Studio Microphones

The LCT 940 has the potential to revolutionise established ways of working in the modern studio. Sound engineers and recording artists usually rely on a variety of microphones to get the best out of every recording. But changing microphones during a session not only takes time, it also interrupts the creative flow. The flagship of the Authentica series will help sound engineers and artists alike to respond to changing demands with the greatest possible flexibility and to achieve the desired character of a recording more easily and quickly.The LCT 940 combines for the first time the specific sound characteristics of a high-quality FET large diaphragm condenser microphone with those of a tube microphone in a single housing. These two technologies are each designed as a separate amplifier path and work independently of each other. The different sonic characteristics can be mixed continuously and thus enable an infinite creative variety for sound engineers and artists.The LCT 940 also offers nine directional characteristics, four-stage switchable high-pass filters and pre-attenuation stages. Automatic attenuation and clipping history round off the impressive list of innovative features.This unique combination of features makes the LCT 940 a universal tool for professional recording artists who are satisfied with nothing less than absolute perfection and maximum versatility.

Dual Output Condenser MicrophoneAustrian Audio's OC818 is the result of decades of experience and unique innovation and the world's first "dual output" microphone with switchable polar pattern.Based on the legendary CK12 microphone capsule, the Viennese audio engineers designed their own advanced CKR12 capsule by tracking down various originals of the famous vintage capsule worldwide and meticulously testing, measuring and evaluating them for their best characteristics in order to develop much more than just a "copy" from the data and experience gained.As a special feature, the lovingly handcrafted microphone has a second output that allows the producer, engineer, musician and forward-thinking artist to record the rear-facing capsule independently of the front-facing capsule. When both capsules are recorded on a stereo or dual mono track in the DAW, the free and open source PolarDesigner plugin (MAC/PC: VST, AU & AAX) allows unprecedented control and adjustment of the polar pattern between 1 and 5 bands with selectable crossover points.To configure the OC818 flexibly in real time in complex live situations or during sound checks, the optional OCR8 Bluetooth dongle can be attached to the rear of the housing. The PolarPilot app for Android and iOS can then be used to access the behaviour of both capsules, as well as the high-pass filter and pad switch. This unique tool enables an unprecedented 255 discrete polar patterns between figure of eight, all cardioid versions and omnidirectional.The OC818 black Dual Set Go microphone set is a new item that has been specially developed to meet the needs of sound engineers on tour. The 2 microphones and accessories are housed in a practical and robust soft case that makes transport easy and efficient. It not only provides protection for the microphones, but also allows for quick set-up and dismantling, making it the ideal choice for professionals who need reliable and portable equipment. The well thought-out design allows the high-quality microphones to be transported safely and conveniently, whether you are travelling to live events, studios or remote recording locations.

The sE4400 is a real all-rounder and the revised version of the popular sE4400a. The dual diaphragm enables a wide range of directional characteristics and makes the microphone a versatile choice for use in the studio and on stage.The sE4400 offers four different polar patterns - omnidirectional, cardioid, hypercardioid and figure-of-eight - a LoCut with two selectable operating frequencies (40Hz and 80Hz) and a two-stage switchable pad (10dB / 20dB). Despite its small dimensions, the housing accommodates a 1" double diaphragm as well as high-quality electronics and switches.With a thickness of less than 3/4" (approx. 1.9cm), the sE4400 is extremely thin and fits comfortably in the palm of your hand. The flat, rounded housing design allows the microphone to be mounted close to the guitar cabinet or flat over the drum head. It is also perfect for vocals or voice over.Handcrafted with the highest attention to detail, built with a roadworthy die-cast all-metal housing, metal switches and a robust basket made of spring steel wire that can take a beating on the road: The sE4400 impresses with its down-to-earth elegance and offers discreet electronics that emphasise the functions that are really needed.The accessories include the new SH21 elastic suspension, which also allows installation in confined spaces. A steel-reinforced, black aluminium transport case is also included.Also available as sE4400 stereo set.

The first Sigma was already a great success for Sontronics and one of the first ribbon microphones to be operated with phantom power. The completely newly developed successor model is manufactured by hand in England from high-quality components and has been further refined in terms of sound compared to its predecessor. An innovation in the circuitry of the Sigma 2 are RFI filters that eliminate interference - the result is a particularly clean signal even under difficult conditions, for example on live stages. The extremely low self-noise and the sound character with defined highs, gripping mids and powerful bass make the Sigma 2 an excellent choice for acoustic and orchestral instruments. The Sigma 2 lends speech and vocals a nostalgic vintage charm. The Sigma 2 also cuts a fine figure with guitar amplifiers, albeit at a moderate distance from the sound source so as not to overload the ribbon. Sontronics has an alternative for close-miking particularly loud sound sources: the Delta 2

The small diaphragm microphone impresses with its sophisticated cardioid characteristic and a pad circuit of -10dB. The DM-1T is specially designed for miking toms. The microphone captures even the finest sound nuances of the individual drums in optimum quality and thus supports their individual sound characteristics.The DM-1T comes with a microphone clip and a metal drum mount.Like all Sontronics microphones, the DM-1T was tested to the limit before launch to ensure that it works perfectly. Whether in the studio or live. That's why the British company gives a lifetime guarantee on the drum mics. Star producer Flood, who has been in the studio with U2, The Killers and Arctic Monkeys, is also convinced of the quality of the microphones.

The Mackie EM-91C large diaphragm condenser microphone from the EleMent series works absolutely reliably in every studio application with flawless audio reproduction. Whether you need warmth and brilliance for vocals, to capture the nuances of string instruments or as a room microphone, the EM-91C delivers. With unique sound, elegant looks and Mackie's signature built-like-a-tank construction, the EM-91C condenser microphone takes any audio production to the next level.

The "Series 180" consists of three compact small microphones whose characteristics fulfil the requirements of all common studio applications. Thanks to an optimised mechanical design and the deliberate avoidance of a modular construction - which is not necessary in many cases - the "Series 180" is predestined for the cost-effective basic equipment of a production or home recording studio.Based on the great success of the KM 184 cardioid microphone, which quickly became a standard in the worldwide studio scene, the KM 183 microphone with omnidirectional characteristic and the KM 185 with hypercardioid characteristic were developed.

The AKG P170 condenser microphone is the ideal small diaphragm model for miking drums and acoustic instruments. It delivers a clean, unadulterated sound. By slightly boosting high frequencies, instruments sound more brilliant. Normally, condenser microphones have difficulty transmitting loud instruments without distortion.The AKG P170, however, can handle a sound pressure level of up to 155 dB. This makes it ideal as an overhead microphone for drums and percussion, and its cardioid characteristic makes it insensitive to sound from the side or from behind. This gives you good results without crosstalk or feedback, even under less than ideal acoustic conditions.Thanks to its robust metal housing, the AKG P170 is ideally suited for live use.

The R88 series ribbon microphones capture sound the way you hear it - with an honest and open tonality. The R88 and R88A effortlessly capture complex sources such as drums, strings, piano and other instruments that produce intricate transients, raw highs and powerful bass.

The ADX51 with cardioid polar pattern and a uniform transmission range of 40 Hz to 20 kHz (+/- 3 dB) is suitable for a wide range of applications.Low-noise electronics as well as low-impedance and balanced outputs guarantee interference-free performance even when using longer cable lengths. The increased insensitivity to feedback, the mechanically very stable construction and problem-free sound processing of up to 132/142 dB stand for extreme road suitability - even for very loud stages.

The AEA R44 series is an exact replica of the old RCA 44BX ribbon microphone, considered to be the most musical sounding microphone of all time. Many of the most famous recordings of the 20th century were made with the R44. The A440 active version has a level boost of 18 dB and is optimised for all preamplifiers.

sE X1 S - reissued and greatly improved:The X1 S is the reissued version of the sE classic X1, retuned and improved in every way. With the handmade and individually tuned 1-capsule as well as the highest dynamic range and highest maximum sound pressure level in its class, the X1 S offers the sound and features you would expect from a hi-end studio mic, but at a fraction of the price.Handmade 1 condenser capsule:Just like its predecessor X1, the X1 S is equipped with a handmade condenser capsule, which is manufactured and tuned with extreme precision by technicians in sE's capsule room. The technicians are carefully trained over a period of 18 months by sE's master capsule maker - who has around 30 years of experience in capsule construction - and are only allowed to actively participate in capsule production after this training phase. In addition, the technicians are only allowed to build capsules for sE. This results in capsules that are manufactured in the same way as the finest musical instruments in the world, and that can also master the challenge of recording these instruments as realistically as possible.Ultra-quiet electronics:The sE X1 already boasted very low self-noise. The newly developed electronics take the performance of the X1 S to a new level and make the microphone one of the quietest in its class with 9dB(A) self-noise. In addition, the new electronics also improve the sensitivity and the maximum sound pressure level that the microphone can handle.Two switchable attenuation levels:The two -10dB and -20dB switches extend the dynamic range of the microphone and open up a wide range of possibilities, especially for close mic miking - even for the loudest instruments such as super-heavy guitars, loud brass instruments or hard kick drums.Two switchable LoCut filters:The two selectable LoCut filters (80Hz and 160Hz) help to limit low-frequency rumble, impact sound or heavy bass.Metal housing and premium paint finish:In contrast to the cheaply constructed housings of other microphones, the solid metal housing of the X1 S prevents electrical influences and noise. The high-quality paint finish also ensures that the X1 S will look great for many years to come.Gold-plated XLR contacts:The gold-plated XLR contacts provide the X1 S with a loss-free and reliable signal connection for years and years and yearsScope of delivery:sE X1 S microphone, microphone holder, reduction thread, sE logo sticker, operating instructions with warranty card (English, German, Italian, French, Spanish, Chinese)

The AT2031 is the ideal microphone for stringed instruments in critical studio and live situations. The permanently charged condenser offers a detailed sound image thanks to a wide frequency response and a slight boost in the high frequency range. A wide dynamic range is achieved through low inherent noise and high sound level compatibility. While the cardioid polar pattern enables better isolation of the signal source, a switchable high-pass filter at 150 Hz and with 6 db/octave is available for tailoring the frequency response to the instrument to be recorded.

With its supercardioid polar pattern, rich ribbon sound and extended treble, the KU4 can be positioned almost anywhere without capturing room sound, making it one of the most flexible ribbon microphones in production today.

Neumann engineering:The newly developed transducer, which has been specially tuned for this microphone, impresses with its fantastic impulse fidelity. Unusual for a large diaphragm capsule is also the high consistency of the five patterns, omnidirectional, cardioid, figure of eight, with the intermediate stages wide cardioid and hypercardioid. The TLM 107 not only delivers optimum sound results in the cardioid position, but also maximum precision across the entire frequency range for all other polar patterns. The sound image always remains balanced with an almost linear reproduction up to 8 kHz and a soft boost of the highest frequencies, which gives voices presence and freshness. Particular emphasis was placed on the natural reproduction of speech sounds, especially the critical S-sounds. The speaker basket has been acoustically optimised for low susceptibility to pops. In addition, the transducer is edge-contacted, with both diaphragms at ground level. In concrete terms, this means significantly less susceptibility to dust and moisture.Uncompromising sound design:The transformerless circuit offers high linearity and great dynamics. The self-noise of just 10 dB-A is practically inaudible, while the TLM 107 is also very level-resistant. The maximum sound pressure level is 141 dB SPL and can be increased to up to 153 dB SPL by means of pre-attenuation (pad). This means that the TLM 107 transmits even the loudest instruments without distortion. The bass roll-off with linear, 40 Hz and 100 Hz settings is precisely tuned to recording practice. The 40 Hz setting cuts the noise below the fundamental range (the open E string of the double bass is at 41 Hz) without any side effects, while the 100 Hz setting has been optimised for speech/vocals (100 Hz corresponds to the lowest notes of a baritone).Innovative operating concept:For the first time in a microphone, all switching functions are intuitively controlled by a navigation switch. A visual highlight is the illuminated pattern display in the chrome ring, while the switching states of the pad and low cut are indicated by LEDs to the left and right of the switch. The switch and display have been positioned at the rear so as not to irritate singers. The displays switch off automatically after 15 seconds.

Condenser instrument microphone of the new Fusion series, suitable for overheads, hi-hat, cymbals, acoustic instruments, designed, assembled and tested by Audix in the USA,