A professional windscreen for lavalier and headworn microphones with a patent-pending design that guarantees quick installation, highly efficient and reliable protection against wind and unrivalled acoustic transparency. Fits round, omnidirectional miniature microphones with a diameter of 2.5 to 5.8 mm
A professional windscreen for lavalier and headworn microphones with a patent-pending design that guarantees quick installation, highly efficient and reliable protection against wind and unrivalled acoustic transparency. Fits round, omnidirectional miniature microphones with a diameter of 2.5 to 5.8 mm
A professional windscreen for lavalier and headworn microphones with a patent-pending design that guarantees quick installation, highly efficient and reliable protection against wind and unrivalled acoustic transparency. Fits round, omnidirectional miniature microphones with a diameter of 2.5 to 5.8 mm
A professional windscreen for lavalier and headworn microphones with a patent-pending design that guarantees quick installation, highly efficient and reliable protection against wind and unrivalled acoustic transparency. Fits round, omnidirectional miniature microphones with a diameter of 2.5 to 5.8 mm
In the past, anyone who wanted to produce music, videos or other content professionally had to go to specialised studios. Today, podcasts and YouTube videos for millions of followers and even international hit albums can be recorded at home or spontaneously on the go. It doesn't take much anymore. However, it is crucial that the remaining equipment is as flexible and well thought-out as possible.With the VARI®-ARM M 38, Gravity® has created such a universal tool that allows you to use a wide variety of devices - from a microphone clip to a tablet or an action cam - almost anywhere and in any orientation in a matter of seconds.The VARI®-ARM M 38 is an innovative mounting arm with three joints that allow you to move your equipment freely and precisely into any desired position. The highlight: you only need one adjusting screw to lock and unlock the three joints. As soon as you have found your desired position, tighten the adjusting screw and all elements of the VARI®-ARM M 38 remain firmly and securely in position - thanks to a load capacity of 3 kilograms, even with DSLM cameras including a standard lens or a heavyweight microphone such as the broadcast classic RE-20.At the top end of the VARI®-ARM is a 3/8" thread onto which you can screw a microphone clamp, a pop filter and more. You are completely flexible with the included adapter (3/8" to 1/4" reduction thread) with which you can use almost any photo camera on the market, a handheld recorder or a smartphone holder with the VARI®- ARM M 38. Thanks to the solid clamp with a wide 15 to 35 mm clamping range at the lower end, the VARI®- ARM can also be easily attached to most tables and tubes (e.g. tripods). The clamp can also be unscrewed to reveal a 3/8" thread for screwing on the VARI®-ARM itself.As a universal tool for your creative applications, there are virtually no limits to the uses of the VARI®-ARM M 38.
High-performance microphone module for professional use. Unrivalled in its class in terms of presence and assertiveness. Enormous tonal clarity and feedback resistance make it an enrichment for every vocalist. Compatible with all ew G3, ew D1, 9000 and 2000 series handheld transmitters.
SPACE catapults the Reflexion Filter into another dimension!Excursus Reflexion Filter:The Reflection Filter is a portable solution for reducing the amount of room ambience during recording. The multi-layered screen can be attached behind any microphone thanks to its variable mount, thus enabling 'dry' vocal or instrument recordings with a significantly reduced room component.This is particularly useful in studios without special acoustic treatment. It also enables recording in the control room (e.g. when the artist has to operate the recording equipment at the same time) or reduces ambient noise in practice rooms.
The RC35 capsule brings the sound of the popular PR35 microphone to the wireless domain. The capsule is compatible with handheld transmitters from Shure and Line6. It is ideal for live vocals. The RC35 offers a pronounced but absolutely transparent sounding low-mid and bass range. An additional treble boost ensures maximum speech intelligibility without sounding unpleasantly sharp. This microphone becomes a problem solver thanks to its high resistance to feedback. The PR35 allows an extremely high gain before feedback. Musicians, FOH and monitor mixers love it equally! Practical tip: the capsule of the microphone changes the directional characteristic and frequency response only minimally, even when miked up.
No slipping microphone stand in front of the guitar amp during the show and space in the studio in front of the amp. Finally available, ingenious microphone mounting system for guitar combos. The clamping device enables perfect positioning of a microphone on the amp. The one-piece microphone holder is simply clamped to the amp, the boom can be rotated 360 degrees and is fixed in place with a knurled screw.
CORDIAL has added both 3-pin and 4-pin mini XLR to jack instrument cables to its range as an inexpensive yet high-quality alternative to the often very expensive original cables from bodypack transmitter manufacturers. The cables are assembled with the indestructible NEUTRIK NP2 jack plug and the robust REAN mini XLR, while the proven, extremely slim CORDIAL Microflex CMK 209 is used by the metre.
The KSM11 capsule for wireless microphones makes the voice stand out clearly from the mix with its full bass, clear mids and detailed highs, even without extensive use of an equaliser. The KSM11 cardioid condenser microphone capsule was specially developed for live performances, live recordings and high-quality streaming to deliver outstanding sound quality with digital wireless systems.
Especially for you as a musician, the topic of "customised hearing protection" is very important, because your perfect hearing is the basis and condition for the quality of your work. Protect your ears during band rehearsals, live concerts and wherever it gets loud.With the "ER" hearing protection, which is perfectly customised to your ear and offers almost linear attenuation of frequencies, you are perfectly equipped.
Special version of the CK97 L condenser clip-on microphone with short gooseneck element for direct attachment to bodypack transmitters.A length-adjustable neck cord allows a bodypack transmitter and microphone to be worn comfortably around the neck for quick and easy switching between speakers.
The PS101 Proscreen is one of Stedman's most popular pop filters with a metal mesh. With a diameter of 12 centimetres, it reliably prevents annoying pop sounds during vocal recordings and with the 33 centimetre long gooseneck arm, the PS101 can be conveniently and flexibly attached to any stand. The additional vinyl cover serves first and foremost as protection, but also significantly reduces noise when adjusting the gooseneck arm.Pop filters with a metal mesh are far more effective than conventional textile mesh filters. Instead of simply dispersing incoming pop sounds, the Proscreen directs the airflow downwards and thus completely away from the microphone capsule. Even when the microphone is extremely close, the Proscreen pop filter does not allow any popping "P's" or "B's" to reach the microphone. The large openings of the metal pop filter ensure that vocals can reach the microphone unhindered and uncoloured and that important details of every recording are preserved unaltered.The patented Proscreen filter material and the solid metal alloy clamp are both powder-coated. Stedman Proscreens also feature a high-quality clamp knob with a soft nylon tip to protect studio equipment and stands from scratches.