Microphones

The AT2020USB-X is a new edition of the popular AT2020USB+ microphone. It has been specifically designed to meet the needs of creative professionals, making it ideal for streaming, podcasting, music recording, gaming and video recording. The Audio-Technica microphone features the sound of the legendary and critically acclaimed AT2020, combined with the convenience of plug-and-play USB-C operation and a customisable desktop stand.This microphone for creative professionals ensures extremely clear and natural sound reproduction thanks to the high-resolution A/D converter (up to 24-bit/96 kHz sampling rate). The USB-C microphone proves to be a high-quality microphone for recording music in the home studio, as the cardioid pickup pattern ensures that your own voice or another selected sound source is optimally emphasised. The soft, extended frequency response is also ideal for streaming, podcasting and music and video production.The AT2020USB-X offers an integrated headphone socket with volume control, which can be used to monitor the microphone signal directly and without delay. The mix control allows the sound from the microphone to be mixed with the sound from the computer, while the touch-sensitive mute button makes it quick and easy to mute the microphone.Whether you're looking for the best streaming microphone or want to improve your content creation for YouTube videos, the AT2020USB-X is the perfect choice for all creatives.Included accessories: The AT2020USB-X condenser microphone comes with a customisable Audio-Technica table stand that ensures a stable and secure stand. The accessories are complemented by a 3/8"-16 to 5/8"-27 thread adapter, a 2.0 m USB-A to USB-C cable and a USB-A to USB-C adapter.Optional accessories: The AT8455 microphone spider effectively absorbs vibration noise. It is open at the front to allow easy access to the microphone controls and indicators. The mount is compatible with tripods with 3/8"-16 and 5/8"-27 threads.

The CM-15 is an exceptional large-diaphragm condenser microphone in Teenage Engineering Field Design. As the smallest of its kind, the microphone has an integrated ESS Sabre analogue-to-digital converter with maximum sound fidelity. The microphone offers excellent audio quality in an ultra-compact professional setup. The CM-15 delivers a clear and clean sound for professional audio productions. With three gain settings, it is extremely versatile - from soft vocals to loud drums. The CM-15 is an incredibly versatile microphone, both inside and outside the studio. A built-in rechargeable battery powers the microphone for up to 10 hours. From professional music recording to portable studio setups and on-location interviews, the CM-15 is ready to go anywhere. The CM-15 is perfect for vocal and podcast recordings as well as for recording various instruments.

Warm Audio presents the WA-84, a classic small diaphragm condenser microphone with a cardioid characteristic. The vintage-style microphone has a class A signal path and features CineMag transformers, Fairchild transistors and Wima capacitors. As a classic small diaphragm microphone, it is suitable for a wide range of applications, including acoustic and electric guitars and basses, drums, piano, strings and wind instruments.Compact dimensions, big sound:Despite its small dimensions, the WA-84 small diaphragm condenser microphone delivers a voluminous and warm sound. To achieve this, Warm Audio uses a CineMag transformer with a nickel core in the WA-84.Small diaphragm condenser microphones have generally moved to a transformerless design in recent years, making development easier and the manufacturing process less costly. When developing the WA-84, Warm Audio decided to go one step further and chose this exclusive design that delivers a crystal clear yet smooth and big sound. This unusual approach to the design of the WA-84 allows Warm Audio to recreate the legendary sound of the 60's and 70's with today's technology.Warm Audio is proud to offer something special to the market by utilising large-core transformer technology (CineMag USA) in a small diaphragm condenser microphone. The result is a circuit that sounds absolutely stunning in terms of signal integrity and smoothness.The capsule of the WA-84:The WA-84 utilises a vintage-style capsule custom-built for Warm Audio that emulates classic components and design techniques. The WA-84's capsule is carefully crafted by an Australian capsule manufacturer and accurately replicates the legendary specifications. This high-quality capsule is one of the most important components for the sound of the WA-84.The CineMag transformer:The WA-84 uses a US-made CineMag transformer with a nickel core, which contributes significantly to the creamy, warm sound of the small diaphragm condenser microphone.The circuit design and the capacitors:The full Class A circuit design has a major influence on the outstanding sound quality of the WA-84, as do the Fairchild FET and the Wima, polystyrene and tantalum feed-through capacitors used throughout the circuit. With the WA-84, Warm Audio has once again succeeded in bringing a legendary classic into the modern age.All microphones are supplied as a set with spider, pop protection and microphone holder in a robust transport case. The WA-84 is available as a mono or stereo set in the colours nickel and black.

USB podcast microphone with switchable polar pattern and built-in audio recorderTula Mic was created by David Brown, one of the founders of Soyuz Microphones, a respected pro audio brand used by many of the world's top sound engineers and artists. For the development, David teamed up with mechanical engineer Steven Nersesian and electronics and firmware engineer Stefan Burstrom, both known for their work with the iconic Swedish brand Teenage Engineering.The result is a perfect and handy audio tool to provide content creators and people working from home with an intuitive way to record studio-quality sound (without a studio). The Tula Mic is both a USB microphone and a mobile recorder and features unique noise-cancelling technology from Klevgrand, a Swedish software company. And the best thing is: it fits in every trouser pocket!In keeping with sustainable production methods, Tula Mics are completely screwed and plugged together so that they are easy to repair and recycle at the end of their life. Tula is a supporter of the "Right to Repair" movement and does its best to follow the legendary Dieter Rams' 10 principles of good design, including making products that are extremely durable.

The directivity quality and attention to detail make the MMC4011 cardioid microphone capsule a solution that makes everything sound like the original. The first-order cardioid polar pattern ensures excellent separation of the sound sources.A linear on-axis frequency response and an excellent phase response ensure faithful reproduction of the original. The off-axis frequency response is similarly homogeneous and interferences are reproduced accurately and attenuated in accordance with the first-order cardioid characteristic.Due to its modularity, the d:sign 4011 cardioid microphone can be combined with podium booms of different lengths - 15, 30 or 45 cm. If longer booms are required for floor stands with an elegant look, our long booms with 75 or 120 cm and our special accessories for a high-quality stage vocal microphone are available.

The low-noise transformerless signal processing of the Røde NT-1000 sets new standards in microphone technology.Today, when musicians and sound engineers demand absolute clarity and maximum dynamic range, the capsules must perform at their best.The Røde NT 1000 offers maximum sonic richness and transparency for both vocal and instrumental recordings.The high quality of the individual components, the internal shock mount and the capsule guarantee the high standard and the incredible sound.

The Beta 181 is a very compact small diaphragm condenser microphone with interchangeable capsules. It is extremely flexible in use and enables unobtrusive, very close placement on a wide variety of instruments.

With 18 g ultra-lightweight condenser pickup (structure-borne sound transducer), ideal for picking up acoustic guitars, mandolins, violins and most other stringed instruments, for clear, uncoloured transmission without altering the tonal balance of the instrument. Can be mounted next to or on the bridge, but also anywhere on the body. Extremely easy to fit with the adhesive rubber supplied (solvent-free adhesive surfaces - reusable).C 411 PP: for all wired applications with available phantom power or battery power (standard XLR).C 411 L: for connection to the B 29 L battery power supply unit or the external MPA III L phantom power module or for use with AKG wireless pocket transmitters (mini XLR).

The DM-1B is particularly tough: as the microphone with the largest diaphragm in the new Sontronics range, it was specially designed for kick drums. However, it also delivers impressive results when miking bass amps. Even volumes of up to 150dB using the internal -15dB pad circuit cause no problems. The DM-1B is supplied in a solid aluminium flight case.

The MK 4 is a large-diaphragm studio microphone with true condenser technology for detailed, professional studio recordings. Thanks to its outstanding sound quality, easy handling and excellent price-performance ratio, the MK 4 is also ideal for project studios and home recording. It uses a 1" true condenser capsule derived from the e 965 high-end vocal microphone and optimised for studio applications. The MK 4 is "Made in Germany", the acoustic transducer is manufactured in the same clean room as all other Sennheiser high-end condenser transducers.

The NUVO N22 is a modern, active nearfield ribbon microphone with a robust, lightweight design, extended treble clarity and reduced proximity effect, making it perfect for close miking of instruments.

SCHOEPS now also offers the best-selling modular microphone series Colette in a handy and robust Peli Case as a pair at a set price.

The reduced overall size results in an extremely compact appearance that combines all the typical design components of a Neumann microphone. The harmonious proportions and the high-gloss basket ring ensure that the TLM 102 is instantly appealing. When it comes to sound, the TLM 102 is really big: inside it is a newly developed large diaphragm capsule (cardioid) which, with a maximum sound pressure level of 144 dB, also allows drums, percussion, amps and other very loud sound sources to be recorded, for example. Even instruments that are not extremely loud benefit from the very fast transient response of the TLM 102, but the most important area of application is in vocals and speech, where a slight boost above 6 kHz ensures an excellent presence of the voice in the overall mix. Up to this point, the frequency response is extremely linear, which guarantees maximum freedom from colouration and a very clearly defined bass range. The capsule is elastically mounted for structure-borne noise suppression and a pop protection integrated in the basket ensures the suppression of explosive sounds during vocal or speech recordings. The TLM 102 is predestined for the home recording and project studio sector, but also for the broadcast sector, especially if particular value is placed on a clear line of sight to the speaker positions.

The d:vote series is already the recognised benchmark for this type of microphone. The CORE version delivers even better sound quality and distances itself even more clearly from competitor products. The d:vote CORE 4099 delivers even more clarity and detail across the entire dynamic range. CORE technology is the logical choice for musicians, live sound engineers and anyone else who doesn't want to compromise on sound quality.CORE by DPA is the powerful new technology that underpins DPA miniature microphones. We have minimised distortion. As a result, the microphones offer a clearer and more open sound from pianissimo to forte. Find out more about CORE by DPA.Whether piano, guitar, strings or wind instruments - d:vote microphones deliver outstanding sound for all instrument types. This one microphone model can amplify an entire orchestra beautifully. You can mount the microphone on another instrument using the matching bracket. The award-winning d:vote series offers a far more natural sound than other clip-on microphones or pickups. This condenser microphone suppresses unwanted noise and accurately captures the true sound of your acoustic instrument.(The display image is for reference only, please always refer to the item description for the correct number)

This condenser microphone is highly regarded as an exceptional microphone in recording studios and live performances worldwide. A careful selection of state-of-the-art components ensures optimum neutrality, accuracy and extremely low distortion.The main features of the d:dicate 4011 cardioid microphone are its directionality and attention to detail. With this microphone, everything simply sounds like the original. The first-order cardioid characteristic provides excellent separation between sound sources. It is equally suitable for close miking of acoustic guitar, piano, overheads, percussion, wind instruments and vocals as it is for direct miking of symphonies. It is designed for incredibly high sound pressure levels (SPL).A linear on-axis frequency response and excellent phase behaviour deliver faithful sound reproduction. The off-axis frequency response is similarly smooth, so that any interferences are faithfully reproduced, albeit attenuated in accordance with the first-order cardioid characteristic.

The C 519 is attached to the bell of the trumpet, saxophone, trombone, tuba or any other wind instrument (e.g. didgeridoo) using the clip. Freedom of movement for wind instruments at last! Thanks to the narrow cardioid polar pattern, it can be used on stage near floor monitors without any problems. The linear frequency response with a slight presence boost produces a natural sound reproduction, the sound is powerful and clear.The integrated bass cut switch (only on the C 519 M) enables acoustic adaptation to various instruments.

The active microphone for active speakers, singers and musicians!The newest member of the DynaCaster family of dynamic studio microphones, the DCM6 is an active, front-address, cardioid dynamic microphone! From recording your next song to building a community on your favourite platform, the DCM6 is designed to make your time creating easier with a built-in clean and transparent gain of +30 dB at the touch of a button. With its integrated DYNAMITE preamp, the DCM6 is much louder than a typical dynamic microphone, eliminating the need for an inline preamp while lowering the noise floor. The specially developed cardioid capsule has a specially tuned frequency response for a pleasant and natural vocal sound and the best possible sound separation. The DCM6 has an integrated pop filter, a shockmount and a swivelling microphone holder for tripod mounting and therefore offers the right basic equipment for professional use. The DCM6's all-metal body, integrated features and sleek, modern finish eliminate the need for a bulky external shockmout or pop filter and allow for an unrestricted camera angle whether you're recording in the studio, at a radio or TV station or at home. The DynaCaster DCM6: Robust, dynamic, loud - be heard...but better!Dynamic microphone with cardioid polar pattern and front addressing - customised for speechThe DynaCaster DCM6 with front-addressed cardioid polar pattern provides a natural and intimate sound for vocals and speech. The specially developed capsule technology isolates the voice from unwanted ambient noise, ensuring high intelligibility even in noisy environments.Turbo boost with +30 dB clean gainWhen phantom power (48V) is applied, the DCM6's integrated DYNAMITE preamplifier instantly delivers +30 dB of clean and transparent gain at the touch of a button. This not only makes the DCM6 louder than a typical dynamic microphone, but also eliminates the need for an inline preamplifier and reduces the noise floor for virtually noise-free recordings.Get started straight away thanks to the integrated pop filter, shockmount and tripod mountThe integrated pop filter, the patented shockmount from SE and the swivelling tripod mount ensure that you are ready to go right out of the box.Modern. Professional. Elegant.The DCM6's all-metal body, built-in features and sleek, modern finish eliminate the need for a bulky external shockmount or pop filter, allowing for unobstructed camera settings whether you're shooting in the studio, at a broadcast station or at home.Shockproof full metal housing with high-quality finishThe DCM6 has a robust, rock-solid housing and a corrosion-free premium finish that is designed to withstand years of demanding use.

It is equipped with a large double diaphragm capsule with omnidirectional, cardioid and figure-of-eight polar patterns, which are selected via a switch on the capsule head. A switch at the rear provides a 10 dB pre-attenuation. This allows the microphone to transmit sound pressure levels of up to 127 dB without distortion. Furthermore, the frequency response can be reduced in the low frequencies, e.g. to compensate for the proximity effect. It is equally suitable for a large number of applications in radio, television, film and sound recording technology. In orchestral recordings it is used as the main microphone and as a support microphone for individual instruments, but mainly as a vocal microphone in all music genres.