Studio Monitors

The KH 310 is designed for use as a nearfield monitor and as a front speaker in medium-sized or rear speakers in large multi-channel systems. It is ideally suited for use in project, music and post-production studios, broadcast control centres and OB vans for multitrack recording, mixing and mastering. The active 3-way studio monitor KH 310 is characterised by a Mathematically Modeled DispersionT Waveguide (MMDT), universal acoustic controls, multiple input options and a wide range of mounting hardware. The speaker offers maximum flexibility in dealing with a wide range of acoustic conditions, source devices and installation locations. The KH 310 represents the state of the art in acoustic and electronic simulation and measurement technologies and guarantees maximum sonic precision.

The SC204 has a 4" SilverCone chassis with a stable honeycomb structure that works with a 1" voice coil. In combination with the entire system, this ensures a large linear excursion of the glass fibre reinforced cone. Measured against the size of the loudspeaker, this chassis design achieves unrivalled dynamics. In addition to unrivalled transparency, the SC204 also surprises with powerful and precise reproduction of low frequencies. The mounting thread embedded in the base plate allows the SC204 to be mounted on standard microphone or speaker stands and the mounting options on the rear allow wall mounting.

With Gauss 7, Avantone Pro presents a new active full-range monitor with Air Motion tweeter. The bass speaker of the CLA-10 has been significantly redesigned. In combination with the completely newly developed GAU-AMT Air Motion Transformer, this results in high-quality and precise audio reproduction from the deepest bass to the highest overtone spectra. A total of 180 watts of power amplifier output and extensive room adjustment options make the Gauss 7 an incorruptible listening reference that lives up to the traditional Gauss name.

The Genelec 8040 is a studio monitor for music production, post-production and broadcast. It enables fatigue-free monitoring and objective mixing with clearly defined bass reproduction. The stable and low-resonance housing of this RAW version is made of untreated aluminium and is particularly environmentally friendly to manufacture as it is not painted. The drivers are protected by grilles. Rounded cabinet edges and the sound guide ensure optimum spatial imaging and a wide listening zone. The bass reflex design ensures precise and deep bass reproduction down to 41 Hz.The Genelec 8040 offers high level reserves. With the two low-distortion 90-watt power amplifiers, it achieves a sound pressure level of 105 dB. It is therefore also suitable for medium-sized rooms up to approx. 30 m². Switchable filters are available to adapt the speaker to the installation location, while threaded holes and suitable accessories facilitate wall or ceiling mounting. The Genelec 8040 has an automatic switch-on and switch-off function that can be deactivated if required.Suitable subwoofers are the Genelec 7360 or 7370.

Improved speaker drivers:Newly designed custom mid-woofers not only provide more volume and definition in the bass range, but also improve clarity and articulationand articulation. Thanks to the lighter and stiffer moving mass, the MKII mid-woofers reproduce every detail in the mid-range, no matter how smalland provide an enhanced and more critical listening experience that ultimately leads to a faster and more accurate workflow in the mix.Improved off-axis and in-room dispersion behaviour:Controlled vertical dispersion is one of the key factors of the original iLoud MTM design.This has been retained in the MKII to minimise unwanted interactions that can occur with non-acoustically treated ceilings or tables.However, the MKII's horizontal dispersion behaviour has been significantly improved, resulting in a wider sweet spot and smoother frequency response in the room.Improved power efficiency and SPL:The overall power management of the speaker has been improved. As a result, iLoud MTMMKII is able to deliver a higher maximum sound pressure level compared to its predecessor.Higher integrated computing power, improved DSP:The integrated processing power has been almost doubled compared to the original iLoud MTM.The speaker now operates at 96 kHz, the entire DSP processing works with greater precision and delivers more transparency and resolution, the ARCCorrection is now derived directly from the Precision series and supports virtual X-monitor voicing.Improved room correction:ILoud MTM MKII incorporates a new version of ARC technology that offers significant improvements over the previous version.Using the same technology and correction algorithms from the iLoud Precision series, the MTM MKII is capable ofguarantee unrivalled definition and reproducibility in virtually any environment.iLoud MTM MKII is now compatible with X-Monitor:X-Monitor is an advanced control software for speakers in the iLoud family that gives the user complete control over all the functions of the speaker in one easy-to-use interfaceFunctions of the speaker in a clear and intuitive user interface.

The HS series has become the standard for studio monitors and has been trusted by the best sound engineers, producers and artists for many years. Now Yamaha has redefined its essence in a compact package. HS3 and HS4 are powerful tools for creating a wide range of audio content and fulfil the expectations of creatives who have limited space and need to keep the volume down, but don't want to compromise on monitoring quality.

The Genelec 8350 is an active studio monitor from the SAM series (Smart Active Monitor). SAM means that the loudspeaker can adapt to the room acoustics. This is done using a measuring microphone at the listening position and the GLM software (Genelec Loudspeaker Manager). It utilises the DSP filters in the loudspeakers to reduce the disturbing influences of the room. 20 filters are available, which can also be adjusted manually. Listening conditions can be significantly improved, particularly in rooms where the acoustics are problematic, and the high resolution and transparency of the reproduction guarantees relaxed, analytical listening. Automatic level adjustment and time alignment make it easier to set up surround and 3D audio setups.The housing of the Genelec 8350 is made of die-cast aluminium. It is stable and has a large internal volume. Thanks to the bass reflex technology, the speaker delivers deep bass despite its compact dimensions. The rounded edges of the enclosure improve localisation and spatial imaging. The sound guide ensures linear dispersion and a wide listening zone, and the Genelec 7370 or 7271 are suitable subwoofers.

The KH 120 II is based on the same acoustic concept as its highly acclaimed predecessor, but has been completely redesigned to improve performance in all parameters: deeper bass, higher sound pressure levels and even better resolution. The internal DSP enables phase-linear crossovers and room-adaptive calibration via Neumann's revolutionary MA 1 Automatic Alignment.When Neumann launched the KH 120 A on the market in 2010, it was the beginning of an ongoing success story. Since then, Neumann Monitoring has become the reference in countless studios around the world. The KH 120 II follows the same philosophy as its predecessor and in fact all Neumann studio monitors: maximum linearity, minimal distortion, no colouration and perfect adaptability to any acoustic environment. Thanks to performance improvements in all parameters and a powerful DSP engine, the reproduction gains even more clarity, which enables more efficient work. This results in mixes that work perfectly on all playback systems. With ease.The KH 120 II has an exceptionally linear frequency response from 44 Hz to 21 kHz (+/-3 dB). And that's not all: it also linearises the phase response! This means: clear mids with astonishing transparency as well as extreme accuracy in the time domain with precise impulse reproduction and finely resolved reverbs. This is made possible by DSP-controlled electronics with sophisticated crossovers that avoid the phase distortion caused by analogue filters. The internal DSP also sets new standards in tonal consistency. The KH 120 II is manufactured with the lowest tolerances of just +/-0.5 dB! And you can hear it: the stereo imaging is razor-sharp.The KH 120 II is designed for near-field applications with a recommended listening distance of 1 - 2 metres. It is therefore ideal for smaller rooms such as home and project studios as well as mixing and editing suites or as a surround speaker in large multi-channel applications. Thanks to its outstanding linearity in a portable format, the KH 120 II is also an excellent choice for setting up a temporary control room in professional quality for on-site recordings (e.g. orchestra/choir, live recordings, film, radio).Even the best loudspeaker only sounds as good as the acoustic environment allows. Neumann's Mathematically Modelled Dispersion™ (MMD™) waveguide guarantees a wide sweet spot and minimises desk reflections. However, the KH 120 II goes much further: its internal DSP allows it to be calibrated using Neumann's revolutionary Automatic Monitor Alignment. The MA 1 system (available separately) ensures that the DSP-based monitors are optimally matched to the room character and perfectly calibrated for the listening position. This results in a significant improvement even in acoustically treated rooms.The sound compatibility with other KH-Line studio monitors allows the KH 120 II to be used in mixed setups, e.g. for immersive monitoring. The KH 120 II offers both analogue and S/PDIF inputs for flexible connection options.In addition, the KH 120 II AES67 model offers integrated redundant AES67 audio network ports that are fully compliant with broadcast standards such as ST 2110, ST 2022-7 redundancy and RAVENNA. At the same time, the KH 120 II AES67 is compatible with DANTE®-generated AES67 network streams.

The Alpha 80 Evo has a 1" (25mm) aluminium tweeter and an 8" (20cm) woofer with a slate fibre cone, both of which are developed and manufactured in the Focal workshops in France. This monitor is characterised by excellent dynamics and a neutral sound balance. Thanks to new technologies and features, the Alpha 80 Evo is extremely versatile. The Alpha 80 Evo is perfect for producers looking for a high sound pressure level and precise low frequency reproduction at the same time.

The HS series has become the standard for studio monitors and has been trusted by the best sound engineers, producers and artists for many years. Now Yamaha has redefined its essence in a compact package. HS3 and HS4 are powerful tools for creating a wide range of audio content and fulfil the expectations of creatives who have limited space and need to keep the volume down, but don't want to compromise on monitoring quality.

Due to its size, the SC208 can handle a wide range of low frequencies. The robust, glass fibre-coated 8" SilverCone chassis with a stable honeycomb structure is driven by a 1.5" voice coil. As a result, low frequencies from 36 Hz are reproduced powerfully and dynamically. All EVE Audio studio monitors are equipped with high-resolution DSP electronics. A rasterised encoder potentiometer with LED ring on the front of the loudspeaker enables precise adjustment of the volume and the various filters for customised adaptation to your workplace.

While originally inspired by the 5C sound cubes of decades ago, the Avantone MixCubes have become the industry standard in studios worldwide and the number one selling speaker of its kindTechnical objective:The Avantone Active Mixcubes are designed as high-resolution, fully functional mini reference monitors for stationary or mobile use. The secondary technical objective was to create a timeless design that incorporates a single full-range transducer.Cabinet design:The original 5C Sound Cubes were made from 1/2" chipboard covered with a glued-on wood grain chlorobromide silver paper. We opted for a thicker, denser MDF board because of its greater strength and lower resonance behaviour.Driver design:The originals were a simple 5" frame design. We designed a 5.25" die-cast aluminium driver/cone assembly to exceed the performance of the originals. The driver's top plate and T-yoke are made from Sumitomo 1008 low carbon steel.Amplifier design:We designed the amplifier module from the ground up as a true professional amplifier.

The Monkey Banana Gibbon 5 is an active nearfield monitor for the ambitious home studio or for editing suites in broadcast studios. With the digital biamp-powered speaker, you get perfect mixes in small monitoring environments.The small Gibbon 5 is extremely versatile when it comes to near-field monitoring. A 5.25" polypropylene woofer is used for the bass range and a 1" silk tweeter. The amplifier output of the biamp module is 45 watts for the bass range and 35 watts for the treble range.

COMPACT REFERENCE LOUDSPEAKER WITH BEST SOURCE FIDELITYThe versatile reference monitor has received a comprehensive upgrade with the new MSP3A, including a twisted flare port for even more precise bass reproduction. The MSP3A thus offers optimised source fidelity and comes with all the flexibility already familiar from its predecessor. This makes it the first choice for a wide range of monitoring applications such as smaller studios, post-production environments, monitoring of electronic instruments or surround applications.

The SC205 has a 5" SilverCone chassis with a stable honeycomb structure that works with a 1" voice coil. In combination with the entire system, this ensures a large linear excursion of the glass fibre reinforced cone. Measured against the size of the loudspeaker, this chassis design achieves unrivalled dynamics. In addition to unrivalled transparency, the SC205 also surprises with powerful and precise reproduction of low frequencies. The mounting thread embedded in the base plate allows the SC205 to be mounted on standard microphone or speaker stands and the mounting options on the rear allow wall mounting.

Genelec 8320APM - Active studio monitor with DSP filtersThe Genelec 8320APM from the SAM series offers professional audio quality and adapts perfectly to any listening environment thanks to its DSP technology. It significantly improves listening conditions, especially in small, acoustically difficult rooms.Thanks to the GLM software, automatic calibration and control with up to 16 parametric and 4 shelving filters minimise room influences and linearise the sound image. This guarantees high resolution and transparency for relaxed, analytical listening.The sturdy die-cast aluminium housing with rounded edges ensures optimised dispersion, precise localisation and deep bass - despite its compact dimensions. Two Class D power amplifiers with 50 watts each deliver powerful sound.Matching subwoofers such as the Genelec 7350 or 7360 extend the frequency range and are the perfect addition for even more depth and punch.Honest sound without much effortAutomatic calibration is carried out using the special GLM software. With up to 16 fully parametric and 4 shelving filters, the distorting influences of unfavourable room criteria can be greatly improved. A more linear, transparent sound image and a more relaxed listening experience can be achieved with simple means thanks to the clever DSP technology.Robust construction and plenty of powerTwo Class D power amplifiers with 50 watts each drive the woofers and tweeters built into a sturdy die-cast aluminium housing. Despite its compact dimensions, the speaker delivers amazingly differentiated bass via the bass reflex channel. The Iso-Pod stands supplied guarantee excellent decoupling of the speakers and allow the monitors to be individually angled to the listening position.

The Alpha Twin Evo has a 1" (25mm) aluminium tweeter and two 6.5" (16.5cm) woofers with a slate fibre cone, which are developed and manufactured in Focal's workshops in France. This monitor is characterised by excellent dynamics and a neutral sound balance. Thanks to new technologies and features, the Alpha Twin Evo is extremely versatile. Alpha Twin Evo is perfect for producers who want both high sound pressure levels and precise low frequency reproduction.