The D3V is a fully active desktop monitor system designed for composers, producers and music lovers who want to enjoy ADAM Audio's sound quality as comfortably as possible. Available in white or black, the active monitors feature the legendary gold-coloured ribbon tweeter and remain true to ADAM Audio's established German industrial design.Each pair of active speakers features 3.5-inch aluminium bass-midrange drivers and a ferrite magnet system powered by 80-watt amplifiers. The bass-midrange drivers are complemented by double-sided 3.5-inch passive radiators, giving the D3V an extended frequency response down to 45 Hz.With 25 years of experience in the design and manufacture of ribbon tweeters, ADAM Audio has designed the compact 1.5-inch D-ART (Desktop Accelerated Ribbon Tweeter). It enables the precise, unagitated high-frequency reproduction for which the manufacturer's established monitors are known.The D3V has a USB-C input. Accordingly, the monitor system behaves like a digital output device when connected to a computer and does not require an additional audio interface for playback. This plug-and-play functionality also extends to mobile devices, so that high-quality sound reproduction can be enjoyed without the data compression or conversion typically associated with such connections. The D3V also features balanced 6.35 mm TRS inputs for conventional analogue audio applications.The rear of the left speaker has a series of user-friendly switches to solve the typical acoustic problems associated with speaker placement. The front panel also features a headphone jack and a volume control that simultaneously controls audio input selection, muting and other functions.The D3V comes complete with detachable monitor stands, which are inclined at an angle of 15° towards the user's ears. In addition, there is a standardised 3/8" thread on the underside of both monitors for mounting on microphone stands.Fully active 3.5-inch aluminium bass/midrange driver with ferrite magnet systemOptimised via ADAM Audio's state-of-the-art Klippel measurement system, the extremely symmetrical voice coils and ferrite magnets help to minimise unwanted distortion and provide a linear drive to the bass-midrange drivers. Each one-piece concave cone is made of ribbed, thick aluminium with a long linear excursion that delivers uncoloured sound even at surprisingly high output levels.The D3V is a fully active design with four amplifier channels and DSP-controlled crossover. The bass-midrange drivers are powered by 80-watt amplifiers, with the link connection cable transmitting an amplified signal to the right speaker.D-ART tweeterA quarter of a century of research and development into ribbon tweeters has led to the development of ADAM Audio's powerful 1.5" Desktop Accelerated Ribbon Tweeter. Each diaphragm is hand-folded and bonded to 40W amplifiers that drive each unit. Like all other ADAM Audio tweeters, the D-ART features a fine-tuned crossover managed by a high-precision signal processor.Passive radiatorThe D3V utilises double-sided passive radiators in each speaker, a total of four per system. Each passive radiator consists of a stainless steel plate as the moving mass and a specially stabilised long excursion rubber surround as the suspension. Together they amplify the lowest frequencies of the loudspeaker through their interaction with the main bass-midrange drivers and thus contribute to an increase in the sound pressure level of the overall system.USB-C direct inputThe D3V is ADAM Audio's most convenient monitor system to date, as it features a plug-and-play USB-C input. The speakers behave like a digital output device when connected to a computer, mobile phone or tablet, eliminating the need for an additional audio interface. This direct digital connection enables high-quality audio playback without the data compression or additional conversion typically associated with desktop monitors.DSP room acousticsThere are three switches on the rear panel of the left speaker to counteract the typical acoustic problems resulting from speaker placement. "POSITION" refers to the fixed position of the speaker in the room. "DESK" refers to the size of the desk in front of the speaker, while "ROOM" refers to the degree of acoustic damping in the room in which the system is used.Balanced analogue inputsIn addition to the USB-C input, the D3V has analogue inputs for conventional audio applications. It enables balanced connections to audio interfaces as well as direct connections to a wide range of hardware, including synthesisers, drum machines, samplers and DJ mixing consoles. The USB-C connection or the balanced analogue inputs can be selected by pressing the volume control on the left speaker.Headphone output, monitor stand and mounting optionsFunctionality and convenience played a major role in the design of the D3V. The headphone output on the front automatically takes over audio playback when connected. Monitor stands angled at 15° are also included. In addition, there is a standardised 3/8" thread on the underside of both monitors for mounting on microphone stands.Injection moulded housingThe housing of the D3V is made of high-quality ABS injection-moulded polycarbonate with thick walls and ample bracing to prevent vibrations and unwanted resonances. The rounded shape reduces unwanted sound diffraction at high frequencies while honouring ADAM Audio's long-established industrial design.
The KH 310 is designed for use as a nearfield monitor and as a front speaker in medium-sized or rear speakers in large multi-channel systems. It is ideally suited for use in project, music and post-production studios, broadcast control centres and OB vans for multitrack recording, mixing and mastering. The active 3-way studio monitor KH 310 is characterised by a Mathematically Modeled DispersionT Waveguide (MMDT), universal acoustic controls, multiple input options and a wide range of mounting hardware. The speaker offers maximum flexibility in dealing with a wide range of acoustic conditions, source devices and installation locations. The KH 310 represents the state of the art in acoustic and electronic simulation and measurement technologies and guarantees maximum sonic precision.
The Genelec 8020D is a professional compact nearfield monitor. It delivers an analytical sound image without colouration for fatigue-free monitoring and objective mixing. With its small dimensions, it is suitable for small studios, post-production, broadcast and mobile applications. Protective grilles in front of the drivers simplify transport.The stable and low-resonance housing of this RAW version is made of untreated aluminium and is particularly environmentally friendly to manufacture as it is not painted. Rounded cabinet edges and the optimised sound guide ensure balanced dispersion, very good spatial imaging and a wide listening zone. The stereo image is precise and stable. Despite the small size, there is a long bass reflex channel. It enables precise and deep bass reproduction. The frequency range can be extended down to 30 Hz with the matching 7040 subwoofer.Switchable filters allow the speaker to be customised to the installation location and room acoustics. The IsoPod stand decouples the monitor from the floor and allows it to be aligned to the listening position. Threaded holes and suitable accessories facilitate wall or ceiling mounting.
Set the Scene:The DM-50D-BT speakers deliver a balanced, powerful bass sound and are equipped with plenty of power reserves thanks to Class D amplifiers and 5-inch woofers. Press the switch to switch from DJ mode to production mode and the DSP settings are automatically adjusted to achieve the best sound for each application.2 sound modes - optimised for DJ-ing and music production:You don't have to decide whether you want a monitor set that's best for DJing or for making music and producing: the DM-50D speakers are perfect for both. Simply flip the switch to select either DJ mode or production mode and the DSP settings will be optimised for the task, allowing you to focus on what's at hand.Easy to combine with various DJ or production equipment:With RCA, mini jack and the now additional jack inputs, you can connect different types of equipment such as DJ controllers and mixers, the laptop or the sound card you're using. You can easily and conveniently connect your headphones via the socket on the front of the DM-50D, and the volume control is also located there so that you can quickly adjust the level at any time.Bluetooth® integrated:The Bluetooth® technology included in the DM-50D-BT and DM-40D-BT models allows you to easily pair your smartphone, mobile device or PC/Mac and play your tracks wirelessly in high quality.
The powerful JBL 305P MkII studio monitor brings the legendary JBL audio experience to any studio. Featuring the revolutionary JBL Image Control Waveguide and enhanced transducers, the JBL 305P MkII delivers stunning detail, precise imaging, an expanded sweet spot and impressive dynamic range to enhance the playback experience in any modern workplace.Utilising patented technologies from the JBL 7 Series and M2 Master Reference Monitors, the sleek, modern design makes the JBL 305P MkII an extremely powerful and enjoyable mixing experience at an affordable entry-level price.
The A-Series Monitor A7V is the successor to ADAM Audio's award-winning bestseller A7X. The A7V 2-way speaker is equipped with a newly developed 7-inch woofer - made from a multi-layer mineral fibre material (MLM) - and ADAM Audio's handcrafted X-ART tweeter. The A7V achieves a frequency range of 41 Hz to 42 kHz, a rotatable HPS waveguide and the integrated DSP technology allow optimal customisation to individual room conditions and personal sound preferences. For many artists, mixers and producers, the A7V will be the preferred speaker within the new A-Series.
The T7V is a nearfield studio monitor and is designed as a vertically orientated 2-way system. The T7V has a 7" woofer that enables bass reproduction down to 39 Hz, while the cone of the U-ART tweeter offers an unadulterated and extended high frequency range of up to 25 kHz. The U-ART tweeter is fitted with a precision waveguide that has the same excellent dispersion characteristics as the High Frequency Propagation (HPS) waveguide used in the S-Series studio monitors. The very even reproduction of the high frequencies by the waveguide ensures an incredibly wide sweet spot, which saves you from having to remain in a fixed position while working.The metal rear panel of the T7V houses the bass reflex port as well as numerous controls and analogue connections. The U-ART tweeter is powered by a 20 W amplifier, while a 50 W amplifier drives the woofer. This powerhouse in a slim cabinet delivers an impressive maximum sound pressure level of 110 dB SPL per pair.The T7V's wide frequency response, wide dynamic range, excellent transient response, wide sweet spot and small footprint make it ideal for use in small control rooms for music production, video post-production and broadcast - an interesting option for the limited budgets that many facilities have to work with.The ADAM Sub8 subwoofer is the perfect complement to the T7V to extend the possibilities of low frequency monitoring.
The most striking feature of the FX series is the coaxially integrated tweeter, which is not - as is often the case - a horn, but a dome tweeter. And the computer-calculated housing shape not only looks extremely cool, but also significantly optimises the dispersion characteristics of the FX80.Coaxial driverIn the centre of the 8" woofer is a 1.2" silk dome tweeter. The unique design in this price segment creates a point sound source - in principle without disturbing phase deviations or overlapping of the individual drivers. The frequency response of the FX80 ranges from 35 Hz to 22 kHzDIP switch for boundary compensationIn many (home) studios, space is at a premium, which can have an unfavourable effect on the acoustics. The FX80 is therefore equipped with EQ switches that can be used to control the influence of acoustically difficult rooms as well as the resonances of a wall directly behind the speakers. Users will find important information about the function of the DIP switches on the rear panel, and their function is described in detail in the operating instructions.Class D and DSP-controlledThe "Class D" power amplifier of the FX80 always delivers a clean and constant performance and sufficient headroom. The integrated high-performance DSP takes care of the digitally controlled crossover, resulting in extremely consistent sound reproduction. This makes the FX series reference monitors the perfect solution for demanding home and professional recording studios.LED display on the front baffleThe LED on the front panel not only provides information about the on/off/bypass status of the FX monitor, but also helps with the precise alignment of the speakers at ear level.Front slot port designThe bass reflex port maximises the bass efficiency of the speaker. The front arrangement not only provides a more direct radiation of the bass energy to the listener, but also allows the monitor to be set up close to the wall, which makes it much more flexible when it comes to placement options in the studio.Optimised tweeter protectionThe coaxial design with the tweeter mounted in the centre in front of the woofer makes the FX80 extremely robust. The woofer is therefore already equipped with a "protective shield". However, as the tweeter also needs to be protected, it has a small perforated grille in front of the sensitive silk cone.Imaging and bass responseHigh-quality drivers in a solid housing form the basis for transparent reference monitors, but only extensive listening tests and meticulous calibration of the crossover make this monitor a reliable working tool with absolutely precise bass response - and therefore a genuine Fluid Audio speaker. A mix created on the FX80 will never disappoint on other audio systems.
Focal is expanding its Alpha series with the newly launched Alpha Evo. New features, new technologies, new design: the Alpha 50 Evo and Alpha 65 Evo studio monitors offer high performance at an unrivalled price in their market segment, making them the professional tools of choice for more people than ever before. With these new products, the French manufacturer is once again demonstrating its sound expertise and asserting its position as world market leader.PERFORMANCE & VERSATILITY:The Alpha 50 Evo and Alpha 65 Evo models are specially designed for music production and general music reproduction and ensure outstanding acoustic coherence regardless of the listening location. To further improve reproduction performance, Focal has opted for an aluminium tweeter with an inverted dome for wide sound dispersion and a carbon fibre cone. The recycled carbon fibre cone is manufactured exclusively by the French brand in Saint-Étienne and was chosen for its neutrality and dynamics. Focal is constantly revising its product range, drawing on over 40 years of expertise in the field of acoustics and its innovative strength. This is also underlined by the new large laminar port, which minimises distortion.NEW FEATURES:Evo stands for evolution. In addition to the analogue XLR and RCA sockets, the Alpha Evo monitors have a new TRS jack input (6.35 mm), an automatic standby mode that can be deactivated and inserts for wall and ceiling mounting: a truly versatile range (mixing, mastering, DJ, broadcasting). In terms of amplification, the speakers each have two Class D amplifiers. Their high current capacity gives you maximum control over the signal dynamics. In addition, high volumes can be achieved without distortion. Each speaker reproduces even the smallest details in the mix across all styles of music.DESIGN AND CABINET CONSTRUCTION:The monitors have a 15 mm thick MDF enclosure with internal bracing for maximum stability even at high sound pressure levels. The bass reflex design was chosen for easy acoustic integration even in the tightest of spaces. In terms of aesthetics, the classic cube shape of the monitor gives way to a design with rounded corners. The side panels ensure a sophisticated, robust and modern design that contributes to excellent acoustics and a unique and harmonious character across the entire range.
Robust, reliable, adjustable - this high-quality pair of monitor stands made of high-quality steel offers excellent stability. Perfect for at home, in the studio or in the control room.
The original iLoud Micro Monitor revolutionised the way professionals and audio enthusiasts experience sound in an ultra-portable and compact form factor. The iLoud Micro Monitor PRO takes the incredible qualities of the classic Micro Monitor to a new level by combining studio-quality reference audio with a compact form factor and new in-built, state-of-the-art speaker correction technology to deliver unrivalled sound quality, no matter the location.iLoud Micro Monitor PRO features a new bi-amping design with 50W RMS total power per speaker. This drives a 3-inch paper woofer and a 0.75-inch textile dome tweeter. It delivers precise and balanced audio reproduction across the entire frequency spectrum, enabling crystal clear highs, full mids and tight, defined bass that rivals larger studio monitors.Thanks to the new integrated state-of-the-art speaker correction technology, iLoud Micro Monitor PRO provides accurate audio reproduction and a balanced and precise sound image, regardless of the environment.With XLR and RCA line inputs, the Micro Monitor PRO can be seamlessly integrated into professional audio environments and hi-fi setups and is also suitable for use on the move.The flip-foot design allows quick and easy adjustment of the speaker position to achieve the perfect sweet spot, whether in the studio, in the home office or on the road: iLoud Micro Monitor PRO are always optimally positioned.The internal power supply eliminates the need for external adapters and simplifies setup.With its compact size and lightweight design, the iLoud Micro Monitor Pro is theperfect companion for any environment and delivers unrivalled sound qualitywherever it is required.
There is often no room for large speakers. However, if you demand the highest standards of sound and flexibility, the GENELEC 8331 is the perfect partner. The active monitor speakers incorporate patented GENELEC technologies from four decades of experience in professional technology, with the coaxial design of the tweeter and midrange driver and the intelligent shape of the baffle guaranteeing impressively spatial and accurate reproduction even at very short listening distances - ideal conditions for fatigue-free listening pleasure. Two powerful woofers guarantee a very deep and exemplary precise bass performance. The GENELEC 8331's drivers are each driven by their own amplifier. The speaker housing is made of torsion-resistant aluminium, so the GENELEC 8331 does not suffer from sound-distorting vibrations of the body. The speakers can be positioned horizontally or vertically, depending on the location. Their practical Isopod feet optimally decouple the speakers and protect the surface. In addition, the GENELEC 8331's bass, mid-range and treble can be sensitively adjusted to the positioning. The optional GENELEC Loudspeaker Manager (GLM) with AutoCal even enables automatic calibration via PC or Mac.Compact, powerful sounding and universal - the GENELEC 8331 are simply unique in their class.
The A8H is the top model in the A series. This 3-way loudspeaker delivers maximum resolution and sonic precision - perfect for the most demanding monitoring tasks. The A8H features an 8-inch woofer made from multi-layer mineral fibre material (MLM), an innovative midrange driver and ADAM Audio's handcrafted X-ART tweeter. Like all models in the A-Series, the A8H offers innovative features for individual customisation to suit personal listening habits and the acoustic environment: this is ensured by a rotatable HPS waveguide and integrated DSP technology. The A8H is suitable for all conceivable listening situations in medium-sized and larger rooms. It is the perfect choice when the highest possible fidelity is required
You can monitor your production via two switchable speaker pairs. A subwoofer is also switched on and off with speaker pair A.When the switch is in the centre position, the speakers are switched off, which is practical because you don't have to turn the volume control back.You can adjust the volume ratios at lightning speed using the monitor control. In the centre position, all input signals are equally loud. To the left, the analogue stereo inputs are louder and the USB input signal is quieter. Turned from the centre to the right, the reverse happens. This allows you to set the correct volume ratios quickly and intuitively.Two analogue stereo inputs and one digital USB input can be connected to the Marc One. The DAW (Digital Audio Workstation) is preferably connected via USB.Other players such as CD players, mixing consoles, synthesizers or an analogue tape machine/tape deck can be connected to the analogue line inputs.The converter chip used is the premium AK4490, which belongs to the new generation of premium 32-bit DACs and is equipped with AKM's Velvet Sound®. This technology makes the finest details audible thanks to the low-distortion architecture.Sampling frequencies of up to 768 kHz PCM (16 times CD resolution) and DSD (Direct Stream Digital) playback up to a resolution of DSD4 or DSD256 (11.2 MHz) are supported.This qualifies the Marc One for the highest resolution audio playback currently available.The USB connection is Class Compliant. This means that all Mac computers and iOS devices such as iPads and iPhones can utilise the full performance bandwidth of the AD/DA converter without installing a driver. iOS devices require the Camera Adapter. A driver is required for Windows, which you can download at the bottom of this page.The selected input signal is output unchanged at the Line Out. This means that the Marc One can be looped between devices without "losing" an output.If, for example, several people are to listen in via headphones, a headphone amplifier or a headphone distribution amplifier can simply be connected to the Line Out.You can also record the signal in analogue form or send it to a mixer for further processing.The Marc One offers three monitoring modes. The default setting in the centre is "Stereo". To check the mono compatibility, set the switch to "Mono". The special feature is the channel swap function: L/R > R/Lreverses the stereo image. L/R becomes R/L. This is particularly important and extremely time-saving if you are looking for samples in the video dubbing that should match a scene with a direction of movement.If the direction is not correct, you normally have to load the sample into the DAW for channel swapping and swap the channels there before you can hear and judge whether the sample matches the picture.With the L/R > R/L function, this is no longer necessary. You can now swap the direction of movement in the sample library during pre-listening.The output stage of the headphone amplifier is designed as a push-pull amplifier in Class AB operation. The bipolar transistors share the amplification of the positive and negative half-wave, which produces a higher amplification and a higher output voltage than in Class A operation, in which only one transistor amplifies both half-waves.The output stage transistors are thermally coupled and therefore run particularly coherently, which contributes to a consistent and stable sound image.The power supply has a buffer circuit with low source resistance and thus ensures generous current reserves even when operating low-impedance headphones.The Phonitor Matrix has three setting parameters in the largest configuration: Crossfeed, Speaker Angle and Centre Level.In the Marc One, the centre level is preset to -1 dB and the speaker angle to 30°. These are the most commonly used values.The crossfeed function determines the crosstalk between the channels, the so-called interaural level difference. The intensity of the crossfeed is infinitely variable.At the beginning of the control path, the function is not in the audio path. It is only switched on by adding it via a relay (hysteresis circuit). The audio signal therefore does not pass through the crossfeed stage if this is not desired.
The extremely compact KH 750 DSP is the ideal choice for smaller rooms and smaller studio monitors, such as the KH 80 DSP. It has a uniquely flexible 2.0/0.1 bass manager that allows the subwoofer to be used in many different system configurations. The rear panel features analogue and digital inputs and outputs, four routing modes and flexible acoustic controls for seamless system integration. The Neumann.Control software provides access to many additional functions of the subwoofer. The KH 750 DSP can be used in music, broadcast and post-production studios for tracking, mixing and mastering.The newly developed 10-inch driver has a large, linear magnet system and a very solid sheet steel basket. As subwoofers are normally placed on the floor, a robust grille protects the driver from accidental damage. The well-braced cabinet is sealed to achieve the fastest possible transient behaviour. Both analogue XLR inputs are balanced, as are the two analogue XLR outputs. The 192 kHz / 24-bit digital input accepts AES3 and S/P-DIF signals. There is a bypassable standby function whose switch-off time can be set in the Neumann.Control app.Via a standard IP network, Neumann.Control provides full access to additional functions of the KH 750 DSP that are not available on the rear panel. Speaker systems can be defined from mono to 3D, adjusted for good sound in the room and then operated centrally: Set up, calibrate and operate. You don't need to be an expert to optimally integrate this subwoofer into the system, even in a small room.
Avantone Pro - in collaboration with mixing legend Chris Lorde-Alge - has developed the most faithful replica of the most iconic studio monitor of all time. Now anyone can mix on the monitors that shaped the "Hitmaker sound". An incredible amount of development work has gone into making this monitor available to everyone. Black housing. White dome tweeter. Wide frequency response. This monitor is not famous as the best monitor, but as the best reference - the sound that produces hits.Since the "monitor with the white dome" was discontinued, prices for spare parts have skyrocketed and parts as such have become increasingly difficult to obtain. Avantone Pro have developed an almost exact replica of the original drivers. Through years of experience and global resources, the parts have been faithfully reproduced and the materials used have been selected to meet modern production and environmental standards.The AV10-MHF tweeter cone underwent an elaborate development process with phenolic resin treatment to achieve the same measurement curve as the original. The AV10-MLF woofer consists of customised components that also correspond to the original. To achieve the same strength and weight as the original, Avantone Pro worked with one of the original manufacturers. The new moulded cone allows for more accurate matching than the original, making it possible to offer matched pairs of speakers for the first time!
Description:The MC3.1 is a precise and transparent-sounding, high-quality monitor controller for the unadulterated reproduction of audio recordings without sound colouration. Based on the successful MC2.1, this monitor controller offers an extended range of functions with additional inputs, improved control options and extended routing options in a console design.The MC3.1 manages a total of five individually switchable sources including a front-panel aux input with volume control for easy connection of MP3 players, smartphones or tablets as well as a combined AES/SPDIF digital input with 24 bit/192 kHz. The extensive cue mix options with volume control allow sources to be assigned to either the main or the two cue outputs, each with its own headphone amplifier, for example to provide the artist and sound engineer with customised mixes. There is also a dedicated output for the cue mix.The preset volume control on the front panel can be used to set a calibrated and reproducible monitor volume so that the sound engineer can monitor the mix at the defined volume at any time at the touch of a button without the need for complicated adjustments.The MC3.1 has three balanced stereo speaker outputs and an additional mono output for an additional speaker/subwoofer. The left-right balance can be precisely adjusted for each output channel using a separate trim control on the underside. In addition, the channels can be activated individually or simultaneously in any order at any time. Multiple speakers can be used simultaneously with the same subwoofer or without.The MC3.1 provides additional control options during mixing with the solo switches Low, Mid, High and the Swap switch: these can be used, for example, to check the frequency separation between bass and mids as well as the stereo width of the frequency ranges and reverse the stereo assignment if required. In addition to the integrated microphone, the talkback section also offers a connection for an external microphone and can be controlled via a footswitch.
Genelec 8320APM - Active studio monitor with DSP filtersThe Genelec 8320APM from the SAM series offers professional audio quality and adapts perfectly to any listening environment thanks to its DSP technology. It significantly improves listening conditions, especially in small, acoustically difficult rooms.Thanks to the GLM software, automatic calibration and control with up to 16 parametric and 4 shelving filters minimise room influences and linearise the sound image. This guarantees high resolution and transparency for relaxed, analytical listening.The sturdy die-cast aluminium housing with rounded edges ensures optimised dispersion, precise localisation and deep bass - despite its compact dimensions. Two Class D power amplifiers with 50 watts each deliver powerful sound.Matching subwoofers such as the Genelec 7350 or 7360 extend the frequency range and are the perfect addition for even more depth and punch.Honest sound without much effortAutomatic calibration is carried out using the special GLM software. With up to 16 fully parametric and 4 shelving filters, the distorting influences of unfavourable room criteria can be greatly improved. A more linear, transparent sound image and a more relaxed listening experience can be achieved with simple means thanks to the clever DSP technology.Robust construction and plenty of powerTwo Class D power amplifiers with 50 watts each drive the woofers and tweeters built into a sturdy die-cast aluminium housing. Despite its compact dimensions, the speaker delivers amazingly differentiated bass via the bass reflex channel. The Iso-Pod stands supplied guarantee excellent decoupling of the speakers and allow the monitors to be individually angled to the listening position.
With ORIA, Audient presents the world's first audio interface with monitor controller designed specifically for immersive audio. Designed exclusively for creating immersive audio mixes for formats such as Dolby Atmos, ORIA enables calibration, control and multi-channel speaker arrays from stereo up to 9.1.6 and everything in between. Perfect for music, film, TV, gaming and VR productions. Designed for a dual purpose, ORIA not only excels as a powerful USB-C audio interface with 16 outputs for up to 9.1.6 mixing workflows, but can also be easily used as a standalone monitor controller via ADAT.
The most striking feature of the FX series is the coaxially integrated tweeter, which is not - as is often the case - a horn, but a dome tweeter. And the computer-calculated housing shape not only looks extremely cool, but also significantly optimises the dispersion characteristics of the FX50.Coaxial driverIn the centre of the 5" woofer is a 1" silk dome tweeter. The unique design in this price segment creates a point sound source - in principle without disturbing phase deviations or overlapping of the individual drivers. The frequency response of the FX80 ranges from 49 Hz to 22 kHzDIP switch for boundary compensationIn many (home) studios, space is at a premium, which can have an unfavourable effect on the acoustics. The FX50 is therefore equipped with EQ switches that can be used to control the influence of acoustically difficult rooms as well as the resonances of a wall directly behind the speakers. Users will find important information about the function of the DIP switches on the rear panel, and their function is described in detail in the operating instructions.Class D and DSP-controlledThe "Class D" power amplifier of the FX50 always delivers a clean and constant performance and sufficient headroom. The integrated high-performance DSP takes care of the digitally controlled crossover, resulting in extremely consistent sound reproduction. This makes the FX series reference monitors the perfect solution for demanding home and professional recording studios.LED display on the front baffleThe LED on the front panel not only provides information about the on/off/bypass status of the FX monitor, but also helps with the precise alignment of the speakers at ear level.Front slot port designThe bass reflex port maximises the bass efficiency of the speaker. The front arrangement not only provides a more direct radiation of the bass energy to the listener, but also allows the monitor to be set up close to the wall, which makes it much more flexible when it comes to placement options in the studio.Optimised tweeter protectionThe coaxial design with the tweeter mounted in the centre in front of the woofer makes the FX50 extremely robust. The woofer is therefore already equipped with a "protective shield". However, as the tweeter also needs to be protected, it has a small perforated grille in front of the sensitive silk cone.Imaging and bass responseHigh-quality drivers in a solid housing form the basis for transparent reference monitors, but only extensive listening tests and meticulous calibration of the crossover make this monitor a reliable working tool with absolutely precise bass response - and therefore a genuine Fluid Audio speaker. A mix created on the FX50 will never disappoint on other audio systems.
The KH 120 II is based on the same acoustic concept as its highly acclaimed predecessor, but has been completely redesigned to improve performance in all parameters: deeper bass, higher sound pressure levels and even better resolution. The internal DSP enables phase-linear crossovers and room-adaptive calibration via Neumann's revolutionary MA 1 Automatic Alignment.When Neumann launched the KH 120 A on the market in 2010, it was the beginning of an ongoing success story. Since then, Neumann Monitoring has become the reference in countless studios around the world. The KH 120 II follows the same philosophy as its predecessor and in fact all Neumann studio monitors: maximum linearity, minimal distortion, no colouration and perfect adaptability to any acoustic environment. Thanks to performance improvements in all parameters and a powerful DSP engine, the reproduction gains even more clarity, which enables more efficient work. This results in mixes that work perfectly on all playback systems. With ease.The KH 120 II has an exceptionally linear frequency response from 44 Hz to 21 kHz (+/-3 dB). And that's not all: it also linearises the phase response! This means: clear mids with astonishing transparency as well as extreme accuracy in the time domain with precise impulse reproduction and finely resolved reverbs. This is made possible by DSP-controlled electronics with sophisticated crossovers that avoid the phase distortion caused by analogue filters. The internal DSP also sets new standards in tonal consistency. The KH 120 II is manufactured with the lowest tolerances of just +/-0.5 dB! And you can hear it: the stereo imaging is razor-sharp.The KH 120 II is designed for near-field applications with a recommended listening distance of 1 - 2 metres. It is therefore ideal for smaller rooms such as home and project studios as well as mixing and editing suites or as a surround speaker in large multi-channel applications. Thanks to its outstanding linearity in a portable format, the KH 120 II is also an excellent choice for setting up a temporary control room in professional quality for on-site recordings (e.g. orchestra/choir, live recordings, film, radio).Even the best loudspeaker only sounds as good as the acoustic environment allows. Neumann's Mathematically Modelled Dispersion™ (MMD™) waveguide guarantees a wide sweet spot and minimises desk reflections. However, the KH 120 II goes much further: its internal DSP allows it to be calibrated using Neumann's revolutionary Automatic Monitor Alignment. The MA 1 system (available separately) ensures that the DSP-based monitors are optimally matched to the room character and perfectly calibrated for the listening position. This results in a significant improvement even in acoustically treated rooms.The sound compatibility with other KH-Line studio monitors allows the KH 120 II to be used in mixed setups, e.g. for immersive monitoring. The KH 120 II offers both analogue and S/PDIF inputs for flexible connection options.In addition, the KH 120 II AES67 model offers integrated redundant AES67 audio network ports that are fully compliant with broadcast standards such as ST 2110, ST 2022-7 redundancy and RAVENNA. At the same time, the KH 120 II AES67 is compatible with DANTE®-generated AES67 network streams.
Short ceiling bracket with a length of: 25 cm. The cables can be routed internally. A T-adapter piece is included in the scope of delivery. The monitors can be mounted horizontally and vertically. Rotatable by +/- 45 degrees, tiltable by 0 - 90 degrees, colour: black.
The S3V is a studio monitor with a 3-way system, designed for vertical use in the midfield, but can also be used in smaller working environments due to its excellent sound characteristics.A newly developed 9" woofer operates in the low frequency range from 32 Hz to 250 Hz. Thanks to the ELE and SMA technologies introduced with the new S series, this delivers a powerful and extremely precise low bass. In the mid and high frequencies, the 4" DCH midrange driver newly developed by ADAM Audio paired with the S-ART tweeter ensures a detailed, analytical sound. The HPS waveguide of the tweeter allows monitoring in a wide sweet spot and provides a fine representation of the stereo image and the depth gradation.The DSP board specially developed for the S series includes a perfectly tuned crossover for an extremely linear frequency response. Furthermore, two parametric level filters (one for the bass, one for the treble) and six additional fully parametric EQs with variable slope allow the monitor to be customised to the room or individual preferences. In addition, the DSP offers limiter-based protection mechanisms for the tweeter amplifier, digital AES3 inputs and various options for future expansions. Software updates and digital control via the computer are very easy via the USB port.Sufficient power reserves are provided by the PWM amplifiers for the bass and mid-range drivers with 500 W and 300 W respectively, as well as a 50 W A/B tweeter amplifier.The S3V is characterised by incorruptible reproduction over a wide frequency range from 32 Hz to 50 kHz. If you are looking for a natural sound image, this monitor provides precise feedback on the structure of the acoustic stage.
Compact DSP-controlled subwoofer with closed housing and redundant AES67 Ethernet port.The compact KH 750 AES67, a product variant of the KH 750 DSP, is the ideal subwoofer for redundant and loss-free transmission of audio-over-IP to the loudspeakers in an existing AES67 studio environment. In this way, it establishes the connection between the ST-2110/AES67 data streams and all monitors in the KH series. With the help of additional KH 750 AES67 subwoofers, stereo systems of any size can be realised. In addition to AES67 connectivity, the KH 750 AES67 offers the familiar functions of the KH 750 DSP, such as the unique and flexible Bass Manager as well as analogue and digital inputs, four routing modes and adaptable acoustic controls that can be used in many different configurations and setups.The KH 750 AES67 allows all monitors in the KH series to be integrated into a redundant AES67 IP network and, in conjunction with the MA 1 - Automatic Monitor Alignment software for Mac and PC, the entire system can be precisely adapted to the room conditions. This also applies to the connected analogue monitors, whose amplitude and phase response are optimised for the respective room using the DSP integrated in the subwoofer.
Mackie's Big Knob Studio combines first-class Onyx PreAmps and 96 kHz/24-bit converters with the flexible source selection and monitor switching of the well-known original. With smart features such as built-in talkback and an additional input for smartphones, the Big Knob Studio is the perfect compact solution for the studio.
Fluid Audio has developed the DS5 for 2-way studio monitors with 4" or 5" woofers. The stands can be set up with a height of 6.35 cm or 12.7 cm. With rubber caps fitted, effective acoustic decoupling of the monitors is achieved and a tilt angle of 0°, 3° or 6° can be realised as required.Another advantage of using the stands is that the monitors' tweeters are more or less at ear level, resulting in a much more balanced sound image at the listening position.The support frames (just like your speaker cabinets) are made of robust and well-damped MDF; the spacers are made of polypropylene. This thermoplastic material does not tend to "clink", as is the case with ABS plastic. The support frames are fitted with four 50-durometer rubber caps at the top and bottom, which absorb the speaker's kinetic energy to an extreme degree. The result: your monitors can play "liberated", with more definition in the bass range and less distortion in the mid-range.
The 7040APM enables precise low bass reproduction down to 30 Hz. With its compact design, it ideally complements setups consisting of 8010, 8020 or M030. The proven LSE technology (Laminar Spiral Enclosure) prevents airflow noise and distortion, and the subwoofer can be customised to the positioning in the room: There are dip switches for the phase position and a lowering of the low bass range.The bass management in the subwoofer forwards the stereo signal to the monitors filtered. Weighing just 11 kg, it is also suitable for all mobile applications.
The MR524 5.25 monitors impress with their detailed reproduction of a mix and outstanding performance. So you can be sure that a mix will sound good everywhere. Thanks to Mackie's years of experience in designing studio monitors, the MR524s are optimally tuned and reproduce a mix without distortion, whether it's rock, hip hop or speech. The logarithmic waveguide offers a wide dispersion angle, widening the sweet spot and optimising stereo location. And with the room adjustment options, the frequency response can be adapted to different studio rooms.
The HS series has become the standard for studio monitors and has enjoyed the trust of the best sound engineers, producers and artists for many years. Now Yamaha has redefined its essence in a compact package. HS3 and HS4 are powerful tools for creating a wide range of audio content and fulfil the expectations of creatives who have limited space and need to keep the volume down, but don't want to compromise on monitoring quality.