Sontronics

The Sontronics ELEVATE is a broadcast-style desktop microphone boom that can either be quickly clamped to a work surface or permanently fixed in place. With three lockable articulating joints, the ELEVATE allows flexible positioning and suspension of the microphone for an uninterrupted view of a laptop, tablet or script. ELEVATE features a wrap-around cable channel with locking clips for a neat and tidy setup. The articulated connection between the table mount and the stand arm allows the stand to rotate easily and provides space when the microphone is not needed. ELEVATE is made of high-quality, powder-coated aluminium and is extremely light but very stable (can hold up to 1 kg). ELEVATE is supplied with an adapter with a 3/8" to 5/8" reduction thread and is therefore compatible with EU and US threads.Speakers' workstations in radio and podcast productions have to fulfil a variety of functions simultaneously. Therefore, the microphone must be held reliably and securely in the acoustically perfect position without obscuring the script, but it should also be easy to swivel so as not to interfere with computer work during text creation. The ELEVATE stand from Sontronics is designed in the traditional broadcast style and fulfils all these requirements perfectly. Made from high-quality, powder-coated aluminium, it is exceptionally light and yet holds the mounted microphone firmly in position. Three lockable articulated joints make the system particularly flexible and allow the transducer to be positioned from above or below at an angle to the speaker, ensuring optimum visibility of the script in all circumstances. The stand base can either be permanently mounted or screwed on with a clamp, making the ELEVATE stand very easy to swap between several tables. The smooth-running swivel joint of the base allows the microphone to be pushed to the side when not in use without changing its height position. Each of the ELEVATE's two arms has a cable duct with practical clip fastening so that the workplace is always kept tidy.

The Sontronics SOLO proves that a high-quality dynamic microphone made entirely in the UK doesn't have to be expensive. Its present and detailed sound predestines the SOLO especially for vocals and the miking of guitar amps or drums. The high-quality and extremely solid workmanship speaks in favour of use both in the studio and under tough live conditions. As the entire production process, from development to final assembly, takes place in the UK, the SOLO is the first dynamic microphone to earn the "made in the UK" label.Sontronics is known for its outstanding and remarkably affordable condenser microphones. With the new SOLO, the Poole-based manufacturer is presenting the first ever dy-namic microphone made entirely in the UK. Its supercardioid characteristic and solid workmanship make the microphone ideal for the stage, but its sound also makes it the perfect tool for vocals, guitar amplifiers or drums in the studio.With the SOLO, Sontronics has developed a dynamic microphone that can be used for a wide variety of applications. As a handheld microphone, it is ideal for capturing vocals or spoken presentations. In addition, its sound also qualifies the SOLO for miking guitar amps or drums. Snare, toms, even the bass drum or hi-hats can be transferred to the PA or hard disc with the help of the Sontronics SOLO. The powerful presence of the microphone helps the signals to assert themselves, while its fine tuning preserves the richness of detail of the instrument. The strong attenuation in the off-axis of its supercardioid characteristic allows very precise signal separation even under difficult live conditions when positioned accurately.With the Sontronics SOLO, you definitely have a piece of quality technology in your hands. This is immediately noticeable, not least because of its weight: the microphone weighs in at an impressive 792 grams. This weight is another reason why the SOLO immediately conveys a feeling of quality and stability. No less solid is the frequency response, which ranges from 50 Hz to 15 kHz and, thanks to its fine tuning, makes processing the signal with an EQ superfluous in many cases. The Sontronics also impresses in terms of sensitivity with a value of -50 dB.The Sontronics SOLO is the first dynamic microphone to be developed and manufactured entirely in the United Kingdom. The black anodised aluminium housing therefore contains genuine British technology - a guarantee of first-class quality and outstanding sound with legendary status, especially in the audio sector. The microphone is manufactured and assembled less than 10 miles from the company's headquarters in the English county of Dorset. Even the packaging of the microphone is produced within a 30-mile radius and is fully recyclable.Sontronics CEO Trevor Coley is committed to the idea of sustainability in both the packaging and the microphones themselves. The Sontronics SOLO, like all of the manufacturer's products, is therefore designed to last. This quality standard is reflected in the lifetime guarantee that Sontronics offers to registered first-time buyers. All the buyer has to do is register with Sontronics within 30 days of purchase. The Sontronics SOLO therefore offers guaranteed quality from England.

The first Sigma was already a great success for Sontronics and one of the first ribbon microphones to be operated with phantom power. The completely newly developed successor model is manufactured by hand in England from high-quality components and has been further refined in terms of sound compared to its predecessor. An innovation in the circuitry of the Sigma 2 are RFI filters that eliminate interference - the result is a particularly clean signal even under difficult conditions, for example on live stages. The extremely low self-noise and the sound character with defined highs, gripping mids and powerful bass make the Sigma 2 an excellent choice for acoustic and orchestral instruments. The Sigma 2 lends speech and vocals a nostalgic vintage charm. The Sigma 2 also cuts a fine figure with guitar amplifiers, albeit at a moderate distance from the sound source so as not to overload the ribbon. Sontronics has an alternative for close-miking particularly loud sound sources: the Delta 2

The small diaphragm microphone impresses with its sophisticated cardioid characteristic and a pad circuit of -10dB. The DM-1T is specially designed for miking toms. The microphone captures even the finest sound nuances of the individual drums in optimum quality and thus supports their individual sound characteristics.The DM-1T comes with a microphone clip and a metal drum mount.Like all Sontronics microphones, the DM-1T was tested to the limit before launch to ensure that it works perfectly. Whether in the studio or live. That's why the British company gives a lifetime guarantee on the drum mics. Star producer Flood, who has been in the studio with U2, The Killers and Arctic Monkeys, is also convinced of the quality of the microphones.

With the Apollo 2, the stereo ribbon microphone also receives an upgrade. The two capsules in a Blum-lein arrangement reproduce the sound in detail and vividly. The result is a stereo image that is as pleasant as it is lively, providing a first-class presentation of room signals, choirs, chamber music, piano and drums. The Apollo 2 also features the RFI filters that ensure interference-free transmission in the other Sontronics ribbon microphones of the second generation. Conveniently, the two capsules can also be used individually, allowing the Apollo 2 to function as a mono microphone if required. The frequency range of 20 Hz to 18 kHz covers the entire range of music and creates a balanced sound image.

The STC-1S is a lab-tuned stereo pair of the STC-1 cardioid microphone. With these microphones you will be able to record a perfect stereo image, whether it's a string quartet or an entire symphony - the STC-1S is the ideal microphone for A/B, Y/Y and other stereophonic recordings. The variable filter and pad switches further extend the versatility of this set for use in recording many instruments, whether acoustic or amplified. Compatible with this set are the optional "Omnidirectional" and "Hypercardioid" capsules. Please note, however, that when using these capsules, the microphones can no longer be classified as "stereo tuned". They are supplied in a luxurious wooden case, together with a stereo microphone holder and clamps. The optional capsules can also be stored in the wooden box.

Sontronics CORONA - dynamic vocal microphone in an unusual retro design, developed and manufactured in England, finely tuned sound image ensures a powerful presence and makes an EQ almost superfluous, supercardioid characteristic ensures effective damping of the rear of the microphone, versatile - for both vocals and instruments.

The brand new STC-3X's greatest asset is its versatility: the multi-pattern large-diaphragm microphone offers an adjustable directional characteristic and can be operated with cardioid, omnidirectional or figure-of-eight polar patterns. In addition, a dual pad circuit (-10 dB / -20 dB) and a dual switchable high-pass filter (75 Hz / 125 Hz) have been integrated. The STC-3X is particularly impressive when recording various instruments: from acoustic guitar and piano to loudly played drums, it delivers perfect results. It is also ideal for overhead applications. The STC-3X complete set includes a solid spider for a secure hold and excellent decoupling as well as a pop protection with nylon covering for clean vocal recordings. A 5 metre long, high-quality XLR cable provides the ideal connection to a console, preamp or audio interface. A microphone bag made of hard-wearing plastic for safe transport rounds off each set. You also receive the Toontrack EZdrummer Lite software in the form of a download code. Sontronics offers a lifetime guarantee on all its microphones. This emphasises the British company's high quality standards for components and production

Technical values of the premier class:The Mercury is manufactured by hand in England from the best components. Most of the components used have a manufacturing tolerance of less than 1% - a real speciality in this price class. The technical values of the new microphone from Sontronics are correspondingly excellent: less than 12 dB(A) self-noise, 18 mV/Pa sensitivity. A hand-selected ECC81/12AT7 vacuum tube from European production provides the pleasant, characterful tube sound. This type of tube also leaves its sonic footprint in microphones in the upper price range.Wide range of functions for versatile applications:Despite its low price, the Sontronics Mercury has additional functions that considerably expand its range of applications. The most prominent function is the adjustable polar pattern. A potentiometer on the Mercury's feed section allows the polar pattern to be continuously adjusted from omnidirectional to cardioid to figure-eight in all intermediate forms to suit the respective requirements. This makes it possible to effectively minimise crosstalk in more complex recording setups - the Mercury is the right microphone for almost any situation. The switchable high-pass filter can effectively keep impact sound and bass frequencies below 75 Hz out of the recording. The 10 dB pad extends the Mercury's range of applications for handling signals up to 135 dB.Developed with artists and producers for practical use:Trevor Coley, company founder and chief developer at Sontronics, repeatedly sought the expertise of artists and producers during the development phase. Paul Epworth (Adele, Coldplay, U2, among others) and Gary Barlow (Take That) influenced the creation of the Mercury with their feedback, as did several engineers from Abbey Road Studios. Trevor Coley describes the process himself as follows: 'The Mercury has been three years in the making. It combines the highest quality components and the best of British engineering with our passion for versatile microphones that don't break the budget. We've had great feedback from top artists who have enjoyed working with the prototypes so much that they've already bought the finished product. The Mercury is compared to vintage tube microphones that can cost ten times the price.A lifetime of pleasure with Sontronics:Trevor Coley's confidence in his products is demonstrated by the lifetime guarantee that Sontronics offers to registered first-time buyers. Anyone who buys a new Mercury and registers it with Sontronics within 30 days is rewarded with this service - even if it rarely needs to be utilised. This literally guarantees long-lasting enjoyment of the Mercury.

Rock'n'roll ribbon! The Delta in its original design was already convincing when used with guitar amps and brass instruments. The Delta 2 adopts the ribbon driver of its predecessor and offers an updated circuit with high-quality components and a robust housing design. The circuit is designed to be less sensitive and therefore also allows very loud signals of up to 140 dB to be picked up. Powerful guitar amplifiers can be reproduced just as well with the Delta 2 as saxophone, trombone and trumpet. The powerful mids and basses are complemented by exceptionally clear highs and thus paint a precise picture of the sound source. Like the Sigma 2, the Delta 2 is also manufactured at the Sontronics headquarters in England and features the RFI filter circuit, which makes the microphone particularly insensitive to sources of interference. Ribbon sound for loud signals? The Delta 2 is the answer.

The DM-1B is particularly tough: as the microphone with the largest diaphragm in the new Sontronics range, it was specially designed for kick drums. However, it also delivers impressive results when miking bass amps. Even volumes of up to 150dB using the internal -15dB pad circuit cause no problems. The DM-1B is supplied in a solid aluminium flight case.

With the Aria, the British microphone specialist Sontronics is offering a new model that has been specially developed for this area of application. With its warm, present characteristics and precise response, it produces a unique sound that perfectly emphasises both female and male voices.Selected components for a warm sound for voice recordings To ensure that the Aria achieves an outstanding sound when recording voices, only the best components are used. The specially selected European 12AX7/ECC83 tube provides a silky smooth characteristic reminiscent of sought-after vintage microphones. The large 1.07-inch capsule with edge finish captures the nuances of the voice in detail. In combination with the precise response behaviour and the soft treble cut known from Sontronics, excellent voice recordings are created. Thanks to the fixed cardioid characteristic, disturbing ambient noise is reduced.Developed together with leading musicians and producers to create a tube microphone of the highest quality, Sontronics mastermind Trevor Coley invested 18 months in the development of the Aria. He worked closely with world-class artists and engineers. For example, he was able to draw on the experience of Oscar and Grammy award-winning producer Paul Epworth, who has worked with the likes of Paul McCartney and U2. In addition to Mercury Award-winning musician PJ Harvey, numerous sound engineers from the famous Abbey Road Studios were also involved in the development."I've been working on the concept of a tube microphone specifically for voice recording for a long time," explains Trevor Coley. "The Aria is the result of many months of development and extensive testing. I was very fortunate to be able to recruit some incredibly talented musicians and producers. We've created a microphone that should be a must-have in any studio that demands high-quality voice recordings. With its smooth, warm sound, the Sontronics Aria will take your breath away!"Lifetime guarantee and extensive accessories Sontronics emphasises its own quality standards with a lifetime guarantee. This also applies to the external power supply unit, which offers various setting options in addition to the appropriate power supply. Both a pad for -10dB operation and a switch for the linear 75Hz filter are available. An LED also indicates when the tube has reached the optimum operating temperature for the best sound. In addition to the microphone, the scope of delivery also includes an elegant, velvet-lined wooden box, a robust aluminium case, a microphone spider and a conventional ring holder.

The Sontronics Podcast Pro is a high-quality microphone with a supercardioid characteristic that has been developed and optimised for use as a speech and vocal microphone for podcasting, radio, gaming and voice recording. Its speciality is capturing speech with the best clarity, but vocal and instrument recordings are also easily achieved with the Podcast Pro. The integrated background noise filters and a fine-meshed pop filter, in conjunction with the supercardioid, enable broadcast-quality recordings in the home studio, in a professional environment or in mobile use without additional equipment. The mounting bracket enables effortless and secure attachment to any conventional table stand, boom stand or swivelling stand and the XLR connection allows the Podcast Pro to be set up quickly and easily. The British manufacturer Sontronics emphasises the quality of its products with a lifetime guarantee on all microphones.

The brand new STC-3X's greatest asset is its versatility: the multi-pattern large-diaphragm microphone offers an adjustable directional characteristic and can be operated with cardioid, omnidirectional or figure-of-eight polar patterns. In addition, a dual pad circuit (-10 dB / -20 dB) and a dual switchable high-pass filter (75 Hz / 125 Hz) have been integrated. The STC-3X is particularly impressive when recording various instruments: from acoustic guitar and piano to loudly played drums, it delivers perfect results. It is also ideal for overhead applications. The STC-3X complete set includes a solid spider for a secure hold and excellent decoupling as well as a pop protection with nylon covering for clean vocal recordings. A 5 metre long, high-quality XLR cable provides the ideal connection to a console, preamp or audio interface. A microphone bag made of hard-wearing plastic for safe transport rounds off each set. You also receive the Toontrack EZdrummer Lite software in the form of a download code. Sontronics offers a lifetime guarantee on all its microphones. This emphasises the British company's high quality standards for components and production

The small diaphragm microphone impresses with its sophisticated cardioid characteristic and a pad circuit of -10dB. The DM-1S is perfect for the snare drum. It captures even the finest sound nuances of the individual drums in optimum quality and thus supports their individual sound characteristics.The DM-1S comes with a microphone clip and a metal drum mount.Like all Sontronics microphones, the DM-1S was tested to the limit before its market launch to ensure that it works perfectly. Whether in the studio or live. That's why the British company gives a lifetime guarantee on the drum mics. Star producer Flood, who has been in the studio with U2, The Killers and Arctic Monkeys, is also convinced of the quality of the microphones.

With the Halo, British microphone specialist Sontronics presents a stylish microphone specially designed for miking guitar amps. Based on the multi-award-winning STC-80 dynamic handheld microphone, the Halo gives distorted guitars a concise, powerful sound. For the perfect amp sound "Out Of The Box", Sontronics relies on a special tonal tuning that makes it unnecessary for the user to reach for the EQ. The elaborate capsule suspension with its four springs guarantees excellent impact sound insulation and also ensures a spectacular look.After Sontronics developed the Saturn large-diaphragm condenser model, a studio microphone with excellent sound and appearance especially for vocal recordings, the British microphone specialist is now introducing the Halo, a microphone for recording guitar amps. However, the elaborate capsule suspension is not just for a spectacular appearance: it ensures excellent recordings free from impact sound, even when rocking out in the immediate vicinity of the amp. The all-metal housing with its high-quality finish is also designed for rough everyday recording conditions, while the metal ring around the capsule protects the sensitive components from excessive strain.The Halo is a dynamic microphone with a fixed cardioid characteristic. With a frequency range of 50 Hz to 15 kHz, it can transmit the full range of the amp sound. In terms of sound, the Halo is based on the award-winning STC-80 dynamic handheld microphone, although the sound tuning has been clearly trimmed for use on guitar amps. Sontronics mastermind Trevor Coley paid particular attention to achieving a perfect "out of the box" sound. "I'm a guitarist myself and wanted to create a microphone that works immediately in front of an amp." This saves many guitarists from having to reach for the EQ. "Since we developed the STC-80 and launched it on the market, many guitarists have told us how much they like using this microphone to pick up guitar amps," continues Sontronics boss Coley. "So we've retuned the sound based on this capsule and chosen an extravagant housing design to give guitarists a spectacular amp microphone that won't break the bank."

With the STC-2 PACK, Sontronics presents a bundle for high-quality vocal and instrument recordings in studio quality. The package includes the STC-2 large diaphragm cardioid condenser microphone and an accessory pack consisting of a spider, pop shield, cable and bag. The STC-2 offers clear, open transmission with soft highs and crisp bass. Thanks to the pad circuit, the microphone can also be used with loud signal sources such as drums. With the metal spider and the pop protection that can be mounted on the spider, the STC-2 PACK offers the best conditions for perfect studio-quality recordings straight from the factory. A 3 m XLR cable and a robust storage bag to protect the microphone when not in use round off the package.

The STC-1S is a lab-tuned stereo pair of the STC-1 cardioid microphone. With these microphones you will be able to record a perfect stereo image, whether it's a string quartet or an entire symphony - the STC-1S is the ideal microphone for A/B, Y/Y and other stereophonic recordings. The variable filter and pad switches further extend the versatility of this set for use in recording many instruments, whether acoustic or amplified. Compatible with this set are the optional "Omnidirectional" and "Hypercardioid" capsules. Please note, however, that when using these capsules, the microphones can no longer be classified as "stereo tuned". They are supplied in a luxurious wooden case, together with a stereo microphone holder and clamps. The optional capsules can also be stored in the wooden box.