Studio Microphones

The Mangabey microphone from Monkey Banana was developed for vocal, speech and instrument recordings in the recording studio. 9 different characteristics can be controlled via the power supply unit.Especially for vocal recordings and acoustic guitars, the hand-selected 12AX7 tube installed in the Mangabey ensures a warm, natural sound.In addition to the microphone, the scope of delivery includes the power supply unit, a microphone spider, a 7-pin connection cable and a protective bag.

Condenser small diaphragm microphone

The WA-251 was designed to provide a new generation of recording enthusiasts with a classic microphone design at an affordable price. We spent a lot of time listening through a variety of 251 microphones to determine what people loved about them (and why), how different components affected the sound, and how we could give the WA-251 a personality that pays homage to the vintage classic while standing on its own.The WA-251 is a large diaphragm tube microphone with output transformer, selectable polar pattern and a large condenser, based on the classic 251 used in numerous hit productions over the last 50+ years. The WA-251 is aimed equally at professional and home studios as well as live and broadcast applications and sounds great on vocals, acoustic and electric guitar and bass, drums, piano, strings, brass and woodwinds and a wide range of other sources.The 251 achieved its greatest popularity in the 1960s and is now recognised as one of the best condenser microphones of all time. The classic is still often used in professional recording studios today, but is now extremely rare and correspondingly expensive to buy.The capsule:The WA-251 uses a customised reproduction of the original CK12 capsule used in the original 251s - designed with a comparable hole pattern and frequency response. Our version of this capsule (model no. WA-12-B-60v) is carefully crafted by an Australian capsule manufacturer to vintage specifications. We are delighted to be able to offer such a great re-incarnation of the CK12 capsule, as it is the sonic centrepiece and most important part of the formula.The tube:We use a Slovakian JJ 12AY7 vacuum tube in the WA-251. We carefully compared a selection of tubes from three manufacturers and fell in love with the JJ 12AY7. The frequency response of the JJ tube and the way it blends into the circuit with a smooth, vintage sound convinced us.The transformer:The WA-251 is equipped with an American-made CineMag USA transformer. This transformer helps to preserve the existing top end and the HUGE bottom end that you would expect from a 251-style condenser microphone.The cable:One component of a tube microphone that is often overlooked is the 7-pin cable that connects the microphone to the preamplifier. The manufacturer has learnt a lot about 7-pin cables and the drastic influence of shielding and cable cross-section on the sound of a tube microphone during the intensive listening tests of the WA-251 and other microphones. Warm Audio has chosen Gotham Audio from Switzerland as its partner. The meticulously crafted 7-pin high-end GAC-7 cable is used for the WA-251. The use of this cable enhances the top-end presence and the overall impression of the sound image, especially in the stereo mix, by reducing phase shifts and parasitic effects that often occur in cheap cables. Gotham cabling is quite expensive, as it certainly belongs to the higher quality class, and should therefore not simply be seen as a small addition to the overall WA-251 package.The capacitors:The WA-251 uses polystyrene coupling capacitors, wima film capacitors and a French solenoid capacitor in the output.

SCHOEPS now also offers the best-selling modular microphone series Colette in a handy and robust Peli Case as a pair at a set price.

The Warm Audio Fen-tone™ is inspired by a classic ribbon microphone from the 1950s, built with improved, modern components to deliver iconic sounds. Like B&O's original design, the Warm Audio Fen-tone has a compact, pencil-like design with vented sides that can be easily placed in tight recording situations. Unlike the original, the Fen-tone features modern upgrades such as a custom Japanese ribbon, a neodymium magnet and a CineMag USA transformer to deliver the iconic ribbon sounds popular in contemporary music on electric guitars, overheads, wind instruments and many other instruments. Fen-tone also features a pure analogue 26 dB JFET in-line preamp that enables active use - a key advantage for direct use of the mic with low-power audio interface preamps.

Austrian Audio's OC818 is the result of decades of experience and unique innovation and the world's first "dual output" microphone with switchable polar pattern.Based on the legendary CK12 microphone capsule, the Viennese audio engineers designed their own, further developed CKR12 capsule by tracking down various originals of the famous vintage capsule worldwide and meticulously testing, measuring and evaluating them according to their best characteristics in order to develop much more than just a "copy" from the data and experience gained.As a special feature, the lovingly handcrafted microphone has a second output that allows the producer, engineer, musician and forward-thinking artist to record the rear-facing capsule independently of the front-facing capsule. When both capsules are recorded on a stereo or dual mono track in the DAW, the free and open source PolarDesigner plugin (MAC/PC: VST, AU & AAX) allows unprecedented control and adjustment of the polar pattern between 1 and 5 bands with selectable crossover points.To configure the OC818 flexibly in real time in complex live situations or during sound checks, the optional OCR8 Bluetooth dongle can be attached to the rear of the housing. The PolarPilot app for Android and iOS can then be used to access the behaviour of both capsules, as well as the high-pass filter and pad switch. This unique tool enables an unprecedented 255 discrete polar patterns between figure of eight, all cardioid versions and omnidirectional.The OC818 Studio Set includes the OC818, the OCS8 microphone spider, an OCH8 microphone clamp, an OCC8 mini XLR adapter, an OCW8 windscreen and a case for the microphone and accessories.

A classic - reissued:The WA-14 is based on the classic 414 condenser microphone, which has been used on countless hits and continues to enjoy unrestricted popularity. Warm Audio has based the WA-14 on the classic circuit design of the original, including the coveted CK12 capsule and a premium CineMag USA transformer. Whether for vocals, aggressive guitars or on hard percussive instruments, the WA-14 always knows how to impress and delivers the sound of the classic 414 microphone that sound engineers around the world appreciate and love.High-quality components make a better microphone:With the custom transformer from CineMag USA, the 100% discrete circuit design with high-quality components and the high-quality LK-12-B-60V double-diaphragm capsule, Warm Audio has succeeded in creating another replica of a classic microphone that is second to none.

The 1967 original became one of the most sought-after and widely used studio microphones of its time, recording a huge collection of some of the most memorable songs of the last 50 years - from the Beatles, Led Zeppelin and Temptations to Nirvana.The original microphones are still highly sought after, but flawless examples often command upwards of $8000, putting them out of reach for most studios.Fortunately, Warm Audio has now changed this scenario with the release of the new WA-67! The WA-67 is based on an EF86 pentode tube and has the same smooth and creamy sound as the original. It enhances all signals and is fast becoming the first choice for vocals, guitars, drum toms and overheads, piano, brass and strings.To do justice to the characteristics of the specially manufactured capsule and the EF86 tube, Warm Audio has equipped the circuit with boutique components of the highest quality. Polystyrene capacitors with oversized capacitance, polypropylene capacitors from Wima and a large output capacitor from Solen are used. The custom-built large-core transformer from Lundahl plays an important role in the WA-67's butter-soft high frequencies and huge three-dimensional sound.

The R84 series ribbon microphones offer the classic tonality of the legendary R44, with extended top end and reduced proximity effect for mid and low frequency recording. The R84A is an active version of the passive R84 that is compatible with a wider range of preamplifiers.

The small diaphragm microphone impresses with its sophisticated cardioid characteristic and a pad circuit of -10dB. The DM-1S is perfect for the snare drum. It captures even the finest sound nuances of the individual drums in optimum quality and thus supports their individual sound characteristics.The DM-1S comes with a microphone clip and a metal drum mount.Like all Sontronics microphones, the DM-1S was tested to the limit before its market launch to ensure that it works perfectly. Whether in the studio or live. That's why the British company gives a lifetime guarantee on the drum mics. Star producer Flood, who has been in the studio with U2, The Killers and Arctic Monkeys, is also convinced of the quality of the microphones.

The d:dicate™ 4006A omnidirectional microphone is a flexible solution. Sound engineers, producers and musicians appreciate its clear, natural and precise sound reproduction. It is the ideal microphone for AB stereo recordings of symphonic concerts. It is also ideal for direct miking of all types of instruments and as a microphone for outdoor interviews.For reference stereo recordings, there is no better choice than the d:dicate™ 4006A omnidirectional microphone. These omnidirectional condenser microphones are linear and deliver faithful recordings. They are manually matched and offer the most faithful recording of stereo sound available.

The Schoeps CMIT 5 is a shotgun microphone with a very balanced sound character. It produces exceptionally low colouration of laterally incident sound and thus forgives small errors when fishing. The CMIT also has a strong directional effect with low wind sensitivity. The microphone has three sound processing functions that can be activated. The treble boost (+5 dB at 10 kHz) improves speech intelligibility and compensates for the attenuation of wind deflectors. A steep-edged low-cut filter (18 dB/oct. at 80 Hz) suppresses low-frequency wind and fishing noises. A soft low-cut filter (6 dB/oct. at 300 Hz) compensates for the proximity effect.

Warm Audio presented the predecessor model WA-87 back in 2016 and made the coveted vintage sound of the original affordable for everyone. Now the Texan manufacturer has consistently updated the model based on the experience gained to exceed expectations once again.The WA-87 R2 (Revision 2) therefore features a discrete circuit design with premium components such as new-old-stock Fairchild transistors, WIMA and Nichicon capacitors and is complemented by an improved CineMag USA output transformer. The capsule used is an in-house development precisely modelled on the classic double-diaphragm capsule with a gold-vaporised 6 µm NOS Mylar diaphragm.Thanks to authentic vintage warmth and a soft, detailed top end, the WA-87 R2 comes even closer to the ever-popular sound and vibe of the original classic from the swinging sixties.

The sE4400 is a real all-rounder and the revised version of the popular sE4400a. The dual diaphragm enables a wide range of directional characteristics and makes the microphone a versatile choice for use in the studio and on stage.The sE4400 offers four different polar patterns - omnidirectional, cardioid, hypercardioid and figure-of-eight - a LoCut with two selectable operating frequencies (40Hz and 80Hz) and a two-stage switchable pad (10dB / 20dB). Despite its small dimensions, the housing accommodates a 1" double diaphragm as well as high-quality electronics and switches.With a thickness of less than 3/4" (approx. 1.9cm), the sE4400 is extremely thin and fits comfortably in the palm of your hand. The flat, rounded housing design allows the microphone to be mounted close to the guitar cabinet or flat over the drum head. It is also perfect for vocals or voice over.Handcrafted with the highest attention to detail, built with a roadworthy die-cast all-metal housing, metal switches and a robust basket made of spring steel wire that can take a beating on the road: The sE4400 impresses with its down-to-earth elegance and offers discreet electronics that emphasise the functions that are really needed.Also available as sE4400 Mono Set.

Warm Audio presented the predecessor model WA-87 back in 2016 and made the coveted vintage sound of the original affordable for everyone. Now the Texan manufacturer has consistently updated the model based on the experience gained to exceed expectations once again.The WA-87 R2 (Revision 2) therefore features a discrete circuit design with premium components such as new-old-stock Fairchild transistors, WIMA and Nichicon capacitors and is complemented by an improved CineMag USA output transformer. The capsule used is an in-house development precisely modelled on the classic double-diaphragm capsule with a gold-vaporised 6 µm NOS Mylar diaphragm.Thanks to authentic vintage warmth and a soft, detailed top end, the WA-87 R2 comes even closer to the ever-popular sound and vibe of the original classic from the swinging sixties.

The TF47 is a new design based on the German sound and inspired by the historic U47 and M49. With an extended low end and a punchy midrange, the TF47 is ideal for adding depth and presence to any source. These characteristics make it particularly suitable for recording vocals, guitar amps and drums.At the heart of the TF47 is a K47-style metal capsule, a new 5840W vacuum tube from old stock (new old stock) and a customised, historically accurate BV8 transformer (as in the U47). These components deliver a warm and punchy sound reminiscent of the U47, with a pleasing articulation in the highs that blends perfectly into a mix.

Inside the 2006 omnidirectional microphone with double diaphragm, two miniature capsules are fitted as standard, one facing the other. Arranged as a double diaphragm, they form a capsule unit. This combines the advantages of small capsules with the lower inherent noise of a larger diaphragm surface. These capsules offer a fast impulse response and a wide frequency bandwidth.The capsules are combined with the preamplifiers of the outstanding d:dicate™ microphone series instead of the tiny FET preamplifiers of the miniature series. This gives the sound more airiness and precision.Comparisons with its bigger brother, the iconic 4006 omnidirectional microphone, are inevitable. The connection between the two is clear to hear. The 2000 series performs as well as more exclusive microphones. It is a premium class microphone that redefines the term price-performance ratio.In combination with the MMP-A preamplifier, this condenser microphone closes the gap between the exceptional sound quality of our d:dicate™ recording microphones and our well-known miniature microphones of the d:screet™ series.

The KSM141 is a permanently polarised condenser microphone with two mechanically switchable polar patterns (cardioid and omnidirectional). Designed for studio use, the microphone is also suitable for live use thanks to its robust construction and can handle extremely high sound pressure levels. Its low self-noise and wide transmission range make it the ideal microphone for miking instruments.

The MSTC 74 is particularly impressive because it usually delivers very good results even without support microphones. In addition, its positioning is relatively uncritical and therefore also suitable for less experienced users or those in a hurry. Set-up is particularly quick and easy because only a single stand and cable are required and the distance between the capsules and the angle of the capsules to each other do not need to be adjusted.The output of the MSTC 74 has an XLR-5M connector to which, for example, the KS 5 U stereo cable or the AK SU/2U resolution can be plugged.

The d:dicate 2011 dual-diaphragm cardioid microphone is a directional microphone. The unmistakable sound of this microphone is well balanced. This condenser microphone bridges the gap between the exceptional sound quality of our d:dicate recording microphone series and our well-known d:screet miniature microphones.Two miniature capsules facing each other are used in this microphone. Arranged as a double diaphragm, they form a capsule unit. This combines the advantages of small capsules with the lower inherent noise of a larger diaphragm surface. These capsules offer a fast impulse response and a wide frequency bandwidth. The capsules are combined with the preamplifiers of the outstanding d:dicate microphone series, which gives the sound more airiness and precision.