A slight natural cut in the lower mid-bass range allows the Audix OM3 to suppress unwanted boominess and unwanted handling noise. This, together with a detailed mid-range image, makes this microphone an excellent choice for PA systems of all sizes.Thanks to its high-quality mechanical materials, the OM3 is a long-lasting companion - even for the toughest everyday touring. As well as being used as a speech and vocal microphone, it can also be used for miking one or other instrument.
Dynamic instrument microphone from the new Fusion series, suitable for snare, tom, percussion, guitar amp, woodwind/brass instruments, flute, vocals, designed, assembled and tested by Audix in the USA, hypercardioid, 55 Hz- 15 kHz, max. SPL 137 dB, clear and clean sound reproduction, incl. mic clip (MC-1) and soft bag (P-1).
No slipping microphone stand in front of the guitar amp during the show and space in the studio in front of the amp. Finally available, ingenious microphone mounting system for guitar combos. The clamping device enables perfect positioning of a microphone on the amp. The one-piece microphone holder is simply clamped to the amp, the boom can be rotated 360 degrees and is fixed in place with a knurled screw.
The D6 is a dynamic microphone that is particularly good at reproducing comparatively low frequencies. The D6 with cardioid polar pattern offers a transmission range of 30 Hz to 15 kHz (+/-3 dB) and is therefore predestined for miking kick drums, bass boxes/combos and similar instruments. Transformerless electronics as well as low-impedance and balanced outputs guarantee interference-free performance - even when using longer cable lengths. The very stable housing is made from a single piece of aluminium and is about twice the size of the other models in the D series.
The OM5 is a dynamic handheld microphone for lead and background vocals. It is suitable for use on any live stage as well as for miking in the recording area. The mid-range area is deliberately emphasised to guarantee a clear and clean vocal recording. Thanks to the VLM technology used, the OM5 offers a linear frequency response from 48 Hz to 19 kHz.In addition to its use as a vocal microphone, it can also be used to pick up saxophones, various wind instruments, percussion and drums. Of course, it can also be used for voice transmission.
The ADX51 with cardioid polar pattern and a uniform transmission range of 40 Hz to 20 kHz (+/- 3 dB) is suitable for a wide range of applications.Low-noise electronics as well as low-impedance and balanced outputs guarantee interference-free performance even when using longer cable lengths. The increased insensitivity to feedback, the mechanically very stable construction and problem-free sound processing of up to 132/142 dB stand for extreme road suitability - even for very loud stages.
Condenser instrument microphone of the new Fusion series, suitable for overheads, hi-hat, cymbals, acoustic instruments, designed, assembled and tested by Audix in the USA,
The OM6 has been designed for the professional live user. The VLM expansion stage "D" offers outstanding performance for every live application and, of course, in the recording sector. In addition to being used as a lead or background vocal microphone, the OM6 can also be used for miking various instruments (saxophone, electric guitar/bass cabinets, toms, stand toms, congas, etc.).A deliberate mid-range emphasis (2-10 k Hz) enables precise and clean reproduction of the source signal and therefore stands up to any comparison with condenser microphones.
No slipping microphone stand in front of the guitar amp during the show and space in the studio in front of the amp. Finally available, ingenious microphone mounting system for guitar combos. The clamping device enables perfect positioning of a microphone on the amp. The one-piece microphone holder is simply clamped to the amp, the boom can be rotated 360 degrees and is fixed in place with a knurled screw.
The OM-7 is the flagship of the OM series. It is ideal for use on particularly loud stages as it has an extremely high resistance to feedback. It therefore has no rivals when it comes to realising almost perfect feedback immunity. An unconventional low-output amplifier stage works like a natural PAD and thus enables extreme sound pressure levels without any loss of sound quality.The scope of delivery includes a soft bag and an AUDIX microphone clamp.
Dynamic instrument microphone from the new Fusion series, suitable for bass drum, floor tom, bass amp, Leslie Bottom, designed, assembled and tested by Audix in the USA, hypercardioid, 40 Hz- 16 kHz, max. SPL 140 dB, punchy bass, attack/definition, incl. mic clip (D-Clip) and soft bag (P-1).
The Audix I-5 is a dynamic microphone for miking instruments on stage and in the studio. It is particularly suitable for loud instruments such as snare or electric guitar etc. and is ideal for the event sector due to its absolutely tour-ready processing.The I-5 was developed in response to requests from users and dealers for a universal, high-quality and cost-effective instrument microphone. Over the last few years Audix has successfully produced a wide range of application specialised microphones for e.g. drums and percussion. The I-5 is a synthesis of the experience gained from these developments. Audix is the leading U.S. manufacturer of high quality microphones for the event and studio market. Although the I-5 is produced in large quantities for a broad target group, the high quality specifications and quality control standards remain Audix trademarks as with all other products.The I-5 is designed with a cardioid polar pattern that allows the miked instrument to be transmitted without crosstalk from other instruments or sounds on stage. With a smooth, even frequency response of 50 Hz - 16 kHz and sound pressure processing of more than 140 dB, the I-5 is ideal for a wide range of applications in all musical genres.Featuring the latest Audix instrument microphone technology, each model is made of durable cast zinc alloy in a slim shape with a unique basket design and laser-etched model and serial numbers.The I-5 comes with a sturdy microphone clamp and a carrying case.
Dynamic instrument microphone from the new Fusion series, suitable for tom, conga, floor tom, guitar/bass amp, saxophone, brass, hypercardioid, designed, assembled and tested by Audix in the USA, 52 Hz- 15 kHz, max. SPL 139 dB, fine mid/bass transient response, compact and easy to position, incl. mic clip (D-clip) and soft bag (P-1).
The D2 is very well suited for rack toms, floor toms and congas. It was primarily designed to perfectly reproduce instruments with an amplified lower midrange. With little or no gating, this microphone really comes into its own. Due to its wide frequency transmission range, the D2 can also be used for guitar combos as well as for miking a saxophone.
The Micro-D microphone is a pre-polarised condenser microphone for a wide range of applications. This miniature microphone is particularly suitable for drums, percussion, guitar combos/boxes, speech, vocals and acoustic instruments. Thanks to its modular design and flexible mounts, it can be prepared for a wide variety of applications in no time at all.With its hypercardioid characteristic and a special holder, the Micro-D drum microphone is the first choice when it comes to professional miking of percussive instruments. A special aluminium holder and a rubber-mounted shock mount system hold the microphone securely and without interference on the drum rim. With a uniform transmission range of 40 Hz to 20 kHz (+/-3 dB), a lightweight yet very stable housing and a stability for limit sound pressure levels of up to 140 dB, this model offers an absolutely lifelike reproduction of most percussion instruments without the familiar background noise and interference associated with the recording of so-called universal microphones.
The OM-2 is the world's best-selling Audix microphone and one of the most popular professional microphones on the American market. Professional production and industry standard quality for small to medium PA systems. Absolutely roadworthy. Hypercardioid characteristic, transmission 50 Hz to 16 kHz, transformerless electronics, capsule in VLM design, sound pressure up to 140 dB. Suitable for live and road use, characterised by clear sound, background noise suppression (>25 dB) and sound pressure resistance (140 dB).Incl. microphone clamp MC1 and carrying bag, optionally as model OM2s with recessed on/off switch.
The dynamic handheld microphone has a hypercardioid characteristic and an extended frequency response of 50 Hz to 16 kHz (+/-3 dB). It has very good handling and a sturdy housing as well as a non-reflective black alloy. Transformerless electronics, capsules in VLM design as well as low-impedance and balanced outputs guarantee interference-free performance - even when using longer cable lengths.VLM stands for the patented "Very Low Mass" technology and offers fast and precise conversion of the acoustic signal into an electrical signal. The mechanically very stable microphone basket and problem-free sound processing of up to 140 dB attest to the microphone's extreme suitability for use.A model with a recessed on/off switch is available as an option.
D6 microphone:The D6 is a dynamic microphone that is particularly good at reproducing comparatively low frequencies. The cardioid D6 offers a transmission range of 30 Hz to 15 kHz (+/-3 dB) and is therefore ideal for miking kick drums, bass boxes/combos and similar instruments. Transformerless electronics as well as low-impedance and balanced outputs guarantee interference-free performance - even when using longer cable lengths. The very stable housing is made of a single piece of aluminium and is about twice the size of the other models in the D series.D4 microphone:The D4 is suitable for miking kick drum, floor tom, djembe, bass guitar combo, piano or saxophone. The D4 has an innovative capsule design that is also capable of reproducing frequencies below 100 Hz cleanly. In fact, the D4 is able to pick up frequencies up to 63 Hz. However, it should not be forgotten that this microphone is a full-range microphone that is suitable for a variety of different applications. If the D4 is used to pick up the kick drum, it should be placed in the centre of the sound opening of the front head. Here the D4 offers a warm, fat sound with a good portion of punch.D2 microphone:The D2 is very well suited for rack toms, floor toms and congas. It was primarily designed to perfectly reproduce instruments with an amplified lower midrange. With little or no gating, this microphone really comes into its own. Due to its wide frequency transmission range, the D2 can also be used for guitar combos as well as for miking a saxophone.Audix I-5 microphone:The Audix I-5 is a dynamic microphone for miking instruments on stage and in the studio. It is particularly suitable for loud instruments such as snare or electric guitar etc. and is ideal for the event sector due to its absolutely tour-ready processing.The I-5 was developed in response to requests from users and dealers for a universal, high-quality and cost-effective instrument microphone. Over the last few years Audix has successfully produced a wide range of application specialised microphones for e.g. drums and percussion. The I-5 is a synthesis of the experience gained from these developments. Audix is the leading U.S. manufacturer of high quality microphones for the event and studio market. Although the I-5 is produced in large quantities for a broad target group, the high quality specifications and quality control standards remain Audix trademarks as with all other products.The I-5 is designed with a cardioid polar pattern that allows the miked instrument to be transmitted without crosstalk from other instruments or sounds on stage. With a smooth, even frequency response of 50 Hz - 16 kHz and sound pressure processing of more than 140 dB, the I-5 is ideal for a wide range of applications in all musical genres.Featuring the latest Audix instrument microphone technology, each model is made from durable cast zinc alloy in a sleek shape with a unique basket design and features laser-etched model and serial numbers.
