Dynamics & Channelstrips

For 50 years, everything at Harrison has revolved around the "Beautiful Analogue Tone". Harrison mixing consoles have been used to produce an incredible number of music albums that have made history - Michael Jackson, ABBA, Led Zeppelin, Queen, Donald Fagan, to name but a few. Harrison has since introduced a modern 32Classic version of the original 3232 console (including Dante interface and 7.1.4 monitoring).The legendary channel strip of this iconic mixing console is now available as a cascadable 19" rack version - including modern hybrid workflow features and an integrated stereo mix bus that can sum multiple devices.32Classic MS Mix Strip is based on the design of the 32Classic console and offers the same high-quality, transformer-coupled microphone preamplifier (Jensen JT-MB-CPCA), the characteristic Harrison low- and high-pass filters with a 3 dB resonance peak and the musical Harrison 4-band EQ. The channel strip also has a balanced insert point for looping additional outboard equipment such as compressors into the signal path. The additional pre- and post-fader direct outputs make the 32Classic MS Mix Strip a flexible, modern classic.The integrated mix bus and summing function offers even more flexibility. The outputs of several devices can be summed via the rear "summing" connections and the jumper cables supplied. Signals can be balanced with the fader and placed in the panorama via stereo channels. Alternatively, the 0 dB fader button enables mixing with unity gain. Perfect for hybrid workflows, as a "sidecar" to your existing setup or for mobile rigs, the integrated mix bus offers the legendary Harrison sound with exceptional flexibility, adding warmth and depth to every recording and mix.

The Millennia STT-1 is a real all-rounder. The single-channel channel strip combines a microphone preamp (selectable with tube or solid state gain stage), a DI and line input with gain control, a compressor/limiter section, a 4-band parametric EQ and a de-esser in a 2 U chassis.Thanks to the patented Twin Topology circuit, all stages can be operated using either the highest quality Class A tube technology or Class A solid-state technology. With over 130 different combinations, the STT-1 offers a huge range of processing options, making it the ideal sound tool for sound, mastering and film studios as well as for post-production and broadcast applications.The discolouration-free, transparent sound and the wide range of features make the STT-1 the first choice when it comes to the sensible expansion of existing studio equipment.

Optimic improves the speech signal automatically and in real time, regardless of the microphone or sound system. This means you always get an even and perfectly balanced result that delivers your content to your audience with optimum speech intelligibility.

elysia xmax Masterbus processor - Precision and sound quality for mixing & masteringThe elysia Masterbus processor is a first-class solution for mixing and mastering applications. Equipped with a high-quality Class A analogue circuit, this device offers exceptional transparency and dynamic processing. Thanks to its M/S multiband compression with separate low, mid and side bands, it is ideal for shaping the mix with maximum control. The variable soft clipper, inspired by the legendary alpha compressor, provides more loudness without causing clipping on external A/D converters.Full control over the stereo imageWith the VariLink function, the bands can be flexibly linked together, allowing targeted processing of the frequency spectrum.Of particular interest to mastering professionals: the variable crossover frequency between the low and mid bands allows precise control over the bass range, while the integrated side-band mono maker (Lowmo) concentrates the low-end on the centre of the stereo image - for a powerful and balanced sound foundation.Intuitive operation & high-end displayThe global release control allows quick adjustment of the compression behaviour, making processing intuitive and efficient. This is complemented by a high-quality analogue display that provides precise information on signal level, clipping, tape compression and soft clipping. The alternative "Punch" mode, which generates a more assertive compression, also ensures powerful sound design.Versatility for studio & stageThe elysia Masterbus processor not only shines in the studio - it is also perfect for live applications at the FOH mixing console to optimally balance different volumes. The Tone control also serves as a unique shelving EQ and allows final adjustment of the overall sound.

The Manley Labs VOXBOX is the all-tube channel strip for vocals, but it can also enhance all other sound sources. The VOXBOX has the same comprehensive microphone preamp concept as the award-winning Manley mono microphone preamp and offers a generous headroom and the typical sound of a Class A tube circuit. In addition, the well-balanced compressor section provides a perfect blend of the popular Manley Variable MU and the electro-optical ELOP. Together with the flexible Pultec-style mid EQ, the de-esser/limiter section and the stereo link function, these features make the VOXBOX a real workhorse for professional sound processing.All-tube signal path:Since the late 1980s, Manley has consistently focussed on premium all-tube products. In short, Manley really knows tubes - and the VOXBOX shows it. Manufactured in the USA, this channel strip scores with its all-tube Class A circuitry and the exceptionally high manufacturing quality typical of Manley.Fully equipped microphone preamp section:As the name suggests, the Manley VOXBOX is characterised by an outstanding microphone preamp section. In fact, the preamplifier circuit comes directly from the popular Manley mono microphone preamplifier and therefore has all the prerequisites for an excellent analogue sound - regardless of whether the signal is fed in via the conventional balanced XLR connection, the balanced line input or the instrument input on the front panel. With the adjustable input attenuation upstream of the first tube stage, line level signals with +4 dB or instruments connected via the DI input can be optimally levelled. The integrated 48 V phantom power can be activated via a switch on the front panel, as can an effective high-pass filter to eliminate impact noise. Finally, the intelligent amplifier circuit controls the feedback component within the tube stage and thus achieves a wide variety of sound characteristics and amplification levels. In this way, you can quickly and easily switch between different tube sounds, from restrained to direct and aggressive. This great and creative tool enables the "perfect" sound for every singer and every instrument.Opto-Compressor:The compressor section of the VOXBOX combines functions of the popular Manley Variable MU and the electro-optical ELOP limiter. The signal is compressed before the tube stage without any negative effect on distortion or frequency response, preventing overloading of the microphone preamplifier and eliminating the need for circuitry that would normally interrupt the signal flow of the microphone signal. In addition, Manley is the first manufacturer to use a sidechain with "parametric compression", whereby up to four different time constants are used simultaneously, which are controlled via simple controls for attack, release and threshold. The VOXBOX settings are based on the photoresistors of the fast ELOP limiter, the slightly slower LA-2A and the slower LA-3A as well as further fine-tuning by Manley. Overall, VOXBOX Compressor delivers refreshing new sounds that are perfect for drums, bass, vocals and other sources. The compressor is even recommended for processing an entire mix - the link function turns two VOXBOX units into an extremely flexible stereo device.Equaliser in Pultec style:The mid-range equaliser, which is based on the Pultec devices, has been significantly upgraded in the VOXBOX. It now offers three bands with a total of 33 frequencies, i.e. six new frequencies in the 20 - 150 Hz range and six in the 6.4 - 20 kHz range. With real chokes and a Class A circuit, the VOXBOX equaliser delivers a truly magical sound. The EQ input selector switch allows you to choose between line input, preamp output or insert return. The switch also functions as a bypass switch for the preamp or external effects units, allowing two audio signals to be processed.De-esser and limiter section:The de-esser and limiter section of the VOXBOX offers additional processing options. The peak limiter is based on the limiter circuit of the ELOP, but with an additional passive LC resonant circuit integrated as a de-esser. Four carefully selected notch frequencies are available to suppress problematic frequencies: 3 kHz, 6 kHz, 9 kHz and 12 kHz. In addition, there is a fifth switch position in which the signal is compressed before the EQ and fed to the limiter after the EQ, as with an LA-2A limiter.VU meter:The Manley VOXBOX is equipped with a large-format, illuminated Sifam VU meter. The associated 5-way switch can be used to select which level (line input, preamp output or main output) or value (compressor level reduction or de-esser/limiter function) is displayed.Innovative "extras":Manley has added a few clever "extras" to the VOXBOX that allow it to be used both on stage and in the studio. These additional functions include a switch-on delay, particularly comprehensive magnetic shielding, an intelligent earthing system and silent switching.

The patented Vitalizer circuit makes the Vitalizer Mk3-T an unrivalled sound shaper. Audio productions sound livelier, have more detail, more transparency, a higher perceived loudness and, if required, an overwhelming bass foundation.The Vitalizer Mk3-T not only swaps the classic, golden garb of its predecessor for the new, black design of the SPL Studio series - the higher internal audio voltage of +/-18 V raises the third generation of this SPL classic to a higher sound level and shines with even better and more detailed sound.

The API 2500 is primarily a stereo bus or summing compressor that can be operated in both stereo and dual mono mode. Thanks to two different modes of operation, the 2500 is extremely flexible. The "Old" style offers the "Feedback Type" circuit found in many classic compressors, while "New" offers the compression characteristics of many modern VCA compressors. The patented "Thrust" circuit gives the bass plenty of punch and can be attenuated with a 2dB/octave high-pass filter or completely removed from the signal path with the bypass switch.

If one device is emblematic of analogue SSL processing, then it is the legendary Bus Compressor. Since it was first introduced in 1976 in the SSL 4000B mixing console, it has refined the mixes of countless top productions worldwide.With the new BUS+, SSL introduces the ultimate and most flexible bus compressor ever. To meet the high demands of professional analogue audio performance, SSL uses high-quality parts and high-performance components such as the 2181 THAT VCAs.Based on the original circuitry, a device has been developed that not only offers different operating modes and extended tone colours, but also additional processing tools. Do you want your mix to be "clean and punchy" like the SuperAnaloge 9000 series? Or "gritty and grungy" like the 4000E? Do you need a little "over the top" parallel compression for the drums? What do you think of side chain signals with flexible HFP and a dynamic EQ? Or a transient expander?