Vocal Microphones

The Sontronics SOLO proves that a high-quality dynamic microphone made entirely in the UK doesn't have to be expensive. Its present and detailed sound predestines the SOLO especially for vocals and the miking of guitar amps or drums. The high-quality and extremely solid workmanship speaks in favour of use both in the studio and under tough live conditions. As the entire production process, from development to final assembly, takes place in the UK, the SOLO is the first dynamic microphone to earn the "made in the UK" label.Sontronics is known for its outstanding and remarkably affordable condenser microphones. With the new SOLO, the Poole-based manufacturer is presenting the first ever dy-namic microphone made entirely in the UK. Its supercardioid characteristic and solid workmanship make the microphone ideal for the stage, but its sound also makes it the perfect tool for vocals, guitar amplifiers or drums in the studio.With the SOLO, Sontronics has developed a dynamic microphone that can be used for a wide variety of applications. As a handheld microphone, it is ideal for capturing vocals or spoken presentations. In addition, its sound also qualifies the SOLO for miking guitar amps or drums. Snare, toms, even the bass drum or hi-hats can be transferred to the PA or hard disc with the help of the Sontronics SOLO. The powerful presence of the microphone helps the signals to assert themselves, while its fine tuning preserves the richness of detail of the instrument. The strong attenuation in the off-axis of its supercardioid characteristic allows very precise signal separation even under difficult live conditions when positioned accurately.With the Sontronics SOLO, you definitely have a piece of quality technology in your hands. This is immediately noticeable, not least because of its weight: the microphone weighs in at an impressive 792 grams. This weight is another reason why the SOLO immediately conveys a feeling of quality and stability. No less solid is the frequency response, which ranges from 50 Hz to 15 kHz and, thanks to its fine tuning, makes processing the signal with an EQ superfluous in many cases. The Sontronics also impresses in terms of sensitivity with a value of -50 dB.The Sontronics SOLO is the first dynamic microphone to be developed and manufactured entirely in the United Kingdom. The black anodised aluminium housing therefore contains genuine British technology - a guarantee of first-class quality and outstanding sound with legendary status, especially in the audio sector. The microphone is manufactured and assembled less than 10 miles from the company's headquarters in the English county of Dorset. Even the packaging of the microphone is produced within a 30-mile radius and is fully recyclable.Sontronics CEO Trevor Coley is committed to the idea of sustainability in both the packaging and the microphones themselves. The Sontronics SOLO, like all of the manufacturer's products, is therefore designed to last. This quality standard is reflected in the lifetime guarantee that Sontronics offers to registered first-time buyers. All the buyer has to do is register with Sontronics within 30 days of purchase. The Sontronics SOLO therefore offers guaranteed quality from England.

Tough as a tank and ready for the stage - the secret weapon for a variety of applications such as kick drums and other high sound pressure level sources.The BL8 is a semi-cardioid boundary microphone that uses the same capsule as the famous sE8 small diaphragm condenser microphone. Its handcrafted condenser capsule uses an ultra-thin, three micron, gold-plated diaphragm for excellent transient response. Designed to reproduce low frequencies with amazing accuracy, the BL8 is perfect for pairing with the V Kick, but can also be used on its own without an additional kick drum mic. It is also compatible with the Kelly Shu Flatz Isolation System, making it ideal for touring applications.The BL8 utilises a Class A transformerless circuit that provides ample headroom without distortion and low-noise electronics for transparency and clarity. The integrated low-cut filter and optional EQ shaping switch make it a very versatile microphone that is ideal for ambient recordings and detailed room miking and can even be used for miking pianos. Thanks to the switchable attenuator, the BL8 prevents sources with high sound pressure levels from overloading the input of your mixing console.The BL8 is robustly built with an all-metal construction, deformation-resistant grille and gold-plated XLR contacts to ensure long-term reliability.Equipped with the familiar 1/2" cardioid sE8 condenser capsule:The BL8 uses the same capsule as the famous sE8 small diaphragm condenser microphone and features a handmade condenser capsule with an ultra-thin, gold-plated 3-micron diaphragm for excellent transient response.Tough as a tank and ready for the road:The BL8 is built tough with an all-metal construction and deformation-resistant grille - perfect for touring and busy stages. The BL8 is also compatible with the Kelly Shu Flatz Isolation System and can be easily integrated into any kick drum.Damping pad and low-cut filter:The integrated low-cut filter and attenuation pad make the BL8 a very versatile microphone that is ideal for ambient recording and room miking and can even be used on pianos, while preventing high sound pressure sources from overloading the mixer input.Classic and modern voicings for live and studio recordings:The ideal studio kick drum sound often differs from our preferences in a live sound environment. Similar to the award-winning V Kick kick drum microphone, the BL8 offers "Classic" and "Modern" voicings. These options cut and model the low mids to emphasise transients and punch. In the centre position, the neutral frequency response of the capsule is maintained, which is ideal for a variety of other applications.Incredible dynamic range in all areas:The BL8 is equipped with a Class A transformerless circuit that provides ample headroom without distortion. Its extremely low-noise electronics enable demanding applications such as miking grand pianos or rooms, while the BL8 also reproduces low frequencies with astonishing accuracy. The BL8 is perfect in combination with the V Kick, but can also be used on its own without an additional kick drum microphone.Gold-plated XLR connector:The BL8 is equipped with a gold-plated XLR connector, which guarantees a loss-free, reliable signal connection for many years.

The dynamic PGA48 microphone is robust and offers a present sound. It is ideal for karaoke or speech applications and is equipped with an on/off switch. The PGA48 is supplied with a microphone clamp, transport bag and XLR cable.

Looking for the best possible sound for the stage? You'll find it with the OD303, the latest dynamic vocal microphone from Austrian Audio. Austrian Audio has succeeded in designing a stage microphone that focusses on the essentials: A top sound for your voice. The well-balanced, open yet powerful sound is unrivalled in this price range. With its robust construction, the OD303 will withstand daily use in the rehearsal room as well as any tour without any problems. The die-cast housing is virtually indestructible and the microphone sits perfectly in the hand. The OD303 also follows the now legendary Open Acoustic technology from Austrian Audio, which provides an optimally shaped supercardioid polar pattern over a wide frequency band and outstanding feedback stability. In contrast to the competition, the widespread practice of holding the microphone close to the microphone headgrille does not play a role thanks to the open design, as there are hardly any changes in the sound or feedback behaviour. Sound engineers will greatly appreciate these characteristics. Furthermore, the 3D Pop Noise Diffuser developed by Austrian Audio minimises the noise that can be caused by explosive sounds such as "T" and "P".

An exquisite voice sounds even more brilliant with an exquisite microphone. The e 865 is in a class of its own. This condenser microphone is rich in tonal nuances - the treble reaches the astonished audience in the most polished shades. The light, fast-reacting diaphragm ensures very precise, natural sound reproduction. But as sensitive as the e 865 is when picking up sound, it is just as robust in everyday life on stage. Even a sound pressure level of 150 dB is no problem. Popping noises are effectively suppressed. Feedback is no longer an issue.

Dynamic large diaphragm vocal microphone

LD Systems BM1 boundary microphone is an electret condenser microphone with hemispherical characteristic. For use on stage or in the studio for miking pianos and grand pianos. Further applications in the field of conference technology, transmission for round table discussions and theatre performances.

The new stage standard:An extremely powerful sound that is never intrusive - that is what characterises the TG V50d and the TG V50d s.In combination with the elegant design and the robust, stage-ready construction, this sound makes the TG V50d a reliable companion that you won't want to be without. This is the definition of the new stage standard.Whether on stages of any size or in rehearsal rooms, the dynamic TG V50d is an excellently tuned live vocal microphone. The balanced, powerful and natural sound, the very wide recording range thanks to the cardioid polar pattern, the high degree of feedback resistance and a whole host of plus points in terms of handling and robustness as well as look and feel are remarkable. The TG V50d is also convincingly quick to set up - plug it in, activate the high-pass filter and you're ready to go. These are advantages that have made it a favourite among lead and backing vocalists of all musical genres as well as professional rental companies and sound engineers.The TG V50d is also available with a switch as the TG V50d s. The switch recessed in the handleSwitch recessed in the handle can be locked and works absolutely click-free.

The "Singer" RC set is optimised for use as a support/soloist microphone for a singer or speaker.This set is known worldwide as the "Pavarotti stand" and is a general standard on concert stages. The simple elegance of the stand construction with the highest sound quality offers both optimum sound and a concert stage look that is appreciated by audiences and directors.Other applications can be realised by varying the length of the RC and/or STR.

The Beta 87C is a professional condenser vocal microphone for the stage. The sound is extremely clear, detailed, warm and assertive. The cardioid characteristic, with its very good rear shielding, makes it ideal for in-ear monitoring.

The OM5 is a dynamic handheld microphone for lead and background vocals. It is suitable for use on any live stage as well as for miking in the recording area. The mid-range area is deliberately emphasised to guarantee a clear and clean vocal recording. Thanks to the VLM technology used, the OM5 offers a linear frequency response from 48 Hz to 19 kHz.In addition to its use as a vocal microphone, it can also be used to pick up saxophones, various wind instruments, percussion and drums. Of course, it can also be used for voice transmission.

Flexibly adjustable MX 418S gooseneck microphone with interchangeable capsules for a wide range of applications.

The d:facto series provides a true studio sound on the live stage and in the broadcast studio. These microphones are available in an extremely linear version as well as a version with presence boost. The modularity of the d:facto series allows capsule and adapter replacement, making it the most flexible vocal microphone on the market.The d:facto was specially designed for vocals on stage. It has a supercardioid capsule that reproduces every nuance of the human voice in a transparent, unadulterated and captivating way. Two versions are available. The d:facto Linear Vocal Microphone (4018VL) is extremely linear. The d:facto Vocal Microphone (4018V) is linear, but with a presence boost. The 4018V is often chosen because it cuts through in the recording studio, where the content is usually sent to in-built TV speakers with limited audio quality.Apart from linearity/boost, these microphones are identical. Both versions offer an isolation-optimised supercardioid polar pattern. This polar pattern offers the best of both worlds - cardioid and supercardioid. These microphones are equipped with a three-stage pop protection grille for loud vocals and offer the lowest handling noise in their class. They also offer excellent sound reproduction with all the detail, balanced linear phase and frequency response that users have always relied on from DPA microphones.

Dynamic microphone with acoustic properties very similar to a condenser microphone, but warmer and softer. Very precise sound reproduction across the entire frequency spectrum, without overemphasising individual frequency ranges. At the same time, the PR40 has all the typical advantages of dynamic microphones, such as the high sound pressure limit and the ability not to "hear every flea cough". Thanks to its distinctive directional characteristic, the PR40 ensures an optimum ratio of useful signal to noise. A very good all-round microphone. Excellent for miking horns, bass amps, vocals, speech and bass drums.Recommended applications: Kick drum, bass cabinet, vocals and speech.

Dynamic large diaphragm vocal microphone

AKG CGN321 STS: The CGN321 STS gooseneck microphone is mounted on a heavy table stand. Due to its weight, the microphone is well protected against vibrations and is stable on the table.