Studio Microphones

With the Aria, the British microphone specialist Sontronics is offering a new model that has been specially developed for this area of application. With its warm, present characteristics and precise response, it produces a unique sound that perfectly emphasises both female and male voices.Selected components for a warm sound for voice recordings To ensure that the Aria achieves an outstanding sound when recording voices, only the best components are used. The specially selected European 12AX7/ECC83 tube provides a silky smooth characteristic reminiscent of sought-after vintage microphones. The large 1.07-inch capsule with edge finish captures the nuances of the voice in detail. In combination with the precise response behaviour and the soft treble cut known from Sontronics, excellent voice recordings are created. Thanks to the fixed cardioid characteristic, disturbing ambient noise is reduced.Developed together with leading musicians and producers to create a tube microphone of the highest quality, Sontronics mastermind Trevor Coley invested 18 months in the development of the Aria. He worked closely with world-class artists and engineers. For example, he was able to draw on the experience of Oscar and Grammy award-winning producer Paul Epworth, who has worked with the likes of Paul McCartney and U2. In addition to Mercury Award-winning musician PJ Harvey, numerous sound engineers from the famous Abbey Road Studios were also involved in the development."I've been working on the concept of a tube microphone specifically for voice recording for a long time," explains Trevor Coley. "The Aria is the result of many months of development and extensive testing. I was very fortunate to be able to recruit some incredibly talented musicians and producers. We've created a microphone that should be a must-have in any studio that demands high-quality voice recordings. With its smooth, warm sound, the Sontronics Aria will take your breath away!"Lifetime guarantee and extensive accessories Sontronics emphasises its own quality standards with a lifetime guarantee. This also applies to the external power supply unit, which offers various setting options in addition to the appropriate power supply. Both a pad for -10dB operation and a switch for the linear 75Hz filter are available. An LED also indicates when the tube has reached the optimum operating temperature for the best sound. In addition to the microphone, the scope of delivery also includes an elegant, velvet-lined wooden box, a robust aluminium case, a microphone spider and a conventional ring holder.

The TLM 103 is the ideal large diaphragm microphone for all those who do not want to do without uncompromisingly professional technology despite tight budget limits. It works with the transformerless circuit technology already proven in numerous Neumann microphones, offers an unrivalled low self-noise level and maximum dynamic range. The cardioid capsule used is particularly well-balanced acoustically and has excellent cancellation for rear sound incidence.

The V4 U is the studio vocal microphone from SCHOEPS.It combines the outstanding technical features typical of SCHOEPS with a timeless, classic design.The appearance of the V4 U is based on the SCHOEPS CM 51/3 microphone from 1951. However, the V4 U is a modern cardioid microphone: the capsule, electronics and mechanics are the result of an elaborate new development.

The LCT 441 FLEX is Lewitt's purist multi-pattern studio microphone. It follows the path that Lewitt has already trodden with the highly acclaimed LCT 440 PURE: Top technology in a stylish and compact housing.It goes without saying that Lewitt has not done without the Lewitt-typical extra with the LCT 441 FLEX: this true condenser microphone with 1 capsule offers eight different polar patterns, including three for rear sound entry. The directional characteristic not only determines the amount of sound that is picked up. Each polar pattern has its own frequency response, which significantly changes the sound of the microphone. It can also influence the intensity of the proximity effect.The LCT 441 FLEX can be used to record vocals, acoustic guitar and string instruments as well as guitar amplifiers, drums and percussion - basically anything.The microphone is supplied with a spider, windscreen and magnetic pop filter.

The R88 series ribbon microphones capture sound the way you hear it - with an honest and open tonality. The R88 and R88A effortlessly capture complex sources such as drums, strings, piano and other instruments that produce intricate transients, raw highs and powerful bass.

The new sE8 is a high-quality small diaphragm microphone with outstanding sound characteristics. The elaborately manufactured electrode enables a very balanced and particularly natural transmission of instruments of all kinds. This also allows the intensive use of EQs or filters without making the recording unpleasant. With the highest dynamic range and the highest overload resistance in its class as well as the practical, switchable attenuation and high-pass filters, the sE8 offers unbeatable flexibility for every application in the studio and on stage.Handmade small diaphragm capsule:Each capsule is handcrafted and customised in the sE factory with great attention to detail. The wafer-thin, gold-vapour-plated diaphragm offers impressive transient reproduction and captures even the smallest details. The precision-crafted electrode has been optimised for maximum linearity and natural reproduction, resulting in a very smooth, balanced frequency response.Precise, direction-independent polar pattern:Thanks to the sophisticated acoustic design with precision parts, the directional characteristic is largely independent of direction. This prevents sound colouration, especially in demanding recordings.The lowest-noise small diaphragm microphone in its class:The extremely short signal path, the discrete components and the optimised Class A circuitry make the sE8 one of the lowest-noise microphones on the market - and by far the quietest microphone in its class. The outstanding transparency, the enormous dynamic range and the very low distortion are due to an innovative circuit concept with a transformerless output stage.Attenuation filter with two stages:High flexibility and an extended dynamic range are achieved by the attenuation filter. The two stages prevent clipping of the electronics and the connected microphone preamp or audio interface right at the start of the signal chain. This means that even very loud instruments such as brass instruments and snares can be miked without any problems, even in the near field.Two-stage high-pass filter:The integrated high-pass filter can be switched between 80Hz and 160Hz to attenuate unwanted rumble and footstep noises as well as the bass boost caused by near-field miking (proximity effect).Robust metal housing and high-quality surfaces:The sophisticated design is particularly durable and effectively shields the electronics from electromagnetic interference.Gold-plated XLR plug:The corrosion-free contacts enable loss-free and reliable transmission for many years.Accessories supplied:The sE8 is supplied with a windscreen, a tripod adapter and a threaded adapter.

This true condenser microphone is characterised by enormous versatility thanks to its tonal neutrality and careful design. The features of the MC 950 include a wide frequency range of 40 - 20,000 Hz and a signal-to-noise ratio of 72 dB.The MC 950 is ideally suited as a main and support microphone for miking choirs, pianos, organs, orchestras and most solo instruments. Thanks to the switchable pre-attenuation of 15 dB, it is also ideally suited for use at very high sound levels. The switchable 6 dB/octave attenuation below 250 Hz compensates for the proximity effect.Together with the WS101 windscreen, the MC 950 can be used as a microphone for speech and vocals. The MC 950 works with phantom power from 11 - 52 V and can therefore be used with almost any microphone preamplifier in studio and live applications as well as in installations. Thanks to its largely frequency-independent supercardioid characteristic, the MC 950 has excellent directivity combined with high rear cancellation. This not only makes it a first-class tool in the studio, but also enables it to be used in sound reinforcement applications where excellent sound and maximum feedback immunity are required.

The ribbon microphones of the R84 series offer the classic tonality of the legendary R44, with extended top end and reduced proximity effect for recordings in the mid and near frequency range.

The TLM 103 is the ideal large diaphragm microphone for all those who do not want to do without uncompromisingly professional technology despite tight budget limits. It works with the transformerless circuit technology already proven in numerous Neumann microphones, offers an unrivalled low self-noise level and maximum dynamic range. The cardioid capsule used is particularly well-balanced acoustically and has excellent cancellation for rear sound incidence. An SG 1 metal stand joint and a wooden case are included in the scope of delivery.

With the X1R, sE Electronics delivers an outstanding passive ribbon microphone at a low price. Here, sE's own technology from the Voodoo series has been combined with traditional ribbon technology. The result is a warm sound with a slight HF boost compared to many other ribbon microphones on the market.To achieve this, a number of mechanical elements have been installed that already provide the extended high-frequency range in the Voodoo. Although the X1R does not deliver the full frequency range of the Voodoo or the highly acclaimed RNR1, it offers a very good mix of vintage and modern.It has been designed for a wide range of recording applications and is suitable for miking guitar amplifiers, woodwind and brass instruments, string instruments and drum overheads.The sE Electronics X1R is the perfect introduction to the world of ribbon microphones or a great addition to your existing microphone collection.

The active NUVO N8 is a modern ribbon microphone that captures the natural live sound of instruments in a room as they would sound in person - with all the subtleties and nuances. It effortlessly captures complex sources such as drums, strings, piano and other instruments that can produce intricate transients, harsh highs and powerful lows.

The essence of the 1" large diaphragm condenser microphone.The LCT 440 PURE combines the essential technologies of our flagship microphones in a robust, stylish and compact housing. The cardioid polar pattern ensures optimum directivity and the microphone's high-quality capsule delivers an impressive sound in all nuances with very low self-noise. The LCT 440 PURE is supplied with a spider, magnetic pop filter, windscreen and leather case.

The brand new STC-3X's greatest asset is its versatility: the multi-pattern large-diaphragm microphone offers an adjustable directional characteristic and can be operated with cardioid, omnidirectional or figure-of-eight polar patterns. In addition, a dual pad circuit (-10 dB / -20 dB) and a dual switchable high-pass filter (75 Hz / 125 Hz) have been integrated. The STC-3X is particularly impressive when recording various instruments: from acoustic guitar and piano to loudly played drums, it delivers perfect results. It is also ideal for overhead applications. The STC-3X complete set includes a solid spider for a secure hold and excellent decoupling as well as a pop protection with nylon covering for clean vocal recordings. A 5 metre long, high-quality XLR cable provides the ideal connection to a console, preamp or audio interface. A microphone bag made of hard-wearing plastic for safe transport rounds off each set. You also receive the Toontrack EZdrummer Lite software in the form of a download code. Sontronics offers a lifetime guarantee on all its microphones. This emphasises the British company's high quality standards for components and production

To cater for every recording situation, the WA84 premium stereo package also contains 2 omnidirectional condenser capsules in addition to the familiar cardioid capsules. These are produced by an Australian manufacturer according to strict specifications and selected in pairs. They make the WA84 a universal small diaphragm condenser microphone with a retro touch.The vintage-style microphone has a Class A signal path with CineMag transformers, Fairchild transistors and Wima capacitors. As a classic small diaphragm microphone, it is suitable for a wide range of applications, including acoustic and electric guitars and basses, drums, piano, strings and wind instruments.By using a CineMag output transformer with nickel core, the WA-84 has a very BIG sound for its small size. In recent years, small diaphragm condenser microphones have almost exclusively been built without transformers in order to simplify the design and make the manufacturing process more cost-effective. When developing the WA-84, Warm Audio made a conscious decision not to do this. Instead, the result is a boutique design with the legendary sound of the 60s and 70s, which is known for its crystal-clear, yet creamy and soft sound.

Microphone classic of the 21st century - now even betterThe sE Electronics sE2200 is the extended and technically improved version of the multiple award-winning sE top seller sE2200a II C.While the handmade capsule and the output transformer specially manufactured for sE remain unchanged in the new sE2200, the modern, more powerful electronics ensure the best signal fidelity, an even shorter signal path and even lower inherent noise at the highest level. sE continues to dispense with integrated circuits and instead relies on proven Class A technology with high-quality, discrete components. Modern, surface-mounted components enable true-to-the-original sound and even greater consistency and reliability than previous models. The striking design of the sE2200 and its outstanding sound have remained the same.Speech, vocals and more:The sE2200 is mainly used for voice and vocal recordings in the studio. However, it is also increasingly used for miking drums and electric guitars - even on stage. With its handcrafted large diaphragm capsule, shielded output transformer and discrete Class A circuitry, it offers superior sound, low self-noise and a balanced frequency response, making it suitable for a wide range of applications.Dual-diaphragm technology for an enhanced sound experience:The sE2200 has a fixed, cardioid polar pattern. Nevertheless, as with microphones with switchable directional characteristics, two gold-vapour-coated diaphragms are used to ensure the best possible sound quality. The high-quality capsules are manufactured exclusively by hand and individually tuned in sE's own production facility. For its large-diaphragm capsule, sE relies exclusively on true condenser technology with external polarisation.That certain something of classic studio microphones:The high-quality capsule and the carefully selected, discrete components impress with a smooth yet present sound in many applications. The use of integrated circuits (ICs) has been deliberately avoided so as not to make any compromises. The low self-noise, consistent manufacturing quality and high sensitivity are made possible by the use of high-quality, surface-mounted components with particularly tight tolerances. As is usual with classic studio microphones, a solidly shielded output transformer ensures interference-free transmission and that certain something of airiness and fullness of sound.Attenuation filter with two stages:The attenuation filter (pad) provides a high degree of flexibility and an extended dynamic range. The two stages (-10dB and -20dB) prevent clipping of the electronics and the connected microphone preamp or audio interface right at the start of the signal chain. This means that even very loud instruments such as brass instruments and snare drums can be miked without any problems, even in the near field.Two-stage LoCut filter:The integrated LoCut can be switched between two stages (80Hz and 160Hz) to attenuate unwanted rumble and footstep noises and to dampen the proximity effect caused by near-field miking.Robust metal housing and high-quality surfaces:The sophisticated design is particularly durable and effectively shields the electronics against electromagnetic interference fields.Gold-plated XLR connector for reliable transmission:The corrosion-free contacts enable loss-free and reliable transmission for many years.Scope of delivery:sE2200 microphone, isolation pack (elasticated holder plus pop shield, reduction thread), sE logo sticker, multilingual operating instructions with warranty card

The reduced overall size results in an extremely compact appearance that combines all the typical design components of a Neumann microphone. The harmonious proportions and the high-gloss basket ring ensure that the TLM 102 is instantly appealing. When it comes to sound, the TLM 102 is really big: inside it is a newly developed large diaphragm capsule (cardioid) which, with a maximum sound pressure level of 144 dB, also allows drums, percussion, amps and other very loud sound sources to be recorded, for example. Even instruments that are not extremely loud benefit from the very fast transient response of the TLM 102, but the most important area of application is in vocals and speech, where a slight boost above 6 kHz ensures an excellent presence of the voice in the overall mix. Up to this point, the frequency response is extremely linear, which guarantees maximum freedom from colouration and a very clearly defined bass range. The capsule is elastically mounted for structure-borne noise suppression and a pop protection integrated in the basket ensures the suppression of explosive sounds during vocal or speech recordings. The TLM 102 is predestined for the home recording and project studio sector, but also for the broadcast sector, especially if particular value is placed on a clear line of sight to the speaker positions. The TLM 102 is available in black and nickel. A tripod joint is included in the scope of delivery.

With the CC8, Austrian Audio has developed a microphone that is suitable for modern recording applications and yet has a timeless sound character that is appreciated by everyone. The CC8 is a small diaphragm condenser microphone with cardioid polar pattern and true condenser, handmade in Vienna and aimed at professional users.Inside every CC8 small diaphragm microphone beats the heart of an OCC7 condenser capsule from Austrian Audio. Inspired by the legendary CK1, the newly developed capsule takes over the heritage with the advantages of the classic and the requirements of today. Shaped by the past, built for the future.The CC8 with true condenser technology was created for the professional sector. The gold-vapourised membrane inside the capsule is made of 3 micrometre thick polyethylene naphthalate (PEN) and is much more robust than conventional Mylar alternatives. The filter fabric used guarantees constant and very broadband cancellation. This results in an outstandingly precise cardioid characteristic with excellent attenuation of sound coming from the sides and rear.The OCC7 capsule and the transformerless design of the feed section give the CC8 a remarkably linear frequency response. The microphone can withstand extremely high sound pressure levels of up to 156 dB SPL. In combination with a very low self-noise of just 16 dB(A), this results in an impressive dynamic range. The CC8 always sounds naturally open and is neither harsh nor sharp, even at extreme volumes. The mids and highs are always silky smooth and are not overemphasised.The CC8 is ideal for recordings where fast transients need to be reproduced and spatial information needs to be captured as accurately as possible. Small diaphragm microphones are particularly popular for the detailed recording of various acoustic instruments found in classical ensembles and jazz formations. These include, for example, string instruments, woodwinds and brass, orchestral percussion, classical singers, but also instruments that can be found in all genres, such as acoustic guitar, piano, snares, hi-hat and overheads.Thanks to the built-in switchable attenuation of 0 dB, -10 dB and -20 dB, the microphone can be positioned very close to loud sound sources such as trumpets without having to worry about distortion. Rumbling noises and impact sound are effectively eliminated with the switchable high-pass filter (60 Hz 2nd order, 120 Hz 2nd order).Even extremely quiet signals such as fine violin sounds, delicate voices or the quietest atmospheric sounds can be recorded without any problems thanks to the low inherent noise.The small dimensions allow targeted positioning even in tight and difficult places, both in the studio and on stage.Every CC8 is built by hand in Vienna. A special feature is Austrian Audio's in-house anechoic chamber. Before leaving the production line, each microphone is measured and tuned to a maximum tolerance of +/- 0.5 dB sensitivity at 1 kHz. This means that all CC8s can be used as a matched pair, regardless of the production date.

The TLM 67 is a large diaphragm condenser microphone in the classic Neumann shape with a unique bicolour finish. The stylish pearl grey surface of the microphone tube in combination with the classic Neumann nickel gives the microphone a touch of individuality that makes it unmistakable. Three switchable directional characteristics (omnidirectional, cardioid, figure-of-eight), a switchable 10 dB pre-attenuation and a high-pass filter make the TLM 67 very versatile and allow detailed customisation to the respective recording situation. Thanks to its extensive switching options, the TLM 67 is recommended for a wide range of applications. In orchestral recordings, it can be used as the main microphone and as a support microphone for individual instruments, but mainly as a vocal microphone for speech and vocals in all types of music.

The d:dicate 4006 omnidirectional microphone offers complete transparency in any recording situation. It captures incredible detail and a fantastic sonic richness. The resolution of its high-frequency characteristics across a wide range of instruments is impressive. It offers natural sound, high sensitivity, low noise floor and a linear frequency response from 10 Hz to 20 kHz (±2 dB).This microphone is linear and honest. It has earned worldwide status as the recording standard and is the most popular microphone in our d:dicate recording microphone range. This highly popular microphone has built its enviable reputation over the last 25 years by repeatedly demonstrating its absolute transparency in any recording situation