In the past, anyone who wanted to produce music, videos or other content professionally had to go to specialised studios. Today, podcasts and YouTube videos for millions of followers and even international hit albums can be recorded at home or spontaneously on the go. It doesn't take much anymore. However, it is crucial that the remaining equipment is as flexible and well thought-out as possible.With the VARI®-ARM M 38, Gravity® has created such a universal tool that allows you to use a wide variety of devices - from a microphone clip to a tablet or an action cam - almost anywhere and in any orientation in a matter of seconds.The VARI®-ARM M 38 is an innovative mounting arm with three joints that allow you to move your equipment freely and precisely into any desired position. The highlight: you only need one adjusting screw to lock and unlock the three joints. As soon as you have found your desired position, tighten the adjusting screw and all elements of the VARI®-ARM M 38 remain firmly and securely in position - thanks to a load capacity of 3 kilograms, even with DSLM cameras including a standard lens or a heavyweight microphone such as the broadcast classic RE-20.At the top end of the VARI®-ARM is a 3/8" thread onto which you can screw a microphone clamp, a pop filter and more. You are completely flexible with the included adapter (3/8" to 1/4" reduction thread) with which you can use almost any photo camera on the market, a handheld recorder or a smartphone holder with the VARI®- ARM M 38. Thanks to the solid clamp with a wide 15 to 35 mm clamping range at the lower end, the VARI®- ARM can also be easily attached to most tables and tubes (e.g. tripods). The clamp can also be unscrewed to reveal a 3/8" thread for screwing on the VARI®-ARM itself.As a universal tool for your creative applications, there are virtually no limits to the uses of the VARI®-ARM M 38.
A professional windscreen for lavalier and headworn microphones with a patent-pending design that guarantees quick installation, highly efficient and reliable protection against wind and unrivalled acoustic transparency. Fits round, omnidirectional miniature microphones with a diameter of 2.5 to 5.8 mm
A professional windscreen for lavalier and headworn microphones with a patent-pending design that guarantees quick installation, highly efficient and reliable protection against wind and unrivalled acoustic transparency. Fits round, omnidirectional miniature microphones with a diameter of 2.5 to 5.8 mm
A professional windscreen for lavalier and headworn microphones with a patent-pending design that guarantees quick installation, highly efficient and reliable protection against wind and unrivalled acoustic transparency. Fits round, omnidirectional miniature microphones with a diameter of 2.5 to 5.8 mm
A professional windscreen for lavalier and headworn microphones with a patent-pending design that guarantees quick installation, highly efficient and reliable protection against wind and unrivalled acoustic transparency. Fits round, omnidirectional miniature microphones with a diameter of 2.5 to 5.8 mm
Windscreens made of open-cell polyurethane foam are available to prevent interference noise that can occur during close miking, wind influence or, for example, when the microphone boom is swivelled quickly. These windscreens do not generate any disturbing resonances and do not influence the directional characteristic of the microphone. The transmission level is slightly attenuated in the upper frequency range. The attenuation of the wind noise was measured without an electrical filter, in a turbulent air flow at a speed of 20 km/h, generated by a noiseless wind machine. Windscreen for U 89 i and TLM 193, diameter approx. 90 mm. Attenuation of wind noise approx. 27 dB. Attenuation at 15 kHz approx. 3 dB. Colour black.
The RC22 capsule brings the sound of the popular PR22 vocal microphone to the wireless domain. The capsule is compatible with handheld transmitters from Shure and Line6. It emphasises the high mids/trebles and slightly lowers the lower mids. The RC22 therefore asserts itself very well in the mix and at the same time delivers a tidy, "finished" sound. The scope of delivery includes a total of three microphone baskets in the colours gold, silver and black.
Reliable wireless transmission and detailed 24-bit audio processing deliver an excellent personalised monitor mix for any performance. Two audio channels can be sent simultaneously to a pocket receiver over a range of 90 metres. The patented Audio Reference Companding guarantees clear sound and a clean signal without artefacts or dropouts. The robust half-19-inch transmitter can be operated intuitively, the radio environment is scanned via Scan and Sync and a free frequency is transmitted from the receiver to the transmitter via infrared. Equipped with balanced jacks and loop-out, the transmitter can be connected to various audio sources or other P3T transmitters.The product on offer transmits/receives in the frequency range S8=823-832 MHz, which is free of charge and registration.The following frequency ranges are also available on request: H8E: 518-542 MHz, K3E: 606-630 MHz, K12: 614-638 MHz, L19: 630-654 MHz, M16: 686-710 MHz, Q25: 742-766 MHz, R12: 794-806 MHz, T11: 863-865 MHz
Windscreens made of open-cell polyurethane foam are available to prevent interference noise that can occur during close miking, wind influence or, for example, when the microphone boom is swivelled quickly. These windscreens do not generate any disturbing resonances and do not influence the directional characteristic of the microphone. The transmission level is slightly attenuated in the upper frequency range. The attenuation of the wind noise was measured without an electrical filter, in a turbulent air flow at a speed of 20 km/h, generated by a noiseless wind machine. Windscreen for KMR 81 i. Diameter approx. 50 mm, length 195 mm. Attenuation of wind noise approx. 15 dB. Attenuation at 15 kHz approx. 2 dB. Colour black.
The USB-C connection cable is the perfect solution for mobile charging of GLX-D+ handheld and pocket transmitters. The batteries do not need to be removed from the transmitters for charging - use a power socket or a USB port in the car
The outstanding sound of the Austrian Audio OD505 vocal microphone with active dynamic circuit has already won over many FOH technicians, but above all artists and performers. The OD505 WL is the ideal solution for all those who move around during their performance and are therefore reliant on a wireless system but don't want to miss out on the Austrian Audio sound.The OD505 WL1 microphone capsule is the perfect performance partner for any artist, whether lead or backing vocalist. With its natural tuning and fantastic signal quality, it provides the perfect basis for bringing out the strengths of any voice in just a few simple steps.
Dynamic microphone capsule for Sennheiser SKM 5000 and SKM 5200 handheld transmitters. The capsule design is based on the Sennheiser e 900 series vocal microphones. The acoustic tuning of the MD 5235 has been optimised to meet the requirements of loud stage conditions. The sound character helps the singer to assert himself within the band.
Clamp for attaching the capsule and gooseneck of the Neumann Miniature Clip Mic MCM system to the frame of a violin, viola, mandolin and similar instruments. The self-adjusting spring mechanism and the rubber coating ensure reliable attachment without the risk of damaging the instrument. The holder for the gooseneck can be rotated for variable alignment and locks securely into place in 45° increments.