Studio Microphones

The LCT 140 AIR has a small diaphragm condenser capsule that was developed by us for professional instrument recordings. Use the two sound characteristics AIR and FLAT to record the source the way you need it. PAD and Low-Cut FILTER complete the package. With its superior transient response, the LCT 140 AIR offers high clarity for your recordings of guitar, drums, strings or other acoustic instruments. Thanks to its aluminium housing, the LCT 140 AIR is both robust and light as a feather. It has a cardioid polar pattern and sounds simply fantastic.AIR and FLAT explained:AIR provides an open sound characteristic. The perfect choice if you need a ready-to-record sound right from the start. You can use and release these recordings immediately without spending time on post-production.FLAT offers a linear frequency response that is suitable for very realistic sound reproduction of drums, strings, acoustic guitars and choirs.The two options make the LCT 140 AIR an extremely versatile recording device.

Warm Audio presents the WA-84, a classic small diaphragm condenser microphone with a cardioid characteristic. The vintage-style microphone has a class A signal path and features CineMag transformers, Fairchild transistors and Wima capacitors. As a classic small diaphragm microphone, it is suitable for a wide range of applications, including acoustic and electric guitars and basses, drums, piano, strings and wind instruments.Compact dimensions, big sound:Despite its small dimensions, the WA-84 small diaphragm condenser microphone delivers a voluminous and warm sound. To achieve this, Warm Audio uses a CineMag transformer with a nickel core in the WA-84.Small diaphragm condenser microphones have generally moved to a transformerless design in recent years, making development easier and the manufacturing process less costly. When developing the WA-84, Warm Audio decided to go one step further and chose this exclusive design that delivers a crystal clear yet smooth and big sound. This unusual approach to the design of the WA-84 allows Warm Audio to recreate the legendary sound of the 60's and 70's with today's technology.Warm Audio is proud to offer something special to the market by utilising large-core transformer technology (CineMag USA) in a small diaphragm condenser microphone. The result is a circuit that sounds absolutely stunning in terms of signal integrity and smoothness.The capsule of the WA-84:The WA-84 utilises a vintage-style capsule custom-built for Warm Audio that emulates classic components and design techniques. The WA-84's capsule is carefully crafted by an Australian capsule manufacturer and accurately replicates the legendary specifications. This high-quality capsule is one of the most important components for the sound of the WA-84.The CineMag transformer:The WA-84 uses a US-made CineMag transformer with a nickel core, which contributes significantly to the creamy, warm sound of the small diaphragm condenser microphone.The circuit design and the capacitors:The full Class A circuit design has a major influence on the outstanding sound quality of the WA-84, as do the Fairchild FET and the Wima, polystyrene and tantalum feed-through capacitors used throughout the circuit. With the WA-84, Warm Audio has once again succeeded in bringing a legendary classic into the modern age.All microphones are supplied as a set with spider, pop protection and microphone holder in a robust transport case. The WA-84 is available as a mono or stereo set in the colours nickel and black.

The sE7 sideFire from sE Electronics is a premium small diaphragm condenser microphone that combines outstanding sound performance with a versatile side-address design. With a 90° capsule angle, it offers a variety of precise placement options that make capturing sound in tight spaces easier than ever before. Whether you want unobtrusive close miking, creative overhead or underhead miking or are simply looking for aesthetically pleasing microphone placement, the sE7 sideFire fulfils all these requirements and more. Based on sE Electronics' proven sE7 technology platform, it offers clear and natural sound across the entire frequency range. The ultra-thin diaphragm ensures excellent transient response. It excels in both studio and live sound applications with its ability to pick up everything from acoustic guitars and pianos to brass and percussion instruments without harshness and with rich low-end punch.The sE7 sideFire's discrete Class A electronics combined with its transformerless output provide impressively low-noise performance, making it the quietest rod microphone in its class. The switchable -20 dB pre-attenuation extends the dynamic range so that even loud sound sources such as brass instruments or snare drums can be recorded without distortion. The integrated 80 Hz low-cut filter effectively reduces low-frequency noise, impact sound and unwanted low-frequency components, making the microphone the ideal choice for close miking and general recordings.The sE7 sideFire impresses with its robust all-metal housing and high-quality workmanship, which effectively suppresses electrical interference and noise. This makes it a reliable and tour-ready companion that can confidently meet the challenges of everyday touring. The microphone is available both individually and as a matched pair combination. The hand-tuned microphone pair ensures identical performance and perfect phase correlation, resulting in exceptional stereo imaging. Each microphone is supplied with a windscreen and a sturdy microphone clip including a threaded adapter. Whether in the studio or on the road, the sE7 sideFire impresses with its versatility and delivers outstanding sound quality even in the most demanding situations. With its flexible side-address design and extensive features, the sE7 sideFire offers unrivalled flexibility, reliability and performance. This makes it the ideal choice for a wide range of applications.

LEWITT's LCT 840 is an externally polarised double-diaphragm tube microphone that has been developed to meet the highest demands. Equipped with a high-precision 1-inch capsule, the LCT 840 delivers the classic warm vintage sound of a tube microphone.Perfectly matched to vocal and instrumental recordings, the versatile LCT 840 allows a very nuanced and authentic sound reproduction for all studio recordings.Five polar patterns - omnidirectional, wide cardioid, cardioid, supercardioid and figure-of-eight - as well as three-stage high-pass filter and pre-attenuation make the LCT 840 a very versatile tool for professional sound engineers and artists looking for an honest, authentic tube sound.Like all LEWITT microphones, the LCT 840 is characterised by a very low equivalent noise of only 9 dB. Off-axis noise is efficiently shielded by the accurate directional characteristics. The microphone has a high-pass filter and a pre-attenuation - each selectable in three stages using silent pushbuttons on the external power supply unit (PSU).In addition to the ease of use and impressive technical features that are crucial for memorable recordings, the LCT 840 also leaves a lasting visual impression: the microphone proudly presents the tube responsible for its characteristic sound via a large Plexiglas window on the front. The inside of the window is covered with a special, highly conductive transparent film that shields against electromagnetic interference.

SCHOEPS now also offers the best-selling modular microphone series Colette in a handy and robust Peli Case as a pair at a set price.

The new sE8 is a high-quality small diaphragm microphone with outstanding sound characteristics. The elaborately manufactured electrode enables a very balanced and particularly natural transmission of instruments of all kinds. This also allows the intensive use of EQs or filters without making the recording unpleasant. With the highest dynamic range and the highest overload resistance in its class as well as the practical, switchable attenuation and high-pass filters, the sE8 offers unbeatable flexibility for every application in the studio and on stage.

The LCT 140 AIR stereo pair consists of two perfectly matched small diaphragm condenser microphones with switchable sound characteristics for acoustic instruments.Two switchable sound characteristics:AIR delivers an open character with a pleasantly emphasised high-end. The right choice when you need a great sound without spending time on post-production.FLAT offers a linear frequency response for accurate reproduction of drums, strings, acoustic guitars and choirs. Perfect if you're into realistic soundscapes.Perfect stereo image through precise matching:LEWITT uses one of the most precise matching processes in the industry. The difference between the two microphones of a stereo pair is inaudible. How does it work?The frequency response and sensitivity of each microphone is analysed.A measurement system controls the polarisation voltage of the capsule to adjust the sensitivity so that it is the same for all LCT 140 AIRs.An algorithm then compares the measured frequency response of each individual microphone and finds the perfect pairs.Equipped for all recording situations:Transients are the DNA of an instrument's sound. To preserve the natural musicality of your instruments, the LCT 140 AIR delivers outstanding impulse fidelity. To be prepared for all eventualities, the LCT 140 AIR has a low-cut and a PAD switch. This means you won't break a sweat with extremely loud instruments, nor will you have to deal with low-frequency noise if you don't want to.The LCT 140 AIR is ideal for:Acoustic guitarDrumsStringsChoirsPianoUkuleleDurable and lightweight aluminium housing:Thanks to its CNC-milled aluminium housing, the LCT 140 AIR is extremely durable yet lightweight. Positioning and alignment in heavy-duty use is child's play.

"Focus on the essentials" was the motto when developing the LCT 240 PRO. The versatile cardioid condenser microphone with ¾ capsule is the right choice for anyone who wants to take the next step towards professional recording without putting too much strain on their wallet. The LCT 240 PRO enables high-quality recordings in all application areas with the typical detailed and transparent Lewitt sound.For all applications: The LCT 240 delivers excellent results for vocal recordings, acoustic instruments, guitar amps, drums to name but a few.

The PGA27 has a linear frequency response and is therefore ideal for lifelike and precise recordings with clear treble and powerful bass. Thanks to the microphone spider supplied, the PGA27 is the microphone for high-quality recordings in the home studio.

The V4 U is the studio vocal microphone from SCHOEPS.It combines the outstanding technical features typical of SCHOEPS with a timeless, classic design.The appearance of the V4 U is based on the SCHOEPS CM 51/3 microphone from 1951. However, the V4 U is a modern cardioid microphone: the capsule, electronics and mechanics are the result of an elaborate new development.

"Focus on the essentials" was the motto when developing the LCT 240 PRO. The versatile cardioid condenser microphone with a ¾" capsule is the right choice for anyone who wants to take the next step towards professional recording without putting too much strain on their wallet. The LCT 240 PRO enables high-quality recordings in all application areas with the typical detailed and transparent Lewitt sound. For all applications: The LCT 240 delivers excellent results for vocal recordings, acoustic instruments, guitar amps, drums to name but a few.

This high-quality, universally applicable condenser microphone impresses with its ideal price/performance ratio. The MC 930 features a wide frequency range of 40 - 20,000 Hz and a signal-to-noise ratio of 71 dB. The MC 930 is ideal for miking choirs, orchestras and solo instruments. Thanks to the switchable pre-attenuation of 15 dB, it is also ideally suited for use with very high sound pressure levels. The switchable 6 dB/octave attenuation at 250 Hz compensates for the proximity effect. Together with the WS 101 windscreen, the MC 930 can be used as a microphone for vocal applications and as a speaker microphone. The MC 930 works with phantom power of 11 - 52 V and can therefore also be used for live applications and installations. Thanks to its frequency-independent cardioid characteristic, the MC 930 has an excellent directivity combined with high rear cancellation. This not only makes it a first-class tool in the studio, but also enables it to be used in sound reinforcement applications where excellent sound and maximum feedback immunity are required.

SCHOEPS now also offers the best-selling modular microphone series Colette in a handy and robust Peli Case as a pair at a set price.

The KSM137 is a permanently polarised cardioid condenser microphone. Designed for studio use, the microphone is also suitable for live use thanks to its robust construction and can handle extremely high sound levels. Its low self-noise and wide transmission range make it the ideal microphone for miking instruments.

The U 87 is probably the best known and most widely used Neumann studio microphone. It is equipped with a large double diaphragm capsule with omnidirectional, cardioid and figure-of-eight polar patterns, which are selected via a switch on the capsule head. A switch at the rear provides a 10 dB pre-attenuation. This allows the microphone to transmit sound pressure levels of up to 127 dB without distortion. Furthermore, the frequency response can be reduced in the low frequencies, e.g. to compensate for the proximity effect. Range of applications The U 87 Ai condenser microphone is a switchable large diaphragm microphone characterised by its transmission properties, various switching options and attractive shape. It is equally suitable for a large number of applications in radio, television, film and sound recording technology. In orchestral recordings it is used as the main microphone and as a support microphone for individual instruments, but mainly as a vocal microphone in all types of music. Acoustic characteristics The pick-up direction is sideways, with the front side being characterised by the company label. The frequency response for the cardioid and figure-of-eight characteristics is practically linear, even in the upper audio frequency range for frontal sound incidence. This means that the microphone can be used at a short distance from the sound source without producing an unnaturally sharp sound impression. An electrical high-pass filter cuts off low-frequency sound as a measure against background noise. Directional characteristics The elastically mounted double diaphragm capsule is surrounded by a large wire mesh basket. The omnidirectional, cardioid or figure-of-eight polar patterns can be set using a switch below the basket. A window above it displays the setting in symbols. Electrical characteristics The additional letter A in the designation indicates a change in design compared to the U 87 i microphone supplied from 1967 to 1986. This change relates to the electrical part of the microphone; it makes the U 87 Ai more reliable due to a lower impedance supply of the capsule bias voltages, increases the transmission ratio by approx. 10 dB at the same sound pressure level and improves the signal-to-noise ratio by 3 dB. Filter and pre-attenuation A 10 dB pre-attenuation can be set using a switch on the rear panel. The microphone is then able to transmit sound pressure levels of up to 127 dB (corresponds to a sound pressure of 45 Pa) without distortion. If another switch on the rear panel is activated, the lower cut-off frequency of the microphone is raised and low-frequency noise is attenuated at the input of the microphone amplifier. The unavoidable increase in bass at close range with pressure gradient receivers is compensated for in such a way that a flat frequency response is achieved at a distance of 30 to 40 cm in the cardioid position and at a distance of 15 to 20 cm in the figure eight position.