In addition, the fast response range of the potentiometer has been reproduced exactly, which enables an immediate reactivity not found in modern pedals. In addition, the pedal contains period-correct low-gain transistors and value-matched resistors that contribute to a distinctive EQ curve. This pedal is literally tailor-made for Ronson's signature fixed wah sounds. The whole thing is rounded off with a special finish inspired by Ronson's work. Immerse yourself in the characteristic sounds of one of the greatest guitarists of all time. Get the Mick Ronson Cry Baby Wah.
To kick off 2025 with a bang, MOOER has introduced the Prime M2 Intelligent Pedal, the latest addition to the critically acclaimed Prime series. The compact yet feature-rich M2 has 194 effect models, mainly consisting of overdrive, preamp simulations, cabinet models, delays, reverbs and modulation effects, etc. The device supports the MOOER cloud, the company's own MNRS IR files and third-party samples, providing endless sonic flexibility. 80 preset slots allow users to save their own creations, which can be operated via a touchscreen interface and two multifunction footswitches. A MIDI socket and support for the wireless MOOER F4 footswitch further extend the control options. Another impressive feature is the built-in looper, which offers 80 minutes of recording time with overdubbing functions and can be synchronised with a drum machine with 56 grooves, 4 metronomes and a tap tempo function. Other highlights include a high-precision tuner, Bluetooth input for jamming over backing tracks and OTG recording for mobile setups. Combined with the fact that the M2 is powered by a rechargeable battery, it's the perfect addition for any travelling electric guitarist.
The Bassman® pedals cover all basses. Inspired by the original tube amp line that paved the way for Fender's sub-sonic signal processing, the Bassman® pedal series features a collection of carefully crafted analogue and digital circuitry, all designed from the ground up for bass-centric sound extension.The right reverb, previously the preserve of studio engineers, brings depth and natural space to the bass. The Bassman Reverb brings these studio tricks to your pedalboard in a compact format with two professional DSP reverb algorithms tailored specifically for bass instruments. This reverb pedal specialises in creating atmosphere while keeping the low transients clear, thanks to the Low Cut control that removes low frequencies from the reverb tail to avoid fuzziness. With the Pre-Delay switch, you can add extra clarity to your groove by inserting a slight delay between each note and its reverb tail. Whether you're looking for a subtle room ambience or a bass pad, the Bassman Reverb is for you.
J.Rockett Archer IKONBoost / Overdrivewith Russian NOS diodesfrom clean boost to overdrive sound18 V circuit for maximum headroomControls for volume, treble and distortion level6.3 mm inputs and outputs on the front panelMetal housing and footswitchPower supply: 9 V battery or 9 V DC power supply unit (power supply unit not included)Dimensions (L x W x H): 102 x 59 x 32 mmWeight: 400 gmade in USA
The EHX OD Glove offers a rich, overtone-rich sound that doesn't get muddy. Responsive controls that take you from sparkling, clean boost to brown crunch to thick, saturated hi-gain. Advanced features like Tone Shift and a selectable internal voltage of 9 or 18 V for surgical tone shaping.
Unleash the legendary overdrive and crunch of the Marshall 1959 with the 1959 Plexi pedal.Designed to deliver the legendary tone of the original amp, this pedal lets you own a piece of rock history.The robust design was developed for travelling musicians and ensures safety on the road.Tactile knobs and an illuminated foot pedal enhance control and take Marshall tone anywhere without the burden of heavy equipment. Simple, powerful tone controls make the legendary sound easily accessible to any guitarist.
Get the rich tube tones of a legendary limiter. The Teletronix LA-2A Studio Compressor puts the sound of our legendary optical tube limiter at your feet, accurately recreated to precisely match the original hand-wired hardware - with all the inspiring sound and classic feel.Enjoy smooth dynamic control and natural sustain Whether ringing clean sounds and single-note guitar lines, or focussing basses, synths and keys, the Teletronix LA-2A enhances instruments like no other compressor. This pedal offers the big, three-dimensional sound of the original hardware - including transformers, tubes and T4 cell optical distortion - right on your pedalboard.Get the fat sound of a vintage tube circuitEven without compression, the Teletronix LA-2A lifts your tone with a fat tube thickening and drives your already bubbling tube amp into a juicy overdrive full of harmonics and colour with ease.Compress with a robust, compact stompboxBuilt for years of trouble-free performance, the Teletronix LA-2A Studio Compressor features a switchable true/buffer bypass, a stock/fast switch for faster attack time and a mix control for easy parallel compression, giving you legendary limiting effects for decades to come.
J. Rockett Hot Rubber Monkey V2Overdrive sounds of a D-style amp with HRM EQ modificationDeveloped after a 2-year test phase with a real Dumble amp and the HRM modImproved authenticity with carefully selected NOS componentsControls: Level, Gain, Top End, Midrange"Top End" controls the "bite" in the high frequencies in contrast to the low mids"Midrange" controls the important mid frequencies of the guitar and ensures a rich low-mid rangeThe HRM mod produces a deep, throaty guitar sound that emphasises the low midsReplicates the sensitivity and fast response of a real dumble ampEnormous assertiveness in the mixTone development and feedback at lower gain settings for an authentic playing feelPossibility of outstanding tube-screamer sounds with extended EQ controlUltra-rugged steel housingProduct dimensions: 10.2 x 5.7 x 3.2 cmProduct weight: 0.45 kgHandmade in sunny California, USA
Gated reverb:Create your own gated reverb by routing DYNAMICS to DRY/WET LEVEL.Reverb that gives you space:A reverb tone selected for high notes may not work for low notes and can muddy the mix. Move the PITCH knob to the TONE knob and adjust the AUTOMATION DEPTH so that the reverb loses the low frequencies when you play further down the neck.Reverse decay:Create an impossible reverb with short flags on loud notes and long flags on quiet notes by switching DYNAMICS to DECAY and adjusting the AUTOMATION DEPTH control anti-clockwise.
The Electro-Harmonix Attack Decay from around 1980 is a coveted prize among vintage pedal aficionados. Originally called the Tape Reverse Simulator, it is known for creating volume and reverse swells, backwards tape sounds, artificially short staccato notes and effects for bowed instruments. The redesigned EHX Attack Decay reinterprets the classic and retains its coolness factor, but adds some modern features for more convenience and improved functionality.It can generate a single volume envelope like the original or, with the poly function enabled, assign a separate volume envelope to each note played. The built-in Harmonix fuzz is now a fully adjustable distortion with gain, tone and volume controls. The effects loop allows the musician or sound designer to apply the volume envelope to any signal that is present at the return socket. Expression pedal/CV input and three user presets give the user total control over their attack decay!
The legendary Whammy pedal is the first choice for pitch shifting on every guitarist's effects board. Now, in addition to the classic Whammy sounds, it also offers the option of shifting entire chords and a true bypass. Artists working with the Whammy have won over 60 Grammys® using the unique pitch-shifting sound to enhance their music. Their songs echo through the Rock Hall of Fame® and have generated worldwide acclaim on over 700 million albums. There's no doubt why the Whammy is on almost every pedalboard. Nobody wants to be the last one without a Whammy!
Gamechanger Audio Bigsby Pedal:Powered by the impressive SHARC® audio processor, the BIGSBY pedal utilises a hybrid algorithm specially developed by Gamechanger Audio to provide smooth polyphonic real-time pitch shifting at low intervals. The algorithm has been carefully optimised to preserve the natural timbre and sound of electric and acoustic stringed instruments, including guitars, baritone and bass guitars, mandolins, banjos, etc.
The Forest Green Compressor promises absolutely noise-free compression across the entire bandwidth. It sounds very transparent and is incredibly flexible thanks to its tone control option and the ability to switch from compressor to sustain, because you get a very dynamic attack that is sensitive to attack.
Delayed vibrato:Add slowly increasing vibrato to sustained notes and chords. Set the pedal to CHORUS mode and listen only to the WET sound for a VIBRATO effect. Move the DYNAMICS knob to the DEPTH knob and set it to the maximum desired vibrato depth. Increase the DEPTH MODULATION AMOUNT anti-clockwise to reduce the VIBRATO depth at the beginning of each note.Resonant chorus:Give your sound a metallic CHORUS resonance by turning up the FEEDBACK control. Although this effect can sound appealing at first, it should not be switched on all the time. Move the DYNAMICS knob to the FEEDBACK knob, set it to the minimum value and add a little MODULATION DEPTH in the positive range - just a tiny bit to colour the attacks.Accelerating engine:FLANGER is known for its effect, which is reminiscent of the sound of jet engines. Combine PITCH with DEPTH and RATE to make the FLANGER effect faster and more intense as you move the neck up.
The DigiTech SDRUM is the world's first intelligent drum computer for guitarists and bassists. By simply strumming and scratching the muted strings, you can teach the SDRUM a kick and snare rhythm that forms the basis for the beat. Based on this rhythm, the SDRUM delivers a professional sounding drum beat with different embellishments and variations that compliment your beat. Gone are the days when your creative flow was hindered by frustratingly rummaging through lists and menus in search of the beat you want. The SDRUM stores up to 36 different song patterns. The beats can be played over 5 different drum kit samples covering a wide range of genres. The pedal also offers 3 different song parts (verse, chorus and bridge) for each song, which can be switched on-the-fly during the performance. The SDRUM is the fastest way from a beat idea to a complete drum track.
Thanks to Digitech's many years of pitch shift expertise, it turns any 6-string guitar into a credible 12-string without the usual artefacts in the sound.
With the Microtubes X series, Darkglass has been covering the entire spectrum of bass distortion for years: from articulate high-gain to punchy mild overdrive, harsh and gnarly fuzz and everything in between. You now have absolute control over what the perfect definition of bass distortion should look like.