Neumann is a renowned German manufacturer of high-quality microphones and audio technology, founded in 1928. With over 90 years of history, Neumann has built an outstanding reputation in the music and broadcasting industry. The brand is particularly known for its legendary large diaphragm and small diaphragm microphones, which are recognised for their excellent sound quality, precision and reliability. Neumann microphones can be found in many professional recording studios and live applications worldwide and are the first choice for numerous artists, producers and sound engineers. In addition to microphones, Neumann also offers high-quality studio audio technology, including loudspeakers and digital signal processing solutions. With a strong focus on innovation and quality craftsmanship, Neumann remains synonymous with excellence in the audio world, helping creatives realise their musical visions with the highest clarity and detail.
Clamp for attaching the capsule and gooseneck of the Neumann Miniature Clip Mic MCM system to the frame of a guitar, ukulele, dobro, acoustic bass or cello. The self-adjusting spring mechanism and rubber coating guarantee non-slip attachment without any risk of damaging the instrument. The holder for the gooseneck can be rotated for variable alignment and locks securely into place in 45° increments. The reducer supplied can be used to adapt the clamp to particularly narrow instruments.
The reduced overall size results in an extremely compact appearance that combines all the typical design components of a Neumann microphone. The harmonious proportions and the high-gloss basket ring ensure that the TLM 102 is instantly appealing. When it comes to sound, the TLM 102 is really big: inside it is a newly developed large diaphragm capsule (cardioid) which, with a maximum sound pressure level of 144 dB, also allows drums, percussion, amps and other very loud sound sources to be recorded, for example. Even instruments that are not extremely loud benefit from the very fast transient response of the TLM 102, but the most important area of application is in vocals and speech, where a slight boost above 6 kHz ensures an excellent presence of the voice in the overall mix. Up to this point, the frequency response is extremely linear, which guarantees maximum freedom from colouration and a very clearly defined bass range. The capsule is elastically mounted for structure-borne noise suppression and a pop protection integrated in the basket ensures the suppression of explosive sounds during vocal or speech recordings. The TLM 102 is predestined for the home recording and project studio sector, but also for the broadcast sector, especially if particular value is placed on a clear line of sight to the speaker positions. The TLM 102 is available in black and nickel. A tripod joint is included in the scope of delivery.
The KMS 105 was developed to optimise the transmission of the human voice and is therefore the first choice for demanding live applications. With its low inherent noise, discolouration-free crosstalk behaviour and supercardioid characteristic, the KMS 105 is predestined for use in in-ear monitoring systems. An innovative four-stage acoustic filter prevents pop and wind noise, while special mechanical and electrical filters virtually eliminate handling noise. Thanks to its high acoustic resolution and linear frequency response, the KMS 105 offers musicians optimum control over their stage performance at all times.
The TLM 67 is a large diaphragm condenser microphone in the classic Neumann shape with a unique bicolour finish. The stylish pearl grey surface of the microphone tube in combination with the classic Neumann nickel gives the microphone a touch of individuality that makes it unmistakable. Three switchable directional characteristics (omnidirectional, cardioid, figure-of-eight), a switchable 10 dB pre-attenuation and a high-pass filter make the TLM 67 very versatile and allow detailed customisation to the respective recording situation. Thanks to its extensive switching options, the TLM 67 is recommended for a wide range of applications. In orchestral recordings, it can be used as the main microphone and as a support microphone for individual instruments, but mainly as a vocal microphone for speech and vocals in all types of music.
n recent years, the consumer audio industry has produced a large number of new, high-quality multi-channel audio formats, which place considerably higher demands on the professional production environment in the studio. The Blu Ray format, for example, makes it possible to store an increased number of discrete audio channels with high resolution (7.1). To meet these requirements, we have created a 7.1 High Definition Bass Manager™ with the newly developed electronics of the KH 870, which fulfils all studio requirements from mono to the latest 7.1 HD formats. With eight analogue input channels, flexible connection is guaranteed in the modern studio environment. Four switchable LFE modes guarantee compatibility with all formats and industry standards. Extensive acoustic adaptation options and a frequency separation of 24 dB/oct allow optimum integration into the existing studio acoustics. The built-in 8-channel volume control in conjunction with the optionally available wired remote control can be used to realise source-independent central system control. The electronics of the KH 870 can be detached in order to adapt the cabling flexibly. The latest amplifier technology and extensive research and optimisation of the loudspeaker chassis used have resulted in maximum bass precision and sound neutrality. The low-resonance cabinet and the flow-optimised bass reflex channels ensure dry and extremely low-distortion bass reproduction down to 18 Hz, even at high levels. Multisubwoofer systems can easily be set up using the sum output of the electronics. This allows speaker arrangements such as Plane Wave Bass Arrays™ (PWBA™) to be implemented, which dramatically improve the lateral mode behaviour in the listening room via cylindrical wave generation. The KH 870 was developed as an extension of the extensive studio monitor range. It can be used alone or in combination with several subwoofers to realise large systems with very high maximum level requirements. The KH 870 is therefore the ideal low-frequency extension for the music, broadcast and post-production sectors and is ideal for use in tracking, mixing and mastering. It can preferably be positioned close to the wall or, thanks to the bass reflex ports on the front, in the wall and can be freely combined with all our monitors in multi-channel systems.
The KMS 105 was developed to optimise the transmission of the human voice and is therefore the first choice for demanding live applications. With its low inherent noise, discolouration-free crosstalk behaviour and supercardioid characteristic, the KMS 105 is predestined for use in in-ear monitoring systems. An innovative four-stage acoustic filter prevents pop and wind noise, while special mechanical and electrical filters virtually eliminate handling noise. Thanks to its high acoustic resolution and linear frequency response, the KMS 105 offers musicians optimum control over their stage performance at all times.
The MT 48 is an audio interface without compromise. With its huge dynamic range, first-class converters, preamps and headphone amplifiers, it sets new standards in terms of sound quality. Internal DSP power enables monitor mixes with sophisticated EQ and dynamics processing - always intuitively operable via touchscreen.
Pop screens offer very effective protection against so-called pop noises (e.g. explosive sounds such as "p" or "t"). They consist of a round, thin frame covered with black gauze on both sides.Pop screens are mounted on a gooseneck about 30 cm long. A clamp with a knurled screw at the end is used to attach it to the microphone stand.
Clamp for attaching the capsule and gooseneck of the Neumann Miniature Clip Mic MCM system to the strings below the bridge of a double bass. The holder for the gooseneck can be rotated for variable alignment and locks securely into place in 45° increments.
Echtes Immersionserlebnis mit Neumann-Präzision Erlebe dreidimensionalen, wahrhaft immersiven Klang über Neumann-Kopfhörer. RIME – Reference Immersive Monitoring Environment – ist ein DAW-Plug-in zum Mischen und Mastern in Mehrkanalformaten wie Dolby Atmos. Dank Neumann-Technologie und AMBEO-Algorithmen erzeugt RIME ein verblüffend realistisches 3D-Klangbild, das sich perfekt auf andere Wiedergabesysteme überträgt. Neumann-Konsistenz Statt den Benutzer mit einer Vielzahl unterschiedlich klingender virtueller Räume zu verwirren, reproduziert RIME einen Referenzraum in höchster Qualität als „Single Source of Truth“. RIME basiert auf einem echten, speziell dafür geschaffenen Studioraum, der durchgehend mit Neumann-Equipment in Referenzqualität ausgestattet wurde. Unsere Akustikexperten installierten ein immersives Setup aus Neumann KH-Line-Lautsprechern und Subwoofern, das mithilfe von MA 1 Automatic Monitor Alignment präzise abgestimmt wurde. Das dreidimensionale Klangfeld wurde mit dem legendären binauralen Kunstkopfmikrofon KU 100 eingefangen, angeschlossen an Neumans hochgelobtes MT 48 Audio-Interface mit modernster Preamp- und Wandlertechnologie von Merging Technologies. Dieses State-of-the-Art-Setup gewährleistet perfekte Klangqualität über die gesamte Signalkette. AMBEO: Mastering Immersion Die geheime Zutat, die RIME zu einem wahrhaft immersiven Erlebnis macht, ist AMBEO: wegweisende Audio-Algorithmen, die gestochen scharfe Klangbilder mit atemberaubendem Realismus garantieren. RIME ist frei von unerwünschten Verfärbungen und der „Phasigkeit“ konkurrierender Lösungen. Mit den bahnbrechenden Virtual-Acoustics-Algorithmen von AMBEO, die in Neumann RIME integriert sind, lassen sich reichhaltige, immersive Klanglandschaften schaffen, die Geschichten erzählen, Emotionen wecken und das Hörerlebnis steigern. Für Neumann-Kopfhörer RIME ist eine dedizierte Lösung für Neumann-Kopfhörer, die gezielt auf deren einzigartigen akustischen Eigenschaften und außergewöhnlich konsistenten Klang zugeschnitten ist. Das macht RIME zu einer zuverlässigen Lösung für das Mischen und Mastern in Mehrkanalformaten, wenn kein dedizierter Abhörraum mit einem immersiven Lautsprecher-Setup zur Verfügung steht. Wer bereits über ein immersives Setup mit KH-Line-Studiomonitoren verfügt, kann mit RIME nahtlos zwischen Lautsprecher- und Kopfhörerwiedergabe wechseln. Endlich lassen sich immersive Inhalte überall erstellen. Für zusätzlichen Realismus unterstützt RIME OSC-kompatible Head-Tracker, um ein Hörerlebnis zu schaffen, das auf Kopfbewegungen reagiert. Optimierte Stereo-Wiedergabe RIME kann auch für die Stereo-Wiedergabe verwendet werden, um ein lautsprecherähnliches Hörerlebnis zu genießen – ohne die für Kopfhörer typische In-Kopf-Lokalisation. Auf diese Weise lassen sich Mixes auf Kompatibilität mit allen Wiedergabesystemen überprüfen.
Neumann's Automatic Monitor Alignment MA 1 offers the best possible sound quality in any room - from home studios to professional sound control rooms. With the help of the individually calibrated measuring microphone, the acoustic environment is analysed in easy-to-follow steps. Calibration algorithms developed together with the world's leading institute for audio signal processing, Fraunhofer IIS, guarantee optimised amplitude and phase correction for precise and reliable monitoring.
The TLM 103 is the ideal large diaphragm microphone for all those who do not want to do without uncompromisingly professional technology despite tight budget limits. It works with the transformerless circuit technology already proven in numerous Neumann microphones, offers an unrivalled low self-noise level and maximum dynamic range. The cardioid capsule used is particularly well-balanced acoustically and has excellent cancellation for rear sound incidence.
The M 147 Tube is a tube condenser microphone with a cardioid polar pattern. It has inherited the centrepiece - the K 47/49 double-diaphragm capsule - from its famous and now legendary predecessors, the U 47 and M 49. It is supplied as a complete set in a high-quality aluminium case. In addition to the microphone, this includes the connection cable, the metal stand joint and the compact universal power supply unit with IEC connection.
The active 2-way studio monitor KH 80 DSP features a DSP, network control, a Mathematically Modeled Dispersion™ waveguide (MMD™), an analogue input and extensive mounting accessories. This means that the speaker can be used under a wide range of acoustic conditions, with any signal source and in almost any location. The KH 80 DSP was developed using state-of-the-art simulation and measurement technology and impresses with its acoustic authenticity and adaptability to a wide range of installation conditions.The KH 80 DSP can be used as a nearfield monitor, as a front speaker in small multi-channel systems or as a rear speaker in compact multi-channel systems. It can be used in project, music and broadcast studios, OB vans and post-production studios for multi-track recording, mixing and mastering. It is also suitable for use in the home.
