Keys

The multi/poly from KORG draws inspiration from the legendary Mono/Poly analogue synthesizer from the 1980s, which was known for its big sound and experimental features thanks to its 4 oscillators, and transfers this concept into the modern age with the help of sophisticated modelling technology. It is the first instrument ever to make use of the latest generation of KORG analogue modelling, which, in addition to the detailed reproduction of classic oscillators and filters, also includes complete voice boards with the interaction of qualitatively different components, envelope generators and even portamento behaviour for the first time. In this way, the multi/poly creates sounds that seem almost alive and have the typical analogue timbre. The available classic, digital and waveshaper oscillators, which can of course be freely combined with each other, offer a true playground for sound designers and synthesiser fans. Within a sound programme, 4 oscillators, a noise generator with its own filter and saturation as well as a ring modulator are available. In combination with the dual filter, the flexible cross-modulation known from the Mono/Poly, four loopable DAHDSR envelopes, five LFOs and six modulation processors, there are no limits to the imagination when creating sounds. Up to four such sound programmes can be created within a Performance as Layer. Split or Layer Rotate sounds to create particularly complex timbres. (Layer Rotate is a function inspired by the classic mono/poly that switches between different sound programmes each time a button is pressed in round robin style) To animate these sounds, the Motion Sequencing 2.0 function offers several independent sequencer tracks for timing, pitch, shape and four other parameters, each of which can be recorded as individual steps or in real time. As if that wasn't enough, the Kaoss Physics function provides additional, unique modulation options based on the physical model of a virtual ball that moves on a plane based on previously defined parameters and can be controlled or triggered using the integrated X/Y touchpad. This ball generates eight different modulation signals at any given time, which can affect almost any sound-shaping parameter. This creates complex modulations that are never exactly repeated and can be used particularly effectively in a live context. Three blocks with studio-quality effects as well as a master reverb and a master EQ round off the sounds accordingly. When switching between different sound programmes, the Smooth Sound Transition familiar from the KORG flagship workstations ensures natural-sounding transitions without tearing off the sounds or effects. For the creation of new sounds, an inspiring random function is available, which randomises all or only certain sound-shaping parameters within a previously defined framework at the touch of a button, which can lead to completely new timbres or useful starting points for further sound experiments. The new, semi-weighted keyboard with 37 velocity-sensitive keys provides a pleasant playing feel, while the elegant look with wooden elements on the sides and a blue and black control panel is a lovingly realised reminiscence of the classic mono/poly. For particularly convenient programming of the multi/poly, free editor/librarian software is also available for Mac and PC. And so that the instrument can also be transported in style, it is supplied with a matching blue soft case with the multi/poly logo.

The Korg Monologue is available in 5 different colours.

With the MPX8, musicians are able to load their own samples via SD cards and assign them to each of the eight backlit pads. The MPC pads respond to velocity and pressure dynamics. A sample library is already included with the MPX8, providing an extensive sound library for live musicians and studio productions. Thanks to the intuitive user interface and the backlit blue display, the MPX8 can be operated even in low light. In addition to a 3.5 mm headphone connection, two balanced 6.3 mm jack outputs, 5-pin MIDI and USB MIDI inputs and outputs are available to the musician for integration into different setups. MPX8 also comes with a drag-and-drop sample editor for Mac and PC, which can be used to convert and assign samples. The pitch of the samples can be changed or reverb added and then saved as kits.

Whether you play the guitar, keyboard or another instrument, this newly designed standing aid gives you the support you need, whatever you do.The ergonomically shaped seat provides noticeable relief for the back and prevents premature fatigue. The inclination of the fabric-covered seat can also be infinitely adjusted. With a height adjustment range of 600 to 900 mm, everyone can find their ideal position. The footrest, which is also height-adjustable, provides additional relief. The robust tubular base construction with integrated levelling parquet protector ensures a safe and stable stand. The standing aid can be folded very flat for transportable use.

Enhance your semi-modular Moog instruments with customised Moog-style knobs. This knob kit fits perfectly with the 6mm diameter knurled potentiometers commonly found in synthesizers and features an internal interface that locks the knob in place during assembly without the need for a set screw. The Moog Knob Kit for Knurled Potentiometers contains twenty-five (25) knobs per pack, allowing you to upgrade all your favourite Eurorack modules and semi-modular Moog instruments.

Akai Force blurs the boundaries between modern music production and next-generation DJ performance technology, setting the stage for a new industry standard. Combining a step sequencer, clip-launch function, sampler, synth engines and touch-screen control in one powerful standalone unit, Akai Force brings together essential modern features with a highly intuitive workflow that inspires your creativity and offers ideal expression.Force features an 8x8 clip launch matrix with RGB LEDs, a 7-inch full-colour capacitive multi-touch display, 8 touch-sensitive knobs with graphical OLED displays, 2 audio inputs, 4 audio outputs, MIDI and CV I/O. This versatility gives the user unprecedented creative freedom and expression - without the need for a computer.Intuitive, clip-based workflow is at the heart of the Akai Force, providing the creative foundation for any performance. You can combine various modes - plug-in tracks, MPC-style drum tracks, audio tracks, key group tracks, MIDI tracks and CV tracks - to determine the type of clips you want to use and then customise them to your liking using step sequencers, drum pad performances or sheet music. Be it via the integrated grid or using intelligent chord, progression and scale options.

Transport case for ASM Hydrasynth DesktopIn contrast to conventional hard cases, UNISON cases are not heavy and bulky but light, yet stable and practical to handle. The lower foam insert is customised to the dimensions of the device and has a generous cut-out for the power supply unit and cable. Cut-outs on the sides allow the instrument to be quickly unpacked for the next gig.Analogue Cases stands for practical yet stylish design. The robust and lightweight cases are designed for modern musicians whose equipment, like their lifestyle, is mobile. The manufacturer says about its name:"The name Analog Cases reflects our design philosophy: that cases should be simple, cool and stylish. For us, analogue is more than just a type of sound - it's a way of life. Analogue means timeless, creative and beautiful. That's what motivates us to make music, and it's what motivates us to create cases."

Your favourite modern Moog finally gets the case it deserves! By popular demand, we have designed a customised case to the exact specifications of the Moog-GRANDMOTHER. This spacious and lightweight case is perfect for mobile electronic musicians. In contrast to conventional road cases, our UNISON case weighs only 4.5 kg. You will notice the difference as soon as you lift it. You will also appreciate the spacious and comfortable handle with integrated padding. The interior has been designed with the Moog's modular structure in mind. Thanks to the spacious interior height, you can easily transport a fully patched GRANMOTHER. The studded foam in the top lid cushions and protects your patch cables and synth. The lower foam insert is specially tailored to the dimensions of the GRANDMOTHER and has roomy side recesses that accommodate your power supply and cables and make it easier for you to remove your synthesiser from the case. With a black-on-black aluminium frame and chrome butterfly latches, this case has a super sharp and timeless vintage look.

The lower shelf, reinforced by a second tube, has a 60 cm long pair of holders and is also suitable for particularly heavy keyboards. The other holders are 40 cm long. All shelves are height-adjustable and tiltable. The stand is foldable for transport, but can also be quickly taken apart. Load: lower shelf up to 40 kg, upper shelf up to 15 kg or more with shelf reinforcement as below.

AstroLab 88 - Maximum expressiveness, uncompromising performanceAstroLab 88 combines the best of software and hardware - a powerful stage keyboard with a full 88-key hammer action, perfect for demanding live musicians.Powered by the award-winning Phi/TAE® technology, it offers direct access to over 1,600 sounds from the renowned V Collection and Pigments - including 40 premium instruments. You can easily import and combine your own sound libraries for a fully personalised sound palette.With its robust, minimalist design and technology-orientated user interface, AstroLab 88 reliably brings studio quality to the stage. Rediscover your sounds - without compromise, without limits.