Pedals, Effects & Switches

The Superego Plus is of course based on the Superego, but offers an additional section with 11 effects, an input for an expression pedal and an EXT connection (TRS) for an external controller.

Ultra-compact top-class guitar interface for iPhone, iPad, Mac & PC:iRig HD X is the new flagship of the iRig guitar interface family and offers all guitarists even more clever functions.This new iRig interface has a completely new housing with multicoloured LED signal indicators that also serve as a tuner for the connected instrument.Under the bonnet, the iRig HD X also features IK's groundbreaking Loopback+ function, which allows AmpliTube to be recorded or streamed into any other app. This makes it easy to stream directly to Instagram or other professional apps, all on one device. Thanks to the intuitive and live-optimised rotary control, you always have all functions under control, even with a guitar on your lap. The levels can be adjusted faster than ever before and your playing always remains focussed.iRig HD X also offers crystal-clear 24-bit 96 kHz sound, amplifier and headphone output for iPhone, iPad, Mac & PC. New features and optimised usability make iRig HD X the ideal tool for all guitarists and bassists to play and record at the highest level.

Electro Harmonix Platform Stereo CompressorStudio-quality compressor/limiterfootswitchable overdrive expands versatilityadjustable swell function creates stringsFade-in and reverse effectsthree colourseight LED compression gain reduction indicatorsControls: Volume, Attack, Release, Sustain, Drive Volume, Tone, Drive, SwellPush buttons: Knee - LimiterFootswitch: Effect Bypass - DriveMono/stereo input (2 x 6.3 mm jack)Mono/stereo output (2 x 6.3 mm jack)9 V DC power supply connection (coaxial socket 5.5 x 2.1 mm - negative pole inside)Power supply with an EHX9.6DC-200 mA power supply unit (included in the scope of delivery)Dimensions (W x D x H): 102 x 121 x 57 mm

Electro Harmonix Nano Holy Grail ReverbEffect Pedal:Digital ReverbSimulation of a classic spring reverbTrue BypassDimensions (WxDxH): 65 x 110 x 57 mmincl. power supply unit

The new V3 combines the classic Antique Screamer sound (inspired by John Mayer's sound) with the innovative "HOT MODE" boost section. This is divided into an upstream gain boost AND a downstream volume boost. Each with independent controls. This guarantees you a truly broad sound spectrum - from subtle enhancement to powerful leads.

KingTone Duellist Black 2022Separate and independent circuits for each channel - A / B.True bypass (no tone loss)Fat, standard and clean settings for each channel (King Tone only)Four internal switches for tone optimisationAsymmetrical or symmetrical clipping for each channelSwitchable distortion circuits on channel "B"Carefully matched and selected componentsNeutrik socketsHighly visible white LED lightsHigh quality 4558 chipsHand-wiredStandard 9V DC or internal batteryEasy to read control panel with LASER engravingVery robust constructionDimensions: 120 x 94 x 34 mmMade in USA

The mainframe offers sampling rate reduction in the range from 48kHz to 110Hz. A little background... the sample rate is the number of times per second that a sample or snapshot of an analogue signal is taken. For example, CDs (remember them?) had a sample rate of 44.1kHz, which means that the original analogue signal is sampled 44,100 times per second.The sampling rate defines the frequency range that can be reproduced while maintaining good fidelity. If the sampling rate is reduced, the quality of the audio deteriorates and aliasing occurs. Aliasing means audible artefacts that occur when higher frequencies are sampled at an inadequate rate, resulting in distortion. The sampling rate range of the mainframe is wide enough to range from fairly undistorted sounds to sounds that are unrecognisable compared to the input signal.It also offers bit-shredding ranging from 24 bits down to 1 bit. What does this mean? Bit crushing is the reduction of the bit depth. Back to our CD example... CDs use a bit depth of 16 bits, which means that each of their samples is represented by 16 bits of information. Higher bit depths can accurately represent a wider dynamic range, while bit crushing increases the number of sampling errors and creatively degrades the sound to bring us back to those nasty "old school" sounds we love so much.The mainframe's selectable high/low/bandpass filter allows the user to shape the artefacts of bit crushing and sample rate. Another very cool feature is the sample rate tuning mode, where the pedal analyses your input signal in real time and adjusts the sample rate to match the pitch of your signal or a set interval over your signal. So you can set the sample rate to match the key of a song, or it continuously adjusts the sample rate to match what you're playing!"

A new era for musical credos has set higher standards.Versatility, empowerment, limitless options and ever more sophisticated tools available to every musician and composer are in demand today. The call for inventive devices is making musicians ever more inspired, clever and connected.We've taken our Alpha Omega and, with tireless effort, added all the technology we've learnt. By placing the iconic distortion circuit in a new paradigm, we've created a range of possibilities never before available.A comprehensive design allows every part of the pedal to be programmed, from compression, distortion and cabinet simulation in the signal chain to presets via MIDI and the Darkglass SuiteThe Alpha-Omega now has its ultimate interface. Fully programmable, powerful and never before so versatile.

Electro Harmonix Pico Deep FreezeCompact pico housingCaptures and freezes the input soundThree operating modes: Latch, Moment and AutoDRY and EFFECT control the volume of each signal source separatelySPEED adjusts the attack or deday time in moment and auto modeLAYER sets the volume attenuation for the previous layerGLISS sets the morph time between the frozen soundsTap Tempo with 3 tap division modesSelectable bypass circuits for flexibility in functionalityPower supply included

The Fulltone Octafuzz OF-2 is a fuzz distortion unitfor electric guitar and a copy of the legendary Tycobrahe Octavia. A toggle switch allows you to choose between the fuzz with added octave and the pure fuzz sound, making the effects unit considerably more flexible. The Fulltone Octafuzz OF-2 delivers both Hendrix-typical octave sounds and extremely distorted fuzz sounds with extra-long sustain.

Mad Professor Deep Blue Delay Pedalanalogue/digital ambient delayDelay time 25 ms to approx. 450 mssounds great with clean or distorted soundsControls: Level, Delay, RepeatTrue bypasscompact design (69 mm x 111 mm x 50 mm)Operation with 9V block or mains adapter (optional)

The PR-1 provides a perfectly flat surface for mounting your Mission pedal on a pedalboard. The PR-1 is compatible with standard Mission pedals as well as most Dunlop wah and similar pedals.

Strymon Ojai Expansion KitMulti-power supply for expansion with other Strymon systems5 fully isolated high current 9 V DC / 500 mA outputs24 V Thru socket allows connection to additional Strymon Ojai (sold separately)Dimensions: 81 x 58 x 33 mmWeight: 130 g5 pedal cables included: 5.5 x 2.1 mm coaxial connector - negative pole inside, angled to straight plugmade in USAwithout power adapter

Following the success of the Cerberus, NUX designed the new Trident NME-5 as a consistent further development that is even more versatile. At the same time, the sound has been made even more high-resolution. The Trident has two powerful DSPs on board - one for effects and one for amp modelling. The TSAC-4K amp modelling has an algorithm that is twice as complex as that of the Cerberus (white-box physical modelling). The construction of the Trident also meets high-end standards in every respect, both in terms of the one-piece chassis made of robust aluminium and the carefully selected components. To deliver a natural, direct and extremely low-noise sound, the Trident has been equipped with premium A/D and D/A converters.The increased demands on the modelling of amplifiers and effects have been implemented in the Trident in extreme detail - for example by simulating all four inputs on certain amplifiers and simulating their various possible combinations using patch cables (a typical example here is patching the inputs of a Plexi amp). The amp modelling, cabinets, modulation effects, delays and reverbs and other effects can be freely configured within the ten effect blocks. The combination possibilities are almost endless, so there are no limits to sound creations and experiments. If the implemented impulse responses (IRs) are still not enough, the Trident has 32 memory locations for importing additional IRs via the integrated USB port. The built-in looper offers even more possibilities - for practice or songwriting sessions, for example. It enables loops of up to 30 seconds in length with unlimited overdubs and the option of running the individual loops before or after the effects!

The JHS Pedals 3 Series Screamer is the popular JHS TS 'Strong Mod', but in a brand new standalone pedal. The pedal is based on JHS Pedals' years of experience, countless modifications and work with the legendary TS circuit - and the desire to offer these changes in an affordable package. The Screamer offers more clean headroom, better usability as a boost, more versatile control options for drive and tone, and a more 'pleasing' frequency response than standard TS-style pedals. After years of hard work, this is perhaps the most balanced TS-style pedal in the world!

Hughes & Kettner FS 2 footswitch2-channel footswitch with LEDsphantom powered

Fender foot switch 1-fold ON-OFFsingle footswitchfor channel switching for Fender ampse.g. Mustang I, Mustang II, FM Series and Blues Junior