The Nexadyne™ 8/C vocal microphone is a cardioid dynamic microphone for professional vocal performances. Nexadyne 8 microphones feature Shure's patented Revonic™ dual-engine transducer technology, where two precisely calibrated transducers work together to achieve optimal performance. The result is a high-performance microphone series that combines state-of-the-art acoustic signal processing, exceptional cardioid polar pattern and superior noise reduction. The Nexadyne 8/C's transparent and natural cardioid polar pattern ensures that vocals reach every corner of the venue with ease. The robust and powerful products fulfil the proven Shure quality standard.
The new V7 PTT is a dynamic, handheld talkback microphone with supercardioid polar pattern and a Push To Talk button. It delivers the same clear, open sound with impressive feedback resistance as the V7, but now with added control: a virtually silent button that makes it the perfect talkback microphone for technicians, even in harsh, noisy environments. The Push To Talk button is easy to use and ensures that you never forget to mute your talkback microphone again. This gives you perfect control over the stage sound and in-ear mixes.
Professional dynamic microphone with supercardioid characteristic:In the field of high-quality dynamic microphones, MIPRO relies on proven neodymium technology with a high dynamic range and precise sound reproduction. The specially developed multi-layer microphone baskets used here also reduce pop noise without colouring the sound and the flexible microphone capsule suspension reduces structure-borne noise and handling noise. The wired and wireless microphones from MIPRO are therefore ideally suited for all speech and vocal applications as well as for miking instruments.The MM-107 is a dynamic microphone for speech and vocal applications. Its steel basket, shock-mounted capsule and integrated windscreen make it fully suitable for stage use. The MM-107 ensures present mids and good speech intelligibility. The supercardioid polar pattern protects against feedback and the integrated windscreen minimises breathing noise. It has an on/off switch.
Whether in the hand or in the ear, the dynamic TG V70d live vocal microphone with hypercardioid pickup pattern impresses both on and in front of the stage as well as behind the mixing desk - singers, audience and hire companies alike.The reasons: the very well-resolved, powerful sound, excellent feedback resistance and a pronounced proximity effect. All directional microphones reproduce low frequencies louder than medium and high frequencies at close microphone distances.With a rich bass foundation to support less powerful voices. Even without the aid of the mixing console sound control, it delivers an impressively round and exceptionally powerful sound. In other words, all you need to do is plug it in and activate the high-pass filter - and you're done. In addition, the design is pleasing to the hand and eye, with a well thought-out housing structure and a progressively damped capsule suspension for low handling noise.
The C 562 CM built-in boundary layer contains the same microphone capsule as the C 562 BL. This product variant has been specially developed for fixed installations where the microphone needs to be installed as unobtrusively as possible in a wall, ceiling, table or stage prop.The high sensitivity of this capsule is particularly suitable for monitoring purposes or recordings where only one microphone is required to record an entire room. The C 562 CM is supplied with an XLR phantom power adapter, which has a 3.5 mm plug coupling between the microphone and XLR plug.This means that the diameter of the XLR adapter does not need to be taken into account for installation.
Professional dynamic microphone with supercardioid characteristic:In the field of high-quality dynamic microphones, MIPRO relies on proven neodymium technology with a high dynamic range and precise sound reproduction. The specially developed multi-layer microphone baskets used here also reduce pop noise without colouring the sound and the flexible microphone capsule suspension reduces structure-borne noise and handling noise. The wired and wireless microphones from MIPRO are therefore ideally suited for all speech and vocal applications as well as for miking instruments.The MM-59 is a vocal microphone designed for stages of all sizes. It is a favourite for professional musicians and sound engineers, especially on very loud stages. The consistent supercardioid characteristic isolates the voice, suppresses background noise from e.g. adjacent instruments and minimises feedback. The MM-59 sounds powerful and present. It adds more subtlety to the sound, especially in the treble range. The MM-59's neodymium magnet has a high sensitivity for higher output levels and clearer, more brilliant highs. The MM-59's multi-layer metal grille effectively protects against damage and reduces pop noise. It has a lockable on/off switch.
The directivity quality and attention to detail make the MMC4011 cardioid microphone capsule a solution that makes everything sound like the original. The first-order cardioid polar pattern ensures excellent separation of the sound sources.A linear on-axis frequency response and an excellent phase response ensure faithful reproduction of the original. The off-axis frequency response is similarly homogeneous and interferences are reproduced accurately and attenuated in accordance with the first-order cardioid characteristic.Due to its modularity, the d:sign 4011 cardioid microphone can be combined with podium booms of different lengths - 15, 30 or 45 cm. If longer booms are required for floor stands with an elegant look, our long booms with 75 or 120 cm and our special accessories for a high-quality stage vocal microphone are available.
This microphone delivers clear and transparent sound quality with plenty of headroom. For years, this was the preferred headworn microphone for broadcasters and theatres on Broadway as well as in many auditoriums and lecture theatres. This is due to its pristine sound and durability.The headband design is unique. The microphone boom can be detached from the headband and reattached on either the left or right side. The often problematic humidity in the theatre is not an issue here. This microphone was designed with a double-vent protection system and drop-stop in the microphone boom. The materials in the microphone itself are also waterproof. Thanks to these design elements, it is virtually impossible for the microphone to fail due to moisture.The sensitivity of the microphone is 6 mV/Pa. This matches the level of the human voice to the general input sensitivity of most wireless transmitters. With the appropriate power supply, the microphone can handle very high sound pressure levels of up to 144 dB SPL before clipping.
The KMS 105 was developed to optimise the transmission of the human voice and is therefore the first choice for demanding live applications. With its low inherent noise, discolouration-free crosstalk behaviour and supercardioid characteristic, the KMS 105 is predestined for use in in-ear monitoring systems. An innovative four-stage acoustic filter prevents pop and wind noise, while special mechanical and electrical filters virtually eliminate handling noise. Thanks to its high acoustic resolution and linear frequency response, the KMS 105 offers musicians optimum control over their stage performance at all times.
The TM-82 is a dynamic microphone for miking vocals and instruments during performances and recordings. With its excellent reproduction quality and simple, uncomplicated handling without phantom power, it is the perfect choice for use in the home studio through to live events. The cardioid polar pattern reduces the risk of feedback and also produces a moderate proximity effect that can give vocals and other sound sources a particularly warm bottom end.The robust metal construction and proven electrical concept of the TM-82 make it a reliable companion for musicians, rental companies or municipal venues for many years to come.
Sennheiser can look back on 60 years of company history in the audio industry. The resulting experience and expertise are reflected in every product series.This is also the case with the new MEG 14-40-L and MEG 14-40-L-B gooseneck microphones. Thanks to their shielding against HF interference, they are particularly suitable for use in the conference sector, where interference from mobile phones, for example, can be particularly unpleasant. The slim, unobtrusive design also predestines both models for conference and discussion areas.Manufacturing quality "made in Germany" is particularly noticeable in fixed installations due to the low service requirements.
The high-quality condenser microphones from MIPRO are characterised by a very high sound quality, which is achieved by the high sensitivity paired with an extremely low self-noise and a wide dynamic range of the microphone capsules. The specially developed multi-layer microphone baskets reduce pop noise without colouring the sound and the flexible microphone capsule suspension reduces structure-borne noise and handling noise. The wired and wireless microphones from MIPRO are therefore ideally suited for all speech and vocal applications as well as for miking instruments.The MM-90 is a high-quality condenser microphone with a particularly constant supercardioid polar pattern over the entire frequency response. The multi-layer, hardened metal grille protects the capsule from mechanical damage and at the same time prevents annoying pop noises in vocal applications. The microphone achieves maximum sensitivity and precise sound reproduction with phantom power from 12 - 48 V. The specially developed microphone capsule suspension prevents disturbing structure-borne noise and contact noise. The supercardioid polar pattern guarantees optimum directivity and exceptional resistance to feedback. The sound is extremely clear. Rich in detail and natural. The high dynamic range and low inherent noise make it possible to reproduce even the faintest nuances of the voice. The reduced proximity effect ensures a particularly clean signal in the low frequencies. The microphone is suitable for vocal and instrumental applications on stage, in the studio and for other presentations.
Professional studio sound for the stage.The handheld OC707 cardioid microphone brings professional sound from the studio to the stage. Inspire your audience with every nuance of your unique voice.The OC707 is a robust vocal microphone with a die-cast housing and true condenser technology. It gives your voice great volume and allows it to emerge clearly in the mix with all its facets without overemphasising them. The microphone is optimised for the human voice. The proximity effect, for example, has been optimised so that you can use it to your advantage in any performance. The tonally open basic character of your voice is always retained.The OCC7 small diaphragm capsule, developed and built in Vienna, is the centrepiece. Austrian Audio's special Open Acoustic technology allows sound to enter the capsule almost freely from all sides. The minimisation of sound-reflecting surfaces in the vicinity of the capsule ensures the most resonance-free reproduction possible.The combination of low self-noise (19 dB SPL) and high sound pressure level (150 dB SPL) results in an impressive dynamic range.The OC707 is designed to minimise shock, handling noise and feedback. The switchable 2nd order high-pass filter further enhances these properties and can be used for sound shaping.With the OC707, Austrian Audio has succeeded in creating a microphone that has all the important characteristics of a studio microphone and yet is able to withstand the rigours of everyday stage use.
Professional dynamic microphone with supercardioid characteristic:In the field of high-quality dynamic microphones, MIPRO relies on proven neodymium technology with a high dynamic range and precise sound reproduction. The specially developed multi-layer microphone baskets used here also reduce pop noise without colouring the sound and the flexible microphone capsule suspension reduces structure-borne noise and handling noise. The wired and wireless microphones from MIPRO are therefore ideally suited for all speech and vocal applications as well as for miking instruments.The MM-39 is suitable for the demanding beginner as well as the pro. It is used on all stage sizes - from club gigs to large open air stages. This extremely resilient microphone delivers a reliable performance on stage and in the studio. The sound is exceptionally powerful and clear. The frequency response is optimised in such a way that the voice already comes through excellently in the band mix without any intervention in the mixing console EQ. The consistent supercardioid polar pattern isolates the useful signal very well from background noise and makes the microphone resistant to feedback, even on loud stages. The MM-39 is very robust, can take almost anything and can withstand even the toughest stage applications. It has a lockable on/off switch.
The KMS 105 was developed to optimise the transmission of the human voice and is therefore the first choice for demanding live applications. With its low inherent noise, discolouration-free crosstalk behaviour and supercardioid characteristic, the KMS 105 is predestined for use in in-ear monitoring systems. An innovative four-stage acoustic filter prevents pop and wind noise, while special mechanical and electrical filters virtually eliminate handling noise. Thanks to its high acoustic resolution and linear frequency response, the KMS 105 offers musicians optimum control over their stage performance at all times.
Thanks to the new 4560 binaural headset microphone, high-quality 3D audio is now within reach. Ideal for YouTubers, sound designers, podcasters, vloggers and other content creators such as filmmakers who want to record authentic 3D sound. The 4560 allows real-timeRecording of exactly what the ears hear, so that anyone consuming the content through headphones can experience totally immersive sound. At the heart of the 4560 is a pair of 4060 CORE miniature microphones mounted on two earpieces and positioned just outside the user's ear canal. They capture 1:1 the sound that the person recording hears. The earpieces are attached to a flexible headset that is easy to fit, comfortable to wear and adapts to any head shape. The foam windscreens included in the scope of delivery secure the positioning in the ear and dampen wind noise.
The directivity quality and attention to detail make the MMC4011 cardioid microphone capsule a solution that makes everything sound like the original. The first-order cardioid polar pattern ensures excellent separation of the sound sources.A linear on-axis frequency response and an excellent phase response ensure faithful reproduction of the original. The off-axis frequency response is similarly homogeneous and interferences are reproduced accurately and attenuated in accordance with the first-order cardioid characteristic.Due to its modularity, the d:sign 4011 cardioid microphone can be combined with podium booms of different lengths - 15, 30 or 45 cm. If longer booms are required for floor stands with an elegant look, our long booms with 75 or 120 cm and our special accessories for a high-quality stage vocal microphone are available.
The M80 from Telefunken Elektroakustik is the perfect all-rounder and the perfect alternative to the mostly mid-range-heavy microphones in this price and performance segment.
This solution utilises the MMC4018 microphone capsule, which offers a supercardioid polar pattern with high directivity and a smooth and consistent off-axis frequency response. The supercardioid shape is frequency independent and guarantees a consistent sound colour around the microphone. Die bei den meisten Supernieren-Mikrofonen übliche rückwärtige Niere wurde bei dieser Kapsel minimiert. As a result, it is much better isolated, without sudden frequency-dependent peaks and dips.
The UNISPHERE® I 565SD is a dynamic cardioid microphone with switchable output impedance and a robust wire gauze spherical grille containing a very effective wind and pop filter. Preset for low impedance operation, the 565SD provides excellent vocal and speech reproduction at lecterns and on stages and is a favourite microphone in auditoriums, churches, conference halls and schools.