Microphones

The Sony C-100 large diaphragm condenser microphone continues the legend of the well-known and popular Sony C-800 studio microphone with its dual capsule technology. With an extremely wide frequency coverage from 20Hz to 50kHz, it enables balanced and detailed recordings with uncut treble reproduction. This makes it the first microphone on the market that is compatible with the Sony Hi-Res standard. The switchable polar pattern makes it suitable for a wide range of applications - from voice, vocal and instrument recordings in the recording studio to the recording of entire symphony orchestras - the C100 offers a fantastic and faithful sound in all situations.

The WA-47 is a large-diaphragm tube condenser microphone with a 9-way switchable polar pattern. It is based on the classic '47 microphone, which can be heard on countless hit albums from the last 50 years of music history. The WA-47 is designed for professional recording studios as well as for home studios, live and broadcast applications. It harmonises perfectly with vocals, acoustic and electric guitars, acoustic and electric bass, drums, piano, strings, brass and woodwind instruments and many other sources.The classic '47 became very popular in the 1960s and is still one of the best vocal microphones ever made. The originals are still extremely popular with sound engineers worldwide. However, they have become extremely rare and are generally only available at extremely high prices.It was a great challenge for Warm Audio to build the WA-47 true to the classic model, as some of the original components have not been available for a long time. However, during the development process, Warm Audio was able to compare the WA-47 with two different original '47 microphones and realised that the two vintage microphones sounded slightly different. These comparison tests became the starting point for customising the WA-47 with the best characteristics of the two models.Once again, Warm Audio has managed to bring a beautiful sounding classic of studio history to the market at a price that makes a rare legend affordable to more people than ever before and indistinguishable from the vintage microphones in terms of sound.As with all Warm Audio products, the developers have focussed heavily on using the highest quality components possible. The WA-47 is also equipped with top components that are sourced from the best pro audio component suppliers worldwide. In this way, the Texan manufacturer ensures that it gets the best out of its product.The capsule:The WA-47 uses a custom-made replica of the capsule used in the classic '47 microphone - designed with the same hole pattern and frequency response. The Warm Audio version of the capsule (model # WA-47-B-80v) is manufactured with the utmost care by an Australian capsule manufacturer. Its precision enables Warm Audio to reliably provide this most important element of sound transmission at the highest level.The tube:Warm Audio took a very close look at four tube manufacturers in the run-up to development and fell in love with the Slovakian vacuum tube JJ 5751. Due to its low gain and low inherent noise, it transmits significantly more acoustic details of the capsule and transformer than tubes with higher gain. The frequency response of the JJ 5751 and the way it affects the behaviour of the circuit is extremely smooth and absolutely vintage.The transformer:The WA-47 uses a TAB-Funkenwerk (AMI) USA transformer with a large toroidal core and German transformer plates. Among other things, this transformer is responsible for the velvety soft highs and the thick belly that you would expect from a 47 microphone.The cable:One tube microphone component that receives little attention from many manufacturers is the 7-pin cable that connects the microphone to its power supply. In testing the WA-47 and other tube microphones, Warm Audio has learnt a lot about how drastically the shielding and wire gauge of 7-pin cables can affect the performance of a tube microphone. That's why Warm Audio has teamed up with Swiss cable specialist Gotham Kabel to supply the WA-47 with the 7-pin GAC-7 cable. This high-end cable greatly increases the airiness of the sound and the size of the recorded image on the stereo base compared to cheaper cables.The capacitors:A polystyrene coupling capacitor from Wima is used on the input side of the WA-47 and a Solen capacitor from France is used on the output side to drive the TAB-Funkenwerk (AMI) USA transformer.

The EM-89D from the Mackie EleMent series is a robust and reliable vocal microphone with high sound quality. Not only is it an excellent choice for vocalists, but its roadworthy construction and precise tuning also make it suitable for miking instruments. Portable dynamic microphones are the workhorses of the audio industry, and the rugged EM-89D is up to any task.

With the Aria, the British microphone specialist Sontronics is offering a new model that has been specially developed for this area of application. With its warm, present characteristics and precise response, it produces a unique sound that perfectly emphasises both female and male voices.Selected components for a warm sound for voice recordings To ensure that the Aria achieves an outstanding sound when recording voices, only the best components are used. The specially selected European 12AX7/ECC83 tube provides a silky smooth characteristic reminiscent of sought-after vintage microphones. The large 1.07-inch capsule with edge finish captures the nuances of the voice in detail. In combination with the precise response behaviour and the soft treble cut known from Sontronics, excellent voice recordings are created. Thanks to the fixed cardioid characteristic, disturbing ambient noise is reduced.Developed together with leading musicians and producers to create a tube microphone of the highest quality, Sontronics mastermind Trevor Coley invested 18 months in the development of the Aria. He worked closely with world-class artists and engineers. For example, he was able to draw on the experience of Oscar and Grammy award-winning producer Paul Epworth, who has worked with the likes of Paul McCartney and U2. In addition to Mercury Award-winning musician PJ Harvey, numerous sound engineers from the famous Abbey Road Studios were also involved in the development."I've been working on the concept of a tube microphone specifically for voice recording for a long time," explains Trevor Coley. "The Aria is the result of many months of development and extensive testing. I was very fortunate to be able to recruit some incredibly talented musicians and producers. We've created a microphone that should be a must-have in any studio that demands high-quality voice recordings. With its smooth, warm sound, the Sontronics Aria will take your breath away!"Lifetime guarantee and extensive accessories Sontronics emphasises its own quality standards with a lifetime guarantee. This also applies to the external power supply unit, which offers various setting options in addition to the appropriate power supply. Both a pad for -10dB operation and a switch for the linear 75Hz filter are available. An LED also indicates when the tube has reached the optimum operating temperature for the best sound. In addition to the microphone, the scope of delivery also includes an elegant, velvet-lined wooden box, a robust aluminium case, a microphone spider and a conventional ring holder.

The TLM 103 is the ideal large diaphragm microphone for all those who do not want to do without uncompromisingly professional technology despite tight budget limits. It works with the transformerless circuit technology already proven in numerous Neumann microphones, offers an unrivalled low self-noise level and maximum dynamic range. The cardioid capsule used is particularly well-balanced acoustically and has excellent cancellation for rear sound incidence.

The e 908 condenser microphone is available for two different application areas: Sennheiser E 908 B for wind instruments, congas and drums with a cantilever mount and Sennheiser E 908 D for drums and percussion.

The V4 U is the studio vocal microphone from SCHOEPS.It combines the outstanding technical features typical of SCHOEPS with a timeless, classic design.The appearance of the V4 U is based on the SCHOEPS CM 51/3 microphone from 1951. However, the V4 U is a modern cardioid microphone: the capsule, electronics and mechanics are the result of an elaborate new development.

Whether on stand toms, snare drums or percussion instruments - the TG D57c condenser microphone is mounted and ready for use in a flash thanks to the patented clip-on mount and integrated power supply. The extended frequency range ensures true-to-life reproduction of all drum types and the 72 mm long flexible gooseneck allows optimum alignment to the sound source. There is an elasticated capsule suspension on the capsule housing, which protects against damage from stick hits. And the new electronics ensure increased level stability and guarantee an enormous maximum sound pressure level - even with phantom power supplies below 44 volts.

The LCT 441 FLEX is Lewitt's purist multi-pattern studio microphone. It follows the path that Lewitt has already trodden with the highly acclaimed LCT 440 PURE: Top technology in a stylish and compact housing.It goes without saying that Lewitt has not done without the Lewitt-typical extra with the LCT 441 FLEX: this true condenser microphone with 1 capsule offers eight different polar patterns, including three for rear sound entry. The directional characteristic not only determines the amount of sound that is picked up. Each polar pattern has its own frequency response, which significantly changes the sound of the microphone. It can also influence the intensity of the proximity effect.The LCT 441 FLEX can be used to record vocals, acoustic guitar and string instruments as well as guitar amplifiers, drums and percussion - basically anything.The microphone is supplied with a spider, windscreen and magnetic pop filter.

The d:vote series is already the recognised benchmark for this type of microphone. The CORE version delivers even better sound quality and distances itself even more clearly from competitor products. The d:vote CORE 4099 delivers even more clarity and detail across the entire dynamic range. CORE technology is the logical choice for musicians, live sound engineers and anyone else who doesn't want to compromise on sound quality.CORE by DPA is the powerful new technology that underpins DPA miniature microphones. We have minimised distortion. As a result, the microphones offer a clearer and more open sound from pianissimo to forte. Find out more about CORE by DPA.Whether piano, guitar, strings or wind instruments - d:vote microphones deliver outstanding sound for all instrument types. This one microphone model can amplify an entire orchestra beautifully. You can mount the microphone on another instrument using the matching bracket. The award-winning d:vote series offers a far more natural sound than other clip-on microphones or pickups. This condenser microphone suppresses unwanted noise and accurately captures the true sound of your acoustic instrument.(The display image is for reference only, please always refer to the item description for the correct number)

This solution utilises the MMC4018 microphone capsule, which offers a supercardioid pattern with high directivity and a smooth and consistent off-axis frequency response. The supercardioid shape is frequency independent and guarantees a consistent sound colour around the microphone. Die bei den meisten Supernieren-Mikrofonen übliche rückwärtige Niere wurde bei dieser Kapsel minimiert. As a result, it is much better isolated, without sudden frequency-dependent peaks and dips.

The R88 series ribbon microphones capture sound the way you hear it - with an honest and open tonality. The R88 and R88A effortlessly capture complex sources such as drums, strings, piano and other instruments that produce intricate transients, raw highs and powerful bass.

The new sE8 is a high-quality small diaphragm microphone with outstanding sound characteristics. The elaborately manufactured electrode enables a very balanced and particularly natural transmission of instruments of all kinds. This also allows the intensive use of EQs or filters without making the recording unpleasant. With the highest dynamic range and the highest overload resistance in its class as well as the practical, switchable attenuation and high-pass filters, the sE8 offers unbeatable flexibility for every application in the studio and on stage.Handmade small diaphragm capsule:Each capsule is handcrafted and customised in the sE factory with great attention to detail. The wafer-thin, gold-vapour-plated diaphragm offers impressive transient reproduction and captures even the smallest details. The precision-crafted electrode has been optimised for maximum linearity and natural reproduction, resulting in a very smooth, balanced frequency response.Precise, direction-independent polar pattern:Thanks to the sophisticated acoustic design with precision parts, the directional characteristic is largely independent of direction. This prevents sound colouration, especially in demanding recordings.The lowest-noise small diaphragm microphone in its class:The extremely short signal path, the discrete components and the optimised Class A circuitry make the sE8 one of the lowest-noise microphones on the market - and by far the quietest microphone in its class. The outstanding transparency, the enormous dynamic range and the very low distortion are due to an innovative circuit concept with a transformerless output stage.Attenuation filter with two stages:High flexibility and an extended dynamic range are achieved by the attenuation filter. The two stages prevent clipping of the electronics and the connected microphone preamp or audio interface right at the start of the signal chain. This means that even very loud instruments such as brass instruments and snares can be miked without any problems, even in the near field.Two-stage high-pass filter:The integrated high-pass filter can be switched between 80Hz and 160Hz to attenuate unwanted rumble and footstep noises as well as the bass boost caused by near-field miking (proximity effect).Robust metal housing and high-quality surfaces:The sophisticated design is particularly durable and effectively shields the electronics from electromagnetic interference.Gold-plated XLR plug:The corrosion-free contacts enable loss-free and reliable transmission for many years.Accessories supplied:The sE8 is supplied with a windscreen, a tripod adapter and a threaded adapter.

Professional dynamic microphone with supercardioid characteristic:In the field of high-quality dynamic microphones, MIPRO relies on proven neodymium technology with a high dynamic range and precise sound reproduction. The specially developed multi-layer microphone baskets used here also reduce pop noise without colouring the sound and the flexible microphone capsule suspension reduces structure-borne noise and handling noise. The wired and wireless microphones from MIPRO are therefore ideally suited for all speech and vocal applications as well as for miking instruments.The MM-107 is a dynamic microphone for speech and vocal applications. Its steel basket, shock-mounted capsule and integrated windscreen make it fully suitable for stage use. The MM-107 ensures present mids and good speech intelligibility. The supercardioid polar pattern protects against feedback and the integrated windscreen minimises breathing noise. It has an on/off switch.

Whether in the hand or in the ear, the dynamic TG V70d live vocal microphone with hypercardioid pickup pattern impresses both on and in front of the stage as well as behind the mixing desk - singers, audience and hire companies alike.The reasons: the very well-resolved, powerful sound, excellent feedback resistance and a pronounced proximity effect. All directional microphones reproduce low frequencies louder than medium and high frequencies at close microphone distances.With a rich bass foundation to support less powerful voices. Even without the aid of the mixing console sound control, it delivers an impressively round and exceptionally powerful sound. In other words, all you need to do is plug it in and activate the high-pass filter - and you're done. In addition, the design is pleasing to the hand and eye, with a well thought-out housing structure and a progressively damped capsule suspension for low handling noise.