Vocal Microphones

There are numerous mounting options: The AKG CGN 99 C/S and C/L gooseneck microphones can be permanently installed. If installation is not possible, the gooseneck can be positioned using the sturdy, heavy base plate to prevent it from tipping over. A tripod is used for uneven surfaces.Thanks to two different lengths and the flexible joint, the AKG gooseneck can be adapted to any speaker position. A special rubber compound in the built-in modules ensures optimum damping of structure-borne sound.

The OM-2 is the world's best-selling Audix microphone and one of the most popular professional microphones on the American market. Professional production and industry standard quality for small to medium PA systems. Absolutely roadworthy. Hypercardioid characteristic, transmission 50 Hz to 16 kHz, transformerless electronics, capsule in VLM design, sound pressure up to 140 dB. Suitable for live and road use, characterised by clear sound, background noise suppression (>25 dB) and sound pressure resistance (140 dB).Incl. microphone clamp MC1 and carrying bag, optionally as model OM2s with recessed on/off switch.

Dynamic microphone with a strikingly defined mid/high-mid range and pleasant, soft sound characteristics - never annoying! A phase plug, familiar from loudspeaker technology, ensures a pronounced but controlled directional characteristic. This characteristic makes the microphone an ideal problem solver for recordings with high ambient noise levels (e.g. live recording). Very good all-round microphone. Excellent for picking up guitar amps and vocals as well as for use as drum overheads. Recommended applications: Guitar speaker cabinets, overheads, piano and speech.

The KMS9HS is a premium stage microphone with a dual condenser diaphragm for speech and vocals. The high-quality technology ensures the most sophisticated sound in studio quality. The directional characteristic can be switched between wide cardioid and hypercardioid.

The dynamic handheld microphone has a hypercardioid characteristic and an extended frequency response of 50 Hz to 16 kHz (+/-3 dB). It has very good handling and a sturdy housing as well as a non-reflective black alloy. Transformerless electronics, capsules in VLM design as well as low-impedance and balanced outputs guarantee interference-free performance - even when using longer cable lengths.VLM stands for the patented "Very Low Mass" technology and offers fast and precise conversion of the acoustic signal into an electrical signal. The mechanically very stable microphone basket and problem-free sound processing of up to 140 dB attest to the microphone's extreme suitability for use.A model with a recessed on/off switch is available as an option.

This solution utilises the MMC4018 cardioid microphone capsule, which offers a supercardioid pattern with high directivity and a smooth and consistent off-axis frequency response. The supercardioid shape is frequency independent and guarantees a consistent sound colour around the microphone. Die bei den meisten Supernieren-Mikrofonen übliche rückwärtige Niere wurde bei dieser Kapsel minimiert. As a result, it is much better isolated, without sudden frequency-dependent peaks and dips.Due to its modularity, the d:sign 4011 supercardioid microphone can be combined with podium booms of different lengths - 15, 30 or 45 cm. If longer booms are required for floor stands with an elegant look, our long booms with 75 or 120 cm and our special accessories for a high-quality stage vocal microphone are available.

The CGN521STS is a heavy-duty professional desktop microphone set with excellent vibration absorption properties. It features a CGN521 gooseneck condenser microphone with cardioid polar pattern on a slim, 50 cm long gooseneck. This professional microphone has been specially designed for inexperienced speakers who speak into the microphone from different angles.The desktop microphone has an extremely robust switch that can withstand more than 25,000 switching cycles. It can be set up for the following functions - push-to-talk, push-to-mute, on/off, low cut on/off. An LED indicator shows the microphone status. The CGN521 STS has a professional, gold-plated three-pin XLR audio input.

What distinguishes the Super 55 from the classic 55SH? The only thing the modern Super 55 and the classic 55SH have in common is their external design with the chrome-plated cast housing. Modern microphone technology is used in the Super 55. The result is a modern sound, maximum security against feedback and reduced handling noise.How does the Super 55 sound? The high-quality dynamic capsule of the Super 55 delivers a sound that corresponds to the top level of the Beta 58A. This means a powerful and present sound. Even without EQ settings on the mixing console, it cuts through excellently in the band mix. The neodymium magnet and the high sensitivity output voltage that the microphone produces at a certain sound pressure. Glossary ensure high output levels and clear, brilliant highs. The consistent supercardioid polar pattern provides maximum protection against feedback. Like all Shure products, the Super 55 has an extremely robust design and can easily withstand the rough and tumble of the stage.

The SK 924-LED with integrated LED lamp for the ambo and altar is a real speciality. It is a microphone and lighting in one and sets standards in these visually sensitive areas thanks to its consistent illumination. Integrated into the gooseneck is a separately switchable, high-quality light fitting with three pleasant white LEDs. The luminosity corresponds to that of a 5 watt bulb, with a rated service life of approx. 25,000 hours and more than 100,000 switching cycles. A special diffuser film provides a wider beam angle with homogeneous surface illumination on a surface up to DIN A3 in size. The lamp is powered separately via a cable or an external power supply unit.

Thanks to its features and characteristics, the MD 431 II is one of the highest quality Sennheiser microphones and is suitable for vocal and speech transmission in all areas of sound transmission technology. Colour: black, microphone head: stainless steel.

TELEFUNKEN Elektroakustik has created the M80 as a superior alternative to the mid-range overloaded character of the "industry standard microphone". With a wider frequency transmission range and a higher SPL limit, the M80 has the characteristics of a condenser microphone in a stable dynamic microphone design that can be used for both stage and recording applications for voice, instruments or drums.Thanks to the low mass of the capsule and the super-thin yet amazingly robust capsule diaphragm, the M80 enables excellent sound transmission, e.g. of vocals, which is normally only possible with studio condenser microphones.The microphone head and capsule design were developed to reduce the proximity effect, which unnaturally exaggerates the bass range of a voice. Nevertheless, the microphone sounds very well-founded and solid in the bass, while at the same time being very "open" and "airy" without creating unwanted feedback in the upper mid-range.The M80 contains an American-made transformer - specially designed for the microphone - which is primarily responsible for the almost "magical" sound of the microphone. In combination with the special capsule design, the M80 became a unique success faster than we could ever have imagined.

The directivity quality and attention to detail make the MMC4011 cardioid microphone capsule a solution that makes everything sound like the original. The first-order cardioid polar pattern ensures excellent separation of sound sources. It is just as suitable for close-up recordings of acoustic guitar, piano, overheads, percussion, wind instruments and vocals as it is for symphonic support miking. It is designed for incredibly high sound pressure levels.A linear on-axis frequency response and excellent phase response ensure faithful reproduction of the original sound. The off-axis frequency response is similarly homogeneous and interferences are reproduced accurately and attenuated in accordance with the first-order cardioid characteristic.

Dynamic large diaphragm vocal microphone

The 4088 directional headworn microphone is the industry standard for professional headworn microphones. Its open and natural sound makes it the ideal choice for speech and vocals. The microphone offers excellent off-axis signal rejection at high SPL.

The PGA57 is an affordable instrument microphone that combines excellent sound with a robust design. It was specially developed for amplified and acoustic instruments as well as for drums and can be used both live and in the studio. The PGA57 includes a microphone clamp, a carrying bag and an XLR cable.

Professional condenser microphone with supercardioid characteristic:The high-quality condenser microphones from MIPRO are characterised by a very high sound quality, which is achieved by the high sensitivity, coupled with an extremely low self-noise and a wide dynamic range of the microphone capsules. The specially developed multi-layer microphone baskets reduce pop noise without colouring the sound and the flexible microphone capsule suspension reduces structure-borne noise and handling noise. The wired and wireless microphones from MIPRO are therefore ideally suited for all speech and vocal applications as well as for miking instruments.The MM-80 is a condenser vocal microphone used by demanding amateur musicians, professional singers and sound engineers. The consistent supercardioid characteristic isolates the voice from background noise such as an adjacent instrument and minimises feedback. The multi-layer metal grille protects the capsule from mechanical damage and at the same time prevents annoying pop noises in vocal applications. With phantom power from 12 - 48 V, the microphone achieves maximum sensitivity and precise sound reproduction. The specially developed microphone capsule suspension prevents disturbing structure-borne noise. The supercardioid polar pattern guarantees optimum directivity and exceptional resistance to feedback. Typical of a high-quality condenser microphone - it sounds very clear, brilliant and rich in detail without losing punch in the sound. The microphone is suitable for vocal and instrumental applications on stage, in the studio and for other presentations.

The e 845s is a high-quality vocal microphone with a supercardioid pickup pattern and a wide high-frequency range that is particularly suitable for stage use.

The AKG C7 handheld condenser microphone delivers premium studio sound quality and worry-free operation on any stage. The sound of the voice is reproduced unadulterated and with crisp highs, putting both lead singers and backing vocalists in the spotlight. Thanks to the specially developed sound technology and customised components, the C7 reduces feedback and pop noise to a minimum. No matter what stage it is used on, the C7 delivers premium sound and guarantees absolute reliability. This allows artists to concentrate on the essentials, namely their performance.AKG CONDENSER SOUND IN A CLASS OF ITS OWN:At the heart of the microphone is a hand-selected, finely tuned condenser capsule with a supercardioid characteristic.The sound of the voice is reproduced unadulterated and with crisp highs. The C7 can handle even the highest sound pressure levels, ensuring unrivalled fidelity even with very loud ambient noise.OPEN-SPACE CAPSULE TECHNOLOGY:The innovative open-space capsule technology ensures a frequency-independent, highly linear supercardioid polar pattern. This ensures maximum feedback immunity and minimises crosstalk with other instruments.INTEGRATED PROPRIETARY CAPSULE BEARING:The C7 is equipped with a proprietary elastic bearing that protects against unwanted structure-borne sound transmission. The capsule sits on a special rubber mount that effectively keeps unwanted vibrations away from the capsule.MULTI-DIMENSIONAL PROTECTION SYSTEM AGAINST POP NOISE:The C7 has a three-layer system that reliably protects against popping noises. The system consists of the actual protective grille, dense foam under the protective grille and an additional layer just above the capsule, thereby protecting it from even strong popping noises.ROBUST CONSTRUCTION:With its robust construction made of a special metal alloy and a protective grille made of spring steel, the C7 masters even the toughest demands of everyday touring. A 24-carat gold coating protects the capsule from moisture and corrosion.

The M-81 is the latest addition to the TELEFUNKEN Elektroakustik family of dynamic microphones. The microphone was designed not only to complement the M80 (TELEFUNKEN Elektroakustik's first dynamic microphone), but also to stand out from the crowd of other dynamic microphones on offer.Since the M80 was first introduced in 2008, it has quickly become a "bestseller" in both live and studio applications. With its clear and detailed sound in the treble range, articulate midrange and minimal proximity effect, the microphone has won the hearts (and especially the ears) of thousands of new users, becoming the microphone of choice for vocal and drum applications in particular and is now the best-known microphone in the TELEFUNKEN product line.Based on the outstanding characteristics of the M80, the TELEFUNKEN M81 also has the same minimal proximity effect, superior feedback shielding and a very clear and distinct mid-range. In the upper treble range, the response of the M81 has been slightly reduced so that the microphone has a smoother and more even frequency response. As a result, with the M81 you get a microphone with a clear and smooth sound that is ideal for brighter vocals and guitars, percussion and brass.The customised frequency response of the TELEFUNKEN M81 also makes this microphone an excellent choice for electric guitars, percussion, drum toms and brass instruments. The wide application range and the stable and reliable design make it the workhorse for a whole new generation.With the same tube body finish and chrome capsule protector as the R-F-T AR-51, the M81 is instantly recognisable. Much of the design of the M81 is based on the AR-51. Great care was taken in tuning the M81 to make it comparable to the AR-51, especially when recording electric guitars.In general, it can be said that the design of the M81 is particularly suitable for... well, actually for all applications. It really is a "universal dynamic microphone".